Master Index – Whitwell on Music

PC — Psychological Problems in Conducting (Whitwell Publishing, Austin, 2016)

AM —Aesthetics of Music Series
AM, I — Vol. 1 Aesthetics of Music in Ancient Civilizations, 2nd edn (Whitwell Publishing, Austin, 2011)
AM, II — Vol. 2 Aesthetics of Music in the Middle Ages, 2nd edn (Whitwell Publishing, Austin, 2012)
AM, III — Vol. 3 Aesthetics of Music in the Early Renaissance, 2nd edn (Whitwell Publishing, Austin, 2012)
AM, IV — Vol. 4 Aesthetics of Music in Sixteenth Century Italy, France and Spain, 2nd edn (Whitwell Publishing, Austin, 2012)
AM, V — Vol. 5 Aesthetics of Music in Sixteenth Century Germany, the Low Countries and England, 2nd edn (Whitwell Publishing, Austin, 2013)

WH — History and Literature of the Wind Band and Wind Ensemble Series
WH, I — Vol. 1 The Wind Band before 1500, 2nd edn (Whitwell Publishing, Austin, 2011)
WH, II — Vol. 2 The Renaissance Wind Band and Wind Ensemble, 2nd edn (Whitwell Publishing, Austin, 2011)
WH, III — Vol. 3 The Baroque Wind Band and Wind Ensemble, 2nd edn (Whitwell Publishing, Austin, 2011)
WH, IV — Vol. 4 The Wind Band and Wind Ensemble of the Classical Period, 2nd edn (Whitwell Publishing, Austin, 2012)
WH, V — Vol. 5 The Nineteenth Century Wind Band and Wind Ensembles, 2nd edn (Whitwell Publishing, Austin, 2012)

Books of Essays Series
MR Ancient Views on Music and Religion (Whitwell Publishing, Austin, 2013)
NW Ancient Views on the Natural World (Whitwell Publishing, Austin, 2013)
ME Early Views on Music and Ethics (Whitwell Publishing, Austin, 2013)
WM Ancient Views on What is Music (Whitwell Publishing, Austin, 2013)
EPP Early Thoughts on Performance Practice (Whitwell Publishing, Austin, 2013)

Name	Subject	Book	Page
Aesthetics	Whitwell definition	AM, I	19ff
Aesthetics	Will Durant	AM, I	1
Art Music	Defined	AM, I	52ff
Beethoven	Meyerowitz on form	AM, I	29
Bicameral brain	Right and left brain	AM, I	47ff
Brendel, Alfred	On emotion in performance	AM, I	37
Conducting	Role	AM, I	39ff
Conducting	Score study	AM, I	39ff
Croce, Benedetto	On Michaelangelo	AM, I	5
Croce, Benedetto	On emotion	AM, I	10ff
Davison, Arch.	On educational music	AM, I	27
Durant, Will	On Aesthetics	AM, I	1
Emotion in Music	Benedetto Croce	AM, I	10ff, 46
Emotion in Music	In performance	AM, I	36ff
Koussevitzky	Artistic worth in performance	AM, I	36
Leonardo da Vinci	“The Last Supper”	AM, I	5
Listener of Music	Various quotes	AM, I	42ff
Liszt, Franz	Artistic worth in performance	AM, I	35
Lully, Jean-Baptiste ,	His death	PC	17
Mahler, Gustav	On the important things	PC	15
McLuhan, Marshall	On phonetic writing	AM, I	30
Melos	Wagner	AM, I	32ff
Meyerowitz, Jan	On Beethoven’s form	AM, I	29
Mozart	Health last week	PC	16
Mozart	Wife’s disposal of scores	AM, I	21
Mozart, Constanze	On Mozart’s death	AM, I	21
Schumann, Robert	On bad compositions	AM, I	27
Wagner, Richard	On miliary band conductors	PC	13
Wagner, Richard	On Melos	AM, I	32ff
Wagner, Richard	On emotion in performance	AM, I	36
Wagner, Richad	His famous Credo	AM, I	28
Wagner, Richard	On conductor’s role	AM, I	31, 38
Whitwell, David	Aesthetics in Music defined	AM, I	19ff
Emotion in Perform	Brendel, Alfred	AM, I	37
Emoion in P:erform.	Wagner	AM, I	36
Military Music	Wagner on military conductors	PC	13
Sendrey, Alfred	Best writer on ancient societies	AM, I	61ff
Art Music	Sumeria, 2600 BC	AM, I	62ff
Art Music	Insruments in Daniel 3:5 and 3:15	AM, I	66
Music Education	Persia 600-330 BC	AM, I	68
Music in Society	Persia 600-300 BC	AM, I	68ff
Strabo	Music in ancient Societies	AM, I	69, 76
Kastner, Georges	Trumpet music in Ancient Persia	AM, I	69
Athenacus	Music in ancient Persia	AM, I	69
Sendrey, Alfred	Music of ancient Egypt	AM, I	73ff
Manniche, Lisa	Music in ancient Egypt	AM, I	75ff
Sendrey, Alfred	Ancient Hebrew Music	AM, I	85ff
Music Education	Old Testament	AM, I	87ff
Old Testament	On music	AM, I	85-99
Wagner, Richard	One pop work ruins concert	PC	19
Liszt, Franz	One pop work ruins concert	PC	19
Walter Bruno	On performing bad music	PC	20
Listener of Music	Wagner on playing for public	PC	21
Music Education	On learning from the repertoire	PC	22
Music in Society	Mozart and Haydn	PC	24
Schumann, Robert	On Vienna	PC	25
Hindsley, Mark	On football music	PC	26
Revelli, William D.	On football music	PC	26
Music Education	On poor Training in style	PC	28
Mozart	His rehearsal score for Figaro	PC	30
Conducting	Famous Sufi parable	PC	30
Military Music	On short scores	PC	30, fn. 2
Bicameral brain	On students in rehearsal	PC	33ff
Oakland, Lloyd	Distinguished music educator	PC	39
Conducting	Ormandy on rehearsal theory	PC	39
Emotion in Music	Whose emotions are they?	PC	41
Giulini, Carlo Maria	On the role of the conductor	PC	42
Conducting	Giulini on the role of the conducor	PC	42
Jesus Christ	On importance of dance	PC	45
Dalcroze, Emile	On movement	PC	45
Notation	Gaffurio, d. 1518 on unwriten music	PC	46
Gaffurio, Fr. d. 1518	“Sounds which cannot be written”	PC	46
Frescobaldi, 1615	Freedom in performance	PC	46
Movement	Freedom in performance	PC	47
Bonachelli. 1642	Freedom in performance	PC	47
Movement	Problems with notation	PC	47
Mattheson, d. 1764	Meaning of Italian tempo marks	PC	47
Movement	Meaning of Adagio	PC	47
Beethoven	“Feeling has its own tempo”	PC	48
Mozart, Leopold	On Italian tempo markings	PC	48
Bach, J. S.	Resolves a chord left hanging	PC	51, fn.17
Emotion in Music	Beethoven, an F# for “pain”	PC	59
Listener of Music	Liszt, tells Chopin “play for Art”	PC	61
Liszr, Franz	Letter to Chopin on public	PC	61
Chopin, Frederic	Letter from Liszt on public	PC	61
Athenacus	Birds were origin of Music	AM, I	103
Herodotus	On origins of ancient Greek music	AM, I	103
Triton	Invention of the trumpet	AM, I	103
Trumpet	Myth of its invention	AM, I	103
Greece	Music of ancient Greece	AM, I	103-341
Strabo	Importance of myths	AM. I	104
Modes	Original Greek modes	AM, I	104
Aristoxenus	On “tonos,” student of Aristotle	AM, I	194
Alexander the Great	Reacts to performance	AM, I	104
Eresus, 372-287 BC	Music therapy	AM, I	105
Modes	Phrygian in music therapy	AM, I	105
Aristotle	On music theory	AM, I	106
Athenacus	Magadis, ancient string instrument	AM, I	106
Plutarch	Rhythm in melody, 400 BC	AM, I	106
Athenacus	Rhythm in melody, 800 BC	AM, I	106
Plutarch	Ancient choral festivals	AM, I	107
Plutarch	Early Greek music education	AM, I	107ff
Music Education	Plutarch on early Greek	AM, I	107
Plato	Early Greek modes	AM, I	104
Strabo	Greek music ed. re Character	AM, I	108
Military Music	Early Greek “pyrrhiche” dance	AM, I	108
Socrates	Role of dance in military	AM, I	108
Military Music	Socrates on role of dance	AM, I	108
Alexander the Great	Was musician	AM, I	109
Music and Character	Plutarch on ancient oboist	AM, I	109
Oboe	Ismenias, ancient Greek piper	AM, I	109
Music and Character	Strabo, in Ancient Greece	AM, I	109
Plutarch	Music education and Greek nobles	AM, I	109
Music Education	Among Greek nobles	AM, I	109
Percujssion	In ancient Greece	AM, I	110
Strabo	Percussion in ancient Greece	AM, I	110
Trumpet	“Salpinx” in ancient Greece	AM, I	110
Kastner, Georges	Trumpet music in Ancient Greece	AM, I	111
Military Music	Marching to Aulos music	AM, I	111
Strabo	Aulos contests in ancient Greece	AM, I	111
Contests	Aulos contests in ancient Greece	AM, I`	111
Myths	Invention of the trumpet	AM, I	103
Myths	Lovers of Good Music, 4th c. BC	AM, I	112
Oboe	Jesus chases aulos players out	AM, I	112
Lyric Poets	Greece, 9th c, BC	AM, I	113-122
Archilochus	Lyric poet, 7th c., BC	AM, I	124, 133
Sappho	Lyric poet,`7th c., BC	AM, I	124
Alkman	Lyric poet, 7th c., BC	AM, I	124, 137
Alcacus	Lyric poet, 7th c., BC	AM, I	124
Anacreon of Teos	Lyric poet, 6th c., BC	AM, I`	124
Simonides	Lyric poet, 6th c., BC	AM, I	125ff
Pindar	Lyric poet, 6th c., BC	AM, I	125ff
Bacchylides	Lyric poet,, 6th c., BC	AM, I	125ff
Oboe	Contest, 490 BC	AM, I	126
Choral	Repertoire, ancient Greece	AM,I	126ff
Terpander	Lyric Singing, 7th c., BC	AM, I	128, 138
Phrynis	Nine-string Lyre [Plutarch]	AM, I	129
Music Education	Boys school in ancient Greece	AM, I	129
Clonas	Phrygian aulos player	AM, I	130
Plato	Complains, style by aulos players	AM, I	130
Oboe	Aulos players	AM, i	129ff
Trumpet	Accomp. Lyric singers	AM, I	131
Percussion	Accomp. Lyric singers	AM, I	131
Forms	Early Greek Odes, & others	AM, I	131ff
Dithyramb	Original Greek modes	AM, I	131
Ismenias	Musician, 63 – 24 BC	AM, i	135
Delphi	Festival music	AM, I	135
Plutarch	Music appeased a sedition	AM, I	139
Historians	Anonymous 5th c. BC	AM, 1	141ff
Herodotus	Early historian, 484-425 BC	AM, I	141ff
Thucydides of Athens	Early historian, 470-398 BC	AM, I	141ff
Xenophon of Athens	Early historian, 434-355 BC	AM,	141ff
Socrates	Philosopher, d, 399 BC	AM, I	141ff
Arionymous	Early singer rescued by dolphin	AM, i	141, fn 1
Delia Festival	Ionians of Delos	AM, I	143
Rhapsodists	Early singers	AM, I	143
Symposium	Early Greek drinking banquet	AM, I	143
Odeum	Early Greek concert hall	AM, i	145
Military Music	Greek armies marching to music	AM, i	146ff
Dance	Early Greek dance music	AM, I	149
Choral	Early Greek training	AM, i	150, 157
Democritus	Fifth Century BC Philosopher	AM, I	153
Archytas	Fifth Century BC Philosopher	AM, I	153
Metopus	Fifth Century BC Philosopher	AM, I	153
Bicamerial brain	Motopus, 5th c. BC	AM, I	153
Theages	Fifth Century BC Philosopher	AM, I	153
Photius	Fifth Century BC Philosopher	AM, I	155
Parmenidas	Fifth Century BC Philosopher	AM, I	155
Gorgias	Fifth Century BC Philosopher	AM, I	155ff
Thales	Philosopher, 640-546 BC	AM, I	156
Xenophanes	Philosopher, 576-480 BC	AM, I	156
Heraclitus	Philosopher, c.513 BC	AM, I	156ff
Hippas	Philosopher, c. 450 BC	AM, I	157
Plato	On Hippas	AM, I	157
Antiphon	Fifth Century BC Speaker	AM, I	157
Pythagoras	Philosopoher, 580-500 BC	AM, I	158-167
Music in Religion	Sumerian Song, 2,500 BC	MR	2
Music in Religion	Ancient references	MR	2ff
Plato	Magnet analogy re audience	MR	3
Eriugena, J. Scotus	On how music reaches audience	MR	3
Aesop Fables	Aesop, 620-560 BC	AM I	169
Aeschylus	Fifth Cent. Dramatist, 525-456 BC	AM, I	169ff
Sophocles	Fifth Cent. Dramatist,495-406 BC	AM, I	169ff
Euripides	Fifth Cent. Dramatist 480-408 BC	AM, I	169ff
Aristophanes	Fifth Cent. Dramarist, 448-380 BC	AM, I	169ff
Dance	Sophocles	AM, I	171
Aristotle	Winds better to accom. Voice	AM, I	172
Kraton of Chalkedon	Fourth centry BC famous oboist	AM, I	172
Oboe	Kraton, 4th c. BC famous player	AM, I	172
Plutarch	Dolphins love music	AM, I	172
Aristoxenus	On Greek modes,	AM, i	173
Aristoxenus	Student of Aristotle	AM, I	173
Choral	Chorus in Greek dramas	AM, I	175ff
Aesthetics	Art music, ancient Greek	AM, I	175ff
Music Education	In Greek dramas	AM, I	180ff
Music in Religion	In ancient Greek festivals	AM, I	181ff
Dance	In ancient Greek mourning	AM, I	184ff
Trumpet	Ancient Greek military	AM, I	185
Panpipe	In Sophocles	AM, I	186
Flute	Rural pipe, Sophocles	AM, I	186ff
Music in Society	Greek dramas	AM, I	186ff
Homer	Iliad,engtertainment music	AM, I	186
Listener of Music	In Greek dramas	AM, I	189ff
Plato	Philosophy of Music, 437-347 BC	AM, I	191-247
Aesthetics	Discussion in Plato	AM, I	198ff, 228
Damon of Athens	Teacher of Socrates	AM, I	220
Catharsis	In listener	AM, I	224, 262
Listener of Music	Catharsis	AM, I	224
Music Education	Plato	AM, I	225-232
Music in Society	Plato	AM, I	232ff
Contests	Plato	AM, I	232ff
Choral	Plato	AM, I	232ff
Aesthetics	Discussion in Plato	AM, I	237ff
Aristotle	Philosophy of Music, 384-322 BC	AM, I	249-271
Percussion	Heard by Aristotle	AM, I	251
Aesthetics	Discussion in Aristotle	AM, I	252-264
Listener of Music	Aristotle	AM, I	257ff
Music Education	Aistotle	AM, I	264-271
Music in Religion	Early Roman	MR	3ff
Sumeria	Religious music 3000 BC	MR	5ff
Babylonia	Religious music 2000 BC	MR	6
Egypt	Merit, god personification of musc	MR	7
Music in Society	Ancient Egypt	MR	6ff
Music in Religion	Plato: Greek style came from Egypt	MR	9
Apollo	Ancient god of Music and Medicine	MR	9
Flute	Panpipe and god Pan	MR	10
Flute	Invented by god Athena	MR	11
Bion	Early Greek poet, re flute	MR	11
Horace	Muse, Calliope played flute	MR	11
Orpheus	Famous legend, here by Ovid	MR	11
Ovid	Legend of Orpheus	MR	11
Music in Religion	Ancient Greece	MR	12ff
Plato	Listeners	MR	14
Contests	Plato	MR	17
Old Testament	On Music	MR	18ff
Greece	Alexanderian Period 323-146 BC	AM, I	273-279
Ptolemy	Greece, king of Egypt	AM, i	273
Athenacus	Decline in Art Music	AM, I	274
Aesthetics	Decline in Alex. Period of Greece	AM, I	274
Pherectrates	Early Greekk playwright	AM, I	274
Aristoxenus	Early Greek Art music decline	AM, I`	274
Plutarch	Early Greek Art music decline	AM,I	275
Sratonicus	Famous harp player, early Greece	AM, I	276
Music Education	Alex. Period, ancient greece	AM, I	277
Music in Society	Alex. Period, ancient greece	AM, I	127ff
Aristoxenus	Alex., b. 379 BC ancient greece	AM, I	281ff
Pyrrho, 360-270 BC	Sceptic School of Philosophy	AM, I	283
Epicurus, 342-270 BC	Epicurean School of Philosophy	AM, I	283ff
Zeno, 333-261 BC	Stoic School of Phlosophy	AM, I	283ff
Bicameral brain	Early Greek philosophers	AM. I	283ff
Theophrastus	Greek philosopher, 372-287 BC	AM, I	284ff
Aesthetics	Early Greek philosophers	AM, I	286ff
Music Education	Early Greek philosophers	AM, I	288ff
Eratosthenes	Early Greek philosophers	AM, I	288
Polyibus	Early Greek historan	AM, I	291ff
Crates of Thebes	Early Greek philosopher, fl. 326 BC	AM, I	292
Music in Society	Early Greek music by laborers	AM, I	292
Diogenes Laertius	Music by laborers	AM, I	292
Theocritus	Alexandrian Era poet, 315-264 BC	AM, I	293ff
Alexandrian Poets	Ancient Greece, 393-301 BC	AM, I	293-301
Hermesianax	Alexandrian poet, early 3rd \ c.,BC	AM, I	293
Bion	Alexrandian poet, fl. 105 BC	AM, I	293ff
Aesthetics	Alexandrian poets	AM, I	296ff
Greece	Roman Period, 146 BC-529 AD	AM, I	303-338
Aesthetics	Roman Period, 146 BC-529 AD	AM, I	303ff
Plotinus	Last Greek phil. 204-270 AD	AM, I	303ff
Epictetus	Greek philosopher, 55-135 AD	AM, I	305
Plutarch	Greek philosopher, 46-120 AD	AM, I	306ff
Bicameral brain	Plutarch, 46-120 AD	AM, I	306ff
Aesthetics	Greece 146 BC – 529 AD	AM, I	309ff
Strabo	On Aesthetics, 63 BC – 14 AD	AM, I	317ff
Choral	Odes Sixth C. BC	AM, I	321ff
Lucian	Satirist, 2nd c. AD	AM, I	322
Music Education	Greece, Roman Period	AM, I	323ff
Aristides Quintilianus	Greek philosopher 4th c. AD	AM, I	326-336
Music in Society	Greek, Roman Period	AM, I	336ff
Etruscan Music	Early Rome	AM, I	343ff
Ovid	On Etruscan aulos players	AM, I	344
Oboe	Ovid on Etruscan aulos players	AM, I	344
Livy	Early historian of Rome	AM, I	3435ff
Servius Tullius	King of Rome, 6th c. BC	AM, I	345
Numa Pompilus	Early Rome, 6th to 8th c. BC	AM, I	347
Roman Music	Republic Period, 240-27 BC	AM, I	351ff
Music and Prophesy	Ancient Roman Music	MR	22-28
Bacchylides	Music for Prophesy	MR	22
Horace, 66-8 BC	Music for Prophesy	MR	22
Apollo	God of music and prophesy	MR	22
Catullus, 84-54 BC	Roman poet	MR	24
Tibullus	Apollo	MR	23
Cicero, 106-43 BC	Roman writer	MR	24
Virgil, 70-19 BC	Roman poet	MR	24
St. Justin Martyr	Second century church father	MR	24
Old Testament	Music and prophesy	MR	24ff
Lope de Vega	Playwright, 1562-1635	MR	26
Paine, Thomas	On Old Testament, 18th c.	MR	27
Emotion in Music	Herbert Spencer, 19th c.	MR	27
Sandford, Loren	Paster on prophesy	MR	28
Music in Religion	Ancient Hebrew Views	MR	29
Old Tesament	Hebrew music	MR	29
Percussion	Miriam, a percussionist, Old Test.	MR	35
Trumpet	Performances in Old Testament	MR	35ff
Trumpet	God played Tpt, Zechariah 9:14	MR	36, fn 36
Julius Caesar	Percussion in the temple	MR	37
Virgil	Religious music in ancient Rome	MR	37
Music in Religion	Virgil, ancient Rome	MR	57
Ovid	Music for Egyptian god Ibis	MR	57
Ibis, Egyptian god	Ovid on religious music	MR	57
Perecussion	Ovid on Egyptian rituals	MR	57
Oboe	Used in theater, ancient Rome	MR	38
Oboe	Livy on aulos in religion in Rome	MR	38
Varro	Gods, 3,000 in ancient Rome	MR	38
Petronius, 7-66 AD	Rome, more gods than people	MR	38
Lucretius	On origin of god Pan	MR	38
Catullus, 84-54 BC	Religious music in honor of Cybele	MR	39
Cybele	Aulos, perc. In religious rite	MR	39
Ceres	Goddess of agriculture, Rome	MR	39
Ovid	Music for Bacchus festival	MR	40
Bacchus, Roman god	Ovid on Music for festival	MR	40
Women	Roman festivals for	MR	40ff
Saturn	Saurnalia festival with percussion	MR	41
Percussion	Saturnalia festival in Rome	MR	41
Berecyntian pipe	A bent horn, fest. of Idaean mother	MR	41
Percussion	Early Rome,fest. of Idaean mother	MR	41ff
Juno	Early Roman festival wih aulos	MR	42
Oboe	Festival in honor of aulos,	MR	42
Trumpet	Festival in honor of trumpets	MR	42
Music in Religion	A volume with 15 original essays	MR	251 pgs
Music in Society	In Ancient Civilizations	AM, i	526 pgs
Rome	Republic Period, 240-27 BC	AM, I	351-513
Varro, Macus	On the usefulness of music	AM, I	351
Cicero, 106-43 BC	On his personal slave	AM, I	351
Nepos, 100-22 BC	Performance not for gentlemen	AM, I	352
Musical slaves	Numerous in ancient Rome	AM, I	352ff
Philadelphus, 3rd BC	Roman Republic leader	AM, I	352
Trumpet	Lucius Flaccus, fl 19 AD, player	AM, I	352
Flaccus, Lucius	Roman consul, trumpet player	AM,I	352
Cicero, 106-43 BC	On musical slaves in Rome	AM, I	352
Chrysogon os	Roman noble opposed to music	AM, I	352
Sallust, 86-34 BC	Rome, performance not for women	AM, I	353
Aesthetics	Rome, Republic Period	AM, I	353ff
Theater	Rome, music as early as 389 BC	AM, I	353
Theater	Rome Republic Period	AM, I	353ff
Terence	Name of slave composer	AM, I	353
Polybius	Music in arena, 2nd c. BC	AM, I	354
Catullus	Ment. Simonides, lyric poet	AM, I	355
Simonides	Lyric poet	AM,,I	355
Women	Peformers in ancient Rome	AM,I	355
Ovid	Heroides should have accompany	AM, i	355
Pliny the Younger	Poems sung with instr. accomp..	AM, I	355
Music in Society	Ancient Rome, singing in banquets	AM, I	355, 368
Music Education	Rome, Republic Period	AM, I	355ff
Music Education	Rome 206 BC study contract	AM, I	356
Cicero, 106-43 BC	On music education	AM, I	356
Cicero, 106-43 BC	On a knight who sung	AM, I	356
Cicero, 106-43 BC	Music education by Spartans	AM, I	357
Spartans	Music educaion	AM, I	357
Music in Society	Rome, Republic Period	AM, I	3576ff
Dionysus	Roman festival description	AM, I	359ff
Women	Roman Festivals	AM, I	360ff
Roman Music	Festivals, Republic Period	AM, I	360ff
Livius	Composer, Rome Repujblic	AM, I	361
Terence	Wedding music in “The Brothers”	AM, I	363
Trumpet	Military use in Rome	AM, I	363
Military Music	Roman, Republic Period	AM, I	363ff
Civic Music	Rome, Republic Period	AM, I	364
Catullus	Poem 64, music for prophesy	AM, I	364
Flute	Cicero on pitchpipes	AM, I	365
Cicero, 106-43 BC	On the pitchpipe	AM, I	365
Quintilian	Use of music in oratory	AM, I	265
Music in Society	Entertainment music, Rome	AM, I	366ff
Livy	Early Roman festivals	AM, I	359
Rome	Republican Period Philosophy	AM, I	369-400
Varro, 116-27	Early Roman philosophy	AM, I	369
Cicero, 106-43 BC	Early Roman philosophy	AM, I	369ff
Lucretius, 99-55 BC	Early Roman philosophy	AM, I	369ff
Aesthetics	Rome Republican Period	AM,I	371-400
Sallust, 86-34 BC	Early Roman philosophy	AM, I	369
Emotion in Music	Early Roman Republican Period	AM, I	375ff
Cicero, 106-43 BC	Emotion in Music	AM, I	375ff
Cicero, 106-43 BC	Listener of Music	AM, I	389ff
Debussy	Listener of Music	AM, I	389, fn 66
Rome	Augustian Period	AM, I	401-422
Horace, 66-8 BC	Roman philosopher	AM, I	401
Aesthetics	Augustian Period	AM, I	402ff
Horace	Purpose of art	AM, I	402
Virgil	Purpose of art	AM, I	402
Ovid	Purpose of art	AM, I	402
Theater	Rome Augustian Period	AM, I	409
Listener of Music	Rome Augustian Period	AM, I	410
Music Education	Rome Augustian Period	AM, I	415ff
Music in Religion	Rome Augustian Period gods	AM, I	416
Military Music	Rome Augustian Period	AM, I	417ff
Music in Society	Rome, early watchman	AM, I	418
Trumpet	Virgil, Roman miliary	AM, I	419
Virgil, 70-19 BC	Rome military natural trumpet	AM, I	419
Propertius	Rome, sound of early brass	AM, I	419
Music in Society	Rome, shepherd, housewife	AM, I	420ff
Tibullus	Rome, music in society	AM, I	419ff
Suetonius	Rome banquet music of Augustus	AM, I	422
Rome	Augustian Period poets	AM, I	423-458
Horace	Rome Augustian poetry	AM, I	423ff
Propertius	Rome Augustian poetry was sung	AM, I	423
Tibullus, 54-18 BC	Rome Augustian poetry	AM, I	423ff
Ovid, 43 BC – 17 AD	Rome Augustian poetry	AM, I	423ff
Apollo	Roman god	AM, I	428ff
Diana	Roman god	AM, I	430
Neptune	Roman god	AM, I	439
Orpheus	Roman god, here Ovid version	AM, I	431ff
Pan	Roman god	AM, I	432ff
Venus	Roman god	AM, I	435
Aesthetics	Roman lyric poets	AM, I	435ff
Propertius	Rome, Cynthia love songs	AM, I	439-446
Music education	Rome Augustian Period	AM, I	447ff
Music in Religion	Rome Augustian cult festivals	AM, I	452ff
Oboe	Virgil “curved pipe”`	AM, I	457
Aesthetics	Rome, Empire period 14-476	AM, I	459-476
Music Education	Rome, Caligula, 12-43 AD	AM, I	459
Apelles,singer	Punished by Caligula	AM, I	459
Nero, Emperor	Rome, singer	AM, I	459ff
Tacitus	Source for Nero as musician	AM, I	460
Organ	Rome, water orogan	AM, I	462
Titus, 79-81 AD	Roman emperor, music education	AM, I	462
Rome, concert hall	Built by Titus, 79-81 AD	AM, I	462
Rome, concert hall	Built by Trajan, 52-117 AD	AM, I	463
Suetonius	Early scholar of Roman emperors	AM, I	462
Hadrian, 76-183 AD	Roman emperor, music education	AM, I	463
Marcus Aurelius	Roman emperor, music education	AM, I	463
Andronius	Lyre Teacher of Marcus Aurelius	AM, I	463
Rome, Caracalla	Lyre specialist, teacher of Aurelius	AM, I	463
Elagbalus, 205-222	Roman emperor, musician	AM, I	463
Oboe	Elagbalus emperor, played aulos	AM, I	463
Flute	Elagbalus, emperor, panpipes	AM, I	463
Flute, Empire Period	Panpipes played in cult services	AM, I	463
Organ	Emperor Elagbalus played	AM, I	463
Organ	Emperor Alexander played	AM, I	463
Oboe	Emperor Alexander played	AM, I	463
Alexander	Roman emperor, music education	AM, I	463
Rome, concert hall	Built by Maximian, 286-305	AM, I	463
Music in Society	Rome, 489-526	AM, I	463
Aeshetics	Rome, Empire period 14-476	AM, I	463ff
Choral	Rome, Empire period 14-476	AM, I`	464ff
Music in Society	Rome, early home concerts	AM, I	465
Pliny the Younger	Rome, early home concerts	AM, I	465
Music in Society	Rome, Empire mass players	AM, I	465
Choral	Rome, 3,000 singers perform	AM, I	465
Dance	Rome, 3,000 dancers perform	AM, I	465
Oboe	Rome, early female player	AM, I	465
Women	Rome, early aulos player	AM, I	465
Horn	Rome, 100 horns perform	AM, I	466
Trumpet	Rome, 100 trumpets perform	AM,I	466
Choral	Rome Empire Period repertoire	AM, I	466
Music in Society	Rome Empire Period banquets	AM, I	466
Persius, 35-62 AD	Home concert satire	AM, I	466
Theater	Rome, music composed for	AM,I	467
Theater	Rome, contests	AM,I	467
Quintilian	Rome theater music	AM, I	467
Contests	Rome, in theater, Empire period	AM, I	467
Courts music	Rome, famous players	AM, I	467
Canus	Rome famous aulos player	AM, I	467
Emotion in Music	Rome, Canus on his purpose	AM, I	467
Oboe	Canus on aulos Technique	AM, I	467
Oboe	Aulos used in hunting	AM, I	467, fn 32
Vitrllius, 69 AD	Concert at banquet	AM, I	470
Music in Society	Seneca the Elder opposed	AM, I	470ff
Music in Society	Rome, 4th century	AM, I	470
Music Education	Rome, Empire Period	AM, I	471
Music in Religion	Rome use of trumpets	AM. I	471
Oboe	Rome, aulos plays for sacrifice	AM, I	4371
Music in Society	Rome, serous banquet music	AM, I	471
Music in Religion	Rome, ceremony for eclipse	AM, I	471
Music in Religion	Rome, Hebrew use	AM, I	472, fn 45
Military Music	Rome, Empire period 14-476	AM, I	472ff
Horn	Use in military, Rome Empire	AM, I	473
Military Music	Augustian Legion, 39 tpts, 36 hns	AM, I	473
Music in Society	Rome, music for loom workers	AM, I	473
Aesthetics	Rome entertainment music	AM, I	474ff
Military Music	Horse ballet, Pliny the Elder	AM, I	475
Trumpet	Mechanical trumpet	AM, I	475
Claudius, 41-54 AD	Mechnical trumpet in sea battle	AM, I	475ff
Courts music	Rome Imperial Philosophers	AM, I	477-498
Emotion in Music	Early Christians, inc St. Basil	MR	45
Music in Religion	Early Christans, not in home	MR	46ff
Music in Religion	Early Christians no love of Art	MR	47
Clement of Alexandria	Anti-Greek music traditions	MR	48ff
Music in Religion	Ancient Egyptian role	MR	48
Music in Religion	Diff. between Old and New books	MR	49
Music in Religion	New Testament references	MR	49ff
Pythagoras	Music of the Spheres	AM, I	477
Pliny the Elder	Music of the Spheres	AM, I	477
Quintilian	Music of the Spheres	AM, I	477
Animals	Pliny the Elder on birds	AM, I	478
Oboe	Ancient source of reeds	AM, I	479
Music in Society	Mythical source of instruments	AM, I	480
Aesthetics	Imperial philosophers	AM, I	481-494
Senses	Marcus Aurelius	AM, I	480
Harp	Quintilian on techniquje	AM, I	480ff
Senses	Pliny the Elder	AM, I	481
Emotions in Music	Pliny the Elder on role of eyes	AM, I	481
Emotions in Music	Rome Imperial philosophers	AM, I	481ff
Music and Oratory	Quintilian	AM, I	482, 486
Emotians in Music	Quintilian on “pathos”	AM, I	484ff
Art and Nature	Marcus Aurelius	AM, I	487
Repertoire	Variety, Imperial philosophers	AM, I	487ff
Listener of Music	Imperial philosophers on criicism	AM, I	488
Listener of Music	Imperial philosophers on audience	AM, I	489-493
Music in Society	Pliny the Elder on entertainment	AM, I	493
Music Education	Imperial philosophers on audience	AM, I	495ff
Rome	Imperial poets	AM, I	499-509
Calpurnius Siculus	Imperial poet, c. 50 AD	AM, I	499
Art and Nature	Seneca, 3 BC – 63 AD	AM, I	500
Apollo	As harpist in Lucian, c. 125 AD	AM, I	599
Harp	Apollo as harpist	AM, I	500
Music and Oratory	Unsuccessful lawyers vs poets	AM, I	501
Aesthetics	Imperial poets	AM, I	503ff
Music in Society	Imperial poets	AM, I	502ff
Music in Religion	Contest of Good and Evil	AM, II	3-85
Music in Society	First three centuries AD	AM, II	3-9
Aesthetics	First three centuries AD	AM, II	11ff, 27ff
Longinus	“On the Sublime,: first century AD	AM, II	11-21
Art and Nature	Longinus, first century	AM, II	21
Galen	Art and Nature	AM, II	22, 26
Art and Nature	Galen	AM, II	22
Senses	Sextus Empiricus	AM, II	22ff
Sextus Empiricus	Physiology of Aesthetis	AM, II	22ff
Aesthetics	Grammer vs Music	AM, II	27
Aesthetics	Evils of Music	AM, II	29-38
Listener of Music	Lullabies	AM, II	37
Wind Music BC	The ancient and Near East	WH, I	9-13
Egypt	Wind music in ancient Egypt	WH, I	10-16
India	Ancient wind music	WH, I	8
Parthiania	Ancient wind music	WH, I	10
Flute	Sumeria, 2600 BC	WH, I	10
Horn	Carchemish relief 1,200 BC	WH, I	10
Horn	Egypt, 1,400 BC 49 horns with gold	WH, I	10
Trumpet	Persia, war hymn	WH, I	10
Persia	Darius III, 129 instrumentalists	WH, I	11
Military Music	Syria, 135-145 BC	WH, I	11
Oboe	Syria,double body aulos	WH, I	11
Canujs of Rhodes	Famous early double-reed player	WH, I	11ff
Oboe	Tames mares of Libya	WH, I	12
Trumpet	Assyria, 1,800 BC	WH, I	12
Trumpet	Ancient China	WH, I	12
Percussion	Ancient China	WH, I	12
Flute	Invention of transverse flute	WH, I	13
Trumpet	Sound described in 451 AD	WH, I	13
Old Testament	Hebrew wind music	WH, I	19-26
Courts music	Old Test. Daniel 3:5 and 3:15`	WH, I	19ff
Trumpet	Old Testament	WH, I	20-22
Percussion	Old Testament	WH, I	22ff
Military music	Oldl Testament	WH, I	23ff
Wind Music	Wind music in ancient Greece	WH. i	29-46
Pythagoras	Bicameral comment	WH, I	29
Aesthetics	Ancient Greece	WH, I	29ff
Trumpet	Ancient Greerce, “salpinx”`	WH, I	30ff
Trumpet	Ancient Greece military	WH, I	30ff
Trumpet	Signals in anciesnt Greecer	WH, I	30ff
Trumpet	Picture, 6th century BC	WH, I	31
Trumpet	Ancient Greece use of false signals	WH, I	32
Trumpet	Use in early Olympics	WH, I	32
Aulos	Greece double pipe	WH, I	33
Aulos	Picture, 4th century BC	WH, I	34
Dance	Ancient Greece	WH, I	35ff
Military Music	Use of Aulos, ancient Greece	WH, I	35ff
Military Music	Affect on horses, ancient Greece	WH, I	37
Music in Society	Ancient Greece	WH, I	38ff
Contests	Ancient Greece; repertoire	WH, I	39ff
Contests	Aristotle disapproves	WH, I	39
Music education	Teachers in ancient Greece	WH, I	40ff
Music in Society	Ancient Greece decay	WH, I	41ff
Aulos	Single pipe, ancient Greece	WH, I	41ff
Flute	Transverse flute missing in Greece	WH, I	43
Percussion	Ancient Greece	WH, I	43ff
Modes	Ancient Greece	WH, I	44ff
Music and Character	Aristotle	WH, I	45
Music in society	Ancient Greece known repertoire	WH, I	46
Wind Music	Wind Music of Etruscans	WH, I	49-52
Etruscans	Roman instruments first appear	WH, I	49ff
Music in Religion	Virgil and horn player	WH, I	50
Horn	In cult religious ceremonies	WH, I	50
Aulos	Etruscan hunting	WH, I	51
Dance	Etruscan dancers popular in Rome	WH, I	52
Wind Music	In ancient Rome	WH, I	55-65
Military Music	Tumpets, horns, ancient Rome	WH, I	56ff
Horn	Picture of Roman Cornu	WH, I	56
Trumpet	Ghost trumpeter, Suetonius	WH, I	57
Music in Religion	Ancient Rome cult ceremonies	WH, I	58ff
Livy, 59 BC – 17 AD	Rome, Dionysus cult ceremony	WH, I	59
Music; in Society	Rome games, banquets	WH, I	62ff
Music in Society	Roman music guilds [collegia]	WH, I	64
Flute	Rome panpipes chafed lips	WH, I	65
Courts music	Rome, early emperors	WH, I	65
Minstrels	Early Jongleur	WH, I	71-87
Minstrels	Skills, 12th century	WH, I	72
Trumpet	Trio, 13th century, Joinville	WH, I	72
Minstrels	Poverty	WH, I	74
Choral	Mouth minstrels [singers]	WH. I	77
Minstrels	Mostly wind players	WH, I	77
Court	Court life, 14th c.	WH, I	77
Minstrels	Minstrel schools	WH, I	78ff
Chaucer	Description of minstrels	WH, I	80ff
Minstrels	Decline of minstrel period	WH, I	83ff
Minsrels	Minstrel guilds, photo	WH, I	84-87
Music in Religion	Medieval Church wind bands	WH, I	91-111
Percussion	Medieval church, cymbals = lips	WH. I	92
Music in Religion	Late Medieval wind bands	WH, I	95ff
Dance	Medieval church not allowed	WH, I	97ff
Music in Religion	Council of Constance,1414-1418	WH. I	101
Music in Religion	Church Dramas	WH, I	107-111
Civic Music	Civic wind bands, late medieval	WH, I	115-154
Civic Music	Tower music, watchmen	WH, I	115
Trumpet	Slide-trumpet introduction 15th c.	WH, I	117
Civic Music	Early wind bands in Italy	WH, I	121-129
Trumpet	In medieval Italian civic music	WH, I	122ff
Trumpet	Treviso civic contract with duties	WH, I	124
Civic Music	Large Italian civic bands 15th c.	WH, I	125
Civic Music	Wind bands in civic festivals	WH. I	126ff
Civic Music	Civic wind bands in weddings	WH, I	128
Music education	Civic bands, academic celebration	WH, I	129
Civic Music	Early Civic bands in England	WH, I	131-135
Civic Music	Early civic bands in Low countries	WH, I	137-141
Concerts	Early Civic bands, Low countries	WH, I	140ff
Civic Music	Early wind bands in France	WH, I	143-147
Civic Music	Early French wind band Guilds	WH, I	145-147
Civic Music	Early Civic bands in Germany	WH, I	149-154
Civic Music	Early German civic pay schedule	WH, I	1`54
Music in Religon	Third c.,Origen, music is important	MR	54
Music in Relilgion	Third c. Lactantius, music is bad	MR	54ff
Jesus	Account of Jesus singing	MR	55
Music in Religion	Early hymn and psalm practice	MR	55ff
Music in Religion	Words more important than music	MR	57ff
St. Augustine	On church music	MR	57ff
Music in Religion	Ancient views on music in Heaven	MR	59-68
Trumpet	Famous early double-reed player	MR	62
Chaucer	House of Fame, Day of Judgment	MR	63ff
Hildegard von Bingen	Music in Heaven	MR	66
Milton, John	Music in Heaven	MR	66
Bunyan, John	Music in Heaven	MR	67
Schubert	Mozart, Sym. 40 “wings of angels”	MR	68
St. Augustine	On Music	MR	69-87
Music in Religion	Roman church in Dark Ages	MR	89-111
Cassiodorus	On Music	MR	90ff,100
Gregory of Tours	On hymn singing	MR	96
Salvian	On the Government of God	MR	92ff
Venerable Bede	Ecclesiastical of England	MR	97
Boethius	On church music	MR	100
Charlemagne	King, 768-814 AD	MR	101-103
Hrotswitha	Paphnurius, 10th c, play	MR	105ff
Hucbald	“De Harmonica Institutione,”895 AD	MR	108
Anonymous	Scholia Enchiriadis, c. 900 AD	MR	109
Odo of Cluny	“Enchiridion Musices,” c. 935 AD	MR	109
Guido of Arezzo	“Micrologus,” c. 1026-1028 AD	MR	109
Guido of Arezzo	“Epistola de Ignoto Cantu,”1030 AD	MR	110
John	“On Music,” c. 1100 AD	MR	110
Court	Wind bands in Medieval courts	WH, I	159-170
Minstrels	Minstrels hired by medieval courts	WH, I	159-162
Tinctoris	Alta, haut = wind band	WH, I	162
Philip the Good	Wind band	WH, I	161
Trumpet	Friedrich III multitude use of	WH, I	166
Court	Dinner music re size of hall	WH, I	165ff
Court	Medieval music for tournamens	WH, I	167ff
Court	Medieval music for the hunt	WH. I	160
Court	Medieval wind in battle	WH, I	170
Dance	Medieval winds for dance	WH, I	173ff
Court	Medieval bands, lost repertoire	WH, I	177ff
Court	Medieval bands in English courts	WH, I	181-204
Court	Mumming in English courts	WH, I	192
Court	Large band appear in 15th c.	WH, I	197ff
Court	Medieval accounts of duties	WH, I	198ff
Court	Medieval England, player names	WH, I	200ff
Court	Bands in Ireland and Scotland	WH, I	203ff
Court	Medieval French Court bands	WH, I	207-216
Court	French bands in crusades	WH, I	207yff
Court	Medieval bands in Spanish courts	WH, I	219-224
Court	Bands of Ferdinand and Isabella	WH, I	223ff
Court	Medieval bands in Italian courts	WH, I	227-241
Court	Medieval bands in Burgundy	WH, I	243-258
Court	Philiip the Good, personal desc.	WH, I	246
Trumpet	In Philip the Good’s great wood cat	WH, I	252
Court	Music in Golden Fleece banquet	WH. I	253ff
Court	Medieval German court bands	WH, I	261-277
Charlemagne	Court wind bands	WH. I	261-262
Trumpet	“Song of Roland,” 1,000 trumpets	WH, I	261
Court	“Triumph of Maximilian I,” plates	WH, I	271-275
Oboe	Notes on the medieval shawm	WH, I	281-282
Horn	Notes on the medieval cornett	WH, I	286-287
Percussion	Notes on medieval percussion	WH, I	287-289
Court	Renaissance court bands	WH, II	3-139
Court	Consorts given in Praetorius	WH, II	5
Dance	Renaissance winds with dance	WH, II	6ff
Court	Durer plates of wind trios	WH, II	7-8
Listener of Music	Famous 1555 desc.of lute player	WH, II	10
Court	Winds with Renaissance armies	WH, II	11ff
Court	Bands in Renaissance England	WH, II	15-59
Court	Bands under Henry VIII	WH, II	15-29
Court	Bands of Cardinal Wolsey	WH, II	22-24
Court	Bands under Elizabeth I	WH, II	36-54
Court	Elizabeth’s Progresses	WH, II	46-54
Theater	Winds in Elizabethian theater	WH, II	5458
Court	Music of Antony Holborne	WH, II	58ff
Court	Bands in Renaissance France	WH. II`	61-85
Court	Bands under Francis I, 1515-1647	WH, II	62ff
Court	Published “Danseries”	WH, II	67ff
Court	Bands under Chas. IX of France	WH, II	73ff
Court	Bands under Henry III of France	WH, II	80ff
Court	Bands under Henry IV of France	WH, II	83ff
Court	Bands in Renaissance Spain	WH, II	87ff
Court	Bands under Charles V	WH, II	89ff
Court	Wind inventory, Mary of Hungary	WH, II	93, fn 27
Court	Wind inventory of Philip II	WH, II	94, fn. 30
Court	Bands in Renaissance Germany	WH, II	97- 115
Trumpet	German instrument makers	WH, II	97
Repertoire	Renaissance bands in Germany	WH, II	97
Court	William V of Bavaria	WH, II	98ff
Court	Wind inventory, Ferdinand II	WH, II	101, fn. 25
Court	Philipps von Hesssen, 16th c.	WH, II	104ff
Court	Instrument inventory Hessian court	WH, II	104, fn. 44
Court	Moritz, Landgraf of Hesse-Cassel	WH, II	105ff
Court	Wind inventory, Moritz of Hesse	WH, II	106. fn. 50
Court	Duke Albert of Prussia	WH, II	107ff
Court	Wind inventory, Albert of Prussia	WH, II	108ff
Repertoire	Part-books of Albert of Prussia	WH, II`	110ff
Court	Christian I of Saxony	WH, II	113ff
Court	Wind inventory, Christian I	WH. II	115, fn. 81
Court	Bands in Renaissance Italy	WH,II	117-139
Court	Papal Renaissance wind bands	WH, II	117-124
Clement VII	Wind bands	WH, II	121ff
Leo X, pope	Wind band	WH, II	119ff
Repertoire	Benvenuto Cellini, diary	WH, II	121
Court	Picture, Venice wind band, 1559	WH, II	126-139
Civic Music	Renaissance wind bands	WH, II	143
Civic Music	Tower musician skills	WH, II	144
Civic Music	English Wait Bands	WH, II	147-163
Civic Music	Bands in Renn. Low Countries	WH, II	165-174
Repertoire	Music by Tielman Susato	WH, II	175-177
Civic Music	Rennaissance bands in France	WH, II	179-183
Repertoire	Renaissance French danseries	WH, II	181ff
Repertoire	Nicolas Du Chemin publications	WH, II	181
Reperoire	Arbeau “Orchesography” 1588	WH, II	181
Civic Music	Renaissance bands in Germany	WH, II	185-195
Civic Music	Renaissance bands in Italy	WH, II	197-201
Civic Music	Instrument inventory, Verona	WH, II	201
Music in Religion	Renaissance church wind bands	WH, II	205-247
Music in Religion	Picures, winds and choir	WH, II	206
Music in Religion	Italian Scuole	WH, II	242
Music in Religion	Girdolamo Dalla Casa, of Venice	WH, II	243ff
Music in Religion	Italian canzoni composers	WH, II	244ff
Music in Religion	Performance practice, Praetorius	WH, II	244
Repertoire	Music of Giovanni Gabrieli	WH, II	246ff
Reperoire	Praetorius, Syntagma Vol. 3	WH, II	251ff
Shawm	Notes on Renaissance shawm	WH, II	259ff
Bassoon	Notes on Renaissance bassoon	WH, II	260ff
Cornett	Notes on Renaissance cornett	WH, II	262ff
Trumpet	Notes, Renaissance development	WH, II	263ff
Music in Society	Poets, first three centuries	AM, II	39ff
Aesthetics	First three centuries AD	AM, II	43-80
Music Education	First three centuries AD	AM, II	58ff
Senses	First three centuries AD	AM, II	65ff
New Testament	Insruments	AM. II	81ff
Music in Society	Fourth, fifth centuries, Fall of Rome	AM, II	87-134
Aesthetics	After the Fall of Rome	AM, II	89-134
Listener of Music	After the Fall of Rome	AM, II	103
Capella, Martinus	Fifth century philosopher	AM, II	104ff
Music in Religion	St. Basil, after the fall of Rome	AM, II	115ff
Music in Religion	St, John Chrysostom, 4th century	AM, II	117ff
Senses	St. Ambrose	AM, II	125ff
Music in Religion	St. Augustine, 354-430 AD	AM, II	135-170
Aesthetics	St. Augustine, 354-430 AD	AM, II	135ff
Senses	St. Augustine, 354-430 AD	AM, II	142-146
Emotion	St. Augustine, 354-430 AD	AM, II	148ff
Music in Religion	St. Augustine, 354-430 AD	AM, II	164ff
St. Augustine	“On Music”	AM, II	166-170
Music in Society	The Dark Ages, 6tth through 8th c.	AM, II	175-212
Bicameral brain	Late Middle Ages	AM, II	183-196
Charlemagne	Frohliche Jagd	AM, II	181, 188ff
Aesthetics	Boethius	AM, II	183, 113ff
Aesthetics	On Beauty, Pseudo-Dionysius	AM, II	186ff
Aesthetics	Cassiodorus	AM, II	187, 219ff
Poets	Dark Ages	AM, II	197–206
Beowulf	English poem, Dark Ages	AM, II	206ff
Music in Religion	Gregory the Great, 6th century	AM, II	209ff
Music in Religion	Venerable Bede	AM, II	211ff
Aesthetics	Isidore of Seville	AM, II	221ff
Aesthetics	Pre-renaissance, 9th – 11th c.	AM, II	229-245
Aesthetics	Aurelian, Musica Disciplina 843 AD	AM, II	248ff
Aesthetics	Hucbald, De Harmonica, 895 AD	AM, II	253
Aesthetics	Anon. Scholia Enchiriadis, 900 AD	AM, II	254
Aestheics	Al-Farabi, Ihsa Al-Ulum, 900 AD	AM, II	254ff
Aesthetics	Al-Farabi, De Ortu Scientiarum	AM, II	2155ff
Aesthetics	Odo of Cluny, Enchiridion, 935 AD	AM, II	256ff
Aeshetics	Guido of Arezzo, Mirologus, 1000	AM, II	257ff
Aeshetics	Giodo of Arezzo, Episola, 1000 AD	AM, II	261
John	“On Music” c. 1100 AD	AM, II	261ff
Music in Society	Late Middle Ages	AM, II	271ff
Aesthetics	Late Middle Ages	AM, II	275ff
Music in Religion	The Crusades	AM, II	281-286
Aesthetics	Late Medieval philosophers	AM, II	287ff
Bacon, Roger	English philosopher, b, 1214	AM, II	291ff
Aesthetics	Grosseteste, philosopher, b. 1178	AM, II	297ff
Aesthetics	John Duns Scotus, philosopher	AM, II	299ff
Animals	Albertus Magnus, b. 1193	AM, II	301ff
Aesthetics	Bartholomew Anglius, 13th c.	AM, II	307
Music in Religion	Dealing with Aristotle	AM, II	311ff
Peter Abelard	Church philosopoher, 1079-1144	AM, II	311ff
Bernard of Clairvaux	St. Bernarfd, 1090-1153	AM, II	311ff
Thomas Acquinas	Church philosopher, 1224-1274	AM, II	312, 333ff
Hildegard von Bingen	Senses	AM, ii	315
Senses	Hildegard von Bingen	AM, II	315ff
Senses	Bonaventure, fl. 13th c.	AM, II	316
Aesthetics	Late medieval Church views	AM, II	318ff
Minestrels	Late medieval jongleurs	AM, II	325ff
Ramon Lull	On the late medieval Jongleur	AM, II	326ff
Aeshetics	John of Salisbury Church phil.	AM, II	313ff
Aesthetics	French Chansons de Geste	AM, II`	355ff
Aesthetics	Troubadours and Trouveres	AM, II	369ff
Aesthetics	Dante, 1265-1321	AM, II	397ff
Aesthetics	Minnesinger songs	AM, II	417ff
Aesthetics	Poetry of the Gollards	AM, II	427ff
Aesthetics	Anon. De Musica Mensurata, 1279	AM, II	434ff
Aesthetics	Garlandia, de Mensurabili Musica	AM, II	435ff
Aesthetics	Grocheo, De Musica, 1300 AD	AM, II	437ff
Band	The Hautboisten tradition	WH, III	3-21
Court	Bands in Baroque France	WH, III	25-55
Music in Religion	Pre-Renaissance Church views	MR	113ff
Music in Religion	Matthew Paris. Historian, 1254	MR	114
Music in Religion	Growth of the Roman Church	MR	115
Aristotle	On early unknown books	MR	115
Peter Abelard	Works to revive Aristotle works	MR	115ff
Music in Religion	Council of Paris, 1212	MR	117
Music in Religion	Council of Bayeux, 13th c.`	MR	117
Ramon Lull	Jongleur	MR	118
Bernard of Clairvaux	Song of Solomon	MR	119ff
Aesthetics	John of Salisbury	MR	120
Music in Religion	The Crusades	MR	123ff
Thomas Acquinas	On Music	MR	131ff
Court	Bands in Germany	WH, III	57-70
Band	Hautboisten bands	WH, III	57-60
Court	Mainz court wind inventory, 1721	WH, III	57, fn. 3
Music in Religion	Wurttemberg, voices and winds	WH, III	60
Court	Duke Christian of Weissenfels	WH, III	60
Court	Emperor Ferdinand III, 1637-1657	WH, III	61
Court	Emperor Leopold I, 1658-1705	WH, III	61
Court	Baroque horse ballet	WH, III	62ff
Court	Maria Theresia, water pageant	WH, III`	63ff
Trumpet	Golden Age of the Trumpet	WH, III	65ff
Trumpet	Baroque trumpet guilds	WH. III	68ff
Court	Bands in Italy	WH, III	71ff
Court	Italian horse ballets	WH, III	73ff
Court	Venice water pageants	WH, III	73ff
Court	Wind bands in Spain, 12 winds	WH, III	75ff
Court	Wind bands in England	WH, III	77-100
Court	James I, with plates	WH, III	77-83
Court	Baroque Masque	WH, III	83-87
Court	Charles II, Restoration	WH, III	92-100
Court	“Turkish Music”	WH, III	103-111
Military Music	Maurice de Saxe, 1696-1750	WH, III	111ff
Military Music	Baroque miliary bands	WH, III	117-155
Military Music	German military bands, with plates	WH, III	117-123
Military Music	Friedrich I, 1688-1723	WH, III	125ff
Military Music	Frederick William I, 1713-1740	WH, III	126-131
Military Music	Military bands in France, with plates	WH, III	133-144
Military Music	Military bands in England	WH, III	145-149
Military Music	Military bands in Italy	WH, III	151ff
Military Music	Bands in Low countries, with plates	WH, III	153ff
Military Music	Bands in Russia, Peter the Great	WH, III	155
Civic Music	Civic Wind Bands	WH, III	159=195
Civic Music	German Stadtpfeifer bands	WH, III	150-174
Civic Music	Band duties and schedule	WH, III	164ff
Concerts	German Tower music concerts	WH, III	165ff
Repertoire	Baroque, Johann Pezel	WH, III	166ff
Repertoire	Baroque Gottfried Reiche	WH, III	167ff
Repertoire	Baroque, Daniel Speer	WH, III	168ff
Civic Music	Stadtpfeifer Guild ordinances	WH, III	172ff
Civic Music	Bands in England, Wait bands	WH, III	175-185
Civic Music	Bands in the Low countries, plates	WH, III	187ff
Concerts	Low countries	WH, III	18i9
Civic Music	Bands in France	WH, III	191ff
Civic Music	Bands in Russia	WH, III	195
Music in Religion	Church bands in Low countries	WH, III`	199
Music in Religion	Church bands in England	WH, III	201
Music in Religion	Church bands in Germany, + plate	WH, III	207-215
Music in Religion	Gottweig winds inventory	WH, III	213
Music in Religion	Bands in France, Louis XIV	WH, III	217
Music in Religion	Venice pageants, canzoni	WH, III	219ff
Music in Religion	Spain and New World	WH, III	221ff
Oboe	Baroque names	WH, III	225ff
Trumpet	Daniel Speer on qualities of player	WH, III	227
Modes	Charpentier on tonal emotions	WH, III	228
Aesthetics	In 14th century Italian Church	MR	139ff
Aesthetics	Petrarch, 1304-1374	MR	139ff
Music in Religion	Fourteenth c., Petrarch, Boccaccio	MR	140ff
Music in Religion	Machaut, Gower, Grocheo, 14th c.	MR	141ff
Music in Religion	Pope John XXII, Chaucer, 14th c.	MR	147ff
Music in Religion	In 15th century Italian Church	MR	153-162
Music in Religion	Conrad von Zabern, Tinctoris	MR	156ff
Music in Religion	In 16th century Italian Church	MR	163-181
Music in Religion	Calvin	MR	163
Music in Religion	Ensembles in Venice	MR	167
Music in Religion	Huguenots, execution of	MR	167
Music in Religion	Improvisation in Italy Churches	MR	168-171
Music in Religion	Agrippa	MR	I
Music in Religion	Dance in service in Spain	MR	171
Dance	In Spanish church	MR	171
Music in Religion	Italian Counter-Reformation	MR	173
Music in Religion	Italian philosophers	MR	175ff
Music in Religion	Objection to polyphony	MR	176, 226
Emotion in Music	Emotions lost in polyphony	MR	176ff
Music in Religion	Purpose questioned	MR	178
Music in Religion	For ceremonial purposes	MR	180ff
Music in Religion	Martin Luther on music	MR	183-194
Music in Religion	Praetorius on perf. Practice	MR	195-216
Praetorius	On performance practice	MR	195-216
Music in Religion	Views on Baroque church music	MR	217-236
Music in Religion	John Bunyan	MR	217
Music in Religion	Opera influence	MR	218ff
Music in Religion	Changes in instrumentation	MR	220ff
Music in Religion	Publication of music begins	MR	221
Music in Religion	Church schools	MR	222ff
Music in Relgion	Influence of wars	MR	224
Music in Religion	Council of Trent influence	MR	227
Music in Religion	Voltaire on church music	MR	228ff
Voltaire	On church music	MR	228ff
Music in Religion	Henry VIII influence	MR	230
Music in Religion	Charles II, Restoration	MR	231
Music in Religion	Puritans	MR	232-236
Music in Religion	John Milton, 1608-1674	MR	233
Natural World	Ancient views on music, 10 essays	NW	3-175
Pythagoras	Pythagoras 580-500 BC on music	NW	3-13
Music of the Spheres	“The Sacred Madness”	NW	15-40
Music Therapy	Early views	NW	41-53
Boccaccio	Giovanni Boccaccio, 1313-1375	AM, III	45-68
Aesthetics	Fourteenth century France	AM, III	69-103
Aesthetics	Guillaume de Machaut, 1300-1377	AM, III	69-103
Aeshetics	Jacques de Liege,treatise, 1313	AM, III	87ff
Aesthetics	Pope John XXII, bull of 1324	AM, III`	90ff,100
Improvisation	John XXII approves in service	AM, III	90
Philippe de Vitry	Treatise, Ars Nova	AM, III	92
Muris, Jean de	Muris, 1290-1350 Treatise	AM, III	92
Deschamps	Eustache Deschamps treatise	AM, III	93ff
Improvisation	In Italian churches	MR	168-171
Aesthetics	Fourteenth century England	AM, III	106-135
William of Ockham	Ockham, 1300-1349 Eng. Phil.	AM, III	106ff
John Gower	Gower, 1330-1408 Eng. Phil.	AM, III	111ff
Minstrels	England, 14th century	AM, III	120ff
Wm Langland	English poet, 14th century	AM, III	121ff
Bands	English kings, 14th century	AM, III	128
Music Education	England, 14th century poem	AM, III	128ff
Chaucer	Geoffrey Chaucer,1340-1400	AM, III	137-159
Aesthetics	Fifteenth century Italy	AM, III	164-189
Aesthetics	Pope Nicholas V, 1447-1455	AM, III	161
Poets	Colonna,Francesco. Italian	AM, III	161
Poets	Poliziano, Angelo, 1454-1494	AM, III	162ff
Aesthetics	Alberti, Leon Battista, b. 1404	AM, III	164ff
Aesthetics	Ficino, Marsilio, philosopher	AM, III	164ff
Aesthetics	Ugolino of Orvieto, philosopher	AM, III	165
Leonardo da Vinci	On Beauty	AM, III	169ff
Aesthetics	Valgulio, Carlo, trans. of Plutarch	AM, III	170
Aesthetics	Gaffurio, Franchino	AM, III	171
Gaffurio, Franchino	“Theorica musice”. Late 15th c.	AM, III	171, 174ff
Cicero	Quoted by Gaffurio	AM, III	171
Emotion in Music	Calmeta, Vincenzio, 15th c. Italy	AM, III	172
Ficino, Marsilio	Founder, Florentine Academy	AM, III	173
Court	Ercole,duke, 1471-1505,	AM, III	179
Court	Galeazzo Maria Sforza, 1466-1476	AM, III	180
Court	Giangaleazzo Sforza, 15th c.	AM, III	180
Leonardo da Vinci	Duties in Milan court	AM, III	180
Beatrice of Milan	Great woman of Renaissance	AM, III	180ff
Isabella d’Este	Mantua, 1474-1539	AM, III	181ff
Court	Federigo da Urbino, 1444-1482	AM, III	182
Court	Lorenzo Magnificent	AM, III	182
Isaac, Heinrich	Composer music for Lorenzo	AM, III	183
Cortesi, Paolo	Fifteenth century writer	AM, III	184
Music education	Fifteenth century Italy	AM, III	185ff
Leonardo da Vinci	Major discussion	AM, III	191-210
Aesthetifcs	Leonardo da Vinci	AM, III	192-210
Senses	Leonardo da Vinci	AM, III	194
Aesthetics	Effect of Music on Man	NW	55ff
Emotion	Galen, doctor, 2nd c. AD	NW	55
Galen. Dr.	Doctor, 2nd c. AD	NW	55
Emotion in Music	Hesiod, poet, 800 BC	NW	56
Emotion in Music	Marianus Capella, 5th c.	NW	57
Emotion in Music	Moschus, Greek poet, 100 BC	NW	57
Emotion in Music	Tibullus, Greek lyric poet, 5-10 BC	NW	57
Emotion in Music	Cyrus, Roman poet, first c. AD	NW	57
Emotion in Music	St. Basil, 329-370	NW`	57
Emotion in Music	Cassiodorus, 480-573	NW	57ff
Cassiodorus	Tame savage hearts	NW	57
St. Basil	Calm the troubled souls	NW	57
Emotion in Music	St. Basil, 329-370	NW	58+
Dante	Music is to soothe	NW	58
Emotion in Music	Hugh of Orleans, Goliard	NW	58
Emotion in Music	Borneil. French troubadour	NW	59
Emotion in Music	Plutarch, 1304-1374	NW	59
Plutarch	Emotions in music	NW	59
Emotion in Music	Boccaccio. Music fails to soothe	NW	59
Boccaccio	Example, Music fails to soothe	NW	59
Emotion in Music	Machaut, early Renaissance	NW	60
Machat	Emotion in Music	NW	60
Emotion in Music	Chaucer	NW	61ff
Chaucer	Emotion in Music	NW	61ff
Emotion in Music	Poliziano, Angelo, 1454-1494	NW	62
Poliziano	Emotion in Music	NW	62
Emotion in Music	Alberti, Leon Battista, b. 1404	NW	62
Alberti	Purpose of church music	NW	62ff
Emotion in Music	Lydgate, John	NW	63
Lydgate, John	Emotion ion music	NW	63
Emotion; in Music	Machiavelli, 1469-1527	NW	65
Machiavelli, Noccolo	Emotion in Music	NW	65
Emotion in Music	Vincesnzo Galilei, 1533-1591	NW	64
Galilei, Vincenzio	On emotions in music	NW	64
Emotion in Music	Girolamo Cardano, 1501-1576	NW	64
Cardano, Girolamo	Emotion in music	NW	64
Emotion in Music	Joachim du Bellay, b 1525	NW	64
Emotion in Music	Jean Bodin, 1530-1590	NW	65
Bodin	On church music	NW	65
Emotion in Music	Cervantes	NW	65
Cervantes	To soothe	NW	65
Emotion in Music	Lope de Vega	NW	65
Lope de Vega	On emotions in music	NW	65
Emotion in Music	Martin Luther	NW	65ff
Luther, Martin	On music	NW	65ff
Emotion in Music	Lodowick Bryskett, 1546-1612	NW	66
Lullaby	Bryskestt, 1546-1612	NW	66
Bryskett	How music soothes	NW	66
Emotion in Music	William Byrd	NW	66
Byrd, William	Music for solice	NW	66
Emotion in Music	Humphrey Gifford	NW	67
Emotion in Music	Philip; Sidney	NW	67ff
Sidney, Philip	Musicl is to soothe	NW	67ff
Emotion in Music	John Lyly, Elizabethan playwright	NW	68
Lyly, John	Lyly, John, Emotions in music	NW	68
Emotion in Music	Shakespeare	NW	68ff
Shakespeare	Music in the plays	NW	68ff
Emotion in Music	Molina, Spanish playhwright	NW	69
Molina	Emotion in Music	NW	69
Emotion in Music	Calderon	NW	69
Calderon	Music to soothe	NW	69
Emotion in Music	Moliere, playwright	NW	70
Moliere	playwright, 1652-1685	NW	70
Emotion in Music	Saint-Evremond, 1610-1703	NW	70
Emotions in Music	Leopold, emperor	NW	70
Emotions in Music	Voltaire	NW	70
Voltaire	Emotions	NW	70
Emotions in Music	Beaumont and Fletcher	NW	71
Otway, Thomas	playwright, 1652-1685	NW	72
Wither, George	Emotions in music	NW	72
Milton	“Paradise Regained”	NW	72
Emotions in Music	Milton	NW	72
Emotions in Music	George Wither, 1588-1667	NW	72
Wither, George	Emotions	NW	72
Ben Jonson	Emotions in Mlusic	NW	72
Emotions in Music	Ben Jonson	NW	72
Ferrabosco	Alphonso Ferrabosco	NW	72
Emotions in Music	Thomas Carew, 1594-1639	NW	72
Carew, Thomas	Emotions	NW	72ff
Browne, Thomas	On emotions in music	NW`	74
Herbert, Georges	Emotions	NW	73
Emotions in Music	Georges Herbert, 1593-1633	NW	73ff
Emotions in Music	Thomas Browne, `1605-1682	NW	74
Browne, Thomas	Emotion	NW	74
Emotions in Music	John Donne, 1573-1831, Puritan	NW	74
Donne, John	Emotions	NW	74
Emotions in Music	Rev. Joseph Hall, 1574-1`656	NW	74
Hall, Joseph, Rev.	Emotions	NW	74ff
Emotions in Music	Gervase Markham (1615)	NW	75
Markham, Gervase	Emotions	NW	75
Emotions in Music	Abraham Cowley, 1618-1667	NW	75
Cowley, Abraham	Emotions	NW	75
Emotions in Music	George Wither	NW	75
Wither, George	Emotions	NW	75
Aesthetics	Fifteenth century France	AM, III	211-236
Aesthetics	Martin le Franc	AM, III	211
Aesthetics	Dufay	AM, III	211, 228
Aesthetics	Binchois	AM, III	211, 228
Charles VI	Court of Love	AM, III	212
Christine de Pizan	Tends to ignore Music	AM, III	212ff
Charles VIII	Brought Renaissance to France	AM, III	213
Phil. de Commynes	Phil. de Commynes	AM, III	215ff
Music Education	Christine de Pizan	AM, III	214ff
Orleans, Charles de	Aesthetics, 1394-1465	AM, III	217ff
Villon, Francois	Aesthetics, 15th century poet	AM, III	218ff
Gerson, Jean de	Chancellor, Univ of Paris	AM, III	218ff
Greban, Arnoul	Mystery plays, poet	AM, III	221
Minstrels	Confrerie de S. Julien Guild	AM, III	221
Music in Religion	Cambrai cathedral singers	AM, III	222ff
Louis IX, 1461	Arrival music, band, voices, organ	AM, III	224
Trumpet	Hunting signals, 15th c. France	AM, III	224
Rene II of Anjou	Dinner music, 1489	AM, III	225
Minsrels	Itinerant musicians 15th c. France	AM, III	225
Loqueville, Richard	Ballade, re itinerant musicians	AM, III	225
Aesthetics	Low countries, Rernaissance	AM, III	227-236
Philip of Burgundy	Duke, 1363-1404	AM, III	227ff
Philip the Good	Duke, Burgundy, 1439-1457	AM, III	228ff
Charles the Bold	Duke, Burgundy, son of Philip	AM, III	229
Civic Music	Renaissance, Low countries	AM, III	229
Civic Music	Omnegang celebrations	AM, III	230
Concerts	Bruges civic band contract	AM, III	230
Concerts	Brabant civic band contract	AM, III	230
Concerts	Bergen-op-Zoom, motets	AM, III	231
Trumpet	Mass trumpet appearances	AM, III	231ff
Philip the Good	Players in big wooden cat	AM, III	233
Repertoire	Basse Danse lost repertoire	AM, III	233
Phililp the Good	Order, Golden Fleece banquet	AM, III	234ff
Tinctoris, Johannes	Music theorist,1435-1511	AM, III	237-251
Movement	Ancient views with music	NW	77-93
Dance	Jean Paul Richter “silent music”	NW	77
Dance	Association with music	NW	77ff
Xenophen	Historian, 434-355 BC, choirs	NW	78
Plato	Movements of choir [Laws, 659d]	NW	78
Bacon, Roger	Dance is visual music	NW	78
Dance	Cardano, 16th c., “6th part of music”	NW	79
Movement	As feeling	NW	79ff
Movement	Greek choirs	NW	81
Music education	Amarna hieroglyph of music school	NW	81
Movement	“Chironomist” early conductor	NW	81
Plato	Movement and music	NW	82ff
Movement	Plato on music and movement	NW	82ff
Movement	In Greek plays	NW	83
Sophocles	Expert in music and dance	NW	83
Dance	Sophocles expert and in music	NW	83
Movement	Johann Mattheson, 1681-1764	NW	84ff
Movement	National differences in singing	NW	85
Movement	Hypocritica, commun. by gesture	NW	86
Movement	Part of music, Paris, 1738	NW	86
Movement	With hands only	NW	86
uji	Communication by hands only	NW	86
Movement	Hand commun. Punished 1730	NW	86, fn. 35
Movement	Gildon on actor gestures	NW	87
Gildon, Charles	Gestures by actors	NW	87ff
Spontini, Gaspare	Wagner quotes impact of eye mvt.	NW	89
Wagner, Richard	Spontini on eye of conductor	NW	89
Movement	In Greek armies	NW	90
Movement	Al-Farabi, c. 900 AD, part of music	NW	90
Movement	Johannes de Grocheo, c. 1300 AD	NW	91
Movement	In music, Pope John XXII	NW	91
Movement	Arbeau, swaying with hymns	NW	91
Dance	Knowledge of ancient dance lost	NW	91
Dance	Arbeau, dancing is mute rhetoric	NW	92
Dance	Agrippa, b. 1486 appears madness	NW	92
Agrippa, Henry	Dance appears as madness 16 c.	NW	92
Dance	Stubbs, 1583, is unclean and filthy	NW	92
Dance	In Voltaire play, “devil’s invention”	NW	92
Voltaire	Dance is “devil;s invention”	NW	92
Dance	Zurich 1519 pujblic dance fobidden	NW	92
Movement	Dalcroze,Eurhythmics. In mus. ed.	NW	93
Dalcrose, Emile	Eurhythmics in music education	NW	93
Music education	Dalcroze, Eurhyhmics	NW	93
Gildon, Charles	Left hand gestures are indecent	NW	88
Movement	History of right hand preference	NW	88
Pythagoras	Early iconography of	NW	Cover
Aesthetics	Germany, 14th and 15th c.	AM, III	253-285
Senses	Nicholas de Cusa, 1401-1464	AM, III	254ff
Boethius	On divine learning	AM, III	255
Nicholas de Cusa	On music	AM, III	253ff
Education	Brant, “Ship of Fools”	AM, III	260ff
Aesthetics	Nicholas de Cusa, 1401-1464	AM, III	253ff
Music in Religion	Conrad von Zabern, 1474	AM, III	272ff
Civic Music	Bands in 15th c. Germany	AM, III	276ff
Court	“Weisskunig” Frederick III, 1450	AM, III	277
Court	“The Triumph of Maximilian I”	AM, III	277ff
Music Education	Taught in university by math prof.	AM, III	279
Trumpet	Mass trumpets appearances	AM, III	281ff
Court	German bands, 15th c.	AM, III	281ff
Court	Council of Constance, 1414-1418	AM, III	282
Aestheics	Spain, 14th and 15th c.	AM, III	287-302
Ruiz. Juan	“The Book of True Love” 1330	AM, III	287ff
Court	Alfonso V, 1416-1458	AM, III	295
Court	Fernando V and Isabella bands	AM, III	295ff
Minstrels	Spain, Fernando, 1491	AM, III	296
Music in Society	Spain, love songs	AM, III	296ff
Music education	Spanish universities	AM, III	299
Aesthetics	England, 15th c.	AM, III	303-322
Bicameral brain	“Reson and sensuallyte”	AM, III	304ff
Civic Music	England, 15th c. bands	AM, III	310ff
Music and Oratory	Ancient views	NW	95-112
Music and Oratory	“Music is oratory in tones”	NW	95
Music and Oratory	Use of pitch pipe	NW	95
Music and Oratory	Creating emotions in listener	NW	98ff
Quintilian	On emotions in oratory	NW	98ff
Cicero, 106-43 BC	Orator, listeners judge	NW	100ff
Debussy	Fame is a gift of the masses	NW	100
Mattheson	On the Art of Gesticulation	NW	103
Critics	Hypocritica, “under criticism”	NW	103
Erasmus	On speaking Latin and Greek	NW	104
Mersenne	“Harmonie univeselle,” 1636	NW	105
Music and Oratory	Truth does not matter, only passion	NW	106
Hobbes, Thomas	Philosopher, 1588-1679	NW	106
Music and Oratory	Hume, 1711-1776 more passion	NW	106
Music and Oratory	La Rochefoucauld, more passion	NW	107
Music and Oratory	Fenlon, more passion	NW	107
Music and Oratory	Importance of the eyes	NW	108ff
Cicero	On the eyes	NW	108
Pliny the Elder	On the eyes	NW	108
Descartes	On the eyes	NW	108
Calderon	On the eyes	NW	109
Herbert, Georges	On the eyes	NW	109
Gildon, Charles	On the eyes	NW	109
Wagner, Richard	On the eyes	NW	110
Petarch	On the face	NW	110
Ronsard, Pierre	On the face	NW	110
Shakespeare	On the face	NW	110
Chesterfield, Earl	On the face	NW	111
Montaigne, Michael	On the hands	NW	111
Gildon, Charles	On the hands	NW	111
Aesthetics	Are musicians born or made?	NW	113-124
Aesthetics	Glarean. “artists born or made?”	NW	115
Nature	Is art learned or a gift of Nature?	NW	117ff
Aesthetics	Born or made? Case of Mozart	NW	123
Aesthetics	Is Music Genetic?	NW	125-137
Aestheics	Recent research on genetics	NW	135ff
Music and geography	The case of England	NW	139ff
Music and geography	French vs Italian artists	NW	141-150
Music education	Importance of study in Italy	NW	150ff
Music and geography	German vs French styles	NW	154ff
Music and geography	Berlioz on Germany	NW	159ff
Aesthetics	Fascination with numbers	NW	164ff
Aesthetics	On the question of the Echo	NW	166
Bicameral brain	Where in body is Reason found?	NW	167ff
Descartes	On the pineal gland	NW	175
Aesthetics	Ethics and Music, 13 essays	ME	1-132
Court	Classic Period bands, overview	WH, IV	1-19
Harmoniemusik	Formed by Joseph II, 1782	WH, IV	4ff
Trumpet	Late tradition	WH, IV	4ff
Court	Horse ballet	WH, IV	5
Jefferson, Thomas	Wants Harmoniemusik	WH, IV	6
Forms	recheo	WH, IV	7ff
Forms	Partita means Symphony	WH, IV	8
Harmoniemusik	Role in court	WH, IV	9ff
Cellini, Benvenuto	Wind band repertoire	WH, IV	12
Harmoniemusik	Operas arranged	WH, IV	12ff
Concerts	Harmoniemusik,	AM, I	10ff, 16ff
Triebensee	Harmoniemusik composer	WH, IV	19
Harmoniemusik	Repertoire in general	WH, IV	19ff
Music and character	Plato	ME	3ff
Court	Bands in 18th c. Austria	WH, IV	21-50
Court	Review of 18th c. courts	WH, IV	21ff
Court	Pachta, Graf of Prague	WH, IV	22ff, 37
Haydn, Josef	Count Morzin court	WH, IV	25ff
Court	Bands in Hungary	WH, IV	27ff
Court	Esterhazy princes, role of players	WH, IV	27ff
Harmoniemusik	Esterhazy court	WH, IV	29ff
Court	Esterhazy, financial plight letter	WH, IV	30ff
Druschestzky,Georg	Hungarian composer at Pressburg	WH, IV	31, 42
Haydn, Josef	“Creation” arr. for Harmoniemusik	WH, IV	32
Batthyany, Cardinal	Sperger, 42 partitas for this court	WH, IV	33
Concert	Harmoniemusik, 1787	WH, IV	34
Court	Bands in 18th c. Vienna	WH, IV	35
Haydn, Josef	Document re horn player search	WH, IV	35ff
Wendt, Johann	Vienna Harmoniemusik composer	WH, IV	37
Mozart	Offered a job as wind composer	WH, IV	38
Harmoniemusik	Liechtenstein court, Vienna	WH, IV	38ff
Triebensee, Josef	Major Harmoniemusik composer	WH, IV	39ff
Triebensee, Josef	First-hand description if him	WH, IV	39
Harmoniemusik	Schwarzenberg court	WH, IV	49ff
Harmoniemusik	Music collection in Vienna, GMF	WH, IV	41
Cartellieri, b. 1772	Composer of very lengthy Partitas	WH, IV	42
Starzer	Harmonie composer, Vienna	WH, IV	43
Mozart	Compositions for Harmoniemusik	WH, IV	44-50
Mozart	Letter re arranging for Harmonie	WH, IV	44
Mozart	Mozart/Gopfert arr. For Harmonie	WH, IV	46
Mozart	Publications, premiere of K. 361	WH, IV	46
Mozart	Catalog of compositions	WH, IV	47ff
Court	Bands in 18th c. Germany	WH, IV	51-62
Court	Maximilian Harmoniemusik	WH, IV	51
Beethoven	Harmoniemusik, Op. 103	WH, IV	51
Beethoven	Move to Vienna, re Haydn	WH, IV	51ff
Harmoniemusik	Don Juan arr performed in public	WH, IV	53
Harmoniemusik	Contemporaruy silhouette of	WH, IV	55
Rosetti, Anton	Harrmoniemusik composer	WH, IV	56ff
Reicha,Joseph	Harmoniemusik composer	WH, IV	56
Witt, Friedrich	Harmoniemusik composer	WH, IV	56
Wineberger, Paul	Harmoniemusik composer	WH, IV	56
Harmoniemusik	Collections; in Germany	WH, IV	57ff
Oboe	Burney review of BesozzI brothers	WH, IV	61
Trumpet	Performance for Fred. The Great	WH, IV	62
Court	Bands in 18th France	WH, IV	63-71
Court	Les Grands Hautbois history	WH, IV	63ff
Court	La Poupliniere, 1693-1762	WH, IV	65ff
France	Francois Gossec, 1734-1829	WH, IV	68ff
Gossec, Francois	Leading wind composer in Paris	WH, IV	68ff
France	Georg Fuchs, 1752-1821	WH, IV	71
Fuchs, Georg	Leading Harmonie arr. In Paris	WH, IV	71
Court	Bands in 18th London; Haydn	WH, IV	73
Russian horn bands	With score repoduction	WH, IV	75ff
Maresch, Johann	Leader of Russian horn band	WH, IV	75ff
Sphor, Ludwig	Praise for Russian horn band	WH, IV	78
Military Music	Bands in 18th c. Germany	WH, IV	85ff
Frederick the Great	Bands, “Turkische musik”	WH, IV	85ff
Military Music	Germany, 18th c. composers	WH, IV	89ff
Music education	Prussian Army Music School	WH, IV	90
Military Music	Ludwig, IX, composer of marches	WH, IV	91
Military Music	Bands in 18th c. Austria	WH, IV	93-98
Military Music	Bands in 18th France	WH, IV	99-101
Kastner, Georges	Scholar of French bands	WH, IV	101
Military Music	Bands in 18th c. Italy	WH, IV	103
Military Music	Bands in 18th c. England`	WH, IV	105ff
Military Music	Royal Regiment of Artillery	WH, IV	105ff
Military Music	English repertoire	WH, IV	113ff
Music and Character	Essay, , 18 pages	ME	3-21
Music and Character	Anclient Greece	MR	3ff
Music andl Character	Plato	ME	4ff
Music and Character	Aristotle on the modes	ME	8ff
Music and Character	Polybius, 200-188 BC	ME	10ff
Music and Character	St. Jerome	ME	12ff
Music and Character	Boethius, 475-524 AD	ME	13ff
Music and Character	Vittorino da Feltre, 1396-1415	ME	14
Music and Character	Jacques de Liege, 1313	ME	15
Music and Character	Vincenzo Galilei	ME	15
Music and character	Martin Luther	ME	16
Music and Character	Roger Ascham, 16th c.	ME	16ff
Music and Character	Johann Mattheson, 1681-1764	ME	17ff
Music and Character	Jan Pieters Sweelinck, 1562-1621	ME	18
Music and Character	Thomas Mace, 1613-1709	ME	18
Music and Character	John Milton, 1608-1674	ME	19
Music and Character	Jonathan Swift, 1667-1745	ME	19
Music and Character	Edward Young, 1683-1765	ME	19
Music and Character	Shinichi Suzuki	ME	21
Plato	On character	ME	4ff
Aristotle	On Character	ME	8ff
Polybius	On Character	ME	10ffg
St. Jerome	On Character	ME	12ff
Boethius	On Character	ME	13ff
Feltre, Jacques	On Character	ME	14
Jacqujes de Liege	On Character	ME	15
Galilei, Vincenzio	On Character	ME	15
Luther, Martin	On Character	ME	16
Ascham, Roger	On Character	ME	16ff
Mattheson, Johann	On Character	ME	17ff
Sweelinck, Jan P.	On Character	ME	18
Mace, Thomas	On Character	ME	18
Milton, John	On Character	ME	19
Swift, Jonathan	On Character	ME	19
Young, Edward	On Character	ME	19
Suzuki, Shinichi	On Character	ME	21
Music and Manners	Essay, 13 pages	ME	23-37
Music and Manners	John Calvin, 1509-1564	ME	23
Music and Manners	Pythagoras,l 6th c. BC	ME	23, 25ff
Music and Manners	Ancient Greece	ME	23ff
Music and Manners	Plato	ME	24
Music and Manners	Homer, “Odyssey,” VIII, 475	ME	24
Music and Manners	Quintilian, 30-96 AD	ME	25
Music and Manners	Clement of Alexandria, c. 150-215	ME	26
Music and Manners	Martinus Capella	ME	26
Music and Manners	Cassiodorus, 480-573	ME	26ff
Music and Manners	Guido of Arezzo, Mirologus, 1000	ME	27
Music and Manners	Bartholomew Anglieuis, 13th c.	ME	27
Music and Manners	Johannes de Grocheo, c. 1300 AD	ME	27
Music and Manners	Marsilio Ficino, 15th c.	ME	28
Music and Manners	Desideratum Erasmus, 1469-1530	ME	28ff
Music and Manners	Richard Hooker, 1553-1600	ME	29
Music and Manners	Michael Montaigne, 1533-1592	ME	29ff
Music and Manners	Charles IX of France	ME	30
Music and Manners	Minturno of Ugento, 16th c.	ME	30
Music and Manners	Juan Vives, 16th c.	ME	30ff
Music and Manners	Henry Agrippa, 16th c.	ME	31
Music and Manners	Martin Luther	ME	31
Music and Manners	Ornithoparchus, Anddfeas, 16th c.	ME	31ff
Modes	Ornithoparchus on influence of	ME	31ff
Music and Manners	Nicolaus Listenius, c. 1500-1550	ME	32
Music and Manners	Roger Ascham, 1515-1568	ME	32ff
Music and Manners	Lodowick Bryskett, 1546-1612	ME	33
Music and Manners	Johann Kuhnau	ME	33
Music and Manners	Marin Mersenne, 1588-1648	ME	34
Music and Manners	Thomas Mace, 1613-1709	ME	34ff
Music and Manners	Francis Bacon, 1561-1626	ME	35
Music and Manners	John Milton, 1608-1674	ME	35
Music and Manners	Joseh Addison, 1712	ME	36
Music and Manners	Richard Wagner	ME	36
Calvin, John	Music and Manners	ME`	23
Pythagoras	Music and Manners	ME	23, 25ff
Plato	Music and Manners	ME	24
Homer	Music and Manners	ME	24
Quintilian	Music and Manners	ME	25
Clement of Alexandria	Music and Manners	ME	26
Capella, Martinus	Music and Manners	ME	26
Cassiodorus	Music and Manners	ME	26ff
Guido of Arezzo	Music and Manners	ME	27
Anglieuis, Barh.	Music and Manners	ME	27
Grocheo, Johannes	Music and Manners	ME	27
Ficino, Marsilio	Music and Manners	ME	28
Erasmus	Music and Manners	ME	28ff
Hooker, Richard	Music and Manners	ME	29
Montaigne, Michael	Music and Manners	ME	29ff
Charles IX of France	Music and Manners	ME	30
Minturno	Music and Manners	ME	30
Vives, Juan	Music and Manners	ME	30ff
Agrippa, Henry	Music and Manners	ME	31
Luther, Martin	Music and Manners	ME	31
Ornithoparchus	Music and Manners	ME	31ff
Listenius,Nichlaus	Music and Manners	ME	32
Ascham, Roger	Music and Manners	ME	32ff
Bryskett, Lodowick	Music and Manners	ME	33
Kuhnau, Johann	Music and Manners	ME	33
Mersenne, Marin	Music and Manners	ME	34
Mace, Thomas	Music and Manners	ME	34ff
Bacon, Francis	Music and Manners	ME	35
Milton, John	Music and Manners	ME	35
Addison, Joseph	Music and Manners	ME	36
Wagner, Richard	Music and Manners	ME	36+
Performance	Character of performer	ME	39-46
Rojas, Fernando	Character of performer	ME	39, 41
Cervantes	Character of performer	ME	39, 44
Plato	Character of performer	ME	40
Srabo	Character of performer	ME	40
St. Basil	Character of performer	ME	40
Galilei, Vincenzio	Character of performer	ME	41ff
Cardano, Girolamo	Character of performer	ME	42ff
Montaigne	Character of performer	ME	43
Agrippa, Henry	Character of performer	ME	44
Milton, John	Character of performer	ME	45
Women	Disrespect of women	ME	47-62
Audience	Ancient artist and public	ME	65-80
Audience	Renaissance artist and public	ME	81-91
Audience	Baroque artist and public	ME	93-101
Audience	Nineteenth c. artist and public	ME	103-116
Herodotus, c. 440 BC	On the audience	ME	65
Audience	Influence of	ME	65-116
Plutarch	On the audience	ME	65
Plato	On the audience	ME	66-70
Aristotle	On the audience	ME	70
Quintilianus	On the audience	ME	71
Cicero	On the audience	ME	71ff
Horace, 66-8 BC	On the audience	ME	74
Pliny the Younger	On the audience	ME	75
Lactantius, 3rd c	On the audience	ME	77
Julian, emperor	On the audience	ME	77ff
Cassidorus	On the audience	ME	78
Venerable Bede	On the audience	ME	78
Bacon, Roger	On the audience	ME	79
Petarch	On the audience	ME	81-84
Guicciardini, 16th c	On the audience	ME	81
Bruno. Giordano	On the audience	ME	84
Tasso, Torquato	On the audience	ME	85
Vida, Marco. 16th c.	On the audience	ME	85
Galilei, Vincenzio	On the audience	ME	85
Zarlino, Gioseffo	On the audience	ME	85ff
Castiglione, Bald.	On the audience	ME	85ff
Montaigne	On the audience	ME	87
Cervantes, Miguel	On the audience	ME	88
Lope de Vega	On the audience	ME	88ff
Erasmus	On the audience	ME	89ff
Glarean, Heinrich	On the audience	ME	91
More, Thomas	On the audience	ME	91
Ivanovich, 17th c.	On the audience	ME	93ff
Addison, Joseph	On the audience	ME	94ff
Cuzzoni, Fraancesca	On the audience	ME	95
Bordoni, Faustina	On the audience	ME	95
Handel	On prima donnas	ME	95
Metastasio, Pietro	On the audience	ME	96
Mattheson, Johann	On the audience	ME	97
La Bruyere, Jean de	On the audience	ME	97
Racine, Jean	On the audience	ME	97
Moliere	On the audience	ME	97ff
Marivaux, Pierre	On the audience	ME	98
Voltaire	On the audience	ME	99ff
Playford, John	On the audience	ME	100ff
Broene, Thomas	On the audience	ME	101
Penn, William	On the audience	ME	101
Shenstone,William	On the audience	ME`	101
Wagner. Richard	On the audience	ME	105ff
Schumann	On the audience	ME	105ff
Mendelssohn	On the audience	ME	105ff
Liszt	On the audience	ME`	108ff
Dorati, Antal	On the audience	ME	113
Walter, Bruno	On the audience	ME	114ff
Ormandy, Eugene	On the audience	ME	116
Critics	Views of early Criticism	ME	117-132
Pope, Alexander	On critics	ME	117, 126ff
Longinus	On critics	ME	117ff
Empiricus, Sextus	On critics	ME	118
Aurelius, Marcus	On critics	ME	119
Alvernhe, Peire,	On critics, 12th c.	ME	119
Morungen, Heinrich	On critics	ME	120
Boccaccio	On critics	ME	120ff
Aretino, Pietro	On critics, 16th c.	ME	121
Cinthio, Giraldi	On critics, 16th c.	ME	121
Erasmus	On critics`	ME	122
Chapelain, Jean	On critics, treatise, 1637	ME	123
Voltaire	On critics	ME	123ff
Shaftesbuiry, Earl	On critics	ME	126
Betterton, Thomas	On critics	ME	127
Dryden, John	On critics	ME	127ff
Haydn, Josef	On London criics	ME	129
Shenstone, William	On critics	ME	128ff
Burney,Charles	Defends Haydn in London	ME	129
Schumann	On critics	ME	129ff
Mendelssohn	On critics	ME	131
Liszt	On critics in America	ME	130
Boccaccio	Prejudice against women	ME	47, 51ff
Plato	Prejudice against women	ME	48ff
Plutach	Prejudice against women	ME	49
New Testament	Prejudice against women	ME	50ff
Albertus	Prejudice against women	ME	51
Gower, John	Prejudice against women	ME	54
Chaucer	Prejudice against women	ME	54
Bruno. Giordano	Prejudice against women	ME	55
Castiglione, Bald.	Prejudice against women	ME	55ff
Aretino, Pietro	Prejudice against women	ME	56ff
Mirandola, pico della	Prejudice against women	ME	57
Montaigne, Michael	Prejudice against women	ME	57ff
Sidney, Philip	Prejudice against women	ME	59
Bryskett, Lodowick	Prejudice against women	ME	60
Lope de Vega	Prejudice against women	ME	61
La Maupin	Early French prima donna	ME	61
Music in Religion	Introduction 18th c.	WH, IV	119-124
Music in Religion	Te Deum account, Vienna 1767	WH, IV	120
Music in Religion	Duties, Melk 1779 contract	WH, IV	121
Trumpet	Melk monastery, 1768	WH, IV	122
Trumpet	Objection to hearing at lunch	WH, IV	123
Civic Music	Survey, Classical Period	WH, IV	129-216
Civic Music	English Wait Bands	WH, IV	129-130
Civic Music	English Wait Bands uniforms	WH, IV	129, fn.5
Civic Music	Bands in Vauxhall Gardens	WH, IV	131, plate
Civic Music	French Revolution introduction	WH, IV	137-138
Civic Music	France, Gossec Te Deum	WH, IV	139-147
Civic Music	Paris, Free School of Music	WH, IV	153-167
Civic Music	Paris, Concerts	WH, IV	160ff
Concerts	Paris,civic bands 1793	WH, IV	160ff
Civic Music	Paris, 18th c. national festivals	WH, IV	168-216
Philosophy of Music	Ancient Voices essay	WM	3-18
Plato	Definition of Music	WM	3
Sextus Empiricus	Music does not exist, 2nd c. AD	WM	3
Marchsetto of Padua	Definition of Music	WM	3ff, 12
Socrates	On the value of music	WM	5
Plato	Music value and education	WM	5ff
Music education	Plato	WM	6
Aristotle	On the value of music	WM	6ff
Boethius	On music education	WM	7
St. Augustine, 4th c	His book, “On Music”	WM	7ff
Music educaion	Boethius	WM	7ff
Cassiodorus	Definition of Music	WM	9ff
Aurelian of Reome	Definition of Music, 843 AD	WM	10
Hrotswitha	Definition of Music, 10th c.	WM	10ff
St. Bernhard.	Definition of Music, 13th c.	WM	11
Bacon, Roger	Definition of Music, 13th c.	WM	11ff
Joh. de Grocheo	Definition of Music	WM	13
Listenius,Nichlaus	Definition of Music, 14th c.	WM	13ff
Mattheson, Johann	Definition of Music, 17th c.	WM	15ff
North, Roger	Definition of Music, 17th c.	WM	16ff
Music in Religion	Roger North definition, 17th c	WM	17
Emotion in Music	Sir Thomas Browne	WM	18
Wagner, Richard	Definition of Music	WM	18
Schumann	Definition of Music	WM	18
Philosophy of Music	Ancient Gods of Music, essaya	WM	19-30
Harp	Ancient festival, 300 harpists	WM	23
Trumpet	OT., Zechariah 9:14, God a player	WM	23
Music in Society	St. Cecilia, modern “god” of music	WM	23ff
Emotion in Music	Dryden, 1687, re indiv. Instruments	WM	23ff
Myths	Ancient Muses and Myths, essay	WM	31-48
Clio	Muse of History	WM	32
Mercury	God of music notation	WM	33
Minerva	God who invented the aulos	WM	33
Calliope	Muse of epic poetry	WM	34
Melpomene	Music of Tragedy [stage play]	WM	35
Jove	Another name,for Jujpiter	WM	35
Apollo	Patron of music and medicine	WM	35ff
Diana	Muse of hunting, sister of Apollo	WM	38
Neptune	God of waters	WM	39
Orpheus	Representative of Song and Lyre	WM	39ff
Pan	Invented the panpipe	WM	42ff
Venus	Goddess of love and beauty	WM	44
Thalia	Muse of Comedy [stage playh]	WM	45
Myths	Early writers on the myths and gods	WM	46ff
Performance	Early writers on Inspiration	WM	49-59
Philosophy of Music	Early writers: is music math?	WM	61-74
Boethius	Is music math?	WM	63
Aurelian of Reome	Is music math?	WM	63
Joh, de Grocheo	Is music math?	WM	64
Jacques de Liege	Five volumes of music as math	WM	65
Tinctoris, Johannes	Music and math	WM	65ff
Music education	Vives, music’s purpose	WM	67
Cochlaeus, Joh.	Music as math	WM	67
Philosophy of Music	Based on ears; Coclico	WM	68
Shakespeare	Music ed is music and mah	WM	69
Newton, Isaac	Music and math	WM	69
Mersenne, Marin	Music and math	WM	69
Kircher, Athanasius	Music and math	WM	70
Mattheson. Johann	Music and math, 18th c. debate	WM	70ff
Mattheson, Johann	I guarantee Bach is not math	WM	74
Philosophy of Music	Is Music theory or performance?	WM	75-90
Aesthetics	Italian Philosophers 16th c.	AM, IV	1-31
Guicciardini,Fran.	Aesthetics, 16th c.	AM, IV	1ff
Machiavelli, Noccolo	Aesthetics	AM, IV	2, 13
Court	Tasso on the courtier	AM, IV	2
Tasso, Torquato	On the courtier	AM, IV	2
Court	Aretino, Pietro on court life	AM, IV	3ff
Intellect	Guicciardini on the mind	AM, IV	5
Guicciardini, Fran	On the mind	AM, IV	5
Machiavelli, Noccolo	On the mind	AM, IV	5
Humanism	Pico della Mirandola, 1470-1533	AM, IV	5
Church	Pico Mirandola on Humanism	AM, IV	5
Intellect	Mirandola, three kinds of thinking	AM, IV	6ff
Mirandola, pico della	On the intellect and Church	AM, IV	6ff
Bruno. Giordano	On the Counter Revolution	AM, IV	8ff
Women	Tasso, anti intellect	AM, IV	10
Machiavelli, Noccolo	On love and fear	AM, IV	11
Intellect	Aretino, Pietro on danger of Love	AM, IV	11ff
Pleasure and Pain	Pico della Mirandola, 1470-1533	AM, IV	12ff
Machiavelli, Noccolo	Value of Art in 16th c. Italy	AM, IV	13
Bruno. Giordano	Anti value of Art	AM, IV	14ff
Vasari, Giorgio	On the value of Art	AM, IV	14
Mirandola. pico della	On Beauty	AM, IV	15ff
Tasso, Torquato	On Beauty	AM, IV	17
Philosophy of Music	Agnolo Segni, 1573	AM, IV	17
Nature	Vasari on imitation	AM, IV	18
Aretino, Pietro	On Nature	AM, IV	18ff
Tasso, Torquato	On Naure	AM, IV	19ff
Purpose of Art	Areino, Pietro	AM, IV	23
Audience	Guicciardini	AM, IV	24
Audience	Bruno	AM, IV	24
Nature	Aretino	AM, IV	18ff
Nature	Tasso	AM, IV	19ff
Bicameral brain	Reason vs Experience, essay	WM	93-102
Bicamerall brain	Voltaire: Left brain is wrong	WM	93
Voltaire	On Bicameral brain	WM	93, 97ff
Plato	On Bicameral brain	WM	95
Plutarch	On Bicameral brain	WM	95
Lucretius, 99-55 BC	On Bicamera brain	WM	95
Bacon, Roger, 13th c.	On Bicameral brain	WM	96
Music in Religion	Necessary to understand scripture	WM	96
Leonardo da Vinci	On Bicameral brain	WM	97, 100
Chaucer	On Bicameral brain	WM	97
Montaigne	On Bicameral brain	WM	97
St. John of the Cross	On Bicameral brain	WM	98
Socrates	On Bicameral brain	WM	98
Aristotle	On Bicameral brain	WM	98, 101
Boccaccio	On Bicameal brain	WM	99
Cardano, Girolamo	On Bicameral brain	WM	99
Descartes	On Bicameral brain	WM	100
Walton, Izaak	On Bicameral brain	WM	100
Lope de Vega	On Bicameral brain	WM	100
Aquinas, Thomas	On Bicameral brain	WM	101
Erasmus	On Bicameal brain	WM	101
Charpentier, 17th c.	On Bicameral bain	WM	101
Emotions	Early voices on, an essay	WM	103-124
Pliny the Younger	On emotions	WM	103
Aristotle	On emotions	WM	103ff
Quintilianus	On emotions	WM	104
Aristides	On emotions	WM	104
Cicero	On emotions	WM	105ff
Quintilian	On emotions	WM	106ff
Longinus, first century	On false emotions	WM	108
Galen, 2nd c.	On emotions, contemp.examples	WM	108
St. Augustine	On emotions, four classes	WM	108ff
Seneca	On emotions	WM	109
Aquinas, Thomas	On emotions, in four parts	WM	109ff
Mauchat	On emotions	WM	111
Gower, John	On emotions, in the face	WM	111
Rojas, Fernando	On emotions, universal	WM	111
Montaigne	On emotions	WM	111ff
St. John of the Cross	On emotions, four basic ones	WM	113
Erasmus	On emotions, blames women	WM	113
Women	Erasmus blames women, emotions	WM	113ff
Shakespeare	On categories in an emotion	WM	114ff
Agrippa, Henry	On emotions	WM	114
Gracian, Baltasar	On emotions, gateway to sin	WM	115
Spinoza	On emotions, gateway to sin	WM	115
Descartes	On emotions	WM	116ff
Hall, Joseph, Rev.	On emotions, anger vs madness	WM	118ff
Shensone, William	On melancholy	WM	119ff, 123
Hume, David, 18th c.	On emotions	WM	120
Bacon, Francis	On emotions	WM	120ff
Hutcheson, Francis	On emotions	WM	121ff
Prior, Matthew	On emotions	WM	123
Swift, Jonathan	On emotions, and geography	WM	124
Talent	Vasari on skill or talent?	AM, IV	22
Vasari, Giorgio	On skill or talent?	AM, IV	22
Music Education	The renaissance Academies	AM, IV	31ff
Emotions in Music	Pontus de Tyard on a soloist	AM, IV	32
Camerata	On emotion	AM, IV	33
Ficino, Marsilio	On the Academie	AM, IV	31ff
Emotions in Music	The Camerata	AM, IV	33
Concert	Cellini and papal performance	AM, IV	33
Concert	Aretino on private concerts	AM, IV	33-36
Music education	Giulio del Bene goal to uplift	AM, IV	36
Music in religion	Council of Trent goals	AM, IV	37ff
Performance	Music while traveling	AM, IV	39
Military Music	Machiavelli, 1469-1527	AM, IV	39
Aesthetics	Entertainment music	AM, IV	40
Aesthetics	Italian theory vs practice 16th c	AM, IV	43-89
Humanism	ltalian 16th c. on emotions	AM, IV	43-89
Galilei, Vincenzio	Criticism of 16th c. Italian music	AM, IV	45ff
Aesthetics	Theorists of 16th Italy	AM, IV	47-59
Giustiniani	Need knowledge and practice	AM, IV	49
Purpose of Art	Italian 16th c. music	AM, IV	52ff
Music and Character	Italian 16th c. music	AM, IV	54ff
Zarlino, Gioseffo	On the purpose of music	AM, IV	52ff
Bardi, Giovanni	Character is essential	AM, IV	55
Theory or practice	Words vs music	AM, IV	56ff
Performance	Style in 16th c. Italian music	AM, IV	59ff
Performance	Bottrigari failure of 16trh c. Ital music	AM, IV	59
Performance	Tuning problems	AM, IV	60ff
Audience	Galilei and Zarlino views	AM, IV	61ff
Music education	Galilei, not for entertainment	AM, IV	63
Aesthetics	Practical Music, Ital 16th c.	AM, IV	65-89
Aestheics	Ital. 16thc. Practical views	AM, IV	67-82
Giustiniani	On good performance ideals	AM, IV	65ff
Singing	Aesthetics in singing	AM, IV	70ff
Aesthetics	In instrumental performance	AM, IV	73ff
Gesualdo	On performance practice	AM, IV	77
Concerts	Bottrigari on large ensembles	AM, IV	78ff
Civic Music	Italian 16th c. music	AM, IV	82ff
Civic Music	Duties of Civic music in Lucca	AM, IV	83
Singing	Italian 16th century	AM, IV	84
Listener of Music	Famoos Francesco da Milano perf	AM, IV	85
Animals	Animals and Music, accounts	WM	125-143
Bicameral brain	Man ruled by Reason or Emotion	WM	145-160
Bicameral brain	Dante: if ruled by Emotion = beast	WM	145
Bicameral brain	Schumann:trust feeling not reason	WM	145
Bicameral brain	Early views of bicameral mind	WM	161-178
Bicameral brain	Voltaire:I trust my heart, not mind	WM	161
Bicameral brain	We all speak well of our hearts	WM	161
Bicameral brain	History of right=hand preference	WM	171-178
Poets	Italian 16th c. poets	AM, IV	91-120
Tasso, Torquato	Italian 16th c. poet	AM, IV	91
Aretino, Pietro	Italian 16th c. poet	AM, IV	92, 94
Mei, Girolamo, 16th c	Italian 16th c. poet	AM, IV	91
Aesthetics	Italian 16th c. poet	AM, IV	92-120
Tasso, Torquato	“Creation of the World”	AM, IV	92ff
Patrizi, Francesco	“Della poesica,” 1529-1597	AM, IV	95
Vida, Marco. 16th c.	“De Arte Poetica,” 1517	AM, IV	96-103
Tasso, Torquato	“Discourses on Heroic Poem”	AM, IV	103-106
Giraldi, Cinthio	“:Discorse Intorno,” 1549	AM, IV	106
Purpose of Art	Tasso	AM, IV	113
Singing	Jacopo Sannazaro, 16th c.desc.	AM, IV	114ff
Listener of Music	Singers, 16th c.	AM, IV	115ff
Choral	Crusaders	AM, IV	117
Trumpet	Crusaders	AM, IV	118ff
Theater	Italian dramatists, 16th c.	AM, IV	121-134
Guarini, Giambattista	Italian dramatist, 16th c.	AM, IV	122ff
Aesthetics	Italian dramatists, 16th c.	AM, IV	124-128
Emotions	Italian dramatists, 16th c.	AM, IV	124ff
Scaliger, Julius	“Poetics,” 1561	AM, IV	128ff
Sebastiano, Antonio	“The Art of Poetry,” 1563	AM, IV	129ff
Castelvetro, Ludovico	“Poetics,” 1570	AM, IV	131
Castiglione, Bald.	“Il Cortigiano,” “The Courtier”	AM, IV	135-157
Aesthetics	In “Il Cortigiano”	AM, IV	135-157
Cardano, Girolama	Negative view of music	AM, IV	159-176
Aesthetics	Cardano, 16th c.,	AM, IV	161-176
Purpose of Art	Cardano, 16th c.,	AM, IV	164-168
Emotion in Music	Cardano, 16th c.	AM, IV	163
Performance	On instruments	AM, IV	169ff
Pleasure and Pain	Cardano, 16th c.	AM, IV	163ff
Singing	Cardano, 16th c.	AM, IV	171-174
Dance	Cardano, 18th c.	AM, IV	174ff
Michelangelo	Views on art, 1475-1564	AM, IV	177-191
Aesthetics	Michelangelo	AM, IV	179-191
Aesthetics	France, 16th c.	AM, IV	195-199
Court	Bands, Francois I, 1515-1547	AM, IV	193ff
Tyard, Pontus	“Solitaire,” 16th c. arts in France	AM, IV	195ff
Music education	French Academies, 16th c.	AM, IV	199ff
Arbeau, Thoinot	“L’Orchesographie,” 1588	AM, IV	206ff
Music in Society	Elaborate French pageants	AM, IV	214
Aesthetics	French poetry, 16th c.	AM, IV	215-228
Bellay, Joachim du	French poetry, 16th c.	AM, IV	215ff
Emotions	French poetry, 16th c.	AM, IV	219ff
Pleasure and Pain	French poetry, 16th c.	AM, IV	220ff
Marguerite Navarre	Tournament description	AM, IV	227
Aesthetics	French prose, 16th c.	AM, IV	229-241
Rabelais	Great French story teller	AM, IV	229ff
Bodin, Jean	On aesthetics	AM, IV	229ff
Pleasure and pain	French prose, 16th c.	AM, IV	233ff
Montaigne, Michael	Great French writer, 1533-1592	AM, IV	243-271
Aesthetics	Montaigne	AM, IV	244ff
Senses	Montaigne	AM, IV	247ff
Education	Montaigne	AM, IV	248-253
Emotion	Montaigne	AM, IV	253-257
Pleasure and Pain	Montaigne	AM, IV	257-260
Talent	Montaigne	AM, IV	262
Purpose of Art	Montaigne	AM, IV	262
Emotion	Ruler of the soul	WM	181ff
Luther, Martin	Music ruler of the human heart	WM	181
Emotion	Longinus, 1s c.	WM	183
Emotion	Aristides	WM	183
Emotion	Quintilian, 30-96 AD	WM	184
Emotion	Aurelian of Reome	WM	184
Boethius	On the power of music	WM	184
Emotion	John of Salisbury, 12th c.	WM	185
Emotion	Chaucer	WM	185
Emotion	Galilei	WM	186, 188
Emotion	Robert Greene, 1560-1592	WM	186
Emotion	Michael de Veona	WM	186
Emotion	Heinrich Glarean, 1647	WM	186
Emotion	Isacoff on Gesualdo	WM	187
Emotion	Montaigne	WM	187
Emotion	Performance, Francesco Milano	WM	187
Humanism	Philosophy of Music	WM	187ff
Emotion	Corelli playing violin	WM	188
Emotion	First opera composers	WM	189
Emotion	Caccini, “Le Nuove Musiche	WM	189
Emotion	Cavalieri,Emilio	WM	189
Emotion	Marco da Gagliano,1608	WM	189
Emotion	Benedetto Marcello, 1711	WM	190
Emotion	Geminiani, violinist	WM	190
Emotion	Angelo Berardi, E is ruler of soul	WM	190
Emotion	Tossi,advice to singers	WM	189
Emotion	Christoph Bernhard, 1627-1692	WM	191
Emotion	Johann Mattheson, 1681-1764	WM	191-196
Emotion	Johann Heinichen, 1683-1720	WM	191
Emotion	Bach on chorale performance	WM	196
Emotion	Bach: harpsichord lacks soul	WM	196
Emotion in Music	Diderot	WM	197
Emotion in Music	Mersenne	WM	197
Singing	Mersenne	WM	198
Emotion in Music	Francois Raguenet	WM	198
Listener of Music	Francois Raguenet	WM	198
Emotion	Charles Batteux, 1713-17680	WM	198, 199
Emotion	David Rivault	WM	199
Emotion	Jean-Bapltiste Du Bois	WM	199
Singing	Sebastien de Brossad, 1703	WM	199
Emotion	Couperin	WM	200
Emotion	Rameau	WM	200
Emotion	Samuel Butler, a form of treason	WM	200
Emotion	Hobbes, emotion is Ethics	WM	201
Emotion in music	Lord Chesterfield	WM	201
Emotion in music	Dryden associates with instrument	WM	201
Emotion in music	Addison humorous descriptions	WM	202ff
Emotion	Berlioz	WM	203
Emotion	Liszt	WM	203
Emotion	Chopin	WM	203
Emotion	Verdi	WM	204
Emotion	Dukas	WM	204
Emotion	Max Reger	WM	204
Emotion	Ravel	WM	204
Emotion	Wagner	WM	204, 206
Emotion	Leo Tolstoy	WM	204
Emotion	Clara Schumann on Brahms	WM	204
Emotion	Arthur Rubinstein	WM	204
Emotion	Tchaikovsky	WM	204
Emotion	Kierkegaard	WM	205
Emotion in music	Stravinsky, not possible	WM	205
Emotion in music	Hindemith, not possible	WM	205
Emotion in music	Herbert von Karajan	WM	205, 206
Emotion in music	Bruno Walter	WM	206
Emotion in music	Charles Gounod	WM	206
Emotion in music	Carlo Maria Giulini	WM	206
Emotion in music	“Doctrine of the Affections”	WM	209-231
Aesthetics	Spain 16th c.	AM, IV	273-291
Humanism	Spanish universities 16th c.	AM, IV	273ff
Education	Vives, Tradentis Disciplinis, 1531	AM, IV	275ff
Sensis	St. John of the Cross	AM, IV	280ff
Pleasure and Pain	Vives	AM, IV	283
Philosophy of Music	Francisco de Salinas, 1513-1590	AM, IV	287ff
Salinas, Fran.l 16th c.	Philosophy of Music	AM, IV	287ff
Music in Relilgion	Pietro Cerone, criticism	AM, IV	288ff
Court	Philip I of Spain, 1594-1596	AM, IV	291
Aesthetics	Spanish 16th prose	AM, IV	293-310
Theater	Music in 16th Spanish plays	AM, IV	293ff
Cervantes, Miguel	Trials of Persilesd and Sigismunda	AM, IV	294ff
Cervantes, Miguel	Don Quijote	AM, IV	295ff
Theater	Cervantes on acting	AM, IV	302ff
Aesthetics	Spanish 16th c. poetry	AM, IV	311-323
Leon,Fray Luis 16th c,	On his poems	AM, IV	311
Camoes, Luis de	“The Lusiads,” poetry, 16th c.	AM, IV	311ff
Cruz, San Juan de la	Spanish 16th c. Reformation poet	AM, IV	312ff
Music Education	Spanish 16th c. universities	AM, IV	316ff
Emotion in Music	Lope de Vega	AM, IV	19
Lope de Vega	Emotion in music	AM, IV	319, 325ff
Aestetics	Spanish drama 16th c.	AM, IV	325-344
Cervantes	On early Spanish theater	AM, IV	325
Philosophy of Music	Music as Truth	WM	233-264
Celibadache	Music is Truth	WM	233
Plato	Music is unique	WM	234ff
Cicero	Musicians must be true to self	WM	2325
Boethius	Only music deals wih morality	WM	236
Vogelweide	Truth in his songs is obvious 12th c	WM	237
Chaucer	On Truth in music	WM	238ff
Calderon	On Truth in music	WM	239
Tosi	Truth is a great power	WM	239
Leibniz, Gottfried	Music makes truth believable	WM	240
Aesthetics	Music is a language	WM	243-264
Luther, Martin	Music is a language	WM	243
Wagner, Richard	Music: language of inner man	WM	243
Voltaire	Music and origin of language	WM	243ff, 251
Bacon, Roger	Music: traces of early man	WM	244
Minstrels	Performed without theory	WM	245
Bicameral brain	Mauchat, 1300-1377	WM	247ff
Bicameral brain	Froissart, 1333-1405	WM	248
Bicameral	Montaigne, 16th c.	WM	249
Bicameral brain	Martin Luther: music is feeling	WM	249
Bicameral brain	Johann Scheibe, 1739	WM	250
Bicameral brain	Georg Muffat, 1695	WM	250
Bicameral brain	Johann Mattheson, 1681-1764	WM	250
Bicameral brain	Jean-Bapltiste Du Bois	WM	252
Bicameral brain	Charles Batteux, 1713-1780	WM	253ff
Bicameral brfain	Charles Avison, 1709-1770	WM	254ff
Bicameral bain	Mace: Music: Heaven’s language	WM	255
Bicameral brain	Shenstone on genetic music	WM	256
Emotion in Music	John Marston, 1575-1634	WM	256
Bicameral brain	Liszt	WM	257
Bicameral brain	Wagner	WM	257
Bicameral brain	Hans Chrisian Anderson	WM	257
Bicameral brain	Lord Chesterfield	WM	257
Bicameral brain	Victor Hugo	WM	257
Philosophy of Music	Robert Schumann	WM	258
Philosophy of Music	Berlioz	WM	258
Philosophy of Music	Paul Dukas	WM	258
Philosophy of Music	Maurice Ravel	WM	258
Philosophy of Music	Frederick Delius	WM	259
Philosophy of Music	Mendelssohon	WM	259
Philosophy of Music	Mussorgsky	WM	259
Philosophy of Music	Edward MacDowell	WM	259
Philosophy of Music	Wagner	WM	259
Philosophy of Music	Bruno Walter	WM	259
Philosophy of Music	Wagner on Beethoven	WM	260
Philosophy of Music	Voltaire summary on language	WM	260
Sudre, Jean-Fran.	Invents a musical language	WM	260ff
Wagner	Origin of “leit-motiv idea	WM	263
Catharsis	“know thyself”	WM	265
Catharsis	Origin in Aristotle	WM	265
Aristotle	Defines Catharsis	WM	265ff
St. Augustine	On catharsis	WM	267
Deschamps	On catharsis, 14th c. French poet	WM	268
Tinctoris, Johannes	On catharsis, 15th c	WM	268
Tasso, Torquato	On catharsis	WM	269
Minturno of Ugento	On catharsis	WM	269
Cardino, Girolamo	On catharsis	WM	270
Cervantes, Miquel	On catharsis	WM	270
Shakespeare	On catharsis	WM	271
Listenius,Nichlaus	On catharsis	WM	271
Bayer, Conrad	On catharsis	WM	272
Bach, J. S.	On catharsis`	WM	272
Pascal. Blaise	On caharsis	WM	273
Saint-Evremond	On catharsis	WM	273
Plato	Concern over entertainment	WM	274
Military Music	Instrument improvements 19th c	WH, V	3-8, 66
Oboe	Incredible 19th c.development	WH, V	5-6
Trumpet	Development of the valve	WH, V	4
Wieprecht, Wilhelm	Head, Prussian bands	WH, V	4, 22ff
Military Music	Military bands, Germany, 19th c.	WH, V	9-39
Military Music	Military band repertoire, 19th c	WH, V	34-36
Military Music	Military bands, Austria, 19th c	WH, V	41-55
Music Education	Austrian military music schools	WH, V	52ff
Military Music	Birth of the 19th c. march	WH, V	54ff
Military Music	Austrian military band plate 1830	WH, V	47
Military Music	French military bands, 19th c.	WH, V	57-75
Military Music	France,l Napoleonic Period	WH, V	57ff
Reicha, Anton	Symphony 1815 with his notes	WH, V	58ff
Military Music	French military band plate 1820	WH, V	61
Sax, Adolphe	Instrument inventor, 1814-1894	WH, V	62-75
Military Music	Military bands, England 19th c.	WH, V	77-84
Military Music	English military band plate 1825	WH, V	79
Military Music	England, first publication of music	WH, V	81ff
Military Music	Russia, Rimsky-Korsakov	WH, V	85ff
Military Music	Military bands in Italy	WH, V	87-93
Military Music	Bands in public concerts	WH, V	97-123
Trumpet	Maelzel’s mechanical player	WH, V	97ff
Concerts	Eduard Hanslick band review	WH, V	100
Harmoniemusik	Public performance	WH, V	100ff
Concerts	Paul Maschek, Battle of Leipzig	WH, V	102ff
Concerts	Band concert reviews	WH, V	103-113
Concerts	World Band Competition 1867	WH, V	114-119
Concerts	Bands used in opera	WH, V	119ff, 123
Civic Music	Civic bands in 19th c. Germany	WH, V	126ff, 134ff
Civic Music	German civic band rules	WH, V	126-131
Civic Music	German civic band repertoire	WH, V	131ff
Civic Music	Bands in Switzerland	WH, V	127ff
Civic Music	Civic bands in France	WH, V	143-154
Civic Music	Bochsa, “Requiem for Louis XVI”	WH, V	143
Civic Music	Berlioz, “Symphony for Band”	WH, V	144ff
Civic Music	France, the arrival of the cornet	WH, V	147ff
Civic Music	France, survey of late 19th c. bands	WH, V	150ff
Reicha, Anton	Contemporary description	WH, V	151, fn. 25
Civic Music	Paris, itinerant wind band	WH, V	153ff
Civic Music	Civic bands in Italy	WH, V	155-159
Civic Music	Alessandro Vessella, 1860-1929	WH, V	158
Civic Music	Vessella, instrumentation charts	WH, V	159
Civic Music	Civic bands in England	WH, V	161-174
Civic Music	England,birth of brass bands	WH, V	162ff
Civic Music	England, Dusin family brass	WH, V	163ff
Court	Austria court bands 19th c.	WH, V	179-183
Harmoniemusik	Vienna, 19th c.	WH, V	179-183
Seyfried, Ignaz von	Five works for Franz I, 1805	WH, V	182
Court	Court bands in Germany	WH, V	185-194
Harmoniemusik	In 19th c. Germany	WH, V	185
Wieprecht,Wilhelm	Mass band concert	WH, V	190
Court	German band repertoire, Wagner	WH, V	193ff
Trumpet	Mass ensembles, 19th c.	WH, V	192
Court	Court bands in Italy	WH, V	195ff
Court	Court bands in France	WH, V	197ff
Court	Court bands in England	WH, V	201-205
Kramer, Christian	Leader of royal wind band	WH, V	202ff
Music in Religion	Wind bands in 19th church services	WH, V	209-219
Aesthetics	In Low Countries 16th c.	AM, V	1–5
Aesthetics	Erasmus, 1469-1536	AM, V	7-55
Luther, Martin	Influence on Erasmus	AM, V	9ff
Education	Erasmus discussion`	AM, V	17ff
Henry VIII	Letter from Erasmus	AM, V	17
Emotions	Erasmus discussion`	AM, V	21ff
Pleasure and Pain	Erasmus discussion`	AM, V	25ff
Purpose of Art	Erasmus on Beauty	AM, V	28ff
Audience	Erasmus on the public	AM, V	33ff
Music and Character	Erasmus in letter to Adrian VI	AM, V	39-42
Performance	Erasmus on practice	AM, V	42-45
Music in Religion	Erasmus anti-polyphony	AM, V	43
Flute	Erasmus on flute	AM, V	43
Trumpet	Erasmus	AM, V	43, 53
Poetry	Erasmus	AM, V	29ff
Singing vs speech	Erasmus	AM, V	44ff, 51
Music education	Erasmus: quality most important	AM, V	48
Music in Religion	Erasmus discussion	AM, V	48ff
Organ	Easmus	AM, V	50
Old Testament	Erasmus,on I Corinthians 14	AM, V	49
Music in Religion	Erasmus favors instruments	AM, V	51
Music in Society	Use of Trumpets	AM, V	53
Jesus	Arrived with singing not trumpets	AM, V	53
Music in Society	Erasmus on Entertainment music	AM, V	54ff
Aesthetics	In 16th c. German countries	AM, V	57-77
Humanism	In 16th c. Germany	AM, V	57
Education	Critical of Universities, 16th c.	AM, V	59ff
Music education	In 16th c. Germany	AM, V	63-66
Dance	Prohibited in 16th c. Switzerland	AM, V	74
Music in Religion	Reformation leaders	AM, V	75ff
Luther, Martin	Oposition to Church	AM, V	79
Education	Martin Luther views	AM, V	84ff
Aesthetics	Martin Luther views on Music	AM, V	87-96
Music in Religion	Martin Luther	AM, V	96ff
Music in Society	Ancient Greek Music	EPP	3-15
Music in Society	Pherecrates, 5th c. BC	EPP	5
Plato	Harmony in ancient Greek music	EPP	5
Aristotle	Implies harmony in old Greek music	EPP	6
Music in Sociery	References to harmony, Greek mus	EPP	6
Music in Society	Rhythm in ancient Greek music	EPP	7
Aristides, d. 468 BC	On rhythm in ancient Greek music	EPP	7
Aesthetics	Aesthestics in ancient Greek music	EPP	10-15
Arixtoxenus	A questionable source of info	EPP	9
Modes	Ancient Greek modes, discussion	EPP	17-29
Performance	Practice in ancient societies	EPP	31-51
Performance	Xenophon: don’t talk during music	EPP	32
Listener of Music	Homer, re emotions c. 800 BC	EPP	32
Music in Society	Origin of ancient Greek music	EPP	33
Pythagoras, 5th c. BC	Ideas attributed to Pythagoras	EPP	34ff
Socrates, 5th c. BC	On ancient music	EPP	35ff
Music in Society	Decline in ancient Greek values	EPP	36ff
Plato	On decline in ancient music	EPP	37ff
Music in Society	Rome:most musicians were slaves	EPP	45ff
Music in Society	Performance in ancient Rome	EPP	47ff
Poets	Lyric poets of ancient Rome	EPP	50ff
Cochlaeus, Joh.	“Tetrachordum Musices,” 1511	AM, V	104ff
Ornithoparchus, And.	“Musice active Mirologus,” 1517	AM, V	106ff
Listenius, Nichlaus	“Musica,” 1517	AM, V	112ff
Glarean, Heinrich	“Dodecachordon,” 1547	AM, V	114ff
Coclico, Adrian	“Compendium Musices,” 1552	AM, V	125ff
Aesthetics	In the 16th c. German countries	AM, V	133-151
Court	First strings in courts, 16th c.	AM, V	133
Trumpet	Trumpets begin to read music, 16th c.	AM, V	139
Civic Music	Germany 16th c.	AM, V	139ff
Music in Society	German makers of insts., 16th c.	AM, V	140
Civic Music	First consorts of wealthy individuals	AM, V	140ff
Conserts	German tower music, 16th c.	AM, V	141
Trumpet	In church, Ferdinand II, 16th c.	AM, V	142
Court	Music for royal weddings, 16th c	AM, V	143FF
Civic Music	Civic band contracts, 16th c.	AM, V	144ff
Trumpet	Music for court dancing, 16th c.	AM, V	147
Trumpet	Repertoire, 16th c. Germany	AM, V	148
Civic Music	Duties in 16th c. Germany	AM, V	149ff
Aesthetics	Praetorius, extensive discussion	AM, V	153-181
Aesthetics	In 16th c. England, manners, etc.	AM, V	183-222
Aesthetics	Puritan influence in England	AM, V	189ff
Education	England, 16th c.	AM, V	201ff
Pleasure and Pain	England 16th c.	AM, V	205ff
Poets	England 16th c.	AM, V	207ff
Theater	England 16th c.	AM, V	209ff
More, Thomas	“Utopia,” 1515	AM, V	213
Bryskett, Lodowick	“A Discoudrse on Civil Life: 16th c,	AM, V	214
Morley, Thomas	“A Plain and Easy Intro…to Music”	AM, V	215
Peacham, Henry	“The Complete Gentleman”	AM, V	217
Music in Religion	England 16th c. court	AM, V	219
Henry VIII	English court music	AM, V	223-227
Edward VI	English court music	AM, V	227
Mary Tudor	English court music	AM, V	228
Elizabeth I	English court music	AM, V	229-236
Philosophy of Music	Medieval church philosophers	EPP	55-70
Philodemus	“On Music” negative views	EPP	56ff
Sextus Empiricus	“Against the Musicians,” 2nd c.	EPP	60ff
Grosseteste, Robert	English, 13th c.	EPP	66
Bacon, Roger.	English 13th c.	EPP	66-70
Dance	OT mentions sister of Moses	EPP	70
Boethius on Music	Discussion, 475-524 AD	EPP	71-78
Cassiodorus	On Music 480-573 AD	EPP	79-
Aurelian of Reome	“Musica Disciplina,” c. 843 AD	EPP	87-91
Hucbald	“De Harmonica Inst.” 895 AD	EPP	92
Anonymous	Scholia Enchiradis,: c. 900 AD	EPP	92
Al-Farabi	“Ihsa Al-ulum” c. 900 AD	EPP	93
Al-Farabi	“De Ortu Scientlarum,” c. 900 AD	EPP	94
Guido of Arezzo	“Micrologus,” c. 1026 AD	EPP	95-98
John	“On Music” c. 1100 AD	EPP	98-102
Minstrels	England, 16th c	AM, V	237ff
Civic Music	England, 16th c. The Waits`	AM, V	240ff
Civic Music	England 16th c. amateur music`	AM, V	245ff
Aesthetics	England 16th c. poets	AM, V	249-286
Spenser, Edmund	England 16th c. poet	AM, V	249
Court	Sir Thomas More	AM, V	254
Bicameral brain	Fulke Grenville, 16th c. England	AM, V	254ff
Senses	Fulke Grenville, 16th c. England	AM, V	255
Education	Sir John Davies questions value	AM, V	250
Emotions	England 15th c. poets: bad	AM, V	257ff
Bicameral brain	English poets Reason vs love	AM, V	258ff
Purpose of Art	English poets, 16th c.	AM, V	269-276
Performance practice	English poets, 16th c.	AM, V	276
Trumpet	With Elizabeth I	AM, V	283ff
Listener of Music	Even in entertaianment music	AM, V	285
Aesthetics	In 16th c. English Fiction	AM, V	287-313
Character	Criticism of the English	AM, V	287ff
Sixtus V, pope	Murdered by king of Spain	AM, V	287, fn. 2
Women	Power of, 16th c. England	AM, V	289ff
Education	Views in 16th English fiction	AM, V	290ff
Bicameral brain	English fiction, 16th c.	AM, V	292ff
Bicameral brain	Greene, pros and cons of Love	AM, V	294ff
Poets	Decline in 16th c. England	AM, V	297
Theater	Thomas Nashe, 16th c. England	AM, V	298ff
Performance practice	In English fiction, 16th c	AM, V	303
Singing	In 16th c. English fiction	AM, V	305ff
Aesthetics	Elizabethan playwrights	AM, V	315ff
Singing	Elizabethan Art Music	AM, V	335ff
Military Music	Marlowe’s Edward the second	AM, V	338
Aesthetics	In Shakespeare	AM, V	341-385
Court	Shakespeare on the courtier	AM, V	342ff
Emotions	Shakespeare	AM, V	346ff
Music educaion	Shakespeare	AM, V	364ff
Trumpet	Repertoire on Shakespeare	AM, V	367ff
Shakespeare	References to music in his plays	AM, V	341-385
Repertoire	Early Reflections	EPP	105-116
Homer	On repertoire	EPP	105
Music and Character	Aristophanes, Abbatini	EPP	106
Socrates	A brief history of Music	EPP	109ff
Aristotle	Questions careeer choices	EPP	112
Emotion in Music	Aristotle, “expressive of meaning”	EPP	112
Repertoire	Need for variety, values, etc.	EPP	113
Choral	Repertoire, 5th c. BC	EPP	114
Philosophy of Music	Acoustics and perception	EPP	117ff
Kircher, Athanasius	On the “secrets of music”	EPP	122
Mersenne, Marin	On the science of music	EPP	122ff
Bacon, Francis	On the science of music	EPP	126ff, 134ff
Newton, Isaac	On the science of music	EPP	130ff
Reicha, Anton	On the acoustics of seating	EPP	133
Berlioz	On outdoor acoustics	EPP	133ff
Mendelssohn	On acousics of St. Peters, Rome	EPP	135
Acoustics	Early views on the Pyramid idea	EPP	137-144
Wiepecht, Wilhelm	Pyramid pinciple in ensembles	EPP	143
Descartes, Rene	On the pyramid principle	EPP	142
Repertoire	Notes on early enssemble mss.	WH, VI	ix-xiv
Anonymous	MS One textless 14th c. work	WH, VI	3
Anonymous, 14th c.	MS two textless works, one a dance	WH, VI	3
Anonymous 14th c.	One textless polyphonic work	WH, VI	4
Hermann of Salzburg	Four 14th c. works for wind ens.	WH, VI	4
Anonymous	MS Six 15th c. polyphonic works	WH, VI	7
Touront, CS, 15th c.	Two ensemble works.	WH, VI	7
Anonymous 15th c.	MS 7 textless ensemble works	WH, VI	7ff
Battagh of Rimini	MS, GB, 15th c.,”Marcha”	WH, VI	8
Anonymous 15th c	MS 5 polyhphonic ensemble works	WH, VI	8ff
Anonymous 15th c.	MS One textless polyphonic work	WH, VI	8
Anonymous15th c.	MS Ten textless ensemble works	WH, VI	8
Obrecht, 15th c.	“Ic draghe de mutse chutse” for ens.	WH, VI	8
Anonymous15th c.	MS 136 textless ensemble works	WH, VI	9ff
Anonymous, 15th c	MS Lochamer Liederbuch	WH, VI	9
Finck, Heinrich, 15th	Three textless works	WH, VI	11
Anonymous15th c.	Textless ens setting of “La Spagna”	WH, VI	10
Isaac, Heinrich,15th c	Three textless ensemble works	WH, VI	11
Maximilian I, 15th c.	Wind ensemble repertoire	WH, VI	11
Anonymous15th c.	MS 660 textess ensemble works	WH, VI	12-16
Marcus, 15th c.	Florentine ensemble rondeau	WH, VI	12
Calabr, Andr., 15th c	One four voice textless work	WH, VI	13
Anonymous 15th c.	MS Four textless works for ens.	WH, VI	17ff
Anonymous 15th c.	MS 10 Spanish textless ens works	WH, VI	18
Petrucci, 1501	Odhecaton, PR 96 instr works	WH, VI	16ff
Philosophy of Music	Early views on Tempo	EPP	145-153
Couperin, 1668-1733	Theory vs performance	EPP	145
Praetorius, 1619	“Syntagma Musicum on Tempo	EPP	145ff
Mattheson, Johann	Movement is a spiritual thing	EPP	150
Metronome	Early views on the value of it	EPP	151
Philosophy of Music	Early views on ensembles	EPP	155-185
Machaut, 1300-1377	List of 14th c.instruments in use	EPP	157
Leonardo da Vinci	As a musician	EPP	158ff
Gerson, Jean de	On the prototype timpani sounds	EPP	160
Performance practice	String players play while singing	EPP	163
Oboe	Arbeau on the sound of the shawm	EPP	164
Consorts	Dog consorts	EPP	1654
Percussion	Early views on percussion	EPP	167-174
Old Testiament	On percussion	EPP	167ff
Cervantes	Describes cymbals	EPP	171
Performance practice	Early views on Memorization	EPP	175ff
Performance practice	On the eye; Sufi parable	EPP	179
Anonymous 16th c.	MS Textless works for ensemble	WH, VI	23
Anonymous 16th c.	MS 12 textless works, one polyphon.	WH, VI	23
Erasmus,1469-1536	Music in religion discussion	AM, V	48ff
Anonymous 1556	Huge MS library, Christian III ens.	WH, VI	24–28
Anonymous1580’s	Large MS coll. ens, incomplete	WH, VI	28-30
Anonymmous16th c.	MS 54 textless ensemble works	WH, VI	31
Anonymous 16th c.	MS 25 textless ens works, Henry VIII	WH, VI	31
Busnois, 16th c.	“Fortuna desperata” for ensemble	WH, VI	31
Ghizeghim, MS, 16th	“alles regretz,” for ensemble	WH, VI	31
Cowper, MS, 16th c.	One three part work for ensemble	WH, VI	31
Tallis, MS, 16th c.	“In Nomines: for 4 part ensemble	WH, VI	31
Anonymous, 16th c.	MS 170 textless ensemble works	WH, VI	32
Holborne, Anthony	65 5-part wind ensemble works	WH, VI	33ff
Coprario, John, 16th	“Verse” for cornett, sackbut, organ	WH, VI	36
Ashton, Hugh, 16th c	“Hornpype,” for ensemble	WH, VI	36
Blancks, Edward, 16th	“Motet” 12-part textless ensemble	WH, VI	36
Ferrabosci, “young”	“Pavana,” 16th c. ensemble	WH, VI	36
Holborne, A.	26 additional ensemble works	WH, VI	36ff
Anonymous, 16th c.	MS 6 works for wind ensemble	WH, VI	37
Anonymous 16th c.	MS 30 ensemble works, early kings	WH, VI	38
Attaingnant, PR 1533	57 works for 4-part wind ensemble	WH, VI	38ff
Gombert PR 1533	3 works for wind enssemble	WH, VI	38ff
Testa, PR 1533	One work for wind ensemble	WH, VI	38
Jannequin, 1533	PR One work for wind ensemble	WH, VI	38
Certon, 1533	PR Two works for wind ensemble	WH, VI	38
Guyon, 1533	PR One work for wind ensemble	WH, VI	38
Manchicourt, P.,	PR Two works for wind ensemble	WH, VI	38ff
Bourguignon	PR One work for wind ensemble	WH, VI	38
Jacotin, 1533	PR three works for wind ensemble	WH, VI	38
Richafort, 1533	PR One work for wind ensemble	WH, VI	38
Lupus, 1533	PR Five works for Franz I, 1805	WH, VI	38ff
Adorne, 133	PR One work for wind ensemble	WH, VI	38
Lemaire, J.,	PR One work for wind ensemble	WH, VI	38
Claudin, 1533	PR Nine works for wind ensemble	WH, VI	39ff
Bridam, 1533	PR One work for wind ensemble	WH, VI	39
Heurteurs, 1533	PR Five works for Franz I, 1805	WH, VI	39
Le Gendre, 1533	PR One work for wind ensemble	WH, VI	39
Passereau, 1533	PR Five works for Franz I, 1805	WH, VI	39ff
Vermont, 1533	PR One work for wind ensemble	WH, VI	39
Attaingnant, 1530	PR 12 works for any ensemble	WH, VI	40
Attaingnant 1530	PR 51 works for any ensemble	WH, VI	40ff
Attaingnant 1547	PR 50 works for any ensemble	WH, VI	42ff
Moderne, c. 1550	PR 51 works for wind ensembles	WH, VI	46
Attaingnant 1559	PR 33 works for any ensemble	WH, VI	46ff
Attaingnant 1550	PR 53 works for any ensemble	WH, VI	47ff
Gervaise 1555	PR 31 dances for any ensemble	WH, VI	50ff
Gervaise1556	PR 32 dances for any ensemble	WH, VI	51FF
Attaingnant 1557	PR 19 dances for any ensemble	WH, VI	52ff
d’Estree 1559	PR 58 wind works, king’s wind band	WH, VI	54
d’Estree 1559	PR 56 wind works, king’s wind band	WH, VI	54
d;Estree1559	PR 44 wind works, king’s wind band	WH, VI	54ff
d’Estree 1564	PR 34 wind works, king’s wind band	WH, VI	55
Le Roy 1582	PR 5 works, one 12 voices, any ens	WH, VI	55
Arbeau 1588	PR One pavan in four parts	WH, VI	56
Cordeilles 1540	PR Three works for Lyon civic band	WH, VI	56
Anonymous c. 1541	MS 24 wind works, Albert of Prussia	WH, VI	57
Anonymous 16th c.	MS 550 textless works for any ens.	WH, VI	57-61
Erbach, Christian	One 5-part textless work	WH, VI	57
Philip of Hesse court	8 textless works	WH, VI	59
Erbach, Christian	A 5-part canzona, 16th c.	WH, VI	61
Bramieri 16th c.	An 8-part canzona	WH, VI	61
Lichtlein 16th c	A 6-part “capriccio de cornetti”	WH, VI	61
Koln, c. 1519	138 PR works for winds, inc Isaac	WH, VI	61
Orologio, 1597	PR 28 Intradas for wind ensemble	WH, VI	61
Anonymous 16th c.	PR Over 600 textless works	WH, VI	62-70
Anonymous c. 1600	PR band music in 6 part books	WH, VI	66
Lindner, 1589	PR “Fanasia Capriccio” in 4 parts	WH, VI	70
Lutkemann 1597 PR	32 civic band works, inc.”Innsbruck”	WH, VI	71
Agricola, PR 1561	Theory book with 54 textless works	WH, VI	76
Augsburg 1540 PR	42 wind works by trumpeter	WH, VI	76
Anonymous	MS 4 Sonate; for Bombardi	WH, VI	76
Cornazzani,	MS Wind work for 4 choirs, c 1552	WH, VI	77
Heugel, Johann	MS Lerman” for winds	WH, VI	77`
Stolzer, Thomas“ MS	“Erzuerne dich dicht” for crumhorns	WH, VI	77
Walther, Johann	MS 26 Fugen for cornetts	WH, VI	78
Anonymous 16th	MS Ten-part Canzon for any inst.	WH, VI	78
Herwich, 16th c.	MS 61 works for any inst.	WH, VI	78
Lechner, Leon	MS “Pavana Lachrymae” in 4 parts	WH, VI	78
Anonymous 16th c.	MS 6 textless works for any insts	WH, VI	79
Anonymous 16th c.	Some MS 300 textless works	WH, VI	80-82
Anonymous MS 1502	Textless works, for Isabella d’Este	WH, VI	80
Buus, 1547	PR Ten textless ricercares	WH, VI	82
Malvezzi, 1577`	PR Ten textless ricercares	WH, VI	82
Merulo 1585	PR Four canzonas	WH, VI	82
Crequition 1585	PR One canzon	WH, VI	82
Guami 1585	PR One canzon by Guami	WH, VI	82
Al Sfoi 1585	PR One canzon by Al Sfoi	WH, VI	82
Cnabni 1585	PR One canzon by Chabril	WH, VI	82
Anonymous 16th c.	PR 33 polyphonic works for any inst.	WH, VI	82
Maschera,1603	PR 21 canzonas from Brescia	WH, VI	82
Banchieri 1596	PR Banchieri, 14 works for wind enc.	WH, VI	82ff
Dalla Casa,Venice,	Il Vero Modo, PR 1584 for winds	WH, VI	83ff
Dalla Casa Venice	Il Vero Modo, PR 1584 part 2, winds	WH, VI	85
Gabrieli, Andrea, 1580, 1590	PR Venice works for winds	WH, VI	85ff
Gabrieli, Gio.1597	PR Venice works for winds	WH, VI	86-88
Gabrieli, Andrea	One aria for winds	WH, VI	85ff
Gabrieli, Giovanni	Complete works listed	WH, VI	86-88
Merulo	Four canzonas by Merulo	WH, VI	82
Crequition	One canzon by Crequition	WH, VI	82
Guami	One canzon by Guami	WH, VI	82
Al Sfoi	One canzon by Al Sfoi	WH, VI	82
Chabril	One canzon by Chabril	WH, VI	82
Isabella d’Este	Textless works for ensemble	WH, VI	80
Stolzer, Thomas	“Erzuerne dich dicht” for crumhorns	WH, VI	77
Walther, Johannes	26 Fugen for cornetts	WH, VI	78
Heugel, Johannes	“Lerman” for winds	WH, VI	77
Herwich	61 works for any inst.	WH, VI	78
Lechner, Leon	“Pavana Lachrymae” in 4 parts	WH, VI	78
Anonymous PR	Many works for any; enssemble	WH, VI	88-104
Bounavita, 16th c	“Musik” for 10 winds, organ	WH, VI	104
Corteccia, 16th c	Three works for wind ensemble	WH, VI	104ff
Dalla Casa, Nic.	Canzoni et madrigali winds, 16th c.	WH, VI	105
Anonymous PR	Many works for any; ensemble	WH, VI	105-118
Susato, Tielman 16th	Antwerp civic wind band repeoire	WH, VI	`121-122
Anonymous PR	Many works for any ensemble	WH, VI	123-126
Performance	Essay on early performers	DEM	3-13
Aristotle	Observations on performance	DEM	9
Cicero	Reference to an aulos recital	DEM	7
Guido of Arezzo	On cadences	DEM	11
Singing	Essay on ancient singers	DEM	15-37
Snging	Aristotle: voice is soul	DEM	15
Aristotle	Voice same as soul	DEM	15
Singing	Nero as singer	DEM	22-26
Singing	Isidore. 600 AD on voice types	DEM	35
Isidore of Seville	On voice types	DEM	35
Aurelian of Reome	The difference: singer & musician	DEM	36
Singing	The difference: singer & musician	DEM	36
Music in Society	On the ancient Rhapsodist	DEM	39-46
Rhapsodist	On the ancient Rhapsodist	DEM	38-46
Women	Descriptions of early performers	DEM	47-57
Conductors	Descrfiptions of early conductors	DEM	59-69
Conductors	In ancienf Egypt	DEM	59-60
Conducdors	Bach as conductor	DEM	65
Conductors	Mattheson: education of conductors	DEM	66ff
Bach, J. S.	Description as conductor	DEM	65
Mozart	As opea conducor	DEM	68
Oboe	Descrition of the ancient aulos	DEM	71-82
Trumpet	Description of the ancient trumpet	DEM	83-90
Trumpet	On the medieval trumpet	DEM	93-98
Minstrel	On the medieval Jongleur	DEM	99-108
Minstrel	On the medieval minstrel	DEM	109-120
Troubadours	On the medievala troubadours	DEM	121-139
French Romances	Music of the medieval romances	DEM	141-145
Minnesinger	Music of the medieval Minnesinger	DEM	147-161
Singing	Music of the medieval Minnesinger	DEM	147-161
Goliards	Music of the medieval Golards	DEM	163-168
Singing	Music of the medieval Golards	DEM	163-168
Music in Society	Baroque Musical scene in Italy	AM, VI	1-27
Music in Society	Baroque Italian Court	AM, VI	1-13
Monteverdi	On working for Italian courts	AM, VI	1ff, 21
Opera	Early Italian Opera	AM, VI	10ff
Metastasio	Early Italian Opera	AM, VI	13
Civic Music	Early Baroque Italian civic music	AM, VI	14-17
Music in Religion	E arly Baroque Italian church music	AM, VI	17-26
Music in Religion	Praetoius on church concerti	AM, VI	17
Music in Religion	Giustiniani on Italian church music	AM, VI	18-19
Improvisation	In Baroque Italian Church music	AM, VI	18, 20
Frescobaldi	On his organ playing	AM, VI	20
Giustiniani	Baroque Italian singer	AM, VI	18ff
Scuole San Rocco	Private Italian performance	AM, VI	22ff
Music education	Venice Ospedali for girls	AM, VI	23ff
Vivaldi	Composing for the Ospedali	AM, VI	25ff
Military Music	Italian Baroque after Paris syle	AM, VI	27
Opera	On the Italian Camerata	AM, VI	29-44
Camerata	Beginning of opera	AM, VI	29-44
Guido of Arezzo	Aesthetics	ME	27
GuFido of Arezzo	Aesthetics	AM, II	261
John of Salisbury	Aesthetics	AM, II	313ff
Jacques de Liege	Aesthetics	AM, II	87ff
Al-Farabi, 900 AD	Aesthetics	AM, II	254ff
Boethius	Aesthetics	AM, II	183, 113ff
Cassiodorus	Aesthetics	AM, II	187, 219ff
Isadore of Seville	Aesthetics	AM, II	221ff
Aurelian	Musica Disciplina 843 AD	AM, II	248ff
Hucbald	“De Harmonica” 895 AD	AM, II	253
Anonymous	Scholia Enchiradis, 900 AD	AM. II	254
Al-Farabi	De Ortu Scientiarum	AM, II	265ff
Odo of Cluny	Enchiridion, 935 AD	AM, II	256ff
Aesthetics	17th century Italian musicians	AM, VI	45-69
Music in Religion	St. Petronio choral practice	AM, VI	45ff
Scarlatti, Alessandro	Anti-winds comment	AM, VI	47
Gasparini, Francesco	Three requirements for a musician	AM. VI	47
Tosi	On the new Baoque singing style	AM, VI	48, 54ff
Purpose of Music	New Baroque style	AM, VI	50, 109ff
Cavalieri, Emilio	On the new operatic style	AM, VI	50
Emotion in Music	New Baroque style	AM, VI	51
Metastasio	On emotion in singers	AM, VI	51
Singers	New Baroque style	AM, VI	51
Geminiani Francesco	Emotion in music	AM. VI	51
Frescobaldi,Girolamo	Emotion is in the music	AM, VI	53
Bonachelli, Giovanni	Tempo is affected by words	AM,.VI	53
Performance practice	New;Baroque style	AM, VI	54
Improvisation	New Baroque style	AM, VI	55, 58ff
Singing	Tosi on manners of singers	AM, VI	56
Emotion in Music	Geminiani, purpose of ornaments	AM, VI	64
Music education	Tosi,on Italian Broque	AM, VI	66
Music in Religion	Comments on new Baroque style	AM, VI	67ff
Music in Society	Views in 17th c. Italian literature	AM, VI	71-87
Aesthetics	In 17th c. Italian literature	AM, VI	76ff
Kircher, Athanasius	Major discussion on music	AM, VI	79-86
Court	Spain 17th c.	AM, VI	89-92
Aesthetics	In 17th c. Spanish literature	AM, VI	93-104
Aesthetics	In 17th c. Spanis Drama	AM, VI	105-120
Calderon, Don Pedro	Aesthetics, 17th c. Spanish drama	AM, VI	105ff
Music of the Spheres	17th c. Spanish drama	AM, VI	109
Molina, Tirso de	Aesthetics in 17th c. Spanish drama	AM, VI	108ff
Aesthetics	In German Baroque	AM, VI	121-149
Court	German Baroque	AM, VI	123135
Horse ballet	German Baroque	AM, VI	128ff
Hautboisten	In German Baroque courts	AM, VI	131ff
Trumjpet	German Baroque trumpset choirs	AM, VI	133ff
Civic Music	German Baroque	AM, VI	135-142
Civic Music	Student applicant resume	AM, VI	137
Civic Music	German tower music duties	AM, VI	137ff
Reiche, Gottfried	German 17th c. civic band leader	AM, VI	139
Speer, Daniel	Musicalisches Kleeblatt, 17th c.	AM,VI	139
Music in Society	German music collegium	AM, VI	140ff
Telemann	German civic music	AM, VI	141ff
Music in Society	Telemann on pseasant music	AM, VI	142
Music in Religion	Baroque German church music	AM, VI	142-146
Military Music	German 17th c., and Turkish bands	AM, VI	146-149
Kreiger, Johann	Rare 17th c. German concert music	AM, VI	149
Aesthetics	Views of 17th c. German musicians	AM, VI	151-160
Heinichen, Johann	Compares old style with new style	AM, VI	153, 164ff
Purpose of Music	German 17th c., “refresh the spirit”	AM, VI	161
Muffat, George	On performance practice	AM, VI	168ff
Improvisation	German 17th c., famous Bach story	AM, VI	169ff
Music education	German 17h c.; Niedt’s student	AM, VI	174ff
Aesthetics	Views of Johann Mattheson	AM, VI	161-219
Purpose of Music	Johann Mattheson, 1681-1764	AM, VI	200ff-211
Improvisation	Johann Mattheson, 1681-1764	AM, VI	212ff
Conducting	Johann Mattheson, 1681-1764	AM, VI	215
Music education	Johann Mattheson, 1681-1764	AM, VI	217ff
Music in Society	Ancient secular societies	MAS	3-16
Music in Society	Early olympics	MAS	4, 17
Flute	Ovid, origin of the panpipe	MAS	10ff
Contests	Longus on a mythical contest	MAS	16
Myth	Origin of the echo	MAS	16
Music in Society	Ancient secular festivals	MAS	17-32
Plato	On major Greek festivals	MAS	18-23
Music in Society	Early Roman festivals	MAS	23ff
Music in Religion	Church opposed to early festivals	MAS	31ff
Concerts	Accounts of ancient concert halls	MAS	33-37
Concerts	Accounts of early concerts	MAS	39-53
Choral	Ancient Greek choruses	MAS	55-67
Plato	On ancient Greek choruses	MAS	62-65
Choral	On ancient Roman choruses	MAS	69-74
Duns Scotus	Aesthetics	AM, II	299ff
Grosseteste	Aesthetics	AM, II	297ff
Dante	Aesthetics	AM, II	397ff
Chansons de Geste	Aeshetics	AM, II	355ff
Troubadours	Aesthetics	AM, II	369ff
Minnesingers	Aesthetics	AM, II	417ff
Gollards	Aesthetics	AM, II	427ff
Grocheo	“De Musica”	AM, II	437ff
John of Salisbury	Aesthetics	AM, II	120
Petrarch, 1304-1374	Aesthetics	AM, ii	139FF
Machaut, 1300-1377	Aesthetics	AM, III	69-103
John XXII, pope		AM, III	90ff,100
Nicholas V, pope	Aesthetics	AM, III	161
Alberti, Leon	Aesthetics	AM, III	164ff
Ficino, Marsilio	Aesthetics	AM, III	164ff
Ugolino of Orvietgo	Aesthetics	AM, III	165
Valgulio, Carlo	Aesthetics	AM, III	170
Gaffuiro, Franchino	Aesthetics	AM, III	171
Martin le Franc	Aesthetics	AM, III	211
Dufay	Aesthetics	AM, III	211, 228
Binchois	Aesthetics	AM, III	211, 228
Nicholas de Cusa	Aesthetics	AM, III	253ff
Glarean	Artists “born or made?”	NW	115
Cardano, Girolama	Aesthetics	AM, IV	161-176
Michelangelo	Aesthetics	AM, IV	179-191
Montaigne	Aesthetics	AM, IV	233ff
Erasmus,1469-1536	Aesthetics	AM, V	7-55
Luther, Martin	Aesthetics	AM, V	87-96
Praetorius, 1618	Aesthetics	AM, V	153-181
Shakespeare	Aesthetics	AM, V	341-385
Plato	Aesthetics	AM, I	237-264
Aristotle	Aesthetics	AM, I	252-264
Leonardo da Vinci	Aesthetics	AM, III	192-210
Pliny the Elder	Animals	AM, I	478
Albertus Magnujs,	Animals	AM, II	301ff
Caligula, emperor	Punishes singer, Apelles	AM, I	459
Germany, post war	Aesthetics	AM, VI	221-232
Bicameral brain	German literatujre	AM, VI	221ff
Schutz, Heinrich	Tribute	AM, VI	222ff
Purpose of Music	17th c. Germany	AM, VI	223ff
Grimmelshausen	Aesthetics	AM, VI	227ff
Leibniz, Gottfried	Aesthetics	AM, VI	233ff
Education	Leibniz, for the soul	AM, VI	243
Art and Nature	Leibniz	AM, VI	246ff
Purpose of Music	Leibniz	AM, V I	248ff
Opera	Leibniz	AM, VI	254ff
Leibniz, Gottfried	Suggestions for a world fair	AM, VI	256
Kepler, Johannes	Music of the Spheres, treatise	AM, VI	259-276
Civic Music	The 17th c. Low Countries	AM, VI	278ff
Music in Religion	The 17th c. Low Countries	AM, VI`	280ff
Military Music	Military Guilds, 17th c. painting	AM, VI	281
Aesthetics	Gottfried Leibniz	AM, VI	233ff
Aesthetics	Spinoza, Benedict	AM, VI	293ff
Spinoza, 1632-1677	Aesthetics	AM, VI	293-
Emotions	Spinoza on moral implications of	AM,VI	292ff
Huygens, Christian	Music of the Spheres	AM, VI	300
Senses	17th c. Huygens	AM, VI	301
Court	Music of the Ancient Courts, essay	MAS	75-86
Old Testiament	Band of Nebuchadnezzar	MAS	75
Court	Egyptian music school, wall art	MAS	76ff
Concert	Blind musician, Homer	MAS	77
Homer	Blind musician, “The Odyssey”	MAS	77ff
Landini, Francesco	Famous blind musician	MAS	79
Trumpet	Old Testament description	MAS	81
Antigonus	Music teacher of Alex. The Great	MAS	82
Ovid	Festival of Juno	MAS	83
Music in Society	Ovid, Festival of Juno	MAS	83
Concert Halls	The Odeum, Plutarch	MAS	83
Caligula, emperor	As listener	MAS	85
Nero, emperor	Sudied lyre wih Terpnos	MAS	86
Titus, emperor	Mastered the harp	MAS	86
Harp	Titus, Roman emperor played it	MAS	86
Theater	Ancient Theater music, essay	MAS	87ff
Theater	St. Augustine on decline in Rome	MAS	102
Theater	Cassiodorus describes	MAS	103
St. Augustine	On the decline of theater in Rome	MAS	102
Cassiodorus	Describes 6th c. theater	MAS	103
Contests	Music contests in Ancient times	MAS	107-120
Music in Society	Banquet music in ancient times	MAS	137-148
Music in Society	Wedding music in ancient times	MAS	149-155
Music in Society	Funeral music in ancient times	MAS	157-160
Military Music	Military music in ancient times	MAS	161-171
Xenophon	How dance and music help soldier	MAS	162
Old Testiament	References to battle music	MAS	165ff
Military Music	Soldiers singing	MAS	166ff
Trumpet	Famous ghost trumpeter	MAS	167
Trumpet	Confusion in battle	MAS	169
Military Music	Medieval military music, essay	MAS	175-182
Military Music	“The Song of Roland”	MAS	177-181
Court	Music of medieval courts, essay	MAS	183-193
Court	Julian 4th c., composed	MAS	184
Organ	Description of 4th c. water organ	MAS	184
Charlemagne	Interest in music	MAS	186ff
Civic Music	Medieval civic music essay	MAS	195ff
Grocheo, Johannes	On early musical forms	MAS	200ff, 209ff
Choral	On the medieval chorus essay	MAS	203ff
Muuic in Religion	St. Basil on two-part singing 4th c.	MAS	205
Charlemagne	In church singing	MAS	207
Music in Religion	Grocheo on church music forms	MAS	209ff
Dance	Cardano, “the sixth part of music”	MAS	210
Cardano	Dance is the 6th part of music	MAS	210
Guicciardini	Audience	AM, IV`	24
Aristotle	Student, Aristoxenus	AM, I	194
Marcus Aurelius	Art and Nature	AM, I	487
Seneca, 3 BC -63 AD	Art and Nature	AM, I	500
Longinus, first century	Art and Nature	AM, II	21
Galen	Art and Nature	AM, II	22
Aristotle	Dark Ages	MR	115
Bruno	Audience	AM. IV	24
Galilei	Audience	AM, IV	61ff
Zarlino	Audience	AM, IV	61ff
Ovid	Bacchus festival	MR	40
Hautboisten	Tradition	WH, III	3-21
Hautboisten	Bands	WH, III	57-60
Sperger	42 partitas for Cardinal Batthyany	WH, IV	33
Harmoniemusik	Beethoven, Op. 103	WH, IV	51ff
Meyerowitz	On form in Beethoven	AM, I	29
St. Bernard	Bernard of Clairvaux, 1090-1153	AM, II	311ff
Montaigne, 16th c	Bicameral brain	WM`	249
Mace, Thomas	Bicameral b rain	WM`	255
Mauchat, Guillaume	Bicamerial brain	WM`	247ff
Froissart	Bicameral brain	WM`	248
Luther, Martin	Bicameral: music is feeling	WM`	249
Scheibe, Johann	Bicmaeral brain	WM`	250
Muffat, Georg	Bicameral brain	WM	250
Mattheson, Johann	Bicameral brain	WM	250
Du Bois, Jean	Bicameral brain	WM	252
Batteuix, Charles	Bicameral brain	WM	253ff
Shenstone	On genetic music	WM	256
Liszt, Franz	Bicameral brain	WM	257
Wagner, Richard	Bicameral brain	WM	257
Anderson, Hans C.	Biocameral brain	WM	257
Chesterfield, Lord	Bicameral brain	WM	257
Hugo, Victor	Bicameral brain	WM	257
Grenville, Fulke	Bicameral brain	AM, V	254ff
Greene	Bicameral brain	AM, V	294ff
Plutarch	Bicameral brain	AM, I	306ff
Avison, Charles	Bicameral brain	WM	254ff
Dante	If ruled by emotion = beast	WM	145
Schumann, Robert	Trjst feeling, not reason	WM	145
Voltaire	Bicameral brain	WM	93, 161
Motopus, 5th c. BC	Bicameral brain	AM, I	153
France	Baroque musical scene in France	AM, VII	1-18
Court	France “Les Grands Hautbois”	AM, VII	1-3ff
Court	“Musettes et Hautbois du Poitou”`	AM, VII	3
Court	“Les Cromornes”	AM, VII	4
Court	“Les Fifres et Tambours”	AM, VII	4
Percussion	“Les Fifres et Tambours”	AM, VII	4
Trumpet	“Les Trompettes”	AM, VII	4ff
Military Music	“Maison Militaire”	AM, VII	4ff
Concert	Lully, Louis XIV	AM, VII	5
Moliere	Author, play, Louis XIV	AM, VII	6tff
Court	Paris, quality music in pageant	AM, VII	8
Lully	Paris, duties as head of music	AM, VII	8ff
La Maupin	Paris opera singer great story	AM, VII	9ff
Civic Music	Paris, Academie Francaise	AM, VII	10ff
Poupliniere	Paris, private concerts	AM, VII	11
Civic Music	By-laws, Strasbourg civic music	AM, VII	11ff
Slave Music	Baroque, ship slave musicians	AM, VII	13
Music in Religion	France, instruments begin to appear	AM, VII	14
Trumpet	France, use in military	AM, VII	15ff
Military Music	France, psychological value of tpt	AM, VII	15ff
Mersenne, Marin	Value of trumpet in military music	AM, VII	15ff
Military Music	First coordinated marching	AM, VII	17
Military Music	Maurfice de Saxe, 1696-1750	AM, VII	17ff
Military Music	France, concerts in the field	AM, VII	18
Concerts	France, military bands	AM, VII	18
Aesthetics	Baroque French musicians	AM, VII	19-35
Philosophy of Music	Baroque French on Taste	AM, VII	22-24
Purpose of Music	Baroque French musicians	AM, VII	24ff
Charpentier, 17th c.	Equates emotion and tonality	AM, VII	24
Rameauj	Emotion and tonality	AM, VII	25
Emotion	Emotion and Time	AM, VII	26ff
Couperin, 1668-1733	Performance vs notation	AM, VII	27
Performance	Baroque, feelings come first	AM, VII	28ff
Listener of Music	Rameau, feelings, not words	AM, VII	29
Rameauj	Listen to: feelings not words	AM, VII	29
Performance practice	French Baroque musicians	AM, VII	30ff
Music education	French Baroque musicians	AM, VII	33ff
Mersenne, Marin	French Baroque philosopher	AM, VII	37ff
Mersenne, Marin	“Harmonie universelle,” 1636	AM, VIII	37ff
Mersenne, Marin	Aesthetics	AM, VII	40–67
Senses	Mersenne, French Baroquje	AM, VII	41-43
Philosophy of Music	Mersenne on Perception of music	AM, VII	46ff
Purpose of Music	Mersenne, French Baroquje	AM, VII	49-68
Notation	Mersenne wants based on feeling	AM, VII	53ff
Emotion in Music	Mersenne:	AM, VII	55ff
Emotion in Music	Relationship to vowels	AM, VII	59
Emotion in Music	Mersenne on notation	AM, VII	60ff
Dance	Mersenne on dance and health	AM, VII	67ff
Performance practice	Mersenne	AM, VII	68-78
Organ	Mersenne comments	AM, VII	76
Condujcing	Mersenne on the beat	AM, VII	77ff
Music education	Merssenne	AM, VII	78ff+
Philosophy of Music	Mersenne on intervals	AM, VII	80ff
Machaut, 1300-1377	Life and works, essay	RM	1-15
Petrarch, 1304-1374	Life and works, essay	RM	17-34
Boccaccio, Giovanni	Life and works, essay	RM	35-48
Chaucer, Geoffrfey	Life and works, essay	RM	49-68
Leonarfdo da Vinci	Life and works, essay	RM	69-79
Castiglione, Bald.	Life and works, essay	RM	81–90
Michelangelo	Life and works, essay	RM	91-97
Cardino, Girolamo	Life and works, essay	RM	99-111
Erasmius	Life and works, essay	RM	113-129
Aesthetics	Baroque French Academies	RM	131-140
Music education	Paris, Free School of Music	WH, IV	82ff
Bochsa	“Requiem for Louis XVI	WH, V	143
Berlioz	“Symphony for Band	WH, V	144ff
Vessella, Alessandro	Band instrumentation charts	WH, V	159
Cellini	Papal performance	AM, IV`	33
Harmoniemusik		AM, I	10ff, 16ff
Bottrigari	On large ensembles	AM, IV	78ff+
Music in Religion	French vs Italian	AM, VII	160-161
Du Bos, 1670-1742	Goal of Art is pleasure	AM, VII	84
Catharsis	Du Bos, 17th c.	AM, VII	84
Art and Nature	Du Bos, 17th c.	AM, VII	84
Aesthetics	French philosophers, 17th c.	AM, VII	83-161
Bicameral brain	French philosophers, 17th c.	AM, VII	86-90
Senses	French philosophers, 17th c.	AM, VII	91-96
Education	French philosophers, 17th c.	AM, VII	96-100
Emotions	French philosophers, 17th c.	AM, VII	101-105
Beauty	French philosophers, 17th c.	AM, VII	196-109
Art and Nature	French philosophers, 17th c.	AM, VII	109-112
Poets	French philosophers, 17th c.	AM, VII	112-118
Beauty in Music	French philosophers, 17th c.	AM, VII	120-122
Taste in Music	French philosophers, 17th c.	AM, VII	122-126
Perception in Music	French philosophers, 17th c.	AM, VII	126-128
Purpose of Music	French philosophers, 17th c.	AM, VII	128-134
Music in Society	French philosophers, 17th c.	AM, VII	134-138
Performance	French vs Italian Music, 17th c.	AM, VII	138-147
Singers	French philosophers, 17th c.	AM, VII	141-144
Improvisation	French philosophers, 17th c.	AM, VII	147-149
Opera	French philosophers, 17th c.	AM, VII	148-159
Music education	French vs Italian	AM, VII	159-160
Descartes, Rene	Views on music	AM, VII	163-182
Aesthetics	Descartes	AM, VII	164-180
Senses	Descartes	AM, VII	166-168
Emotions	Descartes	AM, VII	168-177
Purpose of Music	Descartes	AM, VII	179180
Perception in Music	Descartes	AM, VII	180-182
Theater	Music in French Drama	AM, VII	183-211
Aesthetics	In French drama	AM, VII	193-204
Audience	In French drama	AM, VII	199-200
Purpose of Music	In French drama	AM, VII	205-207
Aesthetics	In French fiction	AM, VII	213-225
Music and character	In French fiction	AM, VII	220
Music in Society	French manners, 17th c.	AM, VII	227-242
Bicameral brain	France, 17th c.	AM, VII	229
Aeshetics	French 17th c. upper class	AM, VII	230-234
Opera	French 17th c. upper class	AM, VII	234-236
Music in Religion	French 17th c. upper class	AM, VII	238-240
Voltaire	As Philosopher	AM, VII	243-281
Bicameral brain	Voltaire	AM, VII	247-250
Senses	Voltaire summary on language	AM, VII	250-252
Aesthetics	Voltaire	AM, VII	254-271
Opera	Voltaire	AM, VII	271-279
Music in Religion	Voltaire on the Te Deum and war	AM, VII	280
Voltaire	As playwright	AM, VII	283-299
Voltaire	As poet	AM, VII	301-316
Bicameral brain	Voltaire	AM, VII	303-304
Aesthetics	Voltaire	AM, VII	305-
Trumpet	Voltaire references	AM, VII	314-316
Voltaire	As writer of fiction	AM, VII	317-325
Bicameral brain	Voltaire	AM, VII	319-320
Aesthetics	Voltaire in his fiction	AM, VII	320-324
Music in Religion	Voltaire questions purpose	AM, VII	324-325
Music in Society	In 14th c., essay	RPM	3-11
Landini, Francesco	Everyone is a composer, 14th c.	RPM	4
John XXII, pope	Attack on the Ars nova	RPM	6ff
Petrarch, 1304-1374	Questions the Ars nova	RPM	9FF
Machaut, 1300-1377	On the Ars nova	RPM	10ff
Chaucer	On the Ars nova and feelings	RPM	11
Hanslick, Euard	Band review	WH, V	100
Maschek, Paul	Battle of Leipzig	WH, V	102ff
Ormandy, Eugene	Rehearsal theoryh	PC	39
Giulini, Cadrlo Maria	Role of conductor	PC	42
Sufi parable	Famous parable	PC	30
Oboe contgests	Aulos contests in ancient Greece	AM, I	111
Plato	Greek music had roots in Egypt	AM, I	232ff
Plato	Regarding character and music	MR	17
Aristotle	Ddisapporoveso of constests	WH, I	39
Ferdinand & Isabella	Bands	WH, I	223ff
Charles I	17th c. English courtg	AM, VIII	4ff
Court	17th c. England, Charles I	AM,VIII	4ff
Trumpet	As passport function	AM, VIII	5
Court	17th c. England, Charles II	AM, VIII	7
Civic Music	17th c. English concerts	AM, VIII	9
Concerts	17th c. English private concerts	AM, VIII	9
Civic Music	17h c. English Wait bands	AM, VIII	12
Minstrels	17th c. England	AM, VIII	15
Music in Religion	17th c. England	AM, VIII	16ff
Military Music	17th c. English requirements	AM, VIII	19ff
Aesthetics	Baroque England	AM, VIII	21-39
Avison, Charles	Aesthetics	AM, VIII	21, 30ff
Butler, Charles	Aesthetics English Baroque	AM, VIII	22ff, 27ff
Flud, Robert	Aesthetics English Baroque	AM, VIII	24ff
Music in Society	John Playford, 1674	AM, VIII	25ff
Playford, John	Introduction to the Skill of Music	AM, VIII	25ff
Purpose of Music	English Baroque	AM, VIII	27ff
Inspiration	Wm Byrd, English Baroque	AM, VIII	28
Byrd, William	On Inspiration	AM, VIII	28
Simson, Christopher	Purpose of Music	AM, VIII	29
Emotions in Music	On “Ethos” English Baroquje	AM, VIII	32ff
Emotions in Music	John Playford, 1674	AM, VIII	33
Performance Practice	English Baroque	AM, VIII	34ff
Music Education	Handel as a teacher	AM, VIII	36
Handel	As a teacher	AM, VIII	36
Music in Religion	Puritan influence	AM, VIII	37ff
Aesthetics	Roger North, England	AM, VIII	41ff
Music in Society	Roger North, England	AM, VIII	45ff
Purpose of Music	Roger North, England	AM, VIII	46ff
Performance Practice	Roger North	AM, VIII	50ff
Singing	Roger North	AM, VIII	51ff
Improvisaion	Rogero North	AM, VIII	53ff
Music Education	Roger North	AM, VIII	54ff
Aesthetics	Jacobean philosophy	AM, VIII	57-75
Burton, Robert	On Melancholy and the “humors”	AM, VIII	57ff
Harvey, Wm	On Anatomy, 1578-1657	AM, VIII	59ff
Education	Joseph Hall, English Baroque	AM, VIII	63
Emotions	Rev. Joseph Hall, 1574-1`656	AM, VIII	65ff
Hall, Joseph, Rev.	English Baroque	AM, VIII	65ff
Purpose of Music	Puritans, English Baroque	AM, VIII	69ff
Music in Religion	John Bunyan, English Baroque	AM, VIII	74ff
Aesthetics	Francis Bacon, 1561-1626	AM, VIII	77-91
Bacon, Francis	English Baroque	AM, VIII	77-91
Emotions	Francis Bacon, 1561-1626	AM, VIII	80ff
Beauty	Francis Bacon, 1561-1626	AM, VIII	82
Art and Nature	Francis Bacon, 1561-1626	AM, VIII	82ff
Purpose of Music	Francis Bacon, 1561-1626	AM, VIII	89
Performance pracice	Francis Bacon, 1561-1626	AM, VIII	90ff
Aesthetics	Jacobean Poetry	AM, VIII	93-127
Bicameral brain	Eng. Baroque, reason vs emotion	AM, VIII	97-101
Purpose of Music	English Baroque	AM, VIII	108-116
Music in Religion	English Baroque	AM, VIII	123-127
Milton, John b. 1608	Aesthetics	AM, VIII	129ff
Bicameral brain	Milton: Reason must rule	AM, VIII	129ff
Music of the Spheres	Milton:	AM, VIII	141ff
Pythagoras, 5th c. BC	Discused by Milton	AM, VIII	141ff
Purpose of Music	Milton	AM, VIII	143ff
Music education	Milton	AM, VIII	146ff
Music in Religion	Milton	AM, VIII	147-153
Aesthetics	Jacobean Theatre	AM, VIII	155-208
Dekker, Thomas	Jacobean Thseatre	AM, VIII	155ff
Middleton, Thomas	Jacobean Theatre	AM, VIII	155ff
Heyhwood, Thomas	Jacobean Theatre	AM, VIII	156ff
Jonson, Ben	Jacobean Theatre	AM, VIII	156ff
Webster John	Jacobean Theatre	AM, VIII	157ff
Marston, John	Jacobean Theatre	AM, VIII	157ff
Ford, John	Jacobean Theatre	AM, VIII	158ff
Beaumont, Fletcher	Jacobean Theatre	AM, VIII	159ff
Bands	English Wait bands	AM, VIII	159ff
Music in Society	Jacobean Theatre	AM, VIII	165-173
Pujrpose of Musidc	Jacobean Theatre	AM, VIII	173ff
Chapman, George	Jacobean Theatre	AM, VIII	162ff
Tourneur, Cyril	Jacobean Theatre	AM, VIII	173ff
Performance	Music forms in English plays	AM, VIII	183
Trumpet	Description in English plays	AM, VIII	184ff
Performance	Instrumental use in English plays	AM, VIII	184ff
Percussion	Use in English plays	AM, VIII	186ff
Serenades	In English plays	AM, VIII	193ff
Music education	In English plays	AM, VIII	197yff
Music in religion	In English plays	AM, VIII	198ff
Aesthetics	Jacobean Theatre	AM, VIII	209-222
Bicameral brain	Reason vs emotions	AM, VIII	209ff
Aesthetics	In Jacobean prose	AM, VIII	209ff
Purpose of Music	Jacobean prose	AM, VIII	217ff
Music in religion	Jacobean prose	AM, VIII	218ff
Aesthetics	Restoration Philosophers	AM, VIII	223-301
Hobbes, Thomas	Aesthetics, 1588-1679	AM, VIII	223-231
Bicameral brain	Hobbes	AM, VIII	224-225
Senses	Hobbes	AM, VIII	226
Perception in Music	Hobbes	AM, VIII	230
Locke, John	Aesthetics, 1632-1704	AM, VIII	231-237
Bicameral brain	Locke	AM, VIII	231-233
Education	Locke	AM, VIII	233
Newton, Isaac	Aesthetics, 1642-1727	AM, VIII	237-241
Education	Newton	AM, VIII	237ff
Penn, William	Aesthetics, 1633-1718	AM, VIII	241-245
Education	Penn	AM, VIII	242ff
Hume, David	Aesthetics, 1711-1776	AM, VIII	235-258
Beauty	Hume	AM, VIII	251
Universality	Hume	AM, VIII	252
Taste in Music	Hume	AM, VIII	253-255
Berkeley, George	Aesthetics, 1685-1753	AM, VIII	258-262
Bicameral brain	Berkeley	AM, VIII	258-260
Temple, William	Aesthetics, 1628-1699	AM, VIII	264-267
Rymer Thomas	Aesthetics, 1641-1713	AM, VIII	267-269
Wotton, William	Aesthetics, 1666-1727	AM, VIII	269-274
Bicameral brain	Wotton	AM, VIII	270
Gildon, Charles	Aesthetics, 1665-17124	AM, VIII	274-279
Opera	Gildon	AM, VIII	277-279
Cooper, Anthony	Earl of Shaftbury, 1671-1713	AM, VIII	279-289
Bicameral brain	Shaftbury	AM, VIII	279ff
Shaftbury, Earl	Aesthetics	AM, VIII	279-289
Harris, James	Aesthetics, 1709-1780	AM, VIII	300FF
Theatre	England Restoration Theatre	AM, VIII	303-320
Congreve,William	Aesthetics of music	AM, VIII	308
Purpose of music	English drama	AM, VIII	309ff
Performance practice	English drama	AM, VIII	310ff
Aesthetics	English drama	AM, VIII	314-316
Music in religion	English drama	AM, VIII	317-318
Dryden, John	Aesthetics, 1631-1700	AM, VIII	321-345
Education	Dryden anti-professors	AM, VIII	322
Emotions	Dryden	AM, VIII	322
Purpose of Musidc	Dryden	AM, VIII	333-336
Opera	Dryden	AM, VIII	336-340
Poets	English Restoration poetry	AM, VIII	347-375
Aesthetics	England Restoration poetry	AM, VIII	350ff
Music in Society	English Restoration poetry	AM, VIII	351-354
St. Cecilia	English Restoration poetry	AM, VIII	354-358
Purpose of Musidc	English Restoration poetry	AM, VIII	359-362
Music in religion	English Restoration poetry	AM, VIII	368-370
Military Music	English Restoration poetry	AM, VIII	370-372
Aesthetics	English Restoration Non-Fiction	AM, VIII	377-389
Education	English Restoration Non-Fiction	AM, VIII	378ff
Audience	English Restoration Non-Fiction	AM, VIII	383ff
Music education	English Restoration Non-Fiction	AM, VIII	386-388
Music in religion	English Restoration Non-Fiction	AM, VIII	388
Handel	Premiere of “The Messiah”	AM, VIII	388
Aesthetics	English Restoration Fiction	AM, VIII	391-405
Purpose of Music	English Restoration Fiction	AM, VIII	393-395
Opera	English Restoration Fiction	AM, VIII	401-404
Music in religion	English Restoration Fiction	AM, VIII	404ff
Trumpet	As ambassador	AM, VIII	405
Aesthetics	English Restoration Manners	AM, VIII	407-429
Bicameral brain	English Restoration Manners	AM, VIII	407ff
Taste	English Restoration Manners	AM, VIII	412-414
Beauty	English Restoration Manners	AM, VIII	414ff
Perception in Music	English Restoration Manners	AM, VIII	417-419
Purpose of music	English Restoration Manners	AM, VIII	41
Opera	English Restoration Manners	AM, VIII	423-426
Pepys, Samuel	Aesthetics,1633-1703	AM, VIII	431-444
Opera	Pepys	AM, VIII	436ff
Civic Music	Pepys	AM, VIII	438ff
Music in religion	Pepys	AM, VIII	440-442
Military Music	Pepys	AM, VIII	443ff
Aesthetics	English Restoration Journals	AM, VIII	445-466
Perception of music	English Restoration Journals	AM, VIII	446-448
Emotions in music	English Restoration Journals	AM, VIII	448-451
Opera	English Restoration Journals	AM, VIII	453-462
Music education	English Restoration Journals	AM, VIII	463
Music in religion	English Restoration Journals	AM, VIII	463-465
“Well-Rounded Man”	References in literature	RPM	13-22
Courtiers	References in English literature	RPM	15-20
Women	In praise of women, Eng. Literature	RPM	23-29
Music in society	15th century values	RPM	33-43
Tinctoris, Johannes	Aesthetics, 1435-1511	RPM	45-56
Music in sociey	16th c. values, Church opposed	RPM	57-72
Polyphony	Era ends in 16th century	RPM	73-81
Humanism	On the spread of Italian Humanism	RPM	83-94
Humanism	Erasmus on Humanism	RPM	95-104
Erasmus,1469-1536	On Humanism	RPM	95-104
Education	Role of 16th c. universities	RPM	105-114
Cochlaeus, Joh.	“Tetrachordum Musices,” 1511	RPM	115-117
Ornithoparchus, And.	“Musice active micrologus,” 1517	RPM	117-121
Listenius, Nicholaus	“Musica,” 1537	RPM	121-122
Glarean, Heinrich	“Dodecachordon,” `1547	RPM	122-129
Coclico, Adrian	“Compendium Musices,” 1552	RPM	129-134
Aesthetics	16th comments on music	RPM	137-148
Performance practice	16th century comments	RPM	149-162
Improvisation	16th century comments	RPM	163-169
Philip the Good	Personal description	WH, I	2346
Maxmilian I	Plates	WH, I	271-275
Durer	Plates of wind trios	WH, I	7-8
Henry VIII	Bands under	WH, II	15-29
Wolsey, Cardinal	Bands of	WH, II	22-24
Elizabeth I	Bands under	WH, II	36-54
Elizabeth I	Progresses	WH, II	46-54
Holborne, Antony	Band music of	WH, II	58ff
Francis I, of France	Bands under, 1515-1547	WH, II	62ff
Charles IX of France	Bands under	WH, II	73ff
Henry III of France	Bands under	WH, II	80ff
Henry IV of France	Bands under	WH, II	83ff
Charles V	Bands under	WH, II	89ff
Mary of Hungary	Wind instrument inventory	WH, II	93, fn. 27
Philip II	Wind instrument inventory	WH, II	94, fn. 30
William V of Bavaria	Wind activity	WH, II	98ff
Ferdinand II	Wind instrument inventory	WH, II	101, fn. 25
Philipps von Hessen	16th c. activity	WH, II	104ff
Moritz, Landgraf	Hesse-Cassel winds	WH, II	105ff
Albert, duke, Prussia	Wind activity	WH, II	107ff
Christian of Saxony	Wind activity	WH, II	113ff
Christian , duke	Weissenfels	WH, III	60
Ferdinand III	Emperor, 1637-1657	WH, III	61
Leopold, emperor	Winds, 1658-1705	WH, III	61
Maria Theresia	Water pageant	WH, III	63ff
James I	Plates	WH, III	77-83
Chales II	Restoration	WH, III	92-100
Ercole,duke	Wind activity 1471-`1505	AM, III	179
Galeazzo Maria	Sforza, 1466-1476	AM, III	180
Giangaleazzo	Sforza, 15th c.	AM, III	180
Federigo da Urbino	Wind activity, 1444-1482	AM, III	183
Lorenzo Magnificent	Florence	AM, III	182
Frederick III	“Weisskunig,” 1450	AM, III	277
Maximilian I, Triumph	Plates	AM, III	277ff
Alfonso V	Wind activity 1416-1458	AM, III	295
Fernando V of Spain	Bands	AM, III	295ff
Isabella of Spain	Bands	AM, III	395ff
Pachta, Graf	Prague	WH, IV	22ff, 37
Esterhazy princes	Role of players	WH, IV	27ff
Esterhazy princes	Financial plight letter	WH, IV	30ff
Harmoniemusik	Maximilian	WH, IV	51
Grands Hautbois	History	WH, IV	63ff
Poupliniere	Private activity 1693-1762	WH, IV	65ff
Tasso	On the courtier	AM, IV	2
Aretino, Pietro	On court life	AM, IV	3ff
Francis I, of France	Grands Hautbois, 1515-1547	AM, IV	193ff
Philip I of Spain	Wind activity 1594-1598	AM, IV	291
More, Sir Thomas	Wind activity	AM, V	254
Shakespeare	On the courtier	AM, V	342ff
Michaelangelo	Comments on	AM, I	5
Socrates	On his geacher, Damon of Athens	AM, I	220
Sophocles	On dance	AM, I	171
Richter, Jean Paul	Dance is silent music	NW	77
Cardano, 16th c.	Dance is 6th part of music	NW	79
Arbeau	Dance is mute rfhestoric	NW	92
Sophocles	On dance	NW	83
Agrippa, b. 1486	Dance appears as madness	NW	82
Stubbs, 1583	Dance is unclean and filthy	NW	92
Voltaire	Dance	NW	92
Cardano, 18th c.	Dance	AM, IV	174ff
Brant	On education, ship of fools	AM, III	260ff
Montaigne	Education	AM, IV	248-253
Vives,	Education	AM, IV	275ff
Erasmus,1469-1536	Education, discussion	AM, V	17ff
Luther, Martin	Education viewis	AM, V	84ff
Davies, Sir John	Education, 16th c. fiction	AM, V	250
Wagner, Richard	Emotion in performance	AM, I	36
St. Augustine	On emotion	AM, II	148ff
Quintlilian	On :Padthos	AM, I	484ff
Galen, doctor	On emotion	NW	55
Montaigne	On emotion	AM, IV	253-257
Longinus, 1st c.	On emotion	WM	183
Aristides	On emotion	WM	183
Quintilian,30-96 AD	On emotion	WM	184
Aurelian of Reome	On emotion	wm	184
John of Salisbury	On emotion	WM	185
Chaucerr	On emotion	WM	185
Galilei	On emotion	WM	186FF
Greene, Robert	On emotion	WM	186
Michael de Veona	On emotion	WM	186
Glarean, Heinrich	On emotion	WM
Isacoff	On Gesualdo	WM	187
Gesualdo	Reference by Isacoff	WM	187
Montaigne	On emotion	WM	187
Francesco Milano	Famous performance	WM	187
Corelli	Playhing violin	WM	188
Caccini	On emotion	WM	189
Cavalieri, Emilo	On emotion	WM	189
Marco da Gagliano	On emotion	WM	189
Marcello, Benedetto	On emotion	WM	190
Berardi, Angelo	Emotion is the ruler of the soul	WM	190
Geminiani	On emotion	WM	190
Tossi	On emotion	WM	189
Bernhard, Christoph	On emotion	WM	181
Mattheson, Johann	On emotion	WM	191ff
Heinichen, JOhann	On emotion	WM	191
Bach	On emotion in chorale performance	WM	196
Bach	Harpsichord lacks soul	WM	196
Batteux, Charles	On emotion	WM	198ff
Rivaujlt, David	On emotion	WM	199
Du Bois, Jean	On emotion	WM	199
Couperin	On emotion	WM	299
Rameau	On emotion	WM	200
Butler, Samuel	On emotion, a form of treason	WM	200
Hobbes, Thomas	Emotion is Ethics	WM	201
Berlioz	On emotion	WM	201
Liszt, Franz	On emotion	WM	203
Chopin	On emotion	WM	203
Verdi	On emotion	WH	204
Dukas	On emotion	WH	294
Reger, Max	On emotion	WH	204
Ravel	On emotion	WH	204
Wagner, Richard	On emotion	WH`	204, 206
Tolstoy, Leo	On emotion	WH	204
Schumann, Clara	On emotion in Brahms	WH	204
Rubinstein, Arthur	On emotion	WH	204
Tchaikovsky	On emotion	WH	204
Kierkegaard	On emotion	WM	205
Stravinsky	On emotion not possible	WM	205
Spencer, Herbert	On emotion	MR	27
Lydgate	On emotion	NW	63
Saint-Evrfemond	On emotion	NW	70
Browne,Sir Thomas	On emotion	WM	18
Dryden, John	On emotion in individual insts.	WM	23ff
Cardano	On emotion	AM, IV	163
Diderot	On emotion	WM	197
Mersenne	On emotion	WM	197
Raguenet, Francois	On emotion	WM	198
Chesterfield, Lord	On emotion	WM	201
Dryden, John	On emotion in insstrumens	WM	201
Addison	On emotion	WM	202ff
Karajan, Herfbert	On emotion	WH	205ff
Walter, Bruno	On emotion	WH	206
Gounod, Charles	On emotion	WH	206
Giulini, Carlo Maria	On emotion	WH	206
Lope de Vega	On emotion	AM, IV	19
Marston, John	On emotion	WM	256
Aristotle	On emotion	EPP	112
Hindemih	On emotion, not possible	WH	205
Croce, Benedetto	On emotion	AM, I	10ff, 46
Beethoven	On emotion	PC	59
Canujs	On emotion	AM, I	467
St. Basil	On emotion	MR	45
Calmeta, Vincenzio	On emotion	AM, III	172
Hesiod	On emotion	NW	56
Capella, Marianus	On emotion	NW	57
Moschus, 100 BC	Greek poet on emotion	NW	57
Tibullus, Greek poet	On emotion in music	NW	57
Cyrus, Roman poet	On emotion in music	NW	57
St. Basil	On emotion in music	NW	57
Cassiodous	On emotion in music	NW	57ff
Dante, 1265-1321	On emotion in music	NW	58ff
Hugh of Orleans	On emotion in music	NW	58
Borneil, troubadour	On emotion in music	NW	59
Plutarch, 1304-1374	On emotion in music	NW	59
Boccaccio, Giovanni	On emotion in music	NW	59
Machaut, 1300-1377	On emotion in music	NW	60
Chaucer	On emotion in music	NW	61
Poliziano, Angelo	On emotion in music	NW	62
Albergti, Leon,b.1404	On emotion in music	NW	62
Galilei,Vincesnzo	On emotion in music	NW	64
Cardano, Girolamo	On emotion in music	NW	64
Bellay, Joachim du	On emotion in music	NW	64
Bodin, Jean	On emotion in music	NW	65
Cervantes	On emotion in music	NW	65
Lope de Vega	On emotion in music	NW	65
Luther, Martin	On emotion in music	NW	65ff
Bryskett, Lodowick	On emotion in music	NW	65
Byrd, William	On emotion in music	NW	66
Gifford, Humphrey	On emotion in music	NW	67
Sidney, Philip	On emotion in music	NW	67ff
Lyly, John	On emotion in music	NW	68
Shakespeare	On emotion in music	NW	68ff
Molina	On emotion in music	NW	69
Calderon, Don Pedro	On emotion in music	NW	69
Moliere	On emotion in music	NW	70
Brendel, Alfred	Emot. in performance	AM, I	37
Machiavelli	Emotion in music	NW	65
Erasmus	Discussion on emotions	AM, V	21ff
Shakespeare	Emotions	AM, V	346ff
Pliny the Elder	On the role of the eyes	AM, I	481
Voltaire	On emotions in music	NW	70
Beaumont, Fletcher	On emotions in music	NW	71
Jonson, Ben	On emotions in music	NW	72
Milton	On emotions in music	NW	72
Carew, Thomas	On emotions in music	NW	72
Herbert, Georges	On emotions in music	NW	73ff
Donne, John	On emotions in music	NW	74
Hall, Rev. Joseph	On emotions in music	NW	74
Markham, Gervase	On emotions in music	NW	75
Cowley, Abraham	On emotions in music	NW	75
Wither, George	On emotions in music	NW	75
Pontus de Tyard	On a soloist	AM, IV	32
Ferrabosco, Alph.	On emotions in music	NW	72
Sophocles	On the rural pipe	AM, I	186ff
Pan god of panpipe	Flute	MR	10
Athena, god	Invented the flute	MR	11
Cicero	On pitchpipes	AM, I	365
Elagbalus, emperor	On panpipes	AM, I	463
Erasmus	On flute	AM, V	43
Gossic, Francois	French composer, 1734-1829	WH, IV	68ff
Fuchs, Georg	Fr dance, 1752-1821	WH, IV	71
Quintgilian	On technique	AM, I	480ff
Apollo, god, harpist	Harpist	AM, I	500
Harp	Apollo, god as harpist	AM, I	500
Erasmus	Letter to Henry VIII	AM, V	17
Mirandola, pico della	On Humanism	AM, IV	5
Ovid	On Egyptian god Ibis	MR	57
John XXII, pope	Approves instruments in service	AM, III	90
Guicciardini	On the mind	AM, IV	5
Mirandola, pico della	Three kinds of thinking	AM, IV	6ff
Aretino, Pietro	On the danger of Love	AM, IV	11ff
Francesco da Milano	Famous 1555 lute performance	AM, IV	85
Raguenet, Francois	On the listener	WM	198
Homer, 800 BC	On emotions in music	EPP	32
Liszt, Franz	Tells Chopin “play for Art”	PC	61
Aristotle	On the listener	AM, I	257ff
Wagner, Richard	On playing for the public	PC	21
Pan, god of panpipe	Origin of the god Pan	MR	38
Bryskestt	On the lullaby	NW	66
Erasmus	Influenced by Martin Luther	AM, V	9ff
Bach	Not a mathematician	WM	74
Wagner, Richard	On Melos	AM, I	32ff
Socrates	On role of dance in military	AM, I	111
Pliny the Elder	On the horse ballet	AM, I	475
Saxe, Maurice de	On military music	WH, III	111ff
Friedrich I	On military music	WH, III	125ff
Frederick William I	On miliary music	WH, III	126-131
Peter the Great	Military bands in Russia	WH, III	155
Ludwig IX	Composer of marches	WH, IV	91
Machiavelli	On military music	AM, IV	39
Rimsky-Korfsakov	Russian military music	WH, V“	85ff
Marlowe	Mil. music in Edward the Second	AM, V	338
Fernando	Minstrels in Spain	AM, III	296
Charpentier	On emotions and tonality	WH, III	228
Ornithoparchus, And.	On the influjence of modes	ME	31ff
Chironomist	Early name for conductor	NW	81
Plato	On music and movement	NW	82ff
Matthneson, Joh.	On movement	NW	84ff
Gildon, Charles	ON the actor’s gestures	NW	87
Al-Farabi	On movement and music	NW	90
Grocheo, Johannes	On movement	NW	91
John XXII, pope	On movement	NW	91
Arbeau	Swaying while singing hymns	NW	91
Dalcroze	Eurhythmics	NE	93
Albertl of Prussia	24 wind works of	WH, VI	57
Christian III	Large librfaryh of wind works	WH, VI	24-28
Henry VIII	25 textless ens works	WH, VI	31
Plutarch	On ancient oboist, re character	AM, I	109
Strabo	Mus. and character, ancient Greece	AM, I	109
Aristotle	Music and Characer	WH, I	45
Plato	Music and Character	ME	3ff
Aristotle	On the character of the modes	ME	8ff
Polybius	Music and Characer, 299-188 BC	MR	10ff
St. Jerome	Music and Character	ME	12ff
Boethius	Music and Character	ME	13ff
Feltre, Vittorino	Music and Character	ME	14
Liege, Jacques	Music and Character	ME	15
Galilei,Vincesnzo	Music and Character	ME	15
Luther, Martin	Music and Character	ME	16
Ascham, Roger	Music and Character	ME	16ff
Mattheson, Johann	Music and Character	ME	17ff
Sweelinck, Jan P.	Music and Character	ME	18
Mace, Thomas	Music and Character	ME	18
Milton, John b. 1608	Music and Character	ME	19
Swift, Jonathan	Music and Character	ME	19
Young, Edward	Music and Character	ME	19
Suzuki, Shinichi	Music and Character	ME	21
Erasmus	Music and Character	AM, V	39-42
Aristophanes	Music and Character	EPP`	106
Berlioz	On Germany	NW	159ff
Calvin, John	Music and Manners	ME	23
Pythagoras, 5th c. BC	Music and Manners	ME	23, 25ff
Plato	Music and Manners	ME	24
Homer, 800 BC	Music and Manners, “Odyssey”`	ME	24
Quintilian,30-96 AD	Music and Manners	ME	25
.Clement, Alexandria	Music and Manners	ME	26
Capella, Marianus	Music and Manners	ME	26
Cassiodorus	Music and Manners`	ME	26ff
Guido of Arezzo	Music and Manners	ME	27
Angliejuis, Barth.	Music and Manners	ME	27
Grocheo, Johannes	Music and Manners	ME	27
Ficino, Marfsilio	Music and Manners	ME	28
Erasmus	Music and Manners	ME	28ff
Hooker, Richard	Music and Manners	ME	29
Montaigne, Michael	Music and Manners	ME	29ff
Minturno of Ugento	Music and Manners	ME	30
Vives, Juan	Music and Manners	ME	30ff
Agrippa, Henry	Music and Manners	ME	31
Listenius, Nicholaus	Music and Manners	ME`	32
Ascham, Roger	Music and Manners	ME	32ff
Bryskett, Lodowick	Music and Manners	ME	33
Kuhnau, Johann	Music and Manners	ME	33
Mersenne, Marin	Music and Manners	ME	34
Bacon, Franacis	Music and Manners	ME	35
Milton, John b. 1608	Music and Manners	ME	35
Addison, Joseph	Music and Manners	ME	36
Wagner, Richard	Music and Manners	ME	36
Charless IX of France	Music and Manners	ME	30
Luther, Martin	Music and Manners	ME	31
Ornithoparchjus	Music and Manners	ME	31ff
Quintilian,30-96 AD	Music and Oratory	AM, I	482, 486
Hume, David	Music and Oratory	NW	106
La Rochefoucauld	Music and Oratory	NW	107
Fenlon	Music and Oratory	NW	107
Boethius	Music education	WM	7ff
Shakespeare	Music education	AM, V	364ff
Plutarch	Music education	AM, I	107
Plato	Music education	AM, I	225-232
Arisstotle	Music education	AM, I	264-271
Caligjula, emperor	Music education	AM, I	459
Pizan, Christine de	Music education	AM, III	214ff
Dalcroze	Music education	NW	93
Plato	Music education	WM	6
Vives	Music education	WM	67
Giulio del Bene	Music education	AM, IV	36
Galilei	Music education	AM, IV	63
Erasmus	Music education	AM, V	48
Plato	Music in Religion	MR	9
Virgil	Music in Religion	MR	57
Virgil	Music in Religion	WH, I	50
Council, Constance	Music in Religion	WH, I	101
Dalla Casa	Music in Religion	WH, II	243ff
Praetorius, 1619	Music in Religion	WH, II	244
St. Basil	Music in Religion	AM, II	115ff
St. John Chrysostom	Music in Religion	AM, II	117ff
St. Augustine	Music in Religion	AM, II	135-170
Gregory the Great	Music in Religion	AM, II	209ff
Aristotle	Music in Religion	AM, II	311ff
Paris, Matthew	Music in Religion	MR	114
Council of Paris	Music in Religion	MR	117
Council of Bayeux	Music in Religion	MR	117
Crusades	Music in Religion	MR	123ff
Louis XIV	Music in Religion	WH, III	217
Petrarch, 1304-1374	Music in Religion	MR	140ff
Boccaccio	Music in Religion`	MR	140ff
Machaut, 1300-1377	Music in Religion	MR	141ff
Gower	Music in Religion	MR	141ff
Grocheo, Johannes	Music in Religion	MR	141ff
John XXII, pope	Music in Religion	MR	147ff
Chaucer	Music in Religion	MR	147ff
Zabern	Music in Religion	MR	156ff
Tinctoris	Music in Religion	MR	156ff
Calvin, John	Music in Religion	MR	163
Huguenots	Music in Religion	MR	167
Agrippa	Music in Religion	MR	171
Dance	Music in Religion	MR	171
Luther, Martin	Music in Religion	MR	183-194
Praetorius	Music in Religion	MR	195-216
Bunyan	Music in Religion	MR	217
Council of Trent	Music in Religion	MR	227
Voltaire	Music in Religion	MR	228ff
Henry VIII	Music in Religion	MR	230
Chales II	Music in Religion	MR	231
Milton, John b. 1608	Music in Religion	MR	233
Zabern	Music in Religion	AM, III	272ff
North, Roger	Music in Religion	wm	17
Council of Tgrent	Music in Religion	AM, IV	37ff
Erasmus	Music in Religion	AM, V	43, 51
Luther, Martin	Music in Religion	AM, V	219
Origen	Music in Religion	MR	54
Lactantius	Music in Religion	MR	54ff
Cerone, Pietro	Music in Religion	AM, IV	288ff
Mozart	Music in Society	PC	24
Hayhdn	Music in Society	PC	24
Plato	Music in Society	AM, I	232ff
Pliny the Elder	Music in Society	AM, I	493
Seneca the Elder	Music in Society	AM, I	470ff
St. Ceclia	Music in Society	WM	23ff
Erasmus	Music in Society	AM, V	54ff
Pherecrates	Music in Society	EPP	5
Mace, Thomas	Music and Mannes	ME	34ff
Vasari	Nature	AM, IV	18
Aretino, Pietro	Nature	AM, IV	18ff
Tasso	Natujre	AM, IV	19ff
Gruffurio	Notation	PC	46
Ismenias	Ancient oboe player	AM, I	109
Jesus	Chases aulos players out	AM, I	112
Karton	Early player	AM, I	172
Ovid	Onl Etruscan aulos playhers	AM, I	344
Livy	Aulos	MR	38
Vigil	“Curved pipe”	AM, I	457
Elagbalus, emperor	Aulos player	AM, I	463
Alexander, emperor	Aulos player	AM, I	463
Cannnnus	Aulos technique	AM, I	467
Burney,Charles	Review of Besozzi brohers	WH, IV	61
Besozzi brothers	Oboe players	WN, IV	61
Arbeau	Sound of shawm	EPP	164
Erasmus	On I Corintghians 14	AM, V	49
Elagbalus, emperor	Played water organ	AM, I	463
Alexander, emperor	Played water organ	AM, I	463
Erasmjus	Ogan	AM, V	50
Ovid	Orpheus legend	MR	11
Sophocles	On panpipes	AM, I	186
Aristotle	Percussion	AM, I	251
Miriam	Old testament percussionist	MR	35
Ovid	On percssion	MR	57
Bottrigari	Performance practice	AM, IV	59
Erasmus	Performance practice	AM, V	42-45
Xenophan	Don’t talk during music	EPP	32
Memorization	Early views	EPP	175ff
Sufi parable	Famous parable	EPP	179
Darius III	Persia music	WH, I	11
Coclico, Adrian	Philosophy of Music	WM	68
Segni, Agnolo	Philosophy of Music	AM, IV	17
Salinas, Fran.16th c.	Philosophy of Music	AM, IV	287ff
Schumann, Robert	Philosophy of Music	WM	258
Berlioz	Philosophy of Music	WM	258
Dukas, Paul	Philosophy of Music	WM	258
Ravel	Philosophy of Music	WM	258
Delius	Philosophy of Music	WM	259
Mendelssohn	Philosophy of Music	WM	259
Mussorgsky	Philosophy of Music	WM	259
MacDowell	Philosophy of Music	WM	259
Wagner, Richard	Philosophy of Music	WM	259
Walter, Bruno	Philosophy of Music	WM	259
Beethoven	Wagner on Beethoven	WM	260
Voltaire	Attempts to create language	WM	260
Plutarch	On nine-string lyre	AM, I	129
Bicameral brain	Plato	WM	95
Mirdandola, Pico	Pleasure and Pain	AM, IV	12ff
Cordano	Pleasure and Pain	AM, IV	163ff
Montaigne	Pleasure and Pain	AM, IV	257-260
Vives	Pleasure and Pain	AM, IV	283
Erasmus	Pleasure and Pain	AM, V	25ff
Music of the Spheres	Pliny the Elder	AM, I	477
Animals	Dolphins love music	AM, I	172
Bicameral brain	Plutarch	WM	95
Erasmus	Poetry	AM, V	29ff
Colonna, Francesco	Poets	AM, III	161
Poliziano, Angelo	Poets	AM, III	162ff
Isaac	Original work for winds	WH, VI	61
Merulo	Four wind canzonas	WH, VI	82
Crequition	Canzona for winds	WH, VI	82
Guami	Canzona for winds	WH, VI	82
Al Sfoi	Canzona for winds	WH, VI	82
Chabril	Canzona for winds	WH, VI	82
Banchieri	14 works for wind ens.	WH, VI	82ff
Dalla Casa	Il Vero Modo	WH, VI	83ff
Gabrieli, Andrea	Works for winds	WH, VI	85ff
Gabrieli, Giovanni	Works for winds	WH, VI	86-88
Areino, Pietro	Purpose of Art	AM, IV	23
Cardano	Purpose of Art	AM, IV	164-166
Scepic school	Pyrro	AM, I	283
Music of the Spheres	Pythagoras	AM, I	477
Bicameral brain	Pythagoraas	WH, I	29
Music of the Spheres	Quinilian	AM, I	477
Arbeauj	“Orchesogrfaphyh”	WH, II	181
Praetorius	Syntagma Mujsicum, Vol. 3	WH, II	251ff
Albertl of Prussia	Part-books	WH, II	110ff
Cellini, Benvenuto	Diary	WH, II	121
Susato, Tielman 16t c	Music for winds	WH, II	175-177
Chemin, Nicolas du	Publisher	WH, II	181
Gabrieli, Giovanni	Music for winds	WH, II	246ff
Pezel, Johann	Music for winds	WH, III	166ff
Reihe, Godttfried	Music for winds	WH, III	167ff
Speer, Daniel	Music for winds	WH, III	168ff
Bicameral brain	Roger Bacon	WM	96
Catharsis	Saint-Evremond	WM	273
Mozart	Scbubert comment on Sym. 40	MR	68
Concert Halls	Early Roman ones	AM, I	463
Aurelius, Marcus	Senses	AM, I	480
Pliny the Elder	Senses	AM, I	481
Sextus Empiricul	Senses	AM, II	22ff
St. Ambrose	Senses	AM, II	125ff
St. Augustine	Senses	AM, II	142-146
Bonaventure	Senses	AM, II	316
Leonardo da Vinci	Senses	AM, III	194
Cusa, Nicholas de	Senses	AM, III	254ff
Montaigne	Senses	AM, IV	247ff
Fulke Grenville	Senses	AM, V	255
Hildegard von Bingen	Senses	AM, II	315ff
St. John of the Cross	Senses	AM, IV	280ff
Catharsis	Shakespeare	WM	271
Sannazaro, Jacopo	Singing	AM, IV	114ff
Cardano	Singing	AM, IV	171-174
Mersenne	Singing	WM	198
Brossad, Sebastien	Singin`	WM	199
Erasmus	Singing vs speech	AM, V	44ff, 51
Bicameral brain	Socrates	WM	98
Catharsis	St. Augustine	WM	267
Music and character	St. Basil	ME	40
Music and character	St. Jerome	ME	12ff
Bicameral brain	St. John of the Cross	WM	98
Vasari	Skill or talent?	AM, IV	22
Mantaigne	Talent	AM, IV	262
Catharsis	Tasso	WM	269
Cerevanes	On acting	AM, IV	302ff
Nashe, Thomas	Theatre	AM, V	298ff
Catharsis	Tinctoris	WM	268
Virgil	Trumpet in Roman military	AM, I	419
Flaccus, Lucius	Trumpet	AM, I	352
Suetonius	Ghost trumpeter	WH, I	57
Joinville	Trumpet trio	WH, I	72
Friedrich III	Multitude use of trumpets	WH, I	166
Speer, Daniel	On qualities of trumpet player	WH, III	227
Frederick the Great	Trumpet use	WH, IV	62
Maelzel	Mechanical trumpet player	WH, V	97ff
Erasmus	Trumpet	AM, V	43, 53
Ferdinand II	Trumpets in church	AM, V	142
Shakespeare	Trumpet repertoire	AM, V	367ff
Concert	Vitrllius in banquet	AM, I	470
Bicameral brain	Voltaire	WM	93, 97ff
Bicameral brain	Izaak Walton	WM	100
Tasso	Anti-intellet re women	AM, IV	10
Erasmus	Blames women re emotions	WM	113ff
Stoic School	Of Philosophy	AM, I	283ff
Purpose of Music	Zarlino	AM, IV	52ff
Audience	Zarlino	ME	85ff
Italian Baroque	Defining the period, an essay	ISB	9-21
Cazzati, Mauritio	S. Petronio reforms	ISB	10ff
Humanism	Italian Baroque after Paris syle	ISB	12
Tosi	On the recitative	ISB	14
Geminiani	On opportunities in London	ISB	15
Coujrt	Tosi warns about court service	ISB	15
Emotions in music	New emphasis in Italian 17th c.	ISB	16ff
Emotions	Attempts to notate feelings	ISB	18ff
Opera	Thoughts on the beginning, an esay	ISB	23-36
Camerata	The beginning of opera	ISB	24ff
Monteverdi	On the new melodic style	ISB	27
Venice	Entertainments in 17th c. Venice	ISB	30ff
Opera	Testimonials of first operas	ISB	32ff
Handel	As opera conductor in London	ISB	34
Performance practice	Italian views in Baroque, an essay	ISB	37-53
Monteverdi	On opera rehearsals	ISB	37ff
Improvisation	In early opera	ISB	41-49
Marcello, Benedetto	Satire on opera	ISB	47
Ornaments	In early opera	ISB	49ff
Kircher, 1601-1680	Athanasius Kircher, a survey	ISB	55-65
Court	Court music, Ital. Baroque, essay	ISB	67-78
Court	Lavish banquet with music	ISB	68ff
Monteverdi	Describes a court wind band	ISB	71
Court	Papal wind bands, Baroque	ISB	72ff
Christina of Sweden	Remarkable Baroque noble lady	ISB	74ff
Descartes, Rene	Employed by Christina, Sweden	ISB	75
Civic music	In Italian Baroque	ISB	79-84
Military Music	In Italian Baroque	ISB	84-85
Music in Religion	Italian Baroque church music	ISB	87-103
Urban VIII, pope	Loved music	ISB	87
Maugars, Anddre	Describes performance in Rome	ISB	88ff
Music in Religion	Style Concerns in Rome	ISB	93ff
Music in Religion	Canzona publications in Venice	ISB	96
Music education	Scuole San Focco, 17h c.	ISB	97
Music education	Ospedali, girls schools	ISB	98ff
Musicl in Society	Spanish Baroque, an essay	ISB	105-122
Senses	Grecian, Spanish Baroque	ISB	107
Music in Society	Music references in Spanish plays	ISB	108ff
Calderon	Music references in plays	ISB	110ff
Music in Society	Music, Spanish Baroque kings	ISB	114ff
Mexico City	Spanish music in New World	ISB	118
Music in Society	On the German Baroque, an essay	EGB	9-36
Music in Sociey	Impact of the Thirty Years War	EGB	9-13
Schutz, Heinrich	Description of German 17th c.	EGB	10ff
Philosophy of Music	Muffat describes Geman style	EGB	14ff
Philosophy of Music	Heinichen describes German style	EGB	15ff
Philosophy of Music	The galant style arrives	EGB	19ff
Philosophy of Music	Taste arrives in Germany	EGB	20ff
Music in Society	The “fiddler” appears	EGB	22ff
Leibniz, Gottfried	Survey of Leibniz’s writing on music	EGB`	27-36
Mattheson, Johann	On the Nature of Music	EGB	37-50
Emotion in Music	German Baroque overview	EGB	51-61
Emotion in Music	Mattheson on Emotion in music	EGB	63-75
Performance practice	German Baroque overview	EGB	77-84
Performance practice	Praetoius on performance practice	EGB	85-112
Performance practice	Mattheson on performance practice	EGB	113-127
Philosophy of Music	Mattheson on composition	EGB	129-138
Court	Music in Gemany 17th c., overview	EGB	139-151
Horse ballet	Descriptions in German courts	EGB	146ff
Court	Views of the German musicians	EGB	148ff
Hautboisten	In German Baroque courts	EGB	153-161
Trumpet	Golden Age of the court Trumpet	EGB	163-168
Civic Music	Music in German 17th c., overview	EGB	169-183
Civic Music	German Stadtpfeifer exam	EGB	171ff
Civic Music	German Tower music	EGB	173ff
Pezel, Johann	Wind composer	EGB	175
Reiche, Gottgfried	Wind composer	EGB	175ff
Speer, Daniel	Wind composer	EGB	177
Civic Music	Rules for a civic guild	EGB	178ff
Civic Music	Collegium musicum, inc. Bach	EGB	180ff
Civic Music	Description of Peasant music	EGB	183
Music in Religion	Music in Germany, 17th c. overview	EGB	185-195
Military Music	Music in Germany, 17th c. overview	EGB	197-207
Military Music	German trumpet signals	EGB	198ff
Military Music	German military shawm bands	EGB	201ff
Military Music	Music under Friedrich I	EGB	202ff
Military Music	Music under Frederick Wilh. I	EGB	204ff
Music education	For German military musicians	EGB	205
Hautboisten	In German military	EGB	206ff
Court	Influence of Turkish Music	EGB	209
Philosopohy of music	French Baroque, an overview essay	EFB	9-25
Rameau, Jean Phil.	An important original thinker	EFB	9-13
Taste	On the changing scene in France	EFB	13ff
Purpose of music	French Baroque	EFB	15-22
Charpentier, Marc-A.	On the emotional quality of tonality	EFB	15
Couperin	Notation differs from performance	EFB	16
Rameau	Questions the “rules” of music	FEB	16ff
Brossard, 17th c	On Time and the recitative	FEB	19
Emotions in music	Exampes of emotional performance	FEB	20ff
Bicameral brain	Rameauj, in performance	FEB	21ff
Performance practice	Couperin advice to players	FEB	23
Improvisation	French views in Baroque	FEB	24ff
Mersenne, Marin	On the Nature of Music, an overview`FEB`	FEB	27-51
Singing	Mersenne on song and singing	FEB	33ff
Purpose of music	Mersenne, a long discussion	FEB`	39ff
Voltaire	On Music, an overview	FEB	53-66
Louis XIV	Voltaire on his aesthetic views	FEB	59
Mersenne, Marin	On performance practice	FEB	67-83
Philosophy of music	French Baroque views	FEB	85-113
Philosophy of Music	Andre, on goals for composition	FEB	87
Beauty	Andre discusses Beauty in music	FEB	87ff
Taste	French Baroque views	FEB	90ff
Bicameral brain	Feeling vs rules, French 17th c.	FEB	91ff
Music in Society	How climate affects music	FEB	97
Emotion in music	French 17th c. discussion	FEB	98-106
Music education	Fenelon on it’s importance	FEB	106ff
Improvisation	Maugars on artistic improvisation	FEB	110
Ornamentation	French Baroque discussion	FEB	111
Emotions in music	French vs Italian musicians	FEB	115-128
Descrtes, Rene	Views on music	FEB	129-142
Court	Court music in French Baroque	FEB	143-157
Music in Society	Music in 17th c. French drama	FEB	159-174
Moliere	Drama reflects life	FEB	159ff
Voltaire	Music in plays by Voltaire	FEB	172ff
Opera	French vs Italian philosopy	FEB	175-
Opera	Voltaire on national styles	FEB	189
Music in Society	Music in 17th c. French fiction	FEB	203-211
Voltaire	Music in Voltaire’s fiction	FEB	211-216
Music in Society	Music in 17th c. French non-fiction	FEB	217-230
Military music	In 17th c. France	FEB	231-240
Trumpet	On 17th c. French trumpet signals	FEB	231-235
Percussion	In 17th c. French military	FEB	236ff
Court	Music in Jacobearn Soc.overview	MJE	11-17
Court	James I with king of Denmark	MJE	11-13
Court	English music for traveling	MJE	14ff
Court	Court music under Charles I	MJE	15-17
Court	Music in the English Masque	MJE	19-26
Dance	Dancing to cornets	MJE	25ff
Bacon, Francis	Masque as pre-Opera, 1561-1626	MJE	26
Music in Religion	Jacobean chudrch music	MJE	27-37
Milton, John b. 1608	Instruments in Church music	MJE	32-37
Music in Society	Music in Jacobean literature	MJE	39, 87-91
Music in Society	Music in Jacobean theatre	MJE	53-80
Poets	Music in Jacobean poetry	MJE	81-86
Music in Society	Music in lower Jacobean plays	MJE	93-106
Military Music	Music in Jacobean military	MJE	107-116
Strings	Strings appear with the fiddler	MJE	93ff
Purpose of music	To soothe	MJE	90ff
Percussion	Role in Jacobean military	MJE	107ff
Trumpet	Personality in Jacobean military	MJE	111
Trumpet	As ambassador	MJE	115FF
Music in Society	Views of Jacobean musicians	MJE	119-147
Pupose of Music	In Jacobean society	MJE	124ff, 152ff
Music and character	Jacobean views	MJE	131ff
Performance	Performance practice, Jacobean	MJE	135-147
Emotions	Jacobean philosophers	MJE	149ff
North, Roger, b. 1653	On Music	MJE	159-170
Bicameral brain	Commengs by Roger North	MJE	159ff
Purpose of music	Views by Roger North, 1653-1734	MJE	165ff
Bacon, Francis	On Music	MJE	171-181
Bacon, Francis	Subject for discussing Music	MJE	176
Perception of music	Frances Bacon	MJE	176ff
Purpose of Music	Francis Bacon, 1561-1626	MJE	180ff
Milton, John b. 1608	On Music	MJE	183-196
Perception of music	Milton	MJE	188ff
Music of the Spheres	Milton	MJE	189ff
Purpose of Music	Milton	MJE	192ff
Bicameral brain	Milton	MJE	194ff
Court	England Restoration	MRE	11-18
Music in Religion	England Puritan movement	MRE	19-45
Music in Religion	England, opera influence	MRE	38ff
Music in Religion	Odes to St. Ceclia, England	MRE	42ff
Theatre	England, Restoration theatre	MRE	47-58
Purpose of music	Restoration theatre	MRE	49ff
Aesthetics	Restoration theatre	MRE	47ff, 55ff
Poets	Music in Restoration poetry	MRE	59-77
Purpose of music	In Restoration poetry	MRE	63ff
Philosophy of music	In Restoration prose	MRE	79-98
Purpose of mujsic	In Restoration prose	MRE	82ff, 87ff
Aesthetics	In Restoration prose	MRE	91ff
Philosophy of music	Restoration philosophers	MRE	101-130
Hobbes, Thomas	English philosopher, 1588-1679	MRE	102ff
Locke, John	English philosopher, 1632-1704	MRE	104ff
Pennm William	English philosopher, 1633-1718	MRE`	107ff
Hume, David	English philosopher, 1711-1776	MRE	108ff
Berkeley, George	English philosopher, 1685-1753	MRE	110ff
Temple, Willliam	English philosopher, 1628-1699	MRE	111ff
Wolton, William	English philosopher, 1666-1727	MRE	112ff
Cooper, Anthony	Earl of Shaftesbury 1671-1713	MRE	117ff
Hucheson, Francis	English philosopher, 1694-1746t	MRE	120ff
Harris,James	English philosopher, 1709-1780	MRE	122ff
Newton, Isaac	On music	MRE	125-130
Dryden,l John	English philosopher, 1631-1700	MRE	131-138
Opera	John Dryden on opera, 17th c.	MRE	139-163
Aesthetics	English journals	MRE	165ff, 220ff
Civic music	English Baroque	MRE	181-194
Civic mujsic	English Baroque Wait Bands	MRE	188-193
Music in Society	English Manners in Baroque	MRE	195-206
Purpose of music	English Baroque, upper class	MRE	202ff
Pepys, Samuel	Pepys, 1633-1703, on Music	MRE	207-217
Purpose of music	English journals	MRE	220ff
Emotions in Music	English journals	MRE	224ff
Serenades	English Restoration	MRE	228ff
Concerts	Eng. Restoration, private concerts	MRE	229
Education	Philosophic Foundations of Ed.	PFE	1-131
Education	Why the Church closed the schools	PFE	1-7
Education	Early Renaissance Views on Ed.	PFE	9-23
Leonardo da Vinci	On education	PFE	17ff
Brant, Sesbastian	“The Ship; of Fools,” 1494	PFE	18-23
Education	Counter-revolution in Italy	PFE	25-34
Tasso, Torquato	On the education of the courtier	PFE	28ff
Vida,Marco Girolamo	Description of a great teacher 1527	PFE	30ff
Montaigne	On education	PFE	38-45
Education	Montaigne on education	PFE	38-45
Education	Juan Vives, 1492-1540	PFE	47-58
Education	Erasmus on Education	PFE	61-72
Erasmus	On educaion, 1469-1536	PFE	61-72
Education	16th century Germany, post war	PFE	75-85
Luther, Martin	On education, 1483-1546	PFE	81-84
Education	16th century England	PFE	87-97
Shakespeare	A comment on education	PFE	97
Education	Baroque France	PFE	99–107
Education	Fenelon on the education of girls	PFE	102ff, 105
Education	Jacobean philosophers on Ed.	PFE	109-118
Music education	Music education before Plato	FME	1-18
Plato	On the eternal laws of mujsic	FME	2
Music education	Plato on the eternal laws of music	FME	2
Music education	On ancient Greek music ed.	FME	3ff
Music education	In Old Testament	FME	4ff
Old Testament	References to music education	FME	4ff
Music education	Fundamenals in ancient Greece	FME	5
Music and character	Plutarch on ancient Greek;mus. Ed	FME	5ff
Aesthetics	Music should be for meditation	FME	8ff
Music education	Ancient Greek on quality	FME	11ff
Mjusic education	Ancient importance of teachers	FME	14ff
Music education	On Pythagoras	FME	16ff
Pythagoras	On music education	FME	15ff
Plato	On music education	FME	22-40
Music education	Plato writings on music education	FME	22-40
Music education	Plato on the purpose of mus. Ed.	FME	28ff
Music education	Plato on the Pedagagy of mus. Ed.	FME	39ff
Aristotle	On music education	FME	49-67
Music educaion	Greek views after Adristotle	FME	69-85
Music and character	Polybius, 203-120 BC	FME	71ff
Music education	Aristides, 3rd c. AD discussion	FME	76ff
Aristides, 3rd c. AD	On music education	FME	76-85
Music and character	Aristides, 3rd c. AD discussion	FME	80ff
Music and emotions	Aristides, 3rd c. AD discussion	FME	81ff
Music education	Music education in ancient Rome	FME	87-99
Music education	Rome, declinel begins	FME	95ff
Nero,emperor	Nero as performer	FME	95ff
Music and religion	The Church reinvents music ed.	FME	101-119
Philosophy of music	Philodemus, 110-35 BC, anti-music	FME	102ff
Philosophy of music	Sextus Empiricus,,2nd c., anti-music	FME	107ff
Boethius, 6th c.	On music education	FME	115ff
Music education	Music education in the Dark Ages	FME	121-139
Charlemagne	On education of church singers	FME	126ff
Music education	Daily schedule of a church school	FME	129
Music and religion	Hrotswitha, 10th c. nun defines music	FME	130ff
Music and religion	Aurelian: musician vs singer	FME	134ff
Music education	Music ed. in Pre-Renaissance	FME	141-163
Guido of Arezzo	11th c., on notation	FME	143ff
Music in Society	Birth of modern universities	FME	150ff
Bacon, Roger, 13th c.	On music educaion	FME	156-161
Aquinas, Thomas	On education, 13th c.	FME	161ff
Music education	Music education, 14th c.	FME	165-172
Chaucer	On feeling in music	FME	168
Music education	Famous 14h c. poem on Mus. Ed.	FME	169
Music education	Music education in 15th c.	FME	175-190
Tinctoris, 1435-1511	On music education	FME	175-177
Ficino, Marsilio	Founds Florentine ‘academy	FME	179ff
Leonardo da Vinci	On 15th c. music education	FME	181-185
Pizan, Chistine	On music educaion	FME	185ff
Cortese, Paolo	On household music	FME	186ff
Gaffurio, Franchino	On the ethics of music	FME	187
Zabern, Conrad	Education of church singers	FME	188ff
Music education	Music education in 16th c. Italy	FME	193-206
Galilei, Vincenzo	Rensews Greek ideals, 16th c.	FME	193ff
Zarlino, Gioseffo	Reason must rule	FME	195ff
Castiglione, Bald.	“The Courtier”	FME	201ff
Cellini, Benvenuto	“Autobiography”	FME	203ff
Music education	Music education in 16th c France	FME	209-216
Charles IX of France	Baif’s Academy, 1570	FME	210ff
Calvin, John	Puritan aesthetics	FME	213ff
Montaigne, Michel	On music education	FME	215ff
Music education	Music educaion in 16th c. Germany	FME	219-242
Agrippa, Henry	On math and mujsic	FME	219ff
Melanchthon, Philipp	On music education	FME	221ff
Pretorius, Michael	Symtagma Musicum, Book 3	FME	222-224
Cochlaeus, Joh.	“Tetachordum Musices” 1511	FME	227ff
Ornithooparchus, A.	“Musice active mirologes,” 1517	FME	228-231
Listenius, Nicholaus	“Musica,” 1537	FME	232ff
Glarean Heinrich	“Dodecachordon,” 1547	FME	233-235
Coclico, Adrian	“Compendium Musices,” 1552`	FME	236-242
Luther, Martin	On music education	FME	245-251
Music Education	Martin Luther	FME	245-25
Music education	Music education in 16th c. England	FME	253-262
Ascham, Roger	Music education in 16th c England	FME	254ff
Greville. Fulke	Music education questioned	FME	257ff
Shakespeare	Music education	FME	261ff
Music education	Music education in Baroque Italy	FME	265-275
Ospedali	Italian schoooso for orphan girls	FME	267-271
Vivaldi	As Ospedali teacher	FME	268ff
Tosi, P. F.	Famous singing treatise	FME	272ff
Music education	German philosophers on music	FME	277-290
Mattheson, Johannn	German music philosophy	FME	277ff, 299ff
Heinichen, Johann	German music philosophy	FME	279ff
Music education	Music ed. in Baroque Germany	FME	293-301
Schutz, Heinrich	Music; ed. In Baroque Germany	FME	294ff
Niedt, Friedrich	Profile of a tough music teacher	FME	295ff
Trumpet	Personal requirements for court	FME	298
Hautboisten	Arrval in Germany	FME	299
Music education	First German military music school	FME	299
Music education	French philosophers on music	FME	303-314
Rameau, Jean Phil.	French philosopher on music	FME	304ff
Couperin, f’rancoise	French philosopher on music	FME	303ff
Andre, Yves Marie	French philosopher on music	FME	308ff
La Vieville, Cerf de	French philosopher on music	FME	310ff
Music education	Music ed. in Baroque France	FME	317-328
St.-Lambert, Michel	Music education treatise	FME	317ff
Moliee	On household music	FME	321-324
Mersenne Marin	“Harmonie universelle,” 1636	FME	325ff
Music; education	In Jacobean England	FME	331-345
North, Roger	Jacobean Mus. ed. 1653-1734	FME	331-334
Handel	Questions following the “rules”	FME	335
Butler,Charles	On the value of music, 1636	FME	338
Playford, John	On the value of music, 1674	FME	339
Mace, Thomas	On the moral value of music, 17th c.	FME	340
Wither, George	Repertoire affects manners, 17th c.	FME	341
Milton, John b. 1608	Music and character	FME	341ff
Music and character`	John Milton, 17th c.	FME	341
Improvisation	Jacobean England	FME	342ff
Music in Society	The state of church singers, 17th c.	FME	343
Listener of music	John Bunyan, English Baroque	FME	344
Music education	In Restoration England	FME	347-358
Defoe, Daniel	On the ideal school of music	FME	350ff
Pepys, Samuel	On the value of rules of composition	FME	355ff
Schumann, Robert	On music education	FME	361-366
Music education	Observations by Robert Schumann	FME	361-366
Music education	Observations by; Frederic Chopin	FME	369-371
Chopin, Frederic	On music education	FME	369-371
Mendelssohn, Felix	On music education	FME	373-378
Music education	Observations by Mendelssohn	FME	373-378
Music education	Observations by Franz Liszt	FME	381-384
Liszt, Franz	On music education	FME	381-384
Berlioz, Hector	On music education	FME	387-392
Music education	Observaions by Berlioz	FME	387-392
Music education	Observations by Wagner	FME	395-398
Wagner, Richard	On music education	FME	395-398
Whitwell, David	Music education of the future	MEF	1-150
Music education	On the Roots of Music Education	MEF	1-12
Music education	On the Perception of Music	MEF	15-28
Music education	Purpose and Meaning in mus. Ed.	MEF	31-43
Music education	Mus. Ed. Mus be experiential	MEF	47-61
Music education	Mus. Ed. Must be for all children	MEF	63-71
Music education	Mus. Ed must educate the Real child	MEF	73-107
Music education	New purposes for music ed.	MEF	109-146
Repertoire	Selecting aesthetic reperoire	EOP	3-33
Aesthetics	Applied aesthetic problems	EOP	35-51
Repertoire	What shall we do with marches?	EOP	35-39
Performance	Princioples of seating plans	EOP	45-47
Holst Eb Suite	Issues;: Holst Eb Suite	EOP	55-60
Holst F Suitte	Issues: Holst Suite in F	EOP	63-65
Hindemith, Paul	Hindemith: Symphony for Band	EOP	67-71
Milhaud	Milhaud:: Suite Francaise	EOP	73-77
Wagner, Richard	Wagner: Trauermusik	EOP	79-83
Wagner, Richard	Wagner: Huldigungsmarsch	EOP	85ff
Wagner, Richard	Wagner: Elsa’s Procession	EOP	87
Wagner, Richard	Wagner: Fanfare for 4 trumpets	EOP	88
Wagner, Richard	Wagner: Ring excerpts arranged	EOP	89-91
Wagner, Richard	Wagner: Gruss Frederick August.	EOP	91-93
Wagner, Richard	Wagner: Festgesang	EOP	94-95
Beethoven	Beethoven: Siegessinfonie	EOP	97-99
Reicha, Anton	Reicha: Symphony for Band	EOP	108-109
Berlioz	Berlioz: Symphony for Band	EOP	111-117
Flippa	Filippa:Marcia funebre…Rossini	EOP	123
Haovey	Halevy: Marche, remains Napoleon	EOP	124
Ponchielli	Ponchielli, on Death of Garibaldi	EOP	124ff
Wieporecht	Wieprecht: Trauermarsch	EOP	125
Wieprecht	Wieprecht: Marsch on Beethoven	EOP	125
Ponchielli	Ponchielli, Carnevale di Venezia	EOP	127
Ochs	Ochs: Var. on a German folksong	EOP	127ff
Mejo	Mejo: Var. on Gaudeamus igitur	EOP	128ff
Whitwell, David	Whitwell, Sym. “Vienneses Legacy”	EOP	129-131
Whitwell, David	Whitwell: Sinfonia da Requiem	EOP	131-136
Whitwell, David	Whitwell: Mediations on Hamlet	EOP	136ff
Whitwell, David	Whitwell: Syhmphony of Songs	EOP	137ff
Whitwell, David	Whitwell: Sinfonia Idtalia	EOP	139ff
Performance	Principles of early music perf.	EOP	143-157
Performance	Classical Period Idioms	EOP	159-190
Mozart	Mozart: Gran Partita, K. 361	EOP	193-198
Mozart	Mozart: Gran Partita, K. 361	PMM	51-64
Mozart	Mozart: Partita, K. 388 [2024]	PMM	65-81
Mozart	Mozart: Partita, K. 388	EOP	198-213
Band	Essays on the Modern Wind Band	EMW	1-172
Band	On the Roots of the modern band	EMW	3-8
Composers	Views of famous composers	EMW	8-14
Band	On the state of the profession [1977]	EMW	15-19
Repertoire	Forgotten Band Repertoire [2010]	EMW	19-23
Band	Our Fatal Error in Commissioning	EMW	23-26
Repertoire	Forgotten Wind Music [1966]	EMW	27-37
Band	Band: an Historical View [1967]	EMW	37-40
Nelhybel, Vaclav	Nelhybel, Vaclav, my memoies	EMW	40-45
Husa, Karl	Husa, Karl, my memories	EMW	45-50
Erickson, Frank	Erickson, Frank, my memories	EMW	50-52
Krenek, Ernst	Krenek, Ernst, my memories	EMW	52-56
Music education	Commercial Driven Ed. [1975]	EMW	59-61
Music education	Neilson, James, on Ethics [1974]	EMW	61-64
Music education	Neilson, J. Changing scene [1974]	EMW	64-67
Music education	Neilson, J., Ethics in Perf. [1974]	EMW	68
Band	The CBDNA in the future [1975]	EMW	75-81
Band	On the Future of WASBE [1999]	EMW	81-85
Band	On IGEB [2012]	EMW	85ff
Band	On the ABA [1993]	EMW	86-89
Music education	The Forgotten Man in the Dept.	EMW	94-
Performance	On the Present Tense in Music	EMW	100-103
Conductors	On the Value of Conducting clinics	EMW	103-105
Hindsley, Mark	Hindsley, Mark, my memories	EMW	106-108
Sawhill, Clarence	Sawhill, Clarence,my memories	EMW	108-111
Bernstein, Leonard	Bernstein, Leonard, my memoies	EMW	111-112
Solti, Gerog	Solti, Georg, my memories	EMW	112-113
Stokowski, Leopold	Stokowski, Leopold, my memory	EMW	114
Giulini, Carlo Maria	Giulini, Carlo Maria, my memory	EMW	114-115
Karajan, Herbert	Karajan, Herbert von, memory	EMW	115
Maazel, Lorin	Maazel, Lorin, my memories	EMW	116-117
Barenboim, Daniel	Barenboim, Daniel, my memory	EMW	117
Boulez, Pierre	Boulez, Pierre, ny memory	EMW	118
Reiner, Fritz	Reiner, Fritz, my memory	EMW	118
Szell, George	Szell, George, my memory	EMW	119
Walter, Bruno	Walter, Bruno, my memory	EMW	119ff
Barbirolli, Sir John	Barbirolli, Sir John, my memory	EMW	120
Hovhaness, Alan	Hovhaness, Alan, my memory	EMW	120
Stravinsky, Igor	Stravinsky, Igor, my memory	EMW	11ff
Villa-Lobos, Heiter	Villa-Lobos, Heitor, my memory	EMW	122ff
Koechlin, Charles	Koechlin, Charles, my memory	EMW	123ff
Orff, Carl	Orff, Carl, my memory	EMW	124
Music education	On my universisty life [2004]	EMW	125-129
Contests	On School Music Competition	EMW	131=140
Contests	A New Proposal for competition	EMW	140-142
Music education	A Letter to HS conductors [1991]	EMW	142-144
Music education	On “Honor” bands	EMW	145-154
Fennell, Frederick	Frederick Fennell as I knew him	EMW	158-172
Performance	On the performance of Mozart	PMM	19-81
Mozart	Did Mozart indicate staccato?	PMM	19-27
Mozart	What did Mozart mean by Adagio?	PMM	29-33
Mozart	Mozart never wrote “ritard”	PMM	35-39
Improvisation	Improvisation in Mozart	PMM	41-48
Mozart	On the Gran Partita, K. 361	PMM	51-64
Mozart	On the Partita in C minor, K. 388	PMM	65-81
Whitwell, David	Photos of Whitwell as conductor	PMM	82-85
Performance	Basics issues of interpretation	PMM	89-183
Performance	On Time and Music	PMM	89-98
Performance	How does a composer stop Time?	PMM	99-105
Performance	How do we find the right Tempo?	PMM	107-118
Performance	What do “p” and “f” signify?	PMM	119-126
Performance	How do we bring dead notes alive?	PMM	127-140
Bicameral brain	The role of our bicameral brain	PMM	141-153
Emotion in Music	Emotion in Music	PMM	155-179
Aesthetics	Aesthetics	PMM	171-173
Music education	Music ed — the need to rethink.	PMM	177-183
Composers	Chopin, a Self-Portrait	CHO	3-96
Critics	Critics, Chopin on Criticism	CHO	57
Italy	Italy, Chopin on Italy	CHO	59
London	London, Chopin on London	CHO	59-60
Paris	Paris, Chopin on Paris	CHO	61-63
Scotland	Scotland, Chopin on Scotland	CHO	63
Vienna	Vienna, Chopin on Vienna	CHO	63-65
Warsaw	Warsaw, Chopin on Warsaw	CHO	65
Bach	Bach, Chopin on J. S. Bach	CHO	65
Beethoven	Beethoven, Chopin on Beethoven	CHO	66
Czerny	Czerny, Chopin on Czerny	CHO	66
Dalacroix	Dalacroix, Chopin on Dalacroix	CHO	67
Gossec	Gossec, Chopn on Gossec	CHO	67
Handel	Handel, Chopin on Handel	CHO	67
Hujgo, Victor	Hugo, Victor, Chopin on Hugo	CHO	68
Hummel	Hummel, Chopin on Hummel	CHO	68
Lesueur	Lesueur, Chopin on Lesueur	CHO	68
Lind, Jenny	Lind, Jenny, Chopin on Jenny Lind	CHO	68ff
Liszt, Franz	Liszt, Chopin on Liszt	CHO	69
Mendelssohn	Mendelssohn, Chopin on Mendel.	CHO	69
Meyerbeer	Meyerbeer, Chopin on Meyerbeer	CHO	70
Reicha, Anton	Reicha, Anton, Chopin on Reicha	CHO	70
Chopin	Sand, George, Chopin on Sand	CHO	79ff
Schubert	Schubert, Chopin on Schubert	CHO	71
Schumann, Clara	Schumann, Clara, Chopin on	CHO	71
Spohr	Spohr, Chopin on Spohr	CHO	71
Weber	Weber, Chopin on Weber	CHO	72
Chopin	Liszt: personal thoughts on Chopin	CHO	87-93
Chopin	Sand, Geo., thoughts on Chopin	CHO	94-96
Chopin	Chopin, Liszt’s descripion of	CHO	87-96
Chopin	Chopin, George Sand on	CHO	94-96
Liszt, Franz	Liszt, on a recital by Chopin	CHO	97-98
Chopin	Chopin, a recital heard by Liszt	CHO	97-98
Sousa	Sousa, Oral History Project	SOU	1-84
Sudre	Sudre, Universal Musical Language	SUD	1-71
Sousa	Sousa, Yoder on the decline of	SOU	81-84
Sousa	Sousa, Wm D. Revelli recalls	SOU	28-39
Longy Club	Longy Club, Boston wind ensemble	LON	1-222
Long Club	Longy Club, Repertoire	LON	209-210
Composers	Schumann, A Self-Portrait	SCH	3-141
Italy	Italy, Schumann on	SCH	61
France	France, Schumann on	SCH	61
Germany	Germany, Schumann on	SCH	62
Bohemia	Bohemia, Schumann on	SCH	62
Vienna	Vienna, Schumann on	SCH	62-65
Bach	Bach, J. S., Schumann on	SCH	65=67
Beethoven	Beethoven, Schumann on	SCH	67-68
Berlioz	Berlioz, Schumann on	SCH	68-70
Brahms	Brahms, Schumann on	SCH	70-71
Cherujbini	Cherubini, Schumann on	SCH	71
Chopin	Chopin, Schumann on	SCH	71-74
Czerny	Czerny, Schumann on	SCH	74-75
Dreyschack	Dreyschack, Schumann on	SCH	75
Handel	Handel, Schumann on	SCH	75
Lachner	Lachner, Schumann on	SCH	75-76
Liszt, Franz	Liszt, Schumann on	SCH	76-79
Mendelssohn	Mendelssohn, Schiumann on	SCH	79-82
Meyerbeer	Meyerbeer, Schumann on	SCH	83-84
Mozart	Mozart, Schumann on	SCH	84-85
Rossini	Rossini, Schumann on	SCH	85
Schubert	Schubert, Schumann on	SCH	85-87
Thalberg	Thalberg, Schumann on	SCH	88
Wagner, Richard	Wagner, Schumann onsch	SCH	88-89
Weber	Weber, Schumann on	SCH	89-90
Schumann	Schumann, “Maxims for the Young”	SCH	53-60
Sudre	Berlioz endorses Universal Lang.	SUD	32ff
Schumann	On his own personality	SCH	93–102
Schumann	On his health and attitude	SCH	103-112
Schumann	On his outlook on life	SCH	113-122
Schumann	Descibes his wifek, Clara	SCH	135-`40
Schumann	On his outlook on Music	SCH	5-16
Schumann	On his cdfreative process	SCH	21-28
Schumann	On his own comdpositions`	SCH	29-36
Composers	Mendelssohn, a self-protdrait	MEN	3-166
Mendelssohn	On his outlook on music	MEN	3-12
Mendelssohn	On his creative process	MEN	15-24
Mendelssohn	On his own compositions	MEN	29-48
Singing	Mendelssohn on Singing	MEN	53-56
Vienna	Mendelssohn on Vienna	MEN	61
London	Mendelssohn on London	MEN	62
Paris	Mendelssohn on Paris	MEN	63ff
Germany	Mendelssohn on Germany	MEN	65-70
Italy	Mendelssohn on Italy	MEN	71-75
Switzerland	Mendelssohn on Switzerland	MEN	76
Audience	Mendelssohnb on the audience	MEN	77ff
Critics	Mendelssohn on criticism	MEN	79ff
Bach	Mendelssohn on Bach	MEN	82
Beethoven	Mendelssohn on Beethoven	MEN	83
Berlioz	Mendelssohn on Berlioz	MEN	84
Cherubini	Mendelssohn on Cherubini	MEN	85
Chopin	Mendelssohn on Chopin	MEN	86ff
Czerny	Mendelssohn on Czerny	MEN	88
Donizetti	Mendelssohn on Donizetti	MEN	88
Gade	Mendelssohn on Gade	MEN	89
Goethe	Mendelssohn on Goethe	MEN	90
Joachim	Mendelssoohn on Joachim	MEN	91
Kalkbrenner	Mendelssohn on Kalkbrenner	MEN	91
Liszt, Franz	Mendelssohn on Liszt	MEN	92
Mendelssohn, Fanny	On his sister, Fanny	MEN	93
Meyerbeer	Mendelssohn on Meyherbeer	MEN	93
Moscheles	Mendelssohn on Moscheles	MEN	94
Mozart	;Mendelssohn on Mozart	MEN	94
Neukomm	Mendelssohn on Neujkomm	MEN	95
Paganini	Mendelssohn on Paganini	MEN	96
Rossini	Mendelssohn on Rossini	MEN	96
Schubert	Mendelssohn on Schubert	MEN	97
Schumann, Clara	Mendelssohn on Clara Schumann	MEN	97
Schumann, Robert	Mendelssohn on Schumann	MEN	97
Spohr	Mendelssohn on Spohr	MEN	98
Spontini	Mendelssohn on Spontini	MEN	98
Thalberg	Mendelssohn on Thalberg	MEN	99
Victoria, Queen	Mendelssohn on Queen Victoria	MEN	99
Wagner	Mendelsson on Wagner	MEN	100
Mendelssohn	On his character traits	MEN	105-114
Mendelssohn	On his mental health	MEN	115-124
Mendelssohn	On his experience as a performer	MEN	1254-136
Mendelssohn	On his outlook on life	MEN	137-154
Mendelssohn	On his daily and professional life	MEN	155-166
Composers	Liszt, a Self-P:ortrait	LIS	3-287
Liszt, Franz	On his personality and character	LIS	3-20
Liszt, Franz	On his life as a pianist	LIS	21-31
Liszt, Franz	On his life as a conductor	LIS	32-38
Liszt, Franz	On his life as a teacher	LIS	39-42
Liszt, Franz	On his outlook on life	LIS	43–84
Liszt, Franz	On his physical and mental health	LIS	101-111
Liszt, Franz	On aesthetics	LIS	115-120
Aesthetics	Franz Liszt on aesthetics	LIS	115-120
Liszt, Franz	On piano performancer	LIS	154-164
Liszt, Franz	On criticism and the public	LIS	165-172
London	Franz Lisztl on London	LIS	173
Germany	Franz Liszt on Germany	LIS	174ff
Hungary	Franz Liszt on Hungary	LIS	176-181
Italy	Franz Leszt on Italy	LIS	182
Paris	Franz Liszt on Pais	LIS	183
Poland	Franz Liszt on Poland	LIS	184
Vienna	Franz Liszt on Vienna	LIS	184ff
Bach	Franz Liszt on Bach	LIS	187
Balakireff	Franz Liszt on Balakifreff	LIS	187
Beethoven	Franz Liszt on Beethoven	LIS	188ff
Berlioz	Franz Liszt on Berlioz	LIS	190-194
Brahms	Franz Liszt on Brahms	LIS	195
Bulow	Franz Liszt on Bujlow	LIS	195
Chopin	Franz Liszt on Chopin	LIS	195-198
Czerny	Franz Liszt on Czerny	LIS	202
Franck	Franz Liszt on Czerny	LIS	203
Glinka	Franz Liszt on Glinka	LIS	204
Goethe	Franz Liszt on Goethe	LIS	205
Gounod	Franz Liszt on Gounod	LIS	205
Grieg	Franz Liszt on Grieg	LIS	206
Handel	Franz Liszt on Handel	LIS`	206
Hayhdn	Franz Liszt on Haydn	LIS	207
Heine	Franz Liszt on Heine	LIS	207
Hiller	Franz Liszt on Hiller	LIS	208
Hummel	Franz Liszt on Hummel	LIS	208
Joachum	Franz Liszt on Joachim	LIS	209
Liszt, Cosima	Franz Liszt on Cosima Liszt	LIS	209
Ludwig II	Franz Liszt on Ludwig II	LIS	211
Mendelssohn	Franz Liszt on Mendelssohn	LIS	211
Meyerbeer	Franz Liszt on Meyerbeer	LIS	211
Michelangelo	Franz Liszt on Michelangelo	LIS	212
Mozart	Franz Liszt on Mozart	LIS	13
Nietzsche	Franz Liszt on Nietzsche	LIS	14
Paganini	Fanz Liszt on Paganini	LIS	215
Rimsky-Korsakof	Franz Liszt on Rimsky Kodrsakkof	LIS	215
Rossini	Franz Liszt on Rossini	LIS	215
Rubinsstein	Franz Liszt on Rubinstein	LIS	216
Saint-Saens	Franz Liszt on Saint-Saens	LIS	217
Sand, George	Franz Liszt on George Sand	LIS	218
Schuberet	Ffanz Liszt on Schubertg	LIS	220
Schumann, Robert	Ffanz Liszt on Robert Schumann	LIS	221
Schumann, Clara	Franz Liszt on Clara Schumann	LIS	221
Smetana	Franz Liszt on Smetana	LIS	225
Spohr	Franz Liszt on Spohr	LIS	225
Tausig	Fanz Liszt on Tausig	LIS	226
Tolstoy	Franz Liszt on Tolstoy	LIS	227
Wagner	Franz Liszt on Wagner	LIS	227-238
Weber	Franz Liszt on Weber	LIS	239
Liszt	On his creative process	LIS	245-254
Liszt	On his own compositions	LIS	255
Liszt	On the acceptance of his music	LIS	269-287
Wagner, Richard	On bands	WAG	3-137
Band	Wagner on bands	WAG	3-137
Conducting	Wagner on conducting	WAG	3-68
Emotion in music	Wagner, Music: speech of Passion	WAG	3
Emotion in music	Understanding vs feeling	WAG	4ff
Schopenhauer	Understanding; from emotion.	WAG	5ff
Celebadache	Understanding; from emotion.	WAG	7
Philosophy of music	Understanding; from emotion.	WAG	8ff, 14ff
Music in society	Wagner: music and government`	WAG	10-12
Castiglione, Bald.	Music awakens moral virtues	WAG	13ff
Music education	Wagner: music ed, not commerce	WAG	13, 35
Music education	Wagner: goal is character building	WAG	15ff
Music education	Wagner: basis is performance	WAG	16ff
Music education	Wagner, what is unique in Mozart?	WAG	18ff
Concerts	Wagner on programming	WAG	20ff
Music education	Wagner on the philosoophy of ed.	WAG	22ff
Music education	Wagner on teaching feeling	WAG	24ff
Music education	Wagner: don’t teach the grammar	WAG	24ff
Performance	Wagner, perform for art not money	WAG	29ff
Rossini	Wagner criical of Rossini’s values	WAG	31
Meyerbeer	Wagner: his music is empty of art	WAG	32
Paris	Wagner critical of values	WAG	33ff
Wagner	Wagner’s famous Credo	WAG	34
Aesthetics	Wagner, aesthetics in performance	WAG	36ff
Performance	Wagner, aesthetics in performance	WAG	36ff
Perfomance	Wagner, artist vs virtuoso	WAG	38ff
Performance	Wagner, entertainment is not goal	WAG	39ff
Repertoire	Wagner, ethics in repertoire	WAG	40-50
Repertoire	My experience in Montana	WAG	47ff
Conducting	Wagner on the art of conducting	WAG	51ff
Spontini	On the description of the baton	WAG	53ff
Conducting	Wagner: what, not how. The Melos	WAG	56ff
Melos	Wagner’s focus on the melos	WAG	57ff
Weingartner	His definition of Melos	WAG	58
Philosophy of music	Wagner: melody is the basis	WAG	58ff
Melody	Great quotes on Melody	WAG	58ff
Tempo	Wagner on significance of	WAG	61-63
Conducting	Wagner on conducting gestures	WAG	64ff
Performance	Wagner on rehearsal problems	WAG	66-68
Flute	Wagner on the flute	WAG	74ff
Oboe	Wagner on the oboe	WAG	75-77
Clarinet	Wagner on the clarinet	WAG	77
Bassoon	Wagner on the bassoon	WAG	77
Trumpet	;Wagner on the trumpet	WAG	82ff
Horn	Wagner on the horn	WAG	86ff
Trombone	Wagner on the trombone	WAG	88
Tuba	Wagner on the tuba	WAG	89
Brahms	Engaged as a copyist for the Ring	WAG	89
Percussion	Wagner on percussion	WAG	89ff
Band	Wagner on bands and their music	WAG	93-103
Berlioz	Wagner’s praise for his Band Sym.	WAG	98
Wagner	“Der tag erschein” for TTBB, brass	WAG	107-108
Wagner	Trauermusik for band	WAG	109-122
Wagner	Wagner’s speech, Weber ceremony	WAG	110-114
Wagner	“Gruss” for TTBB and band	WAG	123-126
Wagner	“Huldigungmarsch for band	WAG	127-132
Wagner	“Elsa’s Procession,” for band	WAG	133-134
Wagner	Fanfares for 4 trumpets, timpani	WAG	135
Wagner	“Kaisermarsch”	WAG	136
Wagner	Huning chorus, voices, 12 horns	WAG	137
Wagner	Auherized Arrangements	WAG	138-140
Band	Berlioz on Bands	BER	3-305
Berlioz	Berlioz on Bands	BER	3-305
Flute	Berlioz on flute and flute players	BER	3-7
Oboe	Berlioz on oboe and oboe players	BER	8-15
Band	Berlioz on the pifferi folk band	BER	14-15
Clarinet	Berlioz on the clarinet and playhers	BER	19-21
Sax, Adolphe	Berlioz in Sax’s work on clarinet	BER	18
Bassoon	Berlioz on the bassoon	BER	23
Saxophone	Berlioz’s famous introduction	BER	25-28
Trumpet	Berlioz on the trumpet	BER	29-38
Arban, Jean-Bapiste	Berlioz on the famous Arban	BER	32ff
Sudre, Jean-Francois	Berlioz re Sudre’s invention	BER	34-36
Trombone	Berlioz on the grombone	BER	43-48
Sax, Adolphe	Berlioz on Sax’s work on trombone	BER	45
Tuba	Berlioz on the tuba & ophicleide	BER	49-52
Percussion	Berlioz on timpani and percussion	BER	53-60
Berlioz	On wind instrument manufacture	BER	65-70
Berlioz	On Adolphe Sax	BER	71-83
Sax, Adolphe	Berlioz on Sax and his work	BER	71-83
Band	Berlioz on bands in general	BER	87-83
Reiche, Anton	Berlioz on the famous quintets	BER	91ff, 156
Military Music	Berlioz on military bands	BER	96-97
Military Music	Berlioz on French military bands	BER	99-116
Band	Berlioz on French band societies	BER	99=101
Military music	Berlioz on French military bands	BER	101-116
Opera	Berliozl on bands used in opera	BER	123-135
Acoustics	Berlioz on acoustics	BER	139-143
Acoustics	Berlioz on bands outdoors	BER	142-143
Intonation	Berlioz on intonation	BER	145-150
Flute	Berlioz compositions for flute	BER	155-158
Berlioz	“Messe solennelle”	BER	159ff
Berlioz	Parody on Symphonie Fantastique	BER	163ff
Berlioz	“Meditation religieuse”	BER	165
Berlioz	“Le Dernier Jour du monde”	BER	167
Berlioz	“Lel Regour de l’armee d’Italie”	BER	169ff
Berlioz	“Chant heroique”	BER	171ff
Berlioz	“Le Jeune Patre breton”	BER	173
Berlioz	“Fete musicale funebre”	BER	175ff
Berlioz	“Aubade”	BER	177
Berlioz	Symphony for Band	BER	179–220
Berlioz	“Chasse a la grosse bege”	BER	222
Berlioz	“Chant sacre”	BER	223ff
Berlioz	Essay on Composition	BER	229-235
Berlioz	Essay on Orchestration	BER	237-247
Beethoven	Berlioz on Beethoven	BER	24o9ff
Reicha, Anton	Berlioz on Reicha	BER	251ff
Rossini	Berlioz on Rossini	BER	253
Bellini	Berlioz on Bellini	BER	253ff
Spontini	Berloz on Spontini	BER	254
Conducting	Berlioz as a conductor	BER	259-
Berlioz	Essay on conducting	BER	271-277
Berlioz	Essay on music education	BER	281
France	Berlioz on music in France	BER	291-297
Germany	Berlioz on music in Germany	BER	299-303
Italy	Berlioz on music in Italy	BER	305
Whitwell, David	The Art of Musical Conducting	WAC	3-280
Darwin, Charles	How old is Music?	WAC	3
Wagner	On the beginning of Music	WAC	4
Emotion in Music	Du Bos, spoken words = no emot.	WAC`	5
Emotion in Music	Voltaire, speech began with emot.	WAC	5
Emotion in Music	Speech is a form of Music.	WAC	6
Emotion in Music	Tomatis, music is food for brain	WAC	7
Emotion in Music	Jenny, every body organ has pitrch	WAC	7ff
Emotion in Music	Erasmus, music is innate	WAC	9, 11ff
Philosophy of music	Rameau, search for the genetic	WAC	10
Purpose of music	The paramount purpose of music	WAC	17-31
Humanism	Beginsl in 15th century	WAC	21
Leonardo da Vinci	Tears come from heart, not brain	WAC	21
Luther, Martin	Music is mistress of feelings	WAC	21
Performance	Francsesco da Milano 1555 perf.	WAC	22
Performance	Baroque, beginning of emotion	WAC	23ff
Philosophy of music	Quotes on emotion and music	WAC	27ff
Music education	Whitwell reviews past record	WAC	33-51
Movement	Movement expresses feeling	WAC	55-75
Choral	On movements of Greek choirs	WAC	56
Movement	Cardano, dance is part of music	WAC	57
Movement	Mattheson discussion	WAC	58ff
Movement	Cicero in orators and musicans	WAC	62ff
Conductors	On early history of conducting	WAC	77-101
Audience	Early concert halls	WAC	81
Civic music	Lucca on conductor’s duties	WAC	84
Conductors	Bach as conductor	WAC	85
Conductors	Mattheson on conductor training	WAC	87ff
Conductors	Contract 1806 for conductor	WAC	90
Conductors	Spontini on requirements of baton	WAC	92
Conductors	Berlioz as conductor	WAC	93-101
Conductors	Whitwell on purpose of score study	WAC	105-190
Performance	On the purpose of rehearsal	WAC	195-
Conductors	Which version of the score?	WAC	196ff
Conductors	Mahler as conductor	WAC	201
Conductors	On the performer in rehearsal	WAC	203ff
Conductors	Bruno Walter on conducting	WAC	204ff
Walter, Bruno	Bruno Walter on conducting	WAC	204ff
Conductors	Solti on conducting	WAC	205
Solti, Georg	Solti on conducting	WAC	205
Toscanini, Arturo	On conducting	WAC	205
Conductors	Technique of conducting	WAC	209-221
Conductors	On talent	WAC	209ff
Conductors	On Wagner as conductor	WAC	211
Conductors	Solti on rehearsal purpose	WAC	212, 225ff
Conductors	Must express feelings	WAC	213-221
Conductors	Mahler as conductor	WAC	220ff
Conductors	On standard conducting technique	WAC	223ff
Conductors	The conductor in concert	WAC	237
Audience	Comments on the listeners	WAC	246ff
Listeners of Music	Comments on the listeners	WAC	246ff
Aesthetics	Whitwell defines Art Music	WAC	252ff
Repertoire	Plato on the moral values of Music	WAC	268
Wagner	Wagner’s Credo	WAC	277
Conductors	On programming	WAC	259ff
Wagner	As conductor	WAC	211
Stokowski, Leopold	On conducting technique	WAC	226
Music in Society	Wind Music before Christian Era	CHB	3-24
Music in Society	Wind Music in Ancient Egypt	CHB	5ff
Music in Sociey	Winds in Old Testament	CHB`	6ff
Music in Society	Winds in ancient Greece	CHB	10ff
Music in Society	Winds of the Etruscans	CHB	17ff
Music in Society	Winds in the Roman Empire	CHB	20ff
Minstrel	The Medieval Jongleur	CHB	27ff
Minstrel	Medievala ministrels	CHB	29ff
Music in Religion	Wind bands in the early Church	CHB	33ff
Civic music	Early civic wind bands	CHB	39-
Court mujsic	Early court wind bands	CHB	49-
Court music	Maximilian I, 1459-1510	CHB	67ff
Court music	Renaissance bands	CHB	75-104
Civic music	Renaissance bands	CHB	107-125
Music in Religion	Renaissance bands in Church	CHB	127=
Music in Religion	Henry VIII	CHB	132
Music in Religion	Elizabeth I	CHB	132
Praetorius	“Syntagima Musicum”	CHB	136-144
Music in Religion	Venice, Dallaa Casa, 1543-1601	CHB	141ff
Hautboisten	Begins under Francois I, 16th c.	CHB	149-157
Court bands	In the Baroque	CHB	159-175
Music in Society	The Diverftissements	CHB	164ff
Trumpet	Baroque trumpest choirs	CHB	168ff
Handel	Fireworks Music	CHB	175
Military Music	Baroque military bands	CHB	177-184
Trumpet	Use of signals	CHB	181ff
Civic music	Baroque Civic bands	CHB`	187
Civic music	Baroque tower music	CHB	188-195
Music in Religion	Baroque church bands	CHB	197-202
Court bands	Classical Period	CHB	207-234
Harmoniemusik	Classical Period	CHB	207-222
Russian horn band	18th century	CHB	223ff
Military Music	Classical Period	CHB	227-234
Civic bands	Classical Period	CHB	237-243
Civic bands	French Revolution	CHB`	245-263
Gossec	Engraving with band scores	CHB	244
Military Music	19th c. military bands	CHB	267-297
Wieprecht	Prussian military leader	CHB	269ff
Military Music	Military bands in public concerts	CHB	290ff
Concerts	19th Military bands in concert	CHB	290ff
Opera	Bands in opera	CHB	296ff
Civic bands	19th c.civic bands	CHB	301-312
Berlioz	Symphony for band	CHB	305ff
Civic bands	France, Orpheon society	CHB	307
Civic bands	Brass bands	CHB	307, 311ff
Court bands	19th c.court bands	CHB	315-328
Music in Religion	19th c bands in church	CHB	325-327
Scores	Engravings of early band scores	CHB	333ff
Music Education	Whitwell, American; Music Ed.	AME	10-310
Music Education	Whitwell, a personal reflection	AME	10-15
Philosophy of Music	What is Music? A history	AME	19-40
Philosophy of Music	The Physiology of Music	AME	41-42
Philosophy of music	On early Music Therapy	AME	43-50
Philosopohy of music	Is Music genetic?	AME	51-59
Movement	On Movement and Music	AME	60-68
Bicameral brain	Reason vs Feelings	AME	69-92
Emotion in Music	The importance of the experiential	AME	93-100
Emotion in music	The Baroque, emotion over rules	AME	101-113
Philosopohy of music	Music as a language	AME	114-124
Philosophy of music	Music as a Language of Truth	AME	125-135
Philosopohy of music	What was early music like?	AMF	137-141
Music education	What was early music ed. Like?	AME	142-145
Plato	On music education	AME	146-153
Music education	Plato discusses	AME	146-153
Aristotle	Aristotle on music ed.	AME	154-167
Music education	Aristotle and followers discuss	AME	154-167
Music education	Music education in ancient Rome	AME	168-170
Music education	Quintilian on music education	AME	171-172
Music education	On early notation	AME	173-181
Music education	Theory vs Practice	AME	183-200
Music education	Whitwell, Reformation of mus ed	AME	203-310
Music education	On the excellence of the teacher	AME	205-210
Music education	Learning must be by performance	AME	211-218
Music education	The grammar of music is not music	AME	219-222
Music education	Repertoire musst be high quality	AME	223-228
Music education	Catharsis is the purpose	AME	229-243
Music education	A concert is not a “show”	AME	244-251
Music education	On music contests	AME	252-265
Music education	Whitwell, non-conceptual benefits	AME	-267
Music education	Only right hemisphere ed in school	AME	268
Music education	Only present tense ed in school	AME	269-270
Music education	Association with great minds	AME	271-274
Music education	Discovery of student’s emotions	AME	275-280
Music education	Experience beauty as a form of truth	AME	281-282
Music education	Experience a higher spirituality	AME	283-287
Music education	Experience pinciples of morality	AME	288-292
Music education	Development of character	AME	293-302
Music education	Development of Manners	AME	303-310
French Revol. Music	Origins and band tradition	MFR	21-36
French Revol. Music	Ceremony for Mirabeau	MFR	40ff
French Revol. Music	Ceremony for Voltaire	MFR	43-47
French Revol. Music	Final days of the Monadrchy	MFR	51-62
French Revol. Music	Gossec Te Deum	MFR	48ff
French Revol. Music	The Politicalization of Music	MFR	40ff
French Revol. Music	The Free School of Musicmfr	MFR	53ff
Music education	The free School of Music, Fr. Revol	MFR	53ff
Music education	Estab, of the Paris Conservatory	MFR	105ff
French Revol. Music	Later ceremonies with band	MFR	53-116
French Revol. Music	First Concert	MFR	78ff
French Revol. Music	In honor of J. J. Rousseau	MFR	101ff
French Revol. Music	Festival of Liberty and the Arts	MFR	116
French Revol. Music	Anton Reicha Sym. For band	MFR	259ff
Reicha, Anton	Symphony for band	MFR	259ff
French Revol. Music	Bochsa Requiem for Louis XVI	MFR	263ff
Bochsa, Nich. Chas.	Requiem for Louis XVI	MFR	263ff
French Revol. Music	Berlioz Symphony for Band	MFR	269ff
Berlioz	Symphony for band	MFR	269ff
Anonymous	Marche religieuse	MFR	122
Anonymous	Four Marche	MFR	123-124
Adrien	Hymne a la Victoire	MFR	125
Berton, Henri	Marche militaire	MFR	126
Berton, Henri	Hymne pour la fete de Agriculture	MFR	127
Blasius	Ouverure	MFR	128ff
Cambini, Giuseppe	Le pas de chaarsge	MFR	130
Cambini, Giuseppe	Hymn to the Supreme Being, W. 15	MFR	131
Cambini, Giuseppe	Hymn to the Sujpreme Being, W. 16	MFR	131
Cambini, Giuseppe	Ode to the Victoiy, W. 17	MFR	132
Cambini, Giuseppe	Hymn to Victory, W. 18	MFR	132
Cambini, Giuseppe	Ode on Two Young Heroes	MFR	133
Cambini, Giuseppe	Hymn to Virtue	MFR	133
Cambini, Giuseppe	Hymn to Liberty, W 21	MFR	134
Cambini, Giuseppe	Hymn to Equality	MFR	134
Cambini, Giuseppe	Hymn to the Supreme Being, W. 23	MFR	135
Cambini, Giuseppe	Ode on the Victories	MFR	135
Catel, Charles-Simon	Overture, W. 25	MFR	137
Catel, Charles-Simon	Ouverture, W. 26	MFR	138
Catel, Charles-Simon	Symphonie	MFR	139
Catel, Charles-Simon	Symphonie militaire	MFR	140
Catel, Charles-Simon	Marche militaire, W. 29	MFR	141
Catel, Charles-Simon	Pas de manoeuvre	MFR	141
Catel, Charles-Simon	Four Marche Mil., W. 31-34	MFR	142-143
Catel, Charles-Simon	Ode Patriotique	MFR	144
Catel, Charles-Simon	Ode sur le Vengeur	MFR	145
Catel, Charles-Simon	Hymne a l’Etre supreme	MFR	146
Catel, Charles-Simon	Humne a la bataille de Fleurus	MFR	147
Catel, Charles-Simon	La bataille des Fleures	MFR	148
Catel, Charles-Simon	Hymn to Liberty	MFR	149
Catel, Charles-Simon	Ode on the Situation of Republic	MFRF	150
Catel, Charles-Simon	Hymn for August 10	MFR	151
Catel, Charles-Simon	Hymn for Festival of Victory	MFR	152
Catel, Charles-Simon	Hymn for Sovereignity of People	MFR	153
Cherubini, Luigi	Hymn to he Pantheon	MFR	155
Cherubini, Luigi	Hymn o Fraternity	MFR	156
Cherubini, Luigi	Hymn for August 10, w. 47	MFR	157
Cherubini, Luigi	Hymn for Augujst 10, W. 48	MFR	1`58
Cherubini, Luigi	Funeral Hymn for General Hoche	MFR	159
Cherubini, Luigi	Le Salpetre republicain, W. 50	MFR	160
Cherubini, Luigi	Le Salpetre republicain, W. 51	MFR	161
Cherubini, Luigi	Le Salpetre republicain, W.52	MFR	162
Cherubini, Luigi	Fete de al Reconnaissance	MFR	163
Devienne, Francois	Ouverture	MFR	166
Devienne, Francois	Hymn to the Eternal	MFR	166
Devienne, Francois	Le Chant du retour	MFR	167
Duvernoy, Frederic	Pas de manoeuvre	MFR	168
Eler, Andre-Frederic	Overture	MFR	169
Eler, Andre-Frederic	Ode on Situation of the Republic	MFR	170
Fuchs, Georg	Airs du Camp	MFR	174ff
Gebauer, Francois	Pas de manoeuvre, W. 66	MFR	176
Gebauer, Francois	Pas de manoeuvre, W. 67	MFR	177
Gebauer,Michel-J.	Pas de manoeuvre, W. 68	MFR	178
Gebauer, Michel-J	Pas de manoeuvre, W.69	MFR	179
Gossec, Francois-J.	Symphonie militaire	MFR	181
Gossec, Francois-J.	Symphonie in C	MFR	182
Gossec, Francois-J.	Concertante	MFR	183
Gossec, Francois-J.	Marche lugubre	MFR	184
Gossec, Francois-J.	Marche religieuser	MFR	185
Gossec, Francois-J.	Marche funebre	MFR	186
Gossec, Francois-J.	Marche victorieuse	MFR	186
Gossec, Francois-J.	Marche, W. 77	MFR	187
Gossec, Francois-J.	Marche, jW. 78	MFR	187
Gossec, Francois-J.	Te Deum	MFR	188ff
Gossec, Francois-J.	Dominne Sallvum	MFR	189
Gossec, Francois-J.	Hymn fo July 14	MFR	190
Gossec, Francois-J.	Hymn sur la translation Voltaire	MFR	191
Gossec, Francois-J.	Patriotic Chorus	MFR	192
Gossec, Francois-J.	Hymn to Liberty, W. 84	MFR	193
Gossec, Francois-J.	National Round	MFR	194
Gossec, Francois-J.	Funeral Hymn	MFR	195
Gossec, Francois-J.	Le Triomphes de la loi	MFR	196
Gossec, Francois-J.	Hymn to Liberty. W. 88	MFR	197
Gossec, Francois-J.	Hymn to Liberty, W. 89	MFR	198
Gossec, Francois-J.	Hymn to Nature	MFR	199
Gossec, Francois-J.	“Quel peuple…”	MFR	200
Gossec, Francois-J.	Air des Marseillais	MFR	201
Gossec, Francois-J.	Hymn to the Supreme Being, W. 94	MFR	202
Gossec, Francois-J.	Hymn to the Suprfeme Being, W. 95	MFR	203
Gossec, Francois-J.	Hymn to the Supreme Being, W. 96	MFR	204
Gossec, Francois-J.	Hymn to Jean-Jacques Roujssesau	MFR	205
Gossec, Francois-J.	Chant funebre sur al mort Ferraud	MFR	206
Gossec, Francois-J.	Hymn to Humanity	MFR	207
Gossec, Francois-J.	Shades of the Girondins	MFR	208
Gossec, Francois-J.	Hymn to Victory, W. 18	MFR	209
Gossec, Francois-J.	Hymn for Celebration of Victory	MFR	210
Jadin, Hyacinthe	Ouverture	MFR	211
Jadin, Hyacinthe	Hymn for January 22	MFR	212
Jadin, Hyacinthe	Hymn to Agrficulture	MFR	213
Jadin, Louis-E.	Symphony	MFR	214
Jadin, Louis-E.	Ouverture	MFR	215
Jadin, Louis-E.	Marsche	MFR	216
Jadin, Louis-E.	Pas de manoeuvre	MFR	216
Jadin, Louis-E.	Hymn of the Freed Slaves	MFR	217
Jadin, Louis-E.	Hymn for J-J Rousseau	MFR	218
Kreutzer, Rodolphe	Ouverture, “Journee de Marathon	MFR	219
Langle, Honore	Hymn to the Eternal	MFR	220
Lefevre, Xavier	Ouverture	MFR	221
Lefevre, Xavier	Collection of 12 marches	MFR	222-223
Lefevre, Xavier	Marche militaire	MFR	224
Lefevre, Xavier	Pas de manoeuvre	MFR	225
Lefevre, Xavier	Hyhmn to Agriculture	MFR	226
Lesueur, Jean F.	Hymn, Triumphs of Fr. Republic, 1	MFR	227
Lesueur, Jean F.	Hymn, Triumphs of Fr. Republic, 2	MFR	228
Lesueur, Jean F.	Patrioic Scene	MFR	229
Lesueur, Jean F.	Hymn for July 27	MFR	230
Lesueur, Jean F.	Hymn for a Temple of Liberty	MFR	230
Lesueur, Jean F.	Chant dithryambique	MFR	231
Lesueur, Jean F.	Hymn for Festival of Agriculture	MFR	231
Lesueur, Jean F.	Hymn fo Old Age	MFR	232
Martini il Tedesco	Hymn to the Republic	MFR	233
Martini il Tedesco	Triumphal Hymn for Sept 22	MFR	234
Mehul, Etienne	Ouverture	MFR	235
Mehul, Etienne	Le Chant du depart	MFR	236
Mehul, Etienne	Le Chant des victoires	MFR	237
Mehul, Etienne	Funeral Hymn for Feraud	MFR	238
Mehul, Etienne	Hymn for July 27	MFR	239
Mehul, Etienne	Hymn of he Twenty-Two	MFR	240
Mehul, Etienne	Le Chant du retour	MFR	241
Mehul, Etienne	Hymn for Festival of Marriage	MFR	241
Ozi, Etienne	Pas de manoeuvre, W. 150	MFR	242
Ozi, Etienne	Pas de manoeuvre, W. 151	MFR	243
Piccinni, Nicolo	Hymn for Festival of Marriage	MFR	244
Pleyel, Ignaz	Hymn to Liberty	MFR	246
Riegel, Henri	Hymn to Liberty	MFR	248
Rouget de Lisle	Roland a Roncevaux	MFR	249
Solere, Etienne	Ouverture	MFR	251
Solere, Etienne	Pas de manoeuvre	MFR	252
Anonymous	9 Baroque works, some w/ SATB	WH, 7	1
Bertal, Antonio 17th c	11 Baroque Sonate,13 to 18 parts	WH, 7	1
Biber, Heinrich 17th	Sonatas, 6 and 8 tpts, perc.	WH, 7	2
Caldara, Antonio 17th	Aria, Alto solo, tpts, timpani	WH, 7	2
Biber, Heinrich 17th	Intrada, 6 tpts, 3 tb, timpani	WH, 7	2
Ebner, Wolfgang 17th	TT Missa, SATB, brass, organ	WH, 7	2
Ferdinand III, emperor	Hymn Nativitate SATB, winds	WH, 7	2
Hoffer, Andrea 17th	Dixit, 8 part chorus, brass	WH, 7	2
Leopold I,emperor	Beatus, SATB, brass	WH, 7	3
Kalick, early 18th c.	Sinfonie for winds	WH, 7	3
Kolbetz, M, .	Trio, cl, hn, bsn, 3 mvts, Baroque	WH, 7	3
Kolsdirfu, Matej 17th	“Congratullation Intrada, brass	WH, 7	3
Linek, J. I.	12 Kronungsintraden, brass 1743	WH, 7	3
Otto, Valerius 17th	Intrada, brass	WH, 7	3
Poglietti, Alessandro	Sonata, fl, bsn, cornetto, org, Bar.	WH, 7	4
Reutter, Georg, 17th	Wind quintet	WH, 7	4
Schmelzer, Johann	Music for horse ballet 17th c.	WH, 7	4
Schmeltzer, Johann	Two Sontas for wind ensemble	WH, 7	4
Vantura, Ceslav	Twelfth Night Intrada, brass, Bar.	WH, 7	4
Wagenseil, Georg	Nine works for wind, 1715-1777	WH, 7	5
Zelenka, Jan Dismas	Six Reiterfanfaren, brass,timp	WH, 7	5
Royal Wind Music	James I, Italian, Flemish motets	WH, 7	13
Royal Wind Music	Musica bellicosa, 68 marches	WH, 7	13
Royal Wind Music	3-part ;Simphonies and airs	WH, 7	13
Royal Wind Music	Foreign marches, inc Lully, Paisible`	WH, 7	14
Royal Wind Music	The Queen Mary Farewell, obs, bsn	WH, 7	14
Anonymous	12 Mace e Minue, early 18th	WH, 7	14
Adson, John, d. 1640	31 Courtly ayres, 5 and 6 pt wind ens	WH, 7	14
Blow, John	Glorious Day, voices, winds 1691	WH, 7	14
Cooke, Henry, 17th	Anthem, 1661,chorus, band	WH, 7	15
Clarke, Jeremiah 17th	Suite, winds	WH, 7	15
Ferrabosco, Alph, Jr.	Overture, Maske of Beauty, band	WH, 7	15
Galliard, Johann, Bar`	Untitled work, 24 bsns, 4 st bass	WH, 7	15
Handel, Georg	Fireworks Music, orig. 11 winds	WH, 7	16
Handel, Georg	8 marches, small wind ens	WH, 7	16ff
Handel, Georg	2 minuets, 2 arias, overture	WH, 7	16ff
Lanier,l Nicholas 17th	Almand and sarabande for cornetts	WH, 7	18
Locke, Matthew 17th	Kings 6 part wind ensemble coll.	WH, 7	18
Parsons, Robert	Untitled work for 6 trumpets, early 17	WH, 7	18
Pepusch, Johann	PR 6 works, oboes, bsn	WH, 7	18
Purcell, Henry 17th	Music for Queen Mary, 1694, coll.	WH, 7	18
Purcell Henry	Gloious morn, SATB, obs, bsns	WH, 7	19
Purcell, Henry	Echo, obs, bsns	WH, 7`	19
Purcell, Henry 17th	Fanatasia, 17th c. 3 flutes	WH, 7	19
Turberville, George	Hunting signals notated	WH, 7`	19
court	James I wind band	WH, 7	13
court	“for his Majesty’s Sagbutts.”1661	WH, 7	18
court	Philidor coll., French kings	WH, 7	81ff
Philidor Collection	Very large col. of Bar. Band music	WH, 7	81ff
Anonymous	Four marches, French Bar.	WH, 7	83ff
Boismortier, Joseph	Six concerti for 5 flutes	WH, 7	84
Boismortier, Joseph	Works for fl, ob, tpt, 2 hns	WH, 7	84
Caroubel, Francis	Works for crumhorn quintet	WH, 7	84
Charpentier, Marc-A	Ens works featuring trumpet	WH, 7	85
Couperin, Louis	Two Fantaisie for oboe band	WH, 7	86
Dreux, Jacques	77 Fanfares for oboe band	WH, 7	86
Freillon-Poncein	TT Works for small wind ensembles	WH, 7	87
Gilles, Jean 17th c.	14 Grand Motets, voices, 6 winds	WH, 7`	87
Hotteterre, Martin	March for 4-part oboe band	WH, 7	87
Le Jeune, Henry 17th	Phantasie, for 5-part cornetts	WH, 7	87
Lalande, Michel 17th	Pieces for oboe band; tpts, timp	WH, 7	88
Lully, Jean-B. 17th	Large coll. For oboe band	WH, 7	88-91
Moliere	Air for 4-part oboe band	WH, 7	91
Naudot, Jacques	PR 1733 pieces for oboe band	WH, 7	91
Philidor l’ainé	Ten works for oboe band	WH, 7	91ff, 156
Philidor le Cadet	Three pieces for oboe band	WH, 7	92
Philidor, Jacques	Marche et Airs for military band	WH, 7	92
Roziers	TTAir de L’Assemblee, Hautbosten	WH, 7	93
Ruck	Mache 3-part oboe band, military	WH, 7	93
Anonymous	53 works, entire band library	WH, 7	97-107+
Anonymous	25 multi-mvt wind band works	WH, 7	108-110
Ahle, Johann 17th c.	Magnificat 1657 SATB brass	WH, 7	110
Ahle, Johann 17th c.	Furchtet euch, chorus, e4 bsns	WH, 7	110
Altenburg, Michel 17th	Church music, some w/ brass	WH, 7	111
Arnold, Johann	Court music 5-part Hautboisten	WH, 7	111
Arnold, Johann	Sonata 4 tpts, lost	WH, 7	111
Battiferi, Luigi 17th	Two Ricesrcari 5, 6-part cornetts	WH, 7	111
Blockwitz, Johann	60 Arien, solo winds	WH, 7	111
Briegel, Wolfgang	Works for brass ens, 1626-1712	WH, 7	112
Burckart, J. V.	Works for 4-part Ha\utboisten	WH, 7	112
Butten, Jacob	Aria, voice, 2 ob, bsn, cembalo	WH, 7	112
Buxtehude, D. 17th c.	Works for voices and winds	WH, 7	112ff
Cesare, Gio. 17th c	Works, small brass ens, one, 6-pt	WH, 7	113
Chelleri, F.,b. 1668	Two early Parthie 7 winds, bc`	WH, 7	114
Colerus, Valentin	PR movements for winds, inc.	WH, 7	114
Cousser, Johann 17th	Work for TT and winds	WH, 7	114
Cruger, Johannes	Church, 4 voices, 2 cornetts 17th c`	WH, 7	114
Drobisch, Johann	Cantata, SATB 5 winds, org.	WH, 7	114
Druckenmuller, Geo	Sonatas for winds, lost	WH, 7	114
Edelmann, Moritz	;PR work for 6 brass, 1679	WH, 7	115
Fauch, Johann	Concerto, 24 winds, 3 timp	WH, 7	115
Fauch, Johann	Concerto 2 ob, oboe d’Amore, b c	WH, 7	115
Fauch, Johann	Works for 2 ob, 2 bsns	WH, 7	115
Fick, Peter, d. 1743	Two works for Hautboissten	WH, 7	116
Finger, Gottfried	Sonatas for woodwinds	WH, 7	116
Fischer, Johann 17th	Music for Hautboisten	WH, 7	116
Fischer, Johann III	Ouvertuire for Hautboisten	WH, 7	116
Foerster, Christoph	Concerto for Hauboisten	WH, 7	116
Forchheim, Johann,	Lobe den Herrn, SATB winds, 17th	WH, 7	117
Frank, Melchoir	Hallelua, Voices and winds	WH, 7	117
Gallo	Six Parade Sinfonien,winds	WH, 7	117
Ganzland, Christian	Document on the rights of Trumpet	WH,, 7	117
Trumpet, 17th c.	Document on the rights of Trumpet	WH, 7	117
Gerstenbutel, Joach.	Lobet den Herrn, voices, winds 17th	WH, 7	117
Grafe Postrath 17th	March, 2 cl, bsn, tpt	WH, 7	117
Graun, Johann	Four works for Hautboisten	WH, 7	117ff
Graun, Karl H.	Marches for small Hautboisten	WH, 7	118
Graupner, Christoph	TTMajor works for Hautboisten	WH, 7	118
Guzinger, Johann	Aria, Sop., 4 flutes, bc	WH, 7	118
Hammerschmidt, A.	Church works, voices, brass	WH, 7	119ff
Hammerschmidt, A.	Coll. Single works for winds	WH, 7	119ff
Harwig, c. 1762	Quartet, 2 fl, bsn, cembalo	WH, 7	120
Hasse, Johann	Cncerto, ob, bsn, cembalo, cl [!],	WH, 7	120
Hasse, Johann	Two vocal works, winds, org.	WH, 7	120
Hasse, Nikolous	13 Polish dances, 2 tpt, bc	WH, 7	120
Hasse, Nikolous	Auffzug, 2 tb, 2 timp? See MGG	WH, 7	120
Hassler, H. L.	Intrada for brass	WH, 7	120
Heinrfich, Prinz	Marsch 2 ob, 2 tpt, bc	WH, 7	121
Hendel	Quartet 2 ob, bsn, bc	WH, 7	121
Hentgzschel, J.	Canzon, 8 tbs, bc	WH, 7	121
Hertel, J. W.	Works for Hautboisten	WH, 7	121
Hintze, Jacob	Coll, Tower music, voices, winds,	WH, 7	121
Hoffmann	PR Partite 2 ob, 2 hns, bc	WH, 7	122
Horn, Johann	PR Summer church works, + winds	WH, 7	122
Jelich, Vinzenz	PR 4 Ricercari cornetts and tbs	WH, 7	122
Junghauer & Benda	PR Ch work singers, brass, org.	WH, 7	122
Keiper, Johann	PR ch work with 2 fl, 3 tbs, timp, bc`	WH, 7	122
Keller, Gottfried	PR Sonates for woodwinds	WH, 7	123
Kindermann,Johann	PR 12 works for bsn, brass	WH, 7	123
Knoep, Luder	Sonatas for winds, lost	WH, 7	124
Krause	PR Quartet 2 ob, bsn, bc	WH, 7	124
Kremberg, Jacob	PR works for 3 flutes	WH, 7	124
Krieger, Johann	PR works for miliary band	WH, 7	124
Lemle, Sebastian	works for voices, cornetts	WH, 7	125
Linike, Hohann	Mororium for muted fl, ob, tpt, vln	WH, 7	125
Lockelvitz, P.	works for Sop, Hautboisten	WH, 7	125
Mattheson, Johann	Works for Hautboisten	WH, 7	125
Molter, Johann	Large coll, mostly Hautboisten	WH, 7	125-127
Moritz, Landgrave	Large coll, some of brass	WH, 7	127
Müller, Johann	PR 1 Sonatas for Hautboisten	WH, 7	127
Niedt, Friedrich	6 Suites, 3 ob, bsn	WH, 7	127
Peter, Christoph	Three Chuch arias, voices, brass	WH, 7	127
Pez, Johann	Sinfonia, 3 flutes	WH, 7	128
Pez, Johann	3 works for Hautboisten	WH, 7	128
Pezel, Johann	PR many works for bsn, brass	WH, 7	128ff
Pfeiffer, Giovanni	Sonata for Hautboisten	WH, 7	129
Pohle, David`	Sonata for brass	WH, 7	129
Praetorius, Michael	PR two works for crumhorns	WH, 7	130
Prentzel	Sonata for bsn, tpt	WH, 7	130
Prowo, Pierre	1e works for Hautboisten	WH, 7	130ff
Rathgeber, Johann	14 Vocal works with brass	WH, 7	131
Reiche, Gottgfried	65 works for tower music, 41 lost	WH, 7	132
Reuschel, Johann	PR ch works, voices,cornetts, bsn	WH, 7	132
Riedel, Georg	“Cujpido” voice winds, timp	WH, 7	132
Roellig, Jun.`	5 suites for Hautboisten	WH, 7	132
Sartorius, Christian	PR Ch works with brass	WH, 7	132ff
Scheidt. Samuell	PR Canzona for cordnetts	WH, 7	133
Schein, Johann	PR Padouana for 4c crumhorns	WH, 7	133
Schelle, Johann	Untitled work for brass	WH, 7	133
Schulz, ?	Sonata for Haujtboisten	WH, 7	133
Schütz, Heinrich	Church works for voices and winds	WH, 7	134ff
Schwenckenbecher	PR Wedding dance, Hautboisten	WH, 7	135
Schwemmer, Heinrich	Two choral works with winds	WH, 7	135
Segario, Francisco	Pavan, winds and viola da gamba	WH, 7	135
Selich, Daniel	PR Psalm 85 voices and winds	WH, 7	136
Siebenhaar, Mal.	PR 3 works voices, tpts, winds lost	WH, 7	136
Speer, Daniel	PR Tower and field works	WH, 7	136ff
Spiegler,Matthias	PR Works for cornetts and bsn	WH, 7	137
Stadlmayhr, Johann	PR Three masses with winds	WH, 7	137
Storl, Johann	PR 6 sonatas, 3 bsns, cornett	WH, 7	138
Storl, Johann	March, 1711 for Hautboisten	WH, 7	138
Strunck, Nickolaus	Les Aires for recorders	WH, 7	138
Strungk, Delphin	Secular, voices and winds	WH, 7	138
Sul, ?	Sonata fodr 3 flutes	WH, 7	138
Telemann, Georg	Cantata, SATB, fl, ob, organ	WH, 7	138
Telemann, Georg	Numerous works for wind ens.	WH, 7	138-140
Thsesselins, Johann	Tower music, 10 suites	WH, 7	140
Tobias, Michael	Church work voices, winds	WH, 7	140
Treu, Daniel	Paritas for winds, lost	WH, 7	140
Trost, Johann	Parthia, 6 bsns [in 3 sizes!], 2 hns	WH, 7	140
Ulbrecht, F. J.	Music for Hautboisten	WH, 7	140
Ulich, Johann	Missa,l voices and winds	WH, 7	141
Venturini, Francesco	3 Overtures for Hautboisten	WH, 7	141
Vierdanck, Johann	PR many works for winds	WH, 7	141
Volckel, Samuel	Jagerlied [no text] for winds	WH, 7	142
Werner, Christoph	12 voices, winds and bc	WH, 7	142
Wieland, Philipp	Ouverture Suite, winds	WH, 7	142
Witt, C. F.	Overftures, Sonatas, Hatboisten	WH, 7	142
Anonymous	Sonata fl, 2tpt, 2 hns, organ	WH, 7	185
Anonymous	PR Church work voices, brass	WH, 7	185
Albergati, Conte	Sonata 5 winds and tpt	WH, 7	185
Albinoni, Tomaso	Two Conceri for Hautboistgen	WH, 7	185
Bartolomeo, P. F.	PR Canzoni, courants, 5 parts	WH, 7	186
Bernardi, Stefano II	PR Sonate for 3 winds	WH, 7	186
Bertoli, Antonio	PR solo sonatas fof bsn	WH, 7	186
Bigaglia, Diogenio	PR Pange lingua, 3 bsns, organ	WH, 7	186
Cardcani, Giosoffo	Quintetto 2 fl, bsn, 2 hns	WH, 7	186
Castello, Dario	TT works for voice and winds	WH, 7	186
Cavalieri, Bonaven.	PR military music, 1639, lost?	WH, 7	187
Cavalli, Pier Franc.	Chiamata alla caccia, 5 part	WH, 7	187+
Cazzati, Maurizio	PR Sonatas for tpts	WH, 7	187
Chinelli, Giovanni	Messe, chorus and tb	WH, 7	187
Corradini, Nicolo	PR volume of 12 canzoni	WH, 7	187
Crotti, Archangelo	Sonata Sancta Marias w. brass	WH, 7	188
Donati, Ignazio	PR six voices with brass ens.	WH, 7	188
Fantini, Girolamo	PR military piesce	WH, 7	188
Ferro, Antonio	PR Sonatas with winds acc.	WH, 7	188
Grandi, Alessandro	Alto voice with trombone	WH, 7	188
Franzoni, Amante	PR a Concerto with winds, inc. 4 tb	WH, 7	!88
Jommelli,l Nicolo	Military March for Hautboisten	WH, 7	189
Magini, Francesco	Sonate for winds	WH, 7	189
Marini, Biagio	Many works for voices and winds	WH, 7	189ff
Marini, Biagio	Trios, quartets,cornetts, tbs	WH, 7	190
Neri, Massimiliano	Sonata Ottava, cornetts, bsn, tbs	WH, 7	190
Pattarina, Maria	Canzone, 3 cornetts	WH, 7	190
Peri, Jacopo	Zinfonia in Euridice with 3 flutes	WH, 7	190
Picchi, Giovanni	Canzoni for cornetts, tbs	WH, 7	191
Polidori, Ordtesnic	Messe 1639, chorus, winds	WH, 7
Puliti, Gabiello	PR, Canzoni ,cornetti	WH, 7	191
Riccio, Giovanni	PR Third book,of canzoni	WH, 7	191
Riccio, Giovanni	PR N. 66, flute with tremolo, bsn	WH, 7	191
Riccio, Giovanni	Canon nr 54 in ecco a 4	WH, 7	191
Sammadrtini, Gio.	Concerto for wind ensembles	WH, 7	192
Scarlatti, Dom.	Pastorale, Capriccio large wind ens	WH, 7	192
Torri, :Pietro	Contate, voice and oboe, bsn	WH, 7	192
Urbannus, Greg.	Symphonia, 2 cornetts, tb	WH, 7	192
Usper, Fancescco	PR Messa, 2 voices, 4 tbs	Wh, 7	192
Vilhaver, Urban	Missa, 12 voices, winds	WH, 7	192
Vivaldi, Antoniol	Concerti for wind ensembles	WH, 7	192ff
Hacquart, Carolus	Operette, 5 voices, fls, tpts, bc	WH, 7	213
Marcque, Jean	Works for winds	WH, 7	213
Scherer, Gottlieb	Sonatas for 3 flutes	WH, 7	213
Van Eyk, Jan	PR Der flujiten lusst-hof	WH, 7	213
Anonymous	Chorale,” Herr Gott dich,” brass, org	WH, 7	217
Jarzebski, Adam	Tamburetta, tpt, 2 tb, org	WH, 7	217
Soler, Francisco	3 Masses, voices and winds	WH, 7	219
Alesssandri, Felice	“Il vecchio” opera 1781	WH, 8	3
	Arr. Unknown, for Harmoniemusik
Auber Daniel	“La Bergere Chatelaine” oper.1820	WH, 8	3
	PR arr. Unknown, for Harmonie
Anfossi, Pasquale	“Isabella e Rodrigo” ballet 1780	WH, 8	3
	arr. Schacht for Harmoniemusik
Schacht, Theodor	Arr. Anfossi “Isabella e Rodrigo	WH, 8	3
	ballet for Harmoniemusik
Aspelmayr, Franz	“Ballo” ballet arr. Harmoniemusiik	WH, 8	3
	Arranger unknown
Auber Daniel	“Emma” opera 1821, Over/parts	WH, 8	3ff
	PR unknown arranger
Auber Daniel	“La Neige,” opera 1823, Ov/parts	WH, 8	4
	PR arr. Widder
Auber Daniel	“La Macon,” opera 1825, overture	WH, 8	4
	PR arr. Widder
Auber Daniel	“Muette de Portici,” opera, 1828	WH, 8	4
	MS arr, Sedlak, 11 movements
Auber Daniel	“Le Philtre,: opera 1831, overture	WH, 8	5
	PR arr.unknown
Auber Daniel	“Le Serment,” opera 1832, overture	WH, 8	5
	PR arr.Berr
Auber Daniel	“Duc d’Olonne,” opera, 1842	WH, 8	5
	Arr. Sedlak, 3 movements
Auber Daniel	“Der Klausner” opera?, 1829	WH, 8	5
	Arr. Unknown, t movements
Beethoven	“Egmont Music,” Op. 84, overture	WH, 8	5
	Arr. Starke
Beethoven	“Fidelio,” opera 1805	WH, 8	6
	PR arr. Sedlak, 11 movements
Beethoven	“Quintet,” op. 16 for piano	WH, 8	6
	Arr. Triebensee for 8 winds
Beethoven	“Septet,” op. 20	WH, 8	6
	Arr. Crusell for 11 winds
Beethoven	“Septet,” op. 20	WH, 8	6
	PR arr Dduschestzky for 8 winds
Beethoven	“Septet,” op. 20	WH, 8	6
	Arr. Czerny 1805 for 6 winds
Beethoven	“Septetto,” op. 20	WH, 8	6
	Arr. Unknown, for 9 winds
Beethoven	“Septetto,” OP.20	WH, 8	7
	Arranger uniknown 1833
Beethoven	“Septet,” op. 20	WH, 8	7
	Arranger unknown, c. 1810
Beethoven	“Sesetto”	WH, 8	6
	Arranger unknown for 6 winds
Beethoven	“Sonata pathetique,”	WH, 8	7
	PR arranger unknown for 9 winds
Beethoven	“Sonate Pathestique,”	WH, 8	7
	Arranger unknown for 8 winds
Beethoven	“Sonate pathetique,”	WH, 8	7
	PR arranger uninown for 9 winds
Beethoven	First Symphony	WH, 8	7
	Arr. Hutschenrieyter, Sr., 9 winds
Beethoven	Seventh Symphony	WH, 8	7
	PR Paris, arr. Unknown, for 9 winds
Beethoven	Seventh Symphony	WH, 8	7
	PR Vienna, arr. Unknown, 9 winds
Beethoven	Eighth Symphony	WH, 8	7
	PR Paris, arr. Unknown, for 9 winds
Beethoven	Eighth Symphony	WH, 8	8
	PR Vienna, arr. Unknown, 9 winds
Beethoven	Trauer Marsch, orig. unknown	WH, 8	8
	Arranger unknown, 8 winds
Beethoven	Harmonie for 9 or 12 winds	WH, 8	8
	PR Paris, Gambaro
Beethoven	“Wellingtons Sieg …”	WH, 8	8
	PR, Vienna,Haslinger, 9 winds
Bellini, Vincenzo`	“Bianca e Gernando,” opera 1826	WH, 8	8
	Arranged by Carulli for 11 winds
Bellini, Vincenzo	“La Staniera,” opera 1829	WH, 8	8
	Arr. Sedlak 11 mvts for 8 winds
Bellini, Vincenzo	“I Capuleti e I Montecchi, op. 1830	WH, 8	8
	Arr. Sedlak, 6 mvts for 8 winds
Bellini, Vincenzo	“Cavatina,” from “I Capuleti”	WH, 8	8
	Arranger unknown for 8 winds
Bellini, Vincenzo	“Duetto,” from “I Capuleti”	WH, 8	8
	Arranger unknown, for 8 winds
Bellini, Vincenzo	“La Sonnambula,” opera 1831	WH, 8	9
	Arr Sedlak `1837 for 9 winds
Bellini, Vincenzo	“Norma,” opera 1831	WH, 8	9
	Arr. Sedlak for 8 winds
Bellini, Vincenzo	“Beatrice di Tenda,” opera 1833	WH, 8	9
	Arr. Sedlak for 8 winds
Bellini, Vincenzo	“I Puritani,” opera, 1835	WH, 8
	Arr. Sedlak, 3 long mvts, 8 winds
Bellini, Vincenzo	“I Puritani,” opera, 1835	WH, 8	9
	Arr. Sedlak, “Part I” 13 mvts 9 winds
Bellini, Vincenzo	PR “Cavatina,” from “I Puritani,:”	WH, 8	9
	Arr. Sedlak, 10 winds
Berton, Henri	“PR Montano,” opera 1799	WH, 8	9
	Arr. Fuchs, 8 winds, 7 mvts
Berton, Henri	PR “Le grand Deuil,” opera 1801	WH, 8	9
	Arr. Vanderhagen, overture, 8 winds
Berton, Henri	PR “Le grand Deuil,” opera 1801	WH, 8	10
	Arr. Vanderhagen, arias, 8 winds
Berton, Henri	PR “Le grand Deuil,” opera 1801	WH, 8	10
	Arr. Unknown, Over., 8 to 11 winds
Berton, Henri	PR “Le grand Deuil,” opera 1801	WH, 8	10
	Arr. Unknown, arias, 8 to 11 winds
Bergon, Henri	“Aline, Reine” opera, 1803	WH, 8	10
	Arr unknown, 14 movements
Bergon, Henri	“Aline, Reine” Allegro, opera, 1803	WH, 8	10
	Arr Triebensee, 8 winds
Bergon, Henri	“Aline, Reine”, opera, 1803	WH, 8	10
	Arr unknown, 8 winds
Bergon, Henri	“Aline, Reine” opera, 1803	WH, 8	10
	Arr unknown, 6 winds
Bergon, Henri	PR “Aline, Reine,” opera, 1803, Over.	WH, 8	10
	Arr unknown, 7 winds
Bergon, Henri	PR “Aline, Reine,” opera, 1803	WH, 8	10
	Arr unknown, 7 winds
Bergon, Henri	PR “Feodor,” opera, overture	WH, 8	10
	Arr. unknown, 9 winds
Bergon, Henri	PR “Feodor,” opera, overture	WH, 8	11
	Arr. unknown, 8 winds
Bianchi, Francesco	PR “La Villlanella,” opera, 1783	WH, 8	11
	Arr. Fuchs, 8 winds,
Bianchi, Francesco	PR “La Villlanella,” opera, 1783	WH, 8	11
	Arr. M. J. Gebauer, 8 winds
Bianchi, Francesco	“La Villlanella,” opera, 1783	WH, 8	11
	Arr. Unknown,, 8 winds,
Bierey, Gottlob	“Das Blumenmadchen”	WH, 8	11
	Arr. unknown, 8 winds
Bocchoroni, ?	“Hamlet”	WH, 8	11
	Arr. Ruzni, 8 winds
Boieldieu, Francois	“Ma Tanie Aurore,” opera, 1803	WH, 8	11
	Arr. Koslowsky, for 8 winds
Boieldieu, Francois	“Jean de Paris, opera, 1812	WH, 8	12
	Arr. Triebensee, Act I, 10 mvts
Boieldieu, Francois	“Jean de Paris, opera, 1812	WH, 8	12
	Arr. Triebensee, Act I, 7 mvts
Boieldieu, Francois	“Jean de Paris, opera, 1812	WH, 8	12
	Arr. Sedlak, 8 winds
Boieldieu, Francois	“Jean de Paris, opera, 1812	WH, 8	12
	Arr. unknown 10 mvts
Boieldieu, Francois	PR “Jean de Paris, opera, 1812	WH, 8	12
	Arr. unknown 10 mvts
Boieldieu, Francois	“Jean de Paris, opera, 1812	WH, 8	12
	Arr. Triebensee, Act I, 10 mvts
Bresciani, Pietro	“Arbore di Diana,” ballet	WH, 8	12
	Arr. Nickolaus Scholl, 10 winds
Bresciani, Pietro	“Arbore di Diana,” as a Partita	WH, 8	13
	Arr. Unknown 5 winds
Bruni, Antonio	PR “La Recontre voyage,” opera	WH, 8	13
	Arr. Fuchs for 8 winds
Bruni, Antonio	PR, “La Recontre” opera overture	WH, 8	13
	Arr. Fuchs, Harmoniemusik
Bruni, Antonio	PR “Toberne,” opera, 1795	WH, 8	13
	Arr. M. J. Gebauer, 8 winds
Bruni, Antonio	PR “Spinette et Marini	WH, 8	13
	Arr. Fuchs, 9 winds
Galenberg, ?	PR “Hamlet,” overture	WH, 8	13
	Arr. Gambaro, Harmoniemusik
Capua, Marcello	PR “Furberia et Pontiglio”	WH, 8	13
	Arr. Unknown 8 winds
Carafa, Michele	“Gabriellal di Vegy,” opera, 1816	WH, 8	14
	Arr. Unknown, 10 mvts, 8 winds
Carafa, Michele	“Gabriellal di Vegy,” overure	WH, 8	14
	Arr. Unknown, 10 winds
Carafa, Michele	PR ‘Le Solitaire,” opera, 1822	WH, 8	14
	Arr. Unknown, Harmoniemusik
Catel, Charles-Simon	“Semiramis,” opera, 1802	WH, 8	14
	Arr. Unknown, 8 winds
Catel, Charles-Simon	“Semiramus,”	WH, 8	14
	Arr. Unknown 8 winds
Catel, Charles-Simon	“Semiramus, arias	WH, 8	14
	Arr. Unknown, Harmoniemusik
Catel, Charles-Simon	PR “l’Office enlevev,”	WH, 8	14
	Arr. Unknown, Harmoniemusik
Catel, Charles-Simon	PR “Wallace,” opera, 1817, over.	WH, 8	14
	Arr. unknown, 8 winds
Catel, Charles-Simon	PR “Wallace,” opera, 1817, arias	WH, 8	15
	Arr. unknown, 8 winds
Catel, Charles-Simon	PR “Zirphile et Fleur,”	WH, 8	15
	Arr. Schaffner, Harmoniemusik
Catrufo, Giujseppe	PR “Felicie,” opera, 1815, overture	WH, 8	15
	Arr unknown, Harmoniemujsik
Catrufo, Giujseppe	PR “Felicie,” opera, 1815, arias	WH, 8	15
	Arr. Unknown, Harmoniemusik
Champein, Stanislas	PR “Melomanie,” opera 1781	WH, 8	15
	Arr. Unknown, 8 to 12 part Harmon.
Champein, Stanislas	PR “Melomanie,” opera arias	WH, 8	15
	Arr.unknown, 6 part Harmoniemusik
Champein, Stanislas	“Nouvelle Suite”	WH, 8	15
	Arr. Gebauer, 9 part Harmonie
Cherubini, Luigi	“Lodoiska,” opera, 1791, overture	WH, 8	16
	Arr. Unknown, 6 winds
Cherubini, Luigi	“Lodoiska,” opera, 1791, overture	WH, 8	16
	Arr. Unknown, 9 winds
Cherubini, Luigi	“Lodoiska,” opera, 1791,	WH, 8	16
	Arr. Havel, 9 mvts, 6 winds
Cherubini, Luigi	“Lodoiska,” opera, 1791	WH, 8	16
	Arr. Unknown, 6 winds, 11 mvts
Cherubini, Luigi	“Lodoiska,” opera, 1791, overture	WH, 8	16
	Arr. Unknown, 6 winds, Harmonie
Cherubini, Luigi	“Elise ode Bernhardsberg,” 2 acts	WH, 8	16
	Arr. Triebensee, Harmoniemusik
Cherubini, Luigi	“Medea,” opera, 1797	WH, 8	16
	Arr. Sedlak, 6 winds
Cherubini, Luigi	“L’ Hotellerie Portugaise,” op., 1798	WH, 8	16
	Arr. Unnown, for 8 winds
Cherubini, Luigi	PR “L’Hotellerie,” overture	WH, 8	16
	Arr. Unknown, 12 part Harmonie
Cherubini, Luigi	“La Prisonniere,” opera, 1799	WH, 8	17
	Arr, Wendt?, 8 winds
Cherubini, Luigi	“Die Gefangene,”
	Arr. Triebensee, 9 mvts, Harmonie	WH, 8	17
Cherubini, Luigi	PR “La Prisonniere,”
	Arr. unknown, 12 part Harmonie
Cherubini, Luigi	“Les deux Journees,” opera, 1800	WH, 8	17
	Arr. Unknown, 8 winds
Cherubini, Luigi	PR “2 Journees”	WH, 8	17
	Arr. Javault, Harmoniemusik
Cherubini, Luigi	PR ‘Pieces des 2 Journees	WH,8	17
	Arr Gopfert, 8 winds, serpent
Cherubini, Luigi	“Anacreon”	WH, 8	17
	Arr. Unknown, 8 winds
Cherubini, Luigi	“Grossen Tanz Aria von Anacreon	WH, 8	17
	Arr. Triebensee, 8 winds
Cherubini, Luigi	“Faniska,” opera, 1806	WH, 8	18
	Arr. Unknown, 8 winds
Cherubini, Luigi	“Faniska,” opera, 1806	WH, 8	18
	Arr, Sedlak, 8 winds
Cherubini, Luigi	“Faniska,” opera, 1806	WH, 8	18
	Arr. Unknown, Harmoniemusik
Cherubini, Luigi	“Faniska,” opera, 1806	WH, 8	18
	Arr. Unknown, 10 mvts, 6 winds
Cherubini, Luigi	PR “La Punition,” overture	WH, 8	18
	Arr unknown, 11 part Harmonie
Cherubini, Luigi	“Konig Saul”	WH, 8	18
	Arr. Unknown, 5 mvts, 6 winds
Cimarosa, Domenico	PR “Giannina e Bern.,” opera, 1781	WH,8	18
	Arr. Fuchs, 8 winds
Cimarosa, Domenico	PR “L’Impressario,” opera, 1786	WH, 8	18
	Arr Fuchs, 8 winds
Cimarosa, Domenico	PR “L’Impressario,” opera, 1786	WH, 8	19
	Arr Fuchs, 6 winds
Cimarosa, Domenico	“L’Impressario,” overture	WH, 8	19
	Arr unknown 6 winds
Cimarosa, Domenico	“Il Matrimonio Segreto,” opera 1792	WH, 8	19
	Arr. Wendt?, 11 mvts, 8 winds
Cimarosa, Domenico	“Il Matrimonio Segreto,” opera 1792	WH, 8	19
	Arr. Wendt?, 11 mvts, 8 winds
Cimarosa, Domenico	“Il Matrimonio Segreto,” opera 1792	WH, 8	19
	Arr. Wendt?, 11 mvts, 8 winds
Cimarosa, Domenico	“Il Matrimonio Segreto” opera 1792	WH, 8	19
	Arr. Wendt?, 11 mvts, 6 winds
Cimarosa, Domenico	“Il Matrimonio Segreto,” opera 1792	WH, 8	19
	Arr. Wendt?, 11 mvts, 6 winds
Cimarosa, Domenico	“Il Matrimonio Segreto,” opera 1792	WH, 8	19
	Arr. Wendt?, 13 mvts, 6 winds
Cimarosa, Domenico	“Il Matrimonio Segreto,” opera 1792	WH, 8	19
	Arr. Unknown, Harmoniemusik
Cimarosa, Domenico	“Il Matrimonio Segreto,” opera 1792	WH, 8	19
	Arr. Unknown, 8 winds
Cimarosa, Domenico	“Il Matrimonio Segreto,” 1792	WH, 8	19
	Arr. Unknown, 6 winds
Cimarosa, Domenico	PR Il Matrimonio Segreto” opera	WH, 8	19
	Arr. Unknown, 24 mvts, 11 winds
Cimarosa, Domenico	PR Il Matrimonio Segreto,” 1792	WH, 8	20
	Arr. Fuchs, 8 winds
Cimarosa, Domenico	PR “Il Matrimonio Segreto” 1792	WH, 8	20
	Arr. 6 and 8 winds
Cimarosa, Domenico	PR “Il Matrimonio Segreto,” 1792	WH, 8	20
	Arr. Unknown, Harmoniemusik
Cimarosa, Domenico	“Gli Odrazi” opera, 1796	WH, 8	20ff
	Arr. Unknown, 8 winds
Cimarosa, Domenico	“Amor tende Sagace,” opera?	WH, 8	21
	Arr unknown, Harmoniemusik
Cimarosa, Domenico	“Matrimotio per Raggiro,” opera?	WH, 8	21
	Arr. Unknown, Harmoniemusik
Cimarosa, Domenico	“I Nemisi generosi,” opera	WH, 8	21
	Arr. unknown, Harmoniemusik
Cimarosa, Domenico	PR “I Zingari in Fiera,” opera	WH, 8	21
	Arr. Unknown, Harmoniemusik
Cimarosa, Domenico	PR “I Zingari in Fiera,” opera	WH, 8	21
	Arr. Fuchs, Harmoniemusik
Cimarosa, Domenico	PR “Bohemiens enfoire”	WH, 8	22
	Arr Fuchs, Harmoniemusik
Cimarosa, DomenicoPR Sujite, unidentified	PR Sujite, unidentified	WH 8	22
	Arr. Fuchs, Harmoniemusisk
Cimarosa Domenico`PR “3e Suite,” unidentified		WH, 8	22
	Arr. Vanderhagen, 6 winds
Clerico, Francesco	“Der Tod des Hercules,” ballet	WH,8	22
	Arr. Triebernsee? 8 winds
Clerico, Francesco	“Cleopatras Tod,” ballet	WH,8	22
	Arr. Unknown, 13 mvts, 8 winds
Dalayrae, Nicolas	“Nina,” opera, 1786	WH, 8	22
	Arr. Ehrenfried, 6 winds, st. bass
Dalayrae, Nicolas	“Nina,” opera, 1786	WH, 8	22
	Arr. Beecke, 10 winds, st. bass
Dalayrae, Nicolas	“Nina,” opera, 1786	WH, 8	23
	Arr. Unknown, 8 winds
Dalayrae, Nicolas	“Suite d’Azemia”opera, 1786	WH, 8	23
	Arr. Fuchs, Haroniemusik
Dalayrae, Nicolas	PR “Suite d’Azemia”opera, 1786	WH, 8	23
	Arr. Fuchs, 6 or 9 winds
Dalayrae, Nicolas	PR Overture “d’Azemia”opera	WH, 8	23
	Arr. Ujnknwon, 7 or 9 winds
Dalayrae, Nicolas	“Suite d’Azemia”opera, 1786	WH, 8	23
	Arr. Unknown, 9 winds
Dalayrae, Nicolas	“Les deux Savoyarden” opera	WH, 8	23
	Arr unknown, 8 winds
Dalayrae, Nicolas	“Les deux Savoyarden” opera	WH, 8	23
	Arr Sedlak, 6 winds
Dalayrae, Nicolas	PR “Camille, ou Le souterrain”	WH, 8	23
	Arr Sedlak, 6 winds
Dalayrae, Nicolas	PR “Gulnare,” opera, 1798	WH, 8	23
	Arr Fuchs, Harmoniemusik
Dalayrae, Nicolas	PR “Gulnare,” overture	WH, 8	24
	Arr Fuchs, Harmoniemusik
Dalayrae, Nicolas	PR “Maison a vendre	WH, 8	24
	Arr Fr. Blasius, Harmoniemusik
Dalayrae, Nicolas	PR “jeune Prude,” opera, 1804	WH, 8	24
	Arr Vanderhagen, Harmoniemusik
Dalayrae, Nicolas	PR “jeune Prude” overture	WH, 8	24
	Arr Vanderhagen, 8 or 10 winds
Dalayrae, Nicolas	“Gulistan”	WH, 8	24
	Arr unknown, 8 winds
Dalayrae, Nicolas	“Gulistan”	WH, 8	24
	Arr unknown, 12 mvts 8 winds
Dalayrae, Nicolas	PR “Gulistan”	WH, 8	24
	Arr unknown
Dalayrae, Nicolas	PR Gulistan” overture	WH, 8	24
	Arr unknown, 8 winds
Dalayrae, Nicolas	“Michelange”	WH, 8	24
	Arr. Vanderhagen, 9 winds, serpent
Dalayrae, Nicolas	PR “la Tour de Neustadt,” opera	WH, 8	25
	Arr unknown, Harmoniemusik
Dalayrae, Nicolas	PR “la Tour de Neustadt,” overture	WH, 8	25
	Arr. M. J. Gebauer, Harmoniemusik
Dalayrae, Nicolas	PR “Poete et Musicien”	WH, 8	25
	Arr. unknown Harmoniemusik
Dalayrae, Nicolas	PR “Poete et Musicien,” overture	WH, 8	25
	Arr. unknown, Harmoniemusik
Dalayrae, Nicolas	PR “Poete et Musicien,” march	WH, 8	25
	Arr. Unknown, 10 winds, piano
Dalayrae, Nicolas	“Poete et Musicien,” overture	WH, 8	25
	Arr. Sedlak, 10 winds
Dalayrae, Nicolas	PR Poete et Musicien, overture	WH, 8	25
	Arr. Unknown, Harmoniemusk
Dalayrae, Nicolas	“Die Nacht im Walde,” opera?	WH, 8	25
	Arr.Schmitt,13 winds, st bass
Dalayrae, Nicolas	“Corsaire” opera?	WH, 8	25
	Arr. M. J. Gebaujer, 8 winds, serpent
Dalayrae, Nicolas	“Sargines” opera?	WH, 8	26
	Arr. M. J. Gebauer, 8 winds
Dalayrae, Nicolas	“Boude de Cheveux,” opera	WH, 8	26
	Arr. Unknown, Harmoniemusik
Dalayrae, Nicolas	“Boude de Cheveuz,” overture	WH, 8	26
	Arr. Unknown, Harmoniemusik
Dalayrae, Nicolas	“Heure de Marriage,” opera, 1804	WH, 8	26
	Arr. Unknown, Harmoniemusik
Dalayrae, Nicolas	“Heure de Mariage,” overture	WH, 8	26
	Arr. Unknown, Harmoniemusik
Dalayrae, Nicolas	PR “Jean et Genevieve,” opera	WH, 8	26
	Arr. Unknown, Harmoniemusik
Dalayrae, Nicolas	PR “Picaros et Diego,” opera	WH, 8	26
	Arr. Unknown, Harmoniemusik
Dalayrae, Nicolas	PR “Picaros et Diego,” overtujre	WH, 8	26
	Arr. Unknown, Harmoniemusik
Dalayrae, Nicolas	Suite [unidentified]	WH, 8	26
	Arr. Gabaujer, 9 part Harmonie
Danzi, Franz	“Chorus aus Freudenfest”	WH, 8	27
	Arr. Sartorius, 7 winds
Daroudeau, ?	PR “Ouverture du Rosier”	WH, 8	27
	Arr. Unknown, Harmoniemusik
Delaborde, ?	PR “Ouverture de Cinquanine,”	WH, 8	27
	Arr. Fuchs, 12 winds
Della Maria, Pierre	PR “de l’Opera comique”	WH, 8	27
	Arr unknown, Harmoniemusik
Della Maria, Pierre	PR “de l’Opera comique,” overture	WH, 8	27
	Arr unknown, Harmoniemusik
Della Maria, Pierre	PR “de l’Opera comique”	WH, 8	27
	Arr Nicolas Jorg, 6 winds
Della Maria, Pierre	PR “Le Prsisonnier,” opera, 1798,” overture	WH, 8	27
	Arr unknown, Harmoniemusik
Della Maria, Pierre	PR “Le Prsisonnier,” overture	WH, 8	27
	Arr unknown, Harmoniemusik
Della Maria, Pierre	PR “L’Oncle Valet,” opera, 1798,”	WH, 8	28
	Arr unknown, Harmoniemusik
Della Maria, Pierre	PR “L’Oncle Valet,” Prsisonnier,”	WH, 8	28
	Arr unknown, Harmoniemusik
Della Maria, Pierre	PR “vieux Chateau” opera?	WH, 8	28
	Arr unknown, Harmoniemusik
Della Maria, Pierre	PR “vieux Chateau” overture	WH, 8	28
	Arr Gebauer, Harmoniemusik
Della Maria, Pierre	PR “vieux Chateau” opera?	WH, 8	28
	Arr Gebaujer, Harmoniemusik
Dezede, Nicolas	“Blaise et Babet,” opera 1783	WH, 8	28
	Arr. Unknown, 8 winds
Dezede, Nicolas	“Blaise et Babet,” overture	WH, 8	28
	Arr. Unknown, 8 or 12 winds
Dezede, Nicolas	“La fete Cinquantaine,” opera, 1796	WH, 8	28
	Arr. Unknown, Harmoniemujsik
Dezede, Nicolas	“La fete Cinquantaine,” overtujre	WH, 8	29
	Arr. Unknown, Harmoniemujsik
Deshayes, Prosper	PR “Le faux serment,” suite	WH, 8	29
	Arr. Ozi, 6 winds
Deshayes, Prosper	PR “Zelia,” opera, 1791, overture	WH, 8	29
	Arr. Unknown, Harmoniemusik
Devienne, Francois	PR “Les visitandines,” opera 1792	WH, 8	29
	Arr. Stumpf, 6 winds
Devienne, Francois	PR “Les visitandines,” overture	WH, 8	29
	Arr Fuchs, 6 or 8 winds
Devienne, Francois	PR “Les visitandines,” overture	WH, 8	29
	Arr unknown, 6 or 7 winds
Devienne, Francois	PR “Les visitandines,” arias	WH, 8	29
	Arr Fuchs, 6 or 8 winds
Devienne, Francois	PR “Valet de 2 Maitres,” arias	WH, 8	29
	Arr. Unknown, Haroniemusik
Devienne, Francois	PR “Valet de 2 Maitres,” overture	WH, 8	30
	Arr. Unknown, Haroniemusik
Diabelli, Antonio	Tamborin solo, “Mad. Neuman”	WH, 8	30
	Arr. Triebensee, 8 winds
Dittersdorf, Karl	“Aberglauben,” opoera, 1786	WH, 8	30
	Arr. Unknown, 8 winds
Dittersdorf, Karl	“Doctor und Apotheker,” op., 1786	WH, 8	30
	Arr. Unknown, 6 winds
Dittersdorf, Karl	“Doctor und Apotheker,” op., 1786	WH, 8	30
	Arr. Unknown, 8 winds
Dittersdorf, Karl	“Doctor und Apotheker,” 6 mvts	WH, 8	30
	Arr. Wendt 6 winds, 2 Eng hns`
Dittersdorf, Karl	“Doctor und Apotheker,” in 2 parts	WH, 8	30
	Arr. Unknown, Harmoniemusik
Dittersdorf, Karl	“Doctor und Apotheker, 9 mvts	WH, 8	30
	Arr. Wendt [9th mvt is by Mozart]
Dittersdorf, Karl	“Hironimus Knicker,” opera, 1789	WH, 8	30
	Arr. Unknown, Harmoniemusik
Dittersdorf, Karl	“Hironimus Knicker,” opera, 1789	WH, 8	31
	Arr. 8 winds
Dobihal, Josef	“Farso,” Clar. ment by Beethoven	WH, 8	31
	Arr. Unknown 9 winds, 12 mvts
Donizetti, Gaetano	“Anna Bolena,” opea, 1830	WH, 8	31
	Arr, unknown 8 winds
Donizetti, Gaetano	“L’Elisir d’Amore”	WH, 8	31
	Arr. Sedlak, 8 winds, MS by Perschl
Donizetti, Gaetano	“Torquato Tasso,” opera, 1832	WH, 8`	31
	Arr. Sedlak, MS Perschl, 6 mvts
Donizetti, Gaetano	“Cavaina ausTorquao Tasso”	WH, 8	31
	Arr. Unknown, 8 winds
Donizetti, Gaetano	“Marino Faliero,” opera, 1835	WH, 8	31
	Arr. Sedlak,MS Perschl, 3 mvts
Donizetti, Gaetano	“Lucia di Lammermoor,” op., 1835	WH, 8	31
	Arr. Sedlak?, 2 mvts, 10 winds
Duport, Jean Louis	“Der blode Ritter,” ballet	WH, 8	32
	Arr. Triebensee, 8 winds, 5 mvts
Duport, Jean Louis	“Der blode Ritter,” ballet	WH, 8	32
	Arr. Ujnknown, 10 mvts, 6 winds
Duport, Jean Louis	“Der blode Ritter,” ballet	WH, 8	32
	Arr. Unknown, 9 winds
Duport, Jean Louis	“Figaro,” ballet	WH, 8	32
	Arr. Triebensee, 8 winds, 6 mvts
Duport, Jean Louis	“Zephir,ballet	WH, 8	32
	Arr. Triebensee, 8 winds, 12 mvts
Duport, Jean Louis	“Zephir,ballet	WH, 8	32
	Arr. unknown, 6 winds, 10 mvts
Duport, Jean Louis	“Zephir,ballet	WH, 8	32
	Arr. unknown, 8 winds,
Duport, Jean Louis	PR “Zephir,ballet	WH, 8	32
	Arr. Unknon 6 winds,
Duttilieu, Pierre	“Die Macht des Geschlechts”, ballet	WH, 8	32
	Arr. Wendt, 6 winds, 2 Eng. Hns
Duttilieu, Pierre	“Die Macht des Geschlechts”, ballet	WH, 8	33
	Arr. Unknown, ment. 1799, 8 winds
Duttilieu, Pierre	“Die Macht des Geschlechts”, ballet	WH, 8	33
	Arr. Unknown, ment. 1799, 6 winds
Erns, Franz	PR arias from opera “Tarrare,”	wh,8	33
	Arr. Unknown, 6 winds
Federici, Francesco	Andante from “Zaira,” opera 1803	WH, 8	33
	arr. Triebensee, 8 winds
Ferrari, Giacomo	PR “La Villenella,” opera arias	WH, 8	33
	Arr unknown, 6 and 8 winds
Ferrari, Giacomo	PR “La Villenella,” opera overture	WH, 8	33
	Arr unknown, 8 and 10 winds
Fioravanto, Valentino	PR “Le Cantarici villane,” op. 1799	WH, 8	33
	Arr. Unknown, 10 winds
Fioravanto, Valentino	PR “Le Cantarici villane,” op. 1799	WH, 8	34
	Arr. Unknown, 8 winds
Fioravanto, Valentino	PR “Le Cantarici villane,” op. 1799	WH, 8	34
	Arr. Unknown, 6 winds
Fiorillo, Ignazio	“Il Venditore d’aceto”	WH, 8	34
	Arr. Unknown 8 winds
Fiorillo, Ignazio	“Vincent,” opera arias	WH, 8	34
	Arr. Triebensee, 8 winds
Foignet, Charles`	PR :Overture de Mont Alphea”	WH, 8	34
	Arr Fuchs, 9 winds
Gallenberg, Robert	“Alfred der Grosse,” ballet, 1820	WH, 8	34
	Arr. Sedlak [his 24th work] 8 winds
Gallenberg, Robert	“Marsch aus Alfred”	WH, 8	35
	Arr. Unknown 8 winds
Gallenberg, Robert	“Jeanne d’Arc,” ballet, 1821	WH, 8	35
	Arr. Unknown 10 winds
Gallenberg, Robert	“Octavio Pinelli,” ballet, 1830	WH, 8	35
	Arr. Sedlak, 10 winds
Gaveaux, Pierre	PR “L’Amurr fidial,” opera, 1792	WH, 8	35
	Arr. Devienne, 8 winds
Gaveaux, Pierre	PR “L’Amurr fidial,” opera, 1792	WH, 8	35
	Arr. Unknown, Harmoniemusik
Gaveaux, Pierre	PR “Le petit Matelot,” opera 1796	WH, 8	35
	Arr. unknown, 8 winds
Gaveaux, Pierre	PR :”Le diable en vacances,” 1805	WH, 8	35
	Arr. unknown, Harmoniemusik
Gaveaux, Pierre	PR :”Le diable en vacances,” 1805	WH, 8	35
	Arr. unknown, Harmoniemusik
Gaveaux, Pierre	PR :”Le diable en vacances,” 1805	WH, 8	35
	Arr. unknown, Haroniemusik
Gaveaux, Pierre	PR :”Le diable Auteur,” opera?,	WH, 8	35
	Arr. unknown, Haroniemusik
Gaveaux, Pierre	PR “Le traite nul,” opera, 1797	WH, 8	36
	Arr. unknown, Haroniemusik
Gaveaux, Pierre	PR “Sophie et Moncars,” 1797	WH, 8	36
	Arr. unknown, Haroniemusik
Gaveaux, Pierre	PR “Monsieur Deschalumeaux”	WH, 8	36
	Arr. unknown, Haroniemusik
Gaveaux, Pierre	PR “Monsieur Deschalumeaux”	WH, 8	36
	Arr. unknown, Haroniemusik
Gerl, Franz Xaver	“Der dumme Gartner,” opera, 1789	WH, 8	36
	Arr unknown Harmoniemusik
Gianella, Louis	“Acis et Galathee,” ballet, 1805	WH, 8	36
	Arr. Triebensee, winds
Gianella, Louis	“Acis et Galathee,” ballet, 1805	WH, 8	36
	Arr. Unknown, Harmoniemusik
Gluck, Christoph	“Les pelerins de Mecque,” opera	WH, 8	37
	Arr. Uniknown, 8 winds
Gluck, Christoph	“Les pelerins de Mecque,” opera	WH, 8	37
	Arr. Uniknown, 7 or 8 winds
Gluck, Christoph	“Les pelerins de Mecque,” opera	WH, 8	37
	Arr. Uniknown, 9 winds
Gluck, Christoph	“Les pelerins de Mecque,” opera	WH, 8	37
	Arr. Uniknown, 6 winds
Gluck, Christoph	“Les pelerins de Mecque,” opera	WH, 8	37
	Arr. Uniknown, 6, winds, 2 Eng hns
Gluck, Christoph	“Les pelerins de Mecque,” opera	WH, 8	37
	Arr. Uniknown, 6 winds, 2 Eng. hns
Gluck, Christoph	“Les pelerins de Mecque,” opera	WH, 8	37
	Arr. Wendt, 8 winds
Gluck, Christoph	“aria aus d’Alceste,” opera, 1767	WH, 8	38
	Arr. Unknown, 6 winds, 2 Eng. Hns
Gluck, Christoph	PR “Iphigenie en Aulide,” opera,	WH, 8	38
	Arr. Unknown, overfure, Harmonie
Gluck, Christoph	“Iphigenie en Taujdride,” opera,	WH, 8	38
	Arr. Triebensee, Harmoniemusik
Gluck, Christoph	“Iphigenie en Aulide,” opera,	WH, 8	38
	Arr. Unknown, overfure, Harmonie
Gluck, Christoph	“Iphigenie en Aulide,” opera,	WH, 8	38
	Arr. Unknown, overfure, Harmonie
Gluck, Christoph	PR “Iphigenie en Aulide,” opera,	WH, 8	38
	Arr. Unknown, overfure, Harmonie
Gluck, Christoph	“das kline Wasser,”	WH, 8	38
	Arr. Unknown, 6y winds, 2 Eng. Hn
Gluck, Christoph	“Mochomet,” opera ?	WH, 8	38
	Arr. Unknown, 6 winds, 2 Eng. Hns
Gluck, Christoph	“Gesang,” original unidentied	WH, 8	38
	Arr, unknown, 9 winds
Gossec, Francois-J.	PR “Le triomphe de rfepublique,”	WH, 8	39
	Arr. Fuchs, 9 winds
Grétry, Andre	“Silvain,” opera, 1770	WH, 8	39
	Arr.Roser, 6 winds
Grétry, Andre	“Zemie et Azor,” opera, 1771	WH, 8	39
	Arr.unknown, 8 winds
Grétry, Andre	“Zemie et Azor,” opera, 1771	WH, 8	39
	Arr.unknown, 6 mvts, 6 winds
Grétry, Andre	“Zemie et Azor,” Trio	WH, 8	39
	Arr.unknown, 6 winds
Grétry, Andre	“Zemie et Azor,” Trezett	WH, 8	39
	Arr.Triebensee, 8 winds
Grétry, Andre	“Zemie et Azor,” opera,	WH, 8	39
	Arr.unknown, 8 winds
Grétry, Andre	PR “La Caravane du Caire,” Opera	WH, 8	39
	Arr. Unknown, 6 winds
Grétry, Andre	PR “La Caravane du Caire,” over.	WH, 8	40
	Arr. Unknown, 8 or 12 winds
Grétry, Andre	“Richard Coear-de-Lion,” op. 1784	WH, 8	40
	Arr. M. Habert, 8 mvts, 8 winds
Grétry, Andre	“Richard Coear-de-Lion,” op. 1784	WH, 8	40
	Arr. Ehrenfdried, 6 winds, st. bass
Grétry, Andre	PR “Richard Coear-de-Lion,”	WH, 8	40
	Arr. Unknown, 6 winds
Grétry, Andre	PR “Panurge…Lanternes,” opera	WH, 8	40
	Arr. Vanderhagen, 5 winds
Grétry, Andre	PR “Panurge…Lanternes,” opera	WH, 8	40
	Arr. Unknown 8 or 12 winds
Grétry, Andre	“Raoul Barbe Bleue,” Opera 1789	WH, 8	40
	Arr. Unknown, 6 winds
Grétry, Andre	“Raoul Barbe Bleue,” Opera 1789	WH, 8	40
	Arr. Anton Fischer, 8 winds
Grétry, Andre	“Raoul Barbe Bleue,” Opera 1789	WH, 8	40
	Arr. Unknown, 14 mvts, 6 winds
Grétry, Andre	“Raoul Barbe Bleue,” Opera 1789	WH, 8	41
	Arr. Unknown, 6 winds
Grétry, Andre	Twelve opea arias” unidentified	WH,8	41
	Arr. Unknown, 6 winds
Grétry, Andre	PR “Le rival confident,” op.. 1788	WH, 8	41
	Arr. Unknown, 6 winds
Guglielmi, Pietro	PR “La Pasorella nobile,” opera,	WH, 8	41
	Arr. Unknown 6 winds
Guglielmi, Pietro	“La Pasorella nobile,” opera, 1788	WH, 8	41
	Arr. Unknown 8 winds
Guglielmi, Pietro	“La Pasorella nobile,” opera,	WH, 8	41
	Arr. Wendt,6 winds, 2 Eng. Hn
Guglielmi, Pietro	“La Pasorella nobile,” opera,	WH, 8	41
	Arr. Unknown 8 winds
Guglielmi, Pietro	“La Pasorella nobile,” opera,	WH, 8	41
	Arr. Unknown ;Harmoniemusik
Guglielmi, Pietro	“La Pasorella nobile,” opera,	WH, 8	41
	Arr. Unknown 8 winds
Guglielmi, Pietro	“La bella Pescatrice,” opera 1789	wh, 8	42
	Arr. Unknown, 8 winds
Guglielmi, Pietro	“La bella Pescatrice,” opera 1789	wh, 8	42
	Arr. Wendt, 6 winds, 2 Eng. Hns
Guglielmi, Pietro	“La bella Pescatrice,” opera 1789	wh, 8	42
	Arr. Unknown, Harmoniemusik
Guglielmi, Pietro	“La bella Pescatrice,” opera 1789	wh, 8	42
	Arr. Unknown, 8 winds
Guglielmi, Pietro	“La bella Pescatrice,” opera 1789	wh, 8	42
	Arr. Unknown, 8 winds
Guglielmi, Pietro	“La bella Pescatrice,” opera 1789	wh, 8	42
	Arr. Unknown, 6 winds
Guglielmi, Pietro	“Ouverture,” unidentified	WH, 8	42
	Arr, unknown, 6 winds
Gyrowetz, Adalbert	“Agnes Sorel, opera 1806	WH, 8	42
	Arr. Unknown, 8 winds
Gyrowetz, Adalbert	“Agnes Sorel, opera 1806	WH, 8	42
	Arr.Sedlak, 13 mvts, 6 winds
Gyrowetz, Adalbert	“Agnes Sorel, opera 1806	WH, 8	43
	Arr. Unknown, Harmoniemusik
Gyrowetz, Adalbert	“Agnes Sorel, opera 1806	WH, 8	43
	Arr. Unknown, 8 winds
Gyrowetz, Adalbert	“Agnes Sorel, opera 1806	WH, 8	43
	Arr. Triebensee, 3 mvts, 8 winds
Gyrowetz, Adalbert	PR “Der Augenarzt,”opera, 1811	WH, 8	43
	Arr. Sedlak, Harmoniemusik
Gyrowetz, Adalbert	“Agnes Sorel, opera 1806	WH, 8	43
	Arr. Unknown, 6 mvts, 6 winds
Gyrowetz, Adalbert	“Agnes Sorel, opera 1806	WH, 8	43
	Arr. Starke, 8 winds
Gyrowetz, Adalbert	Fedeica ed Addolfo, 1812	WH, 8	43
	Arr. Triebensee, 21 mvts, 8 winds
Gyrowetz, Adalbert	“Hochzeit der Thesis, ballelt, 1816	WH, 8	43
	Arr. Sedlak, 8 winds
Gyrowetz, Adalbert	“Hochzei der Thesis	WH, 8	43
	Arr. Unknown, 6 mvts, 8 winds
Gyrowetz, Adalbert	“Die des Herzoge,” ballet, 1808	WH, 8	44
	Arr. Sedlak, 8 winds
Gyrowetz, Adalbert	“Die des Herzoge,” ballet, 1808	WH, 8	44
	Arr. Starke, 6 mvts, 9 winds
Gyrowetz, Adalbert	“Mariam,” original unidentified	WH, 8	44
	Arr. Unknown, 8 winds
Gyrowetz, Adalbert	“Die Zwey Tanten,” orig. unknown	WH, 8	44
	Arr. Unknown, 4 mvts, 9 winds
Gyrowetz, Adalbert	“Die biden Eremiten,” 1816	WH, 8	44
	Arr. Unknown, 8 winds
Gyrowetz, Adalbert	[Unidentified opera]	WH, 8	44
	Arr. Unknown, 8 winds
Handel, Georg	“Saul”	WH, 8	44
	Arr. Unknown, 6 or 7 winds
Haydn, Joseph	“Gott erhalte der Kaiser”	WH, 8	44
	Arr. Unknown, SATB, 8 winds
Haydn, Joseph	“Gott erhalte der Kaiser”	WH, 8	44
	Arr. Unknown, SATB, 8 winds
Haydn, Joseph	“The Creation,” Oratorio	WH, 8	44
	Arr. Unknown , 8 winds
Haydn, Joseph	“Die Schoffumg”	WH, 8	45
	Arr. Unknown, 6 winds
Haydn, Joseph	” Die Schoffung”	WH, 8	45
	Arr. Unknown, 8 winds
Haydn, Joseph	PR “The Creation” 10 mvts	WH, 8	45
	Arr. Unknown, 13 winds, serpent
Haydn, Joseph	” Die Schoffung” Complete!	WH, 8	45
	Arr. Druschetzky,, 8 winds
Haydn, Joseph	“The Seasons” Complete!”	WH, 8	45
	Arr. Druschetzky, 9 winds
Haydn, Joseph	“The Seasons”	WH, 8	45
	Arr. Unknown, 8 winds
Haydn, Joseph	PR “Symphony” [I, 51]	WH, 8	45
	Arr. M.J. Gebauer, 10 winds, serp.
Haydn, Joseph	“The Seasons” [I, 55]	WH, 8	45
	Arr. Unknown, 8 winds
Haydn, Joseph	“The Seasons” [I, 70]	WH, 8	45
	Arr. Unknown, 8 winds
Haydn, Joseph	“The Seasons” [I, 73]]	WH, 8	46
	Arr. Unknown, 8 winds
Haydn, Joseph	PR “The Seasons” 2 mvts	WH, 8	46
	Arr. M.J. Gebaujer, 6 and 8 winds
Haydn, Joseph	“The Seasons” [I, 75]	WH, 8	46
	Arr. Unknown, 8 winds
Haydn, Joseph	PR “The Seasons” [I, 85] “La Reine”	WH, 8	46
	Arr. Chas Bochsa, 10 winds, serp.
Haydn, Joseph	“PR The Seasons” [I, 91]	WH, 8	46
	Arr. Bochsa, 10 winds, serpent
Haydn, Joseph	PR “The Seasons” [I, 102]	WH, 8	46
	Arr. Bochsa,, 10 winds, serpent
Haydn, Joseph	“Symphony,” “Oxford”	WH, 8	46
	Arr. Triebensee, 8 winds
Haydn, Joseph	“Andante mit Paukenschlug””	WH, 8	46
	Arr. ;Unknown, 8 winds
Haydn, Joseph	Three mvts, unidentified sym.	WH, 8	46
	Arr. Triebensee, 8 winds
Haydn, Joseph	“Presto”	WH, 8	46
	Arr. Triebensee, 8 winds
Haydn, Joseph	“Sinfonie”	WH, 8	47
	Arr. F. R. Gebaujer, Hamoniemusik
Haydn, Joseph	“Sinfonie in Eb”	WH, 8	47
	Arr. Unknown, 10 winds
Haydn, Joseph	PR “Works of Haydn”	WH, 8	47
	Arr. Vanderhagen 8 winds
Haydn, Joseph	“Works of Haydn”	WH, 8	47
	Arr. Gambaro, Harmoniemusik
Haydn, Michael	“Sinfonia par Hayden”	WH, 8	47
	Arr. Unknown, 8 winds`
Hérold, Louis	PR “La Clochette,” opera, 1817	WH, 8	47
	Arr. Unknown, Harmoniemusik
Hérold, Louis	“Zampa” opera, 1831	WH, 8	47
	Arr. Sedlak?, 15 mvts, 8 winds
Hérold, Louis	PR “Le Pre aux Clercs,” opr., 1832	WH, 8	47
	Arr. Unknown, Harmoniemusik
Hérold, Louis	PR “Le dernier jour,” incid.mu, 1828	WH, 8	47
	Arr. Berr, Harmoniemusik
Hérold, Louis	“Zweikammmpf”, original unknown	WH, 8	48
	Arr. Sedlak?, 3 mvts 8 winds
Himmel, Friedrich	“Fanchon,” opera, 1804	WH, 8	48
	Arr. J. C. Dujring, 10 winds
Himmel, Friedrich	“Fanchon,” opera, 1804	WH, 8	48
	Arr. Unknown, 8 winds
Himmel, Friedrich	“Fanchon,” opera, 1804	WH, 8	48
	Arr. Triebensee?, 10 mvts, 8 winds
Himmel, Friedrich	“Fanchon,” opera, 1804	WH, 8	48
	Arr. Triebensee, 8 winds
Himmel, Friedrich	“Fanchon,” opera, 1804	WH, 8	48
	Arr. Unknown, 8 or 10 winds
Himmel, Friedrich	“Fanchon,” opera, overture	WH, 8	48
	Arr. Unknown, 8 or 12 winds
Hoffmeister, Franz	“Der Konigssohn, opera 1795	WH, 8	48
	Arr. Satorus, 7 winds
Hoffmeister, Franz	“Donaus Weibschen,” orig/ ?	WH, 8	48
	Arr. Unknown, 6 winds
Hummel, Johann	“Die Esalshaut,” opera 1814	WH, 8	49
	Arr. Starke?, 7 mvts, 11 winds
Hummel, Johann	PR “Die Esalshaut,” opera 1814	WH, 8	49
	Arr. Sedlak, 8, winds
Hummel, Johann	“Helena und Paris,” ballet	WH, 8	49
	Arr. Triebensee, one mvt, 8 winds
Isouard, Niccolo	“Michel-Ange,” opera, 1802	WH, 8	49
	Arr. Sedlak, overture, 10 winds
Isouard, Niccolo	PR “Michel-Ange,” opera, 1802	WH, 8	49
	Arr. Unknown, 8 winds
Isouard, Niccolo	PR “Michel Ange,” overture	WH, 8	49
	Arr. Unknown, 9 winds
Isouard, Niccolo	PR “Michel-Ange,” opera, overtujre	WH, 8	49
	Arr. Vanderhagen, 12 winds
Isouard, Niccolo	PR “Michel-Ange,” opera, 1802	WH, 8	49
	Arr. Unknownk 8 winds
Isouard, Niccolo	“Michel-Ange,” opera, 1802	WH, 8	49
	Arr. Unknown, 10 winds
Isouard, Niccolo	PR “Les Confinences,” opera, 1803	WH, 8	50
	Arr. Vanderhagen, 10 winds
Isouard, Niccolo	PR “Le Medecin Turc,” opera, 1803	WH, 8	50
	Arr. Unknown, over, 11 winds, serp
Isouard, Niccolo	PR “Michel-Ange,” opera, 1803	WH, 8	50
	Arr. Unknown, 9 winds
Isouard, Niccolo	“Michel-Ange,” opera, 1803	WH, 8	50
	Arr. Unknown, Harmoniemusik
Isouard, Niccolo	PR “Intrigue des Fenetres,opr.1805	WH, 8	50
	Arr. Unknown, Harmoniemusik
Isouard, Niccolo	PR “Intrigue des Fenetres,overtujre	WH, 8	50
	Arr. Unknown, Harmoniemusik
Isouard, Niccolo	PR “Un Jour a Paris,” opera, 1808	WH, 8	50
	Arr. Unknown, Harmoniemusik
Isouard, Niccolo	“Cendrillon,” opera, 1810	WH, 8	50
	Arr. Unknown, 13 mvts, 11 winds
Isouard, Niccolo	“Aschenbrodel” [“Cendrillon”]	WH, 8	50
	Arr. Triebensee, 17 mvts, 8 winds
Isouard, Niccolo	PR “Aschenbrodel” [‘”Cendrillon”]	WH, 8	51
	Arr. Unknown, 4 mvts, 6 winds
Isouard, Niccolo	PR “Aschenbrodel” [“Cendrillon”]	WH, 8	51
	Arr. Unknown, 8 winds
Isouard, Niccolo	PR “Aschenbrodel” [“Cendrillon”]	WH, 8	51
	Arr. Ujnknown, 13 mvts, 9 winds
Isouard, Niccolo	PR “Cendrillon,” opera, 1810	WH, 8	51
	Arr. Unknown, 6 winds
Isouard, Niccolo	PR “Cendrillon,” opera, 1810	WH, 8	51
	Arr. Unknown, 6 winds
Isouard, Niccolo	PR “Cendrillon,” opera, 1810	WH, 8	51
	Arr. Unknown, Harmoniemusik
Isouard, Niccolo	“Cendrillon,” opera, overture	WH, 8	51
	Arr. Unknown, Harmoniemusik
Isouard, Niccolo	“Cendrillon,” opera, 1810	WH, 8	51
	Arr. Unknown, Harmoniemusik
Isouard, Niccolo	PR “Le Billet Loterie,” opera, 1811	WH, 8	51
	Arr. Unknown, Harmoniemusik
Isouard, Niccolo	PR “Le Billet Loterie,” overture	WH, 8	51
	Arr. Unknown, Harmoniemusik
Isouard, Niccolo	PR “Le Magicien” opera, 1811	WH, 8	52
	Arr. Unknown, Harmoniemusik
Isouard, Niccolo	PR “Le Magicien” opera, 1811	WH, 8	52
	Arr. Unknown, Harmoniemusik
Isouard, Niccolo	PR “Lully et Quinault,” opera 1812	WH, 8	52
	Arr. Unknown, Harmoniemusik
Isouard, Niccolo	PR “Lully et Quinault,” opera 1812	WH, 8	52
	Arr. Unknown, overtujre, Harmoniemusik
Isouard, Niccolo	PR “Le Prince de Catane,” op.,1813	WH, 8	52
	Arr. Unknown, Harmoniemusik
Isouard, Niccolo	“Joconde,” opera, 1814	WH, 8	52
	Arr. Sedlak, 12 mvts, 8 winds
Isouard, Niccolo	PR “Joconde,” opera, 1814	WH, 8	52
	Arr. Unknown, Harmoniemusik
Isouard, Niccolo	PR “Joconde,” overture	WH, 8	52
	Arr. Unknown, Harmoniemusik
Isouard, Niccolo	PR “Jeannot et Colin” opera, 1814	WH, 8	52
	Arr. Unknown, Harmoniemusik
Isouard, Niccolo	PR “Jeannot et Colin,” overture	WH, 8	53
	Arr. Unknown, Harmoniemusik
Isouard, Niccolo	PR “Aladin,” opera, 1822	WH, 8	53
	Arr. Unknown, Harmoniemusik
Isouard, Niccolo	PR “Aladin,” overture	WH, 8	53
	Arr. Unknown, Harmoniemusik
Isouard, Niccolo	PR “L’impromptu,” opera, 1`797	WH, 8	53
	Arr. Unknown, 8 and 12 winds
Isouard, Niccolo	PR “Leonce” opera, 1805	WH, 8	53
	Arr. Unknown, Harmoniemusik
Isouard, Niccolo	PR “Keonce,” overture	WH, 8	53
	Arr. Unknown, Harmoniemusik
Isouard, Niccolo	“Josepf und der Kleinin Diebliu,” ?	WH, 8	53
	Arr. Sedlak, 24 mvts, 8 winds
Kanne, ?	“Orpheus,” opera	WH, 8	53
	Arr. Triebensee, one mvt, 8 winds
Kauer, Ferdinand	“Das Donauweihchen,” op., 1798	WH, 8	54
	Arr. Schmitt?, 10 winds, serpent
Kauer, Ferdinand	“Das Donauweihchen,” op., 1798	WH, 8	54
	Arr. Satorus, 7 winds
Kinsky, Josef, Prince	“Das landliche Fest,” opera	WH, 8	54
	Arr. Triebensee,8 winds
Kinsky, Josef, Prince	“Das landliche Fest,” opera	WH, 8	54
	Arr. Unknown, 10 winds
Kozeluch, Leopold	“La Ritrovala Figlia,” ballet?	WH, 8	54
	Arr. Wendt, 8 winds
Kozeluch, Leopold	“La Ritrovala Figlia,” ballet?	WH, 8	54
	Arr.Satorus 7 winds
Kozeluch, Leopold	“La Ritrovala Figlia,” ballet?	WH, 8	54
	Arr. unknown, 8 winds
Kozeluch, Leopold	“Die weider…Tocher,” ballet?	WH, 8	54
	Arr. Unknown 6 winds
Kozeluch, Leopold	“Die weider…Tocher,” ballet	WH, 8	55
	Arr.Krommer, Harmoniemusik
Kozeluch, Leopold	“Die weider…Tocher,” ballet	WH, 8	55
	Arr. Wendt?, 17 mvts 6 winds, 2 EH
Kozeluch, Leopold	“Die weider…Tocher,” ballet	WH, 8	55
	Arr. Unknown, Harmoniemusik
Kreutzer, Rodolphe	“Paul et Virginia,” opera, 1791	WH, 8	55
	Arr. Unkknown, Harmoniemusik
Kreutzer, Rodolphe	“PR Paul et Virginia,” opera, 1791	WH, 8	55
	Arr. Fuchs,overture 6 or 8 winds,
Kreutzer, Rodolphe	“Lodoiska” opera, 1791	WH, 8	55
	Arr. Richter, Harmoniemusik
Kreutzer, Rodolphe	“Antonius und Cleopatra,” ballet	WH, 8	55
	Arr. Triebensee, 8 winds
Kreutzer, Rodolphe	PR “Antonius und Cleopatra,” ballet	WH, 8	55
	Arr.unknown, Harmoniemusik
Krommer, Franz	“Symphony,” 4 mvts	WH, 8	56
	Arr. Triebensee, 10 winds
Kunzen, Friedrich	“Das Fest der Winzer,” opera	WH, 8	56
	Arr. Simoni, 22 mvts, 4 winds, bc
Kurzinger, P:aul	“Robert und Caliste,” ballet	WH, 8	56
	Arr. Sussmayr,one mvt, 6 winds
Leidersdorf, Franz	TT “Fest Overture” 1837 [for nobles]	WH, 8	56
	Arr. Oscar Kolbe, 8 winds
Lemoyne, Jean	PR “Overure,” orig. unidentified	WH, 8	56
	Arr. Unknown, 6 winds
Lemoyne, Jean	PR “Les Pretendus,” opera 1789	WH, 8	56
	Arr. Unknown, 6 or 8 winds
Lemoyne, Jean	PR “Les Pretendus,” overtujre	WH, 8	56
	Arr. Unknown, 6 winds
Lemoyne, Jean	PR “Les Pretendus,” overture	WH, 8	57
	Arr. Unknown, 6 or 8 winds
Lesueur, Jean F.	PR “La Caverne,” opera 1793	WH, 8	57
	Arr. Fuchs, 9 winds
Lesueur, Jean F.	PR “La Caverne,” opera 1793	WH, 8	57
	Arr. Unknown 6 winds
Lesueur, Jean F.	PR “La Caverne,” opera 1793	WH, 8	57
	Arr. Unknown 6 or 8 winds
Lesueur, Jean F.	PR “Ossian ou les Bardes,” 1804	WH, 8	57
	Arr. Unknown, 6 winds
Lesueur, Jean F.	PR “Ossian ou les Bardes,” 1804	WH, 8	57
	Arr. Unknown, 6 winds
Lesueur, Jean F.	PR “Ossian ou les Bardes,” 1804	WH, 8	57
	Arr. Unknown, 8 winds
Lesueur, Jean F.	PR “Ossian ou les Bardes,” 1804	WH, 8	57
	Arr. Unknown, 6 winds, overture
Lesueur, Jean F.	PR “Ossian ou les Bardes,” 1804	WH, 8	57
	Arr. Unknown, 7 winds, serpent
Lesueur, Jean F.	PR “Ossian ou les Bardes,” 1804	WH, 8	57
	Arr. Unknown, 8 winds
Lesueur, Jean F.	PR “Ossian ou les Bardes,” 1804	WH, 8	58
	Arr. Fuchs 6 winds
Lesueur, Jean F.	March from “Ossian ou les Bardes	WH, 8	58
	Arr. Triebensee, 8 winds
Lesueur, Jean F.	PR “Paul et Virginia	WH, 8	58
	Arr. Fucha, 10 winds
Lesueur, Jean F.	PR “Paul et Virginia	WH, 8	58
	Arr. Vandehagen, 6 winds
Lindpainter, Peter	PR “Joko,” ballet	WH, 8	58
	Arr. C. H. Meyer, Hamoniemusik
Liverati, Giovanni	“David oder Goliaths Tod, or, 1811	WH, 8	58
	Arr. Sedlak, 8 winds
Liverati, Giovanni	“David oder Goliaths Tod, or, 1811	WH, 8	58
	Arr. Sedlak, 6 winds, 7 mvts
Liverati, Giovanni	PR “David” oratorio	WH, 8	58
	Arr. unknown, 9 winds
Lortzing, Gustav	“Czaar und Zimmermann,” opera	WH, 8	59
	Arr. Wallentin, 9 winds, 1837
Malherbe, l’ainé	TT “Three Marchses La Haye,	WH,,8`	59
	Arr. Unknown, 6 winds
Marcello di Capua	PR “Furberia et Pontiglio,Overture.	WH, 8	59
	Arr. Unknown, Harmoniemusik
Prinzessin Marie .	“Landler,” [of Esterhazy]	WH, 8	59
	Arr. Triesbenseek 8 winds
Mardschner, Heinrich	PR “Der Templer und Juden, opera	WH, 8	59
	Arr. Barth, Harmoniemusik 1829
Martin y Soler,Vinc.	“Una Cosa rare,” opera, 1786	WH, 8	59
	Arr. Unknown, 8 winds
Martin y Soler,Vinc.	“Una Cosa rare,” opera, 1786	WH, 8	59
	Arr. Unknown, 8 winds
Martin y Soler,Vinc.	“Una Cosa rare,” opera, 1786	WH, 8	60
	Arr. Unknown, Harmoniemujsik
Martin y Soler,Vinc.	“Una Cosa rare,” opera, overture	WH, 8	60
	Arr. Unknown, 8 winds
Martin y Soler,Vinc.	“Una Cosa rare,” opera, 1786	WH, 8	60
	Arr. Sartorus 7 winds
Martin y Soler,Vinc.	“Una Cosa rare,” opera, 16 mvts	WH, 8	60
	Arr. Wendt, 6 winds, 2 Eng. Hns
Martin y Soler,Vinc.	“Una Cosa rare,” opera, 1786	WH, 8	60
	Arr. Unknown, Harmoniemusik
Martin y Soler,Vinc.	“Una Cosa rare,” opera, 1786	WH, 8	60
	Arr. Unknown, 8 winds, adv. 1799
Martin y Soler,Vinc.	PR “Una Cosa rare,” opera, 1786	WH, 8	60
	Arr. Unknown, Harmoniemusik
Martin y Soler,Vinc.	“L’Arbore di Diana, opera, 1787	WH, 8	60
	Arr. Unknown, Harmoniemusik
Martin y Soler,Vinc.	“L’Arbore di Diana, opera, 1787	WH, 8	60
	Arr. Wendt, Harmoniemusik
Martin y Soler,Vinc.	“L’Arbore di Diana, opera, 1787	WH, 8	61
	Arr. Unknown, Harmoniemusik
Martin y Soler,Vinc.	“L’Arbore di Diana, opera, 1787	WH, 8	61
	Arr. Salieri?, 6 winds
Martin y Soler,Vinc.	“L’Arbore di Diana, 24 mvts	WH, 8	61
	Arr.Wendt, 6 winds, 2 Eng. Hns
Martin y Soler,Vinc.	“L’Arbore di Diana, opera, 1787	WH, 8	61
	Arr. Sartorus,10 winds
Martin y Soler,Vinc.	“L’Arbore di Diana, opera, 1787	WH, 8	61
	Arr. Unknown, 8 winds, adv. 1799
Martin y Soler,Vinc.	“Capriccioza Coretta” opera 1791	WH, 8	61
	Arr. Stumpf,6 winds
Martin y Soler,Vinc.	PR “Capriccioza Coretta” opera	WH, 8	61
	Arr. Unknown, Harmoniemujsik
Martin y Soler,Vinc.	“Andramaca,, opera, 1780	WH, 8	62
	Arr. Sartorus,10 winds
Martin y Soler,Vinc.	“Die geberserte Eigensinnige”	WH, 8	62
	Arr. Sartorus, 7 winds
Martini Jean Paul	PR “Henri IV,” opera, 1774	WH, 8	62
	Arr. Unknown, 8 or 12 winds
Maurer, Louis	“Alznu,” ballet, 2 mvts	WH, 8	62
	Arr. Triebensee, 8 winds
Mayr, Johann Simon	“Lodoiska,” opera, 1796	WH, 8	62
	Arr. Unknown, 8 winds
Mayr, Johann Simon	“Lodoiska,” opera, 1796	WH, 8	62
	Arr. Unknown, 8 winds
Mayr, Johann Simon	“Lodoiska,” opera, 1796	WH, 8	62
	Arr. Unknown, 8 winds
Mayr, Johann Simon	“Lodoiska,” opera, 1796	WH, 8	62
	Arr. Unknown, 8 winds
Mayr, Johann Simon	“Ginevra di Scozic,” opera, 1801	WH, 8	63
	Arr. Unknown, 8 winds
Mayr, Johann Simon	“Ginevra di Scozic,” opera, 1801	WH, 8	63
	Arr. Unknown, 6 winds
Mayr, Johann Simon	“Ginevra di Scozic,” opera, 1801	WH, 8	63
	Arr.J. Buchal, 5 winds
Mayr, Johann Simon	“Ginevra di Scozic,” opera, 1801	WH, 8	63
	Arr. Unknown, Harmoniemusik
Mayr, Johann Simon	“Alonso e Cora,”opera, 1803	WH, 8	63
	Arr.unknown, 8 winds
Mayr, Johann Simon	“Alonso e Cora,”opera, 1803	WH, 8	63
	Arr. Sedlak, 8 mvts, 6 winds
Mayr, Johann Simon	“Adelaria e Aleramo,” opera, 1806	WH, 8	63
	Arr. Unknown 8 winds
Mayr, Johann Simon	Adelaria e Aleramo, opera, 1806	WH, 8	63
	Arr. unknown, 14 mvts, 9 winds
Mayr, Johann Simon	“Adelaria e Aleramo,” opera, 1906	WH, 8	63
	Arr. Triebensee 8 winds
Mayr, Johann Simon	Adelaria e Aleramo, opera, 1806	WH, 8	64
	Arr. Triesbensee, 8 winds
Mayr, Johann Simon	“Ercole,” opera?	WH, 8	64
	Arr. unknown 8 winds
Mayr, Johann Simon	“Scene aus Solitari,” opera?	WH, 8	64
	Arr.Leo. Ratti, 6 winds, serpent
Méhul, Etienne Nic.	PR “Euphrosine,” opea, 1790	WH, 8	64
	Arr. Fuchs, 6 winds
Méhul, Etienne Nic	“Cora,” opera, 1791	WH, 8	64
	Arr. Unknown, 8 mvts, 10 winds
Mehul, Etienne Nic.	“Le jeune Henry,”,” opera, 1797	WH, 8	64
	Arr. Unknown 8 winds, overtude
Méhul, Etienne Nic	PR “Le jeune Henry,” overture	WH, 8	64
	Arr. Unknown 11 winds, serpent
Méhul, Etienne Nic	PR “Le jeune Henry,” overture	WH, 8	64
	Arr. Unknown Harmoniemusik
Méhul, Etienne Nic	“Adrien,” opera, 1799	WH, 8	64
	Arr. Unknown 8 winds, overtude
Méhul, Etienne Nic	PR “Ariodant,” opera, 1799	WH, 8	65
	Arr. Fuchs, 8 winds
Méhul, Etienne Nic	PR “Ariodant,” opera, 1799	WH, 8	65
	Arr. Unknown, Harmoniemusik
Méhul, Etienne Nic	PR “L’Irato,” opera, 1801	WH, 8	65
	Arr. Ozi, 6 winds
Méhul, Etienne Nic	“Une Folie,” opera, 1802	WH, 8	65
	Arr. Sedlak, 6 winds
Méhul, Etienne Nic	PR “Une Folie” opera, 1802	WH, 8	65
	Arr. Uniknown, Harmoniemusik
Méhul, Etienne Nic	PR “Une Folie” opera, 1802	WH, 8	65
	Arr. Uniknown, 9 winds overture
Méhul, Etienne Nic	“Der Schatzgruber,” opera, 1802	WH, 8	65
	Arr. Unknown, 8 winds
Méhul, Etienne Nic	“Der Schatzgruber,” opera, 1802	WH, 8	65
	Arr. Triebensee, 9 winds
Méhul, Etienne Nic	PR “Tensor suppose,” overture	WH, 8	65
	Arr. Uniknown, Harmoniemusik
Méhul, Etienne Nic	“Helene,” opera, 1803	WH, 8	66
	Arr. Unknown, 7 mvts, 8 winds
Méhul, Etienne Nic	PR “Helene,” overture	WH, 8	66
	Arr. Uniknown, Harmoniemusik
Méhul, Etienne Nic	PR “Hellene, overture	WH, 8	66
	Arr. Uniknown, 10 winds
Méhul, Etienne Nic	PR “Les deux Aveugles”, op. 1806	WH, 8	66
	Arr. Uniknown, Harmoniemusik
Méhul, Etienne Nic	PR “Les deux Aveugles”, op. 1806	WH, 8	66
	Arr. Uniknown, Harmoniemusik
Méhul, Etienne Nic	“Joseph,” opera, 1807	WH, 8	66
	Arr. Sedlak, 9 winds
Méhul, Etienne Nic	“Joseph,” opera, 1807	WH, 8	66
	Arr. Unknown, 8 winds
Méhul, Etienne Nic	“Joseph,” opera, 1807	WH, 8	66
	Arr. J. Weigl, 11 winds
Méhul, Etienne Nic	PR “Joseph,” opera, 1807	WH, 8	66
	Arr. Unknown, Harmoniemusik
Méhul, Etienne Nic	PR “Joseph,” overture	WH, 8	67
	Arr. Unknown, Harmoniemusik
Méhul, Etienne Nic	PR “La Journee,” opera, 1816	WH, 8	67
	Arr. Unknown, Harmoniemusik
Méhul, Etienne Nic	PR “La Jornee,” overture	WH, 8	67
	Arr. Unknown, Harmoniemusik
Méhul, Etienne Nic	PR “La Journee,,” Rondeau	WH, 8	67
	Arr. Unknown, 7 brass
Méhul, Etienne Nic	PR “La Journee,,” Rondeau	WH, 8	67
	Arr. Gambaro, Harmoniemusik
Méhul, Etienne Nic	PR “Bion,” Unknown, overture	WH, 8	67
	Arr. Unknown, 10 and 14 winds
Méhul, Etienne Nic	PR “Stratonice,,” Orig. unknown	WH, 8	67
	Arr. Unknown, 6 and 8 part winds
Méhul, Etienne Nic	PR “Stratonice,” ” overture	WH, 8	67
	Arr. Unknown, 7 and 9 part winds
Méhul, Etienne Nic	PR “Der Bauer,” opera?	WH, 8	67
	Arr. Unknown, 9 mvts, 8 winds
Méhul, Etienne Nic	PR “Der Bauer,” ” overture	WH, 8	68
	Arr. Triebensee, 8 winds
Méhul, Etienne Nic	“Der Temperamente,” opera?	WH, 8	68
	Arr. Triebensee, one mvt, 8 winds
Mehul, Etienne Nic.	“Beiden Fuchse,” orig. unidentified	WH, 8	68
Méhul, Etienne Nic	Arr. Unknown , 8 winds
Mendeelssohn, Felix	PR “Sommernachtdstraum”	WH, 8	68
	Arr. C. B. Meyer, Harmoniemusik
Mercadante, Saverio	“Elisa e Claudio,” opera, 1821	WH, 8	68
	Arr. Sedlak, 11 winds
Mercadante, Saverio	“Elisa e Claudio,” opera, 1821	WH, 8	68
	Arr. Starke 11 winds
Mercadante, Saverio	“Elisa e Claudio,” opera, 1821	WH, 8	68
	Arr. unknown, 11 winds
Mercadante, Saverio	“Il Posto Abbandonato, opera	WH, 8	68
	Arr. Unknown, 10 winds
Mercadante, Saverio	“Il posto Abbandonato,” duet	WH, 8	68
	Arr. Unknown, 11 winds
Mercadante, Saverio	“Anacreonte in Samo,” opera?	WH, 8	69
	Arr. Sedlak? One long mvt 11 winds
Mercadante, Saverio	“Donna Caritea,” opera?	WH, 8	69
	Arr. Unknown, 11 winds
Meyer, ?	“Theresa et Claudio,”	wh, 8	69
	Arr. Richter, 8 winds
Meyerbeer, Giacomo	PR “Marguerie d’Anjou,opera 1820	WH, 8	69
	Arr. Berr 9 winds
Meyerbeer, Giacomo	“Il Crociato in Egitio,” opera, 1824	WH, 8	69
	Arr. Unknown, 6 mvts 11 winds
Meyerbeer, Giacomo	PR “Rober-le-Diable,” opera, 1831	WH, 8	69
	Arr. Neithardt, 4 mvts, Harmoniemus
Meyerbeer, Giacomo	Walzer aus Robert-le-Diable	WH, 8	69
	Arr. Unknown 11 mvts 11 winds
Meyerbeer, Giacomo	“Les Huguenots,” opera, 1836	WH, 8	69
	Arr. Sedlak? 6 mvts, 8 winds
Meyerbeer, Giacomo	“Les Huguenots,” opera, 1836	WH, 8	69
	Arr. Unknown,14 winds
Moniuszko, Stanislaw	PR “Hulka,” opera 1854	WH, 8	70
	Arr. Unknown, 6 winds
Monsigny, Pierre	[amusement suite for military band]	WH, 8	70
	Arr. Vanderhagen, 6 winds
Morlacchi, Francesco	`”Tebaldo e Isolina,” opera, 1822	WH, 8	70
	Arr. unknown, 11 winds, overture
Moser, ?	`”Die Berg-Schotten,” quadrille	WH, 8	70
	Arr. Triebensee, 8 winds
Moser, ?	“Contradanse”	WH, 8	70
	Arr. Triebensee 8 winds
Mozart, Wolfgang	“Idomeneo,” opera, 1781	WH, 8	70
	Arr. Unknown, 8 winds
Mozart, Wolfgang	“Die Entfüuhrung…” opera, 1782	WH, 8	71
	Arr. Wendt, 8 winds
Mozart, Wolfgang	“Die Entfüuhrung…” opera, 1782	WH, 8	71
	Arr. Wendt? , 6 winds, 2 Eng. Hns
Mozart, Wolfgang	“Die Entfüuhrung…” opera, 1782	WH, 8	71
	Arr. unknown, 8 winds
Mozart, Wolfgang	“Die Entfüuhrung…” opera, 1782	WH, 8	71
	Arr. unknown, 8 winds
Mozart, Wolfgang	“Die Entfüuhrung…” opera, 1782	WH, 8	71
	Arr. Mozart? Letter to father
Mozart, Wolfgang	“Die Entfüuhrung…” opera, 1782	WH, 8	71
	Arr. Unknown 7 winds
Mozart, Wolfgang	“Die Entfüuhrung…” opera, 1782	WH, 8	71
	Arr.unknown, 8 winds, adv. 1799
Mozart, Wolfgang	“Der Schauspiedirektor,” opera,1786…” opera, 1782	WH, 8	71
	Arr. Unknown 7 winds
Mozart, Wolfgang	“Le Nozze di Figaro,” opera, 1786	WH, 8	71
	Arr.unknown, Haroniemusik
Mozart, Wolfgang	“Le Nozze di Figaro,” opera, 1786	WH, 8	72
	Arr.Wendt, 6; winds, 2 Eng. Hns
Mozart, Wolfgang	“Le Nozze di Figaro,” opera, 1786	WH, 8	72
	Arr.unknown, 6 winds, basset horn
Mozart, Wolfgang	“Le Nozze di Figaro,” opera, 1786	WH, 8	72
	Arr.Rosiniack, Haroniemusik
Mozart, Wolfgang	“Le Nozze di Figaro,” opera, 1786	WH, 8	71
	Arr.Wendt, 8 winds
Mozart, Wolfgang	“Le Nozze di Figaro,” opera, 1786	WH, 8	72
	Arr.Nowotny, 11; winds, 2 Eng. Hns
Mozart, Wolfgang	“Le Nozze di Figaro,” opera, 1786	WH, 8	72
	Arr.Wendt, ;Harmoniemusik
Mozart, Wolfgang	“Le Nozze di Figaro,” opera, 1786	WH, 8	72
	Arr.Sarorus, 7 winds
Mozart, Wolfgang	PR “Le Nozze di Figaro,” opera	WH, 8	72
	Arr. Kajetan Vogel, 6 and 8 winds
Mozart, Wolfgang	PR “Le Nozze di Figaro,” opera	WH, 8	73
	Arr.Vanderhagen,8 winds
Mozart, Wolfgang	PR “Le Nozze di Figaro,” opera,	WH, 8	73
	Arr.Hammerl, 9 winds, serpent
Mozart, Wolfgang	PR “Le Nozze di Figaro,” overture	WH, 8	73
	Arr.unknown, 8 and 11 winds,
Mozart, Wolfgang	“Le Nozze di Figaro,” Marsch	WH, 8	73
	Arr.unknown, 6 winds
Mozart, Wolfgang	PR “Le Nozze di Figaro,” Rundtanz	WH, 8	73
	Arr.Purebl,,8 winds
Mozart, Wolfgang	“Le Nozze di Figaro,” opera,	WH, 8	73
	Arr. Nowotny,9 winds, one mvt.
Mozart, Wolfgang	PR “Le Nozze di Figaro,” overture	WH, 8	73
	Arr.unknown, 8 winds,
Mozart, Wolfgang	“Le Nozze di Figaro,”	WH, 8	73
	Arr.Wendt, 8 winds
Mozart, Wolfgang	“Don Giovanni,” opera, 1787	WH, 8	73
	Arr.Wendt, 8 winds
Mozart, Wolfgang	“Don Giovanni,” opera, 1787	WH, 8	74
	Arr.Triebensee, Harmoniemusik
Mozart, Wolfgang	“Don Giovanni,” opera, 1787	WH, 8	74
	Arr.unknown, 6 winds,
Mozart, Wolfgang	“Don Juan,” opera, 1787	WH, 8	74
	Arr.unknown, 6 winds,
Mozart, Wolfgang	“Don Juan,” opera, 1787	WH, 8	74
	Arr.unknown, 10 winds, one mvt
Mozart, Wolfgang	“Don Juan,” opera, 1787	WH, 8	74
	Arr.Nowatny, 10 winds,
Mozart, Wolfgang	“Don Juan,” opera, 1787	WH, 8	74
	Arr.Triebensee, 8 winds, 13 mvts,
Mozart, Wolfgang	“Don Juan,” opera, 1787	WH, 8	74
	Arr.Osswald,11 winds, one mvt
Mozart, Wolfgang	“Don Juan,” opera, 1787	WH, 8	74
	Arr.unknown, 10 winds, one mvt
Mozart, Wolfgang	“Don Juan,” opera, 1787	WH, 8	74
	Arr.Osswald,11 winds, one mvt
Mozart, Wolfgang	“Don Juan,” opera, 1787	WH, 8	74
	Arr.unknown, 10 winds, one mvt
Mozart, Wolfgang	“Don Juan,” opera, 1787	WH, 8	74
	Arr.Osswald,11 winds, one mvt
Mozart, Wolfgang	“Don Juan,” opera, 1787	WH, 8	74
	Arr.unknown, 10 winds, one mvt
Mozart, Wolfgang	“Don Juan,” opera, 1787	WH, 8	74
	Arr.unknown 8 winds
Mozart, Wolfgang	“Don Juan,” opera, 1787	WH, 8	74
	Arr.unknown, 6 winds, 15 mvts
Mozart, Wolfgang	“Don Giovanni” opera, 1787	WH, 8	75
	Arr.Wendt,6 winds, 2 Eng. Hns
Mozart, Wolfgang	“Don Juan,” opera, 1787	WH, 8	75
	Arr.unknown, 10 winds, overture
Mozart, Wolfgang	“Don Giovanni,” opera, 1787	WH, 8	75
	Arr.Rosiniack, Harmoniemusik
Mozart, Wolfgang	“Don Juan,” opera, 1787	WH, 8	75
	Arr.unknown, 6 winds, 15 mvts
Mozart, Wolfgang	“Don Giovanni,” opera, 1787	WH, 8	75
	Arr.Stumpf 10 winds, basse
Mozart, Wolfgang	“Don Giovanni” opera, 1787	WH, 8	75
	Arr.Triebensee, 8 winds, 15
Mozart, Wolfgang	“Don Giovanni” opera, 13 mvts	WH, 8	75
	Arr.Schacht, 6 winds, 2 violas? Bc
Mozart, Wolfgang	“Don Giovanni,” opera, 1787	WH, 8	75
	Arr.Ehrenfried,8 winds
Mozart, Wolfgang	PR “Don Giovanni,” opera, 1787	WH, 8	75
	Arr.Fuchs, 8 winds
Mozart, Wolfgang	PR “Don Juan,” overture	WH, 8	75
	Arr.Vanderhagen, 10 winds
Mozart, Wolfgang	PR “Don Juan,” opera, 1787	WH, 8	76
	Arr unknown, 8 winds
Mozart, Wolfgang	“Cosi fan Tutti, opera, 1790	WH, 8	76
	Arr. Unknown, Harmoie adv, 1799
Mozart, Wolfgang	“Cosi fan Tutti, opera, 1790	WH, 8	76
	Arr. Vojacek, 10 winds, one mvt
Mozart, Wolfgang	“Cosi fan Tutti, 18 mvts	WH, 8	76
	Arr. Wendt, 6 wind 2 Eng. .hns
Mozart, Wolfgang	“Cosi fan Tutti, opera, 1790	WH, 8	76
	Arr. Unknown 8 winds
Mozart, Wolfgang	“Cosi fan Tutti, opera, 1790	WH, 8	76
	Arr. Legrand, 8 windst
Mozart, Wolfgang	“Cosi fan Tutti, opera, 1790	WH, 8	76
	Arr. Wendt, Harmoniemusik
Mozart, Wolfgang	“Cosi fan Tutti, overture	WH, 8	76
	Arr. Stumpf, 10 winds
Mozart, Wolfgang	“Cosi fan Tutti, opera, 1790	WH, 8	76
	Arr. Unknown 8 winds
Mozart, Wolfgang	“Cosi fan Tutti, opera, 1790	WH, 8	76
	Arr. Unknown, 8 winds
Mozart, Wolfgang	“Cosi fan Tutti, opera, 1790	WH, 8	77
	Arr. Unknown, 9 winds
Mozart, Wolfgang	“Cosi fan Tutti, opera, 1790	WH, 8	77
	Arr. Unknown, 7 winds
Mozart, Wolfgang	PR “Cosi fan Tutti, 12 mvts	WH, 8	77
	Arr. Stumpf/Gebauer 8 winds
Mozart, Wolfgang	PR “Cosi fan Tutti, opera, 1790	WH, 8	77
	Arr. J. Gebauer, 8 winds
Mozart, Wolfgang	“La Clemenza di Tito,” opera, 1791	WH, 8	77
	Arr. Unknown, Harmonie. Marcia
Mozart, Wolfgang	“La Clemenza di Tito,” opera, 1791	WH, 8	77
	Arr. Fuchs, 8 winds
Mozart, Wolfgang	“La Clemenza di Tito,” opera, 1791	WH, 8	77
	Seyfried, SATB, 8 winds, one mvt
Mozart, Wolfgang	“La Clemenza di Tito,” opera, 1791	WH, 8	77
	Arr. Triebensee? 8 winds
Mozart, Wolfgang	“La Clemenza di Tito,” opera, 1791	WH, 8	77
	Arr. Unknown, 6 winds, 3 arias
Mozart, Wolfgang	“La Clemenza di Tito,” opera, 1791	WH, 8	77
	Arr. unknown, 8 winds
Mozart, Wolfgang	“La Clemenza di Tito,” opera, 1791	WH, 8	78
	Arr. unknown, 8 winds
Mozart, Wolfgang	“La Clemenza di Tito,” opera, 1791	WH, 8	78
	Arr. unknown, 9 winds, 9 movements
Mozart, Wolfgang	“La Clemenza di Tito,” opera, 1791	WH, 8	78
	Arr. unknown, 6 winds
Mozart, Wolfgang	“La Clemenza di Tito,” opera, 1791	WH, 8	78
	Arr. Krechtler, 8 winds
Mozart, Wolfgang	“La Clemenza di Tito,” opera, 1791	WH, 8	78
	Arr. Sartorus 7 winds
Mozart, Wolfgang	“La Clemenza di Tito,” opera, 1791	WH, 8	78
	Arr. Schmitt, 16 winds, timpani
Mozart, Wolfgang	“La Clemenza di Tito,” opera, 1791	WH, 8	78
	Arr. Stumpf, 8 winds
Mozart, Wolfgang	“La Clemenza di Tito,” opera, 1791	WH, 8	78
	Arr. unknown, 12 part Harmonie
Mozart, Wolfgang	“La Clemenza di Tito,” opera, 1791	WH, 8	78
	Arr. Unknown, 8 winds
Mozart, Wolfgang	PR La Clemenza di Tito,” opera	WH, 8	78
	Arr, Triebensee, 9 winds
Mozart, Wolfgang	PR La Clemenza di Tito,” opera	WH, 8	79
	Arr. Fuchs, 6 winds
Mozart, Wolfgang	PR La Clemenza di Tito,” opera	WH, 8	79
	Arr. Fuchs, 6 winds
Mozart, Wolfgang	PR La Clemenza di Tito,” opera	WH, 8	79
	Arr. Stumpf, 9 winds, st. bass
Mozart, Wolfgang	PR La Clemenza di Tito,” opera	WH, 8	79
	Att. Hammerl, 9 winds, serpent
Mozart, Wolfgang	PR La Clemenza di Tito,” opera	WH, 8	79
	Arr. Fuchs, 8 winds
Mozart, Wolfgang	PR La Clemenza di Tito,” opera	WH, 8	79
	Arr. Unknown, 10 winds, overture
Mozart, Wolfgang	PR La Clemenza di Tito,” opera	WH, 8	79
	Arr. Unknown, 8 winds, overture
Mozart, Wolfgang	PR La Clemenza di Tito,” opera	WH, 8	79
	Arr. Unknown, 8 winds, overture
Mozart, Wolfgang	“Die Zauberflöte, opera, 1791	WH, 8	79
	Arr. Unknown 8 winds, adv. 1799
Mozart, Wolfgang	Die Zauberflöte, opera, 1791	WH, 8	79
	Arr. Unknown 8 winds
Mozart, Wolfgang	Die Zauberflöte, opera, 1791	WH, 8	80
	Arr. Stumpt, Harmoniemusik
Mozart, Wolfgang	Die Zauberflöte, opera, 1791	WH, 8	80
	Arr. Unknown, 6 winds, overture
Mozart, Wolfgang	Die Zauberflöte, opera, 1791	WH, 8	80
	Arr. Oswald, 9 winds, 7 mvts
Mozart, Wolfgang	Die Zauberflöte, opera, 1791	WH, 8	80
	Arr. Unknown, 6 mvts, Harmonie.
Mozart, Wolfgang	Die Zauberflöte, opera, 1791	WH, 8	80
	Arr. Unknown, 8 winds 8 mvts
Mozart, Wolfgang	Die Zauberflöte, opera, 1791	WH, 8	80
	Arr. Wendt, 6 winds, 2 Eng. Hns
Mozart, Wolfgang	Die Zauberflöte, opera, 1791	WH, 8	80
	Arr. Uniknown, 8 winds
Mozart, Wolfgang	Die Zauberflöte, opera, 1791	WH, 8	80
	Arr. Haydenreich, 8 wind, adv. 1792
Mozart, Wolfgang	Die Zauberflöte, opera, 1791	WH, 8	80
	Arr. Hieibesch, 9 winds, st. bass
Mozart, Wolfgang	Die Zauberflöte, opera, 1791	WH, 8	81
	Arr. Feldmayher, 11 vts
Mozart, Wolfgang	Die Zauberflöte, opera, 1791	WH, 8	81
	Arr.Sartorus, 7 winds
Mozart, Wolfgang	Die Zauberflöte, opera, 1791	WH, 8	81
	Arr. Rosiniack, 8 winds
Mozart, Wolfgang	Die Zauberflöte, opera, 1791	WH, 8	81
	Arr. Unknown, 5 winds
Mozart, Wolfgang	“La Flute enchantee”	WH, 8	81
	Arr. Unknown 8 winds
Mozart, Wolfgang	Die Zauberflöte, opera, 1791	WH, 8	81
	Arr. Unknown, 6 winds
Mozart, Wolfgang	Die Zauberflöte, opera, 1791	WH, 8	81
	Arr. Unknown, “Terzetto” 8 winds
Mozart, Wolfgang	Die Zauberflöte, opera, 1791	WH, 8	81
	TT Arr. Göpofert, Harmoniemusik
Mozart, Wolfgang	Die Zauberflöte, opera, 1791	WH, 8	81
	Arr. Stumpf, 6 winds
Mozart, Wolfgang	Die Zauberflöte, opera, 1791	WH, 8	82
	Arr. Stumpf, 8 winds
Mozart, Wolfgang	PR “Lla Flute enchantee,” 12 arias	WH, 8	82
	Arr. unknown, 8 winds
Mozart, Wolfgang	PR “Airs des Mysteres d’Isis”	WH, 8	82
	Arr. Unknown, 8 winds
Mozart, Wolfgang	PR “Mozartscher Opern”`	WH, 8	82
	Arr. Fleischmann, 8 winds
Mozart, Wolfgang	PR “Six pieces d’harmonie,” Nr. 1	WH, 8	82
	Arr. Gopfert, 9 winds, serpent
Mozart, Wolfgang	PR “Six pieces d’harmonie,” Nr.2	WH, 8	82
	Arr. Gopfert, 9 winds, serpent
Mozart, Wolfgang	PR “Six pieces d’harmonie	WH, 8	82
	Arr. Gopfert 9 winds, serpent
Mozart, Wolfgang	PR “Pieces d’harmonie”	WH, 8	82
	Arr. Gopfert, 8 winds
Mozart, Wolfgang	PR “VI Marches pour harmonie	WH, 8	83
	Arr. Gopfert, harmoniemusik
Mozart, Wolfgang	PR “Trois Pieces d’Harmonie	WH, 8	83
	Arr. Unknown, 8 winds
Mozart, Wolfgang	PR “Harmonie [Nr 1]”	WH, 8	83
	Att. Gopfert, 10 winds
Mozart, Wolfgang	PR “P:ieces d’Harmonie”	WH, 8	83
	Arr. Gopfet, 9 winds
Mozart, Wolfgang	PR “Harmoniemusik” [3 Quartets]	WH, 8	83
	Arr. Unknown, Harmoniemusik
Mozart, Wolfgang	PR “Grande Serenade…Mozart	WH, 8	83
	Arr. Stumpf, 56 winds [not K. 361]
Mozart, Wolfgang	“12 nouvelles suites d’harmonie”	WH, 8	83
	Arr. J. Gebauer, 8 winds
Mozart, Wolfgang	“Quintet” [K. 386c/497	WH, 8	93
	Arr.Rajhrad, 6 winds
Mozart, Wolfgang	“Quintet”	WH, 8	83
	Arr. Haydenreich, 8 winds
Mozart, Wolfgang	“Quintet,” op. 16 for piano	WH, 8	84
	Arr. Unknown 6 winds
Mozart, Wolfgang	Sonate” [K.300/331]	WH, 8	84
	Arr. Unknown Harmoniemusik
Mozart, Wolfgang	“Sinfonie en harmonie” [K. 297300	WH, 8	84
	Arr. Gopfert, harmoniemusik
Mozart, Wolfgang	“Syhmphony” [K. 425, Andante]	WH, 8	84
	Arrl Triebensee 8 winds
Mozart, Wolfgang	“Symphony”	WH, 8	84
	Arr. Unknown, 8 winds
Mozart, Wolfgang	“Symphony” [K. 543 Adagio, Alleg	WH, 8	84
	Arr.Triebensee, 8 winds,
Müller, Wenzel	“Sonnenfest der Braminen,” opera	WH, 8	84
	Arr. Triebensee, 8 winds
Müller, Wenzel	“Sonnenfest der Braminen,” opera	WH, 8	84
	Arr. unknown, 8 winds
Müller, Wenzel	“Sonnenfest der Braminen,” opera	WH, 8	84
	Arr. unknown, 8 winds
Müller, Wenzel	“Kaspr der Fagottist” opera, 1791	WH, 8	85
	Arr. unknown, 6 winds
Müller, Wenzel	“Kaspr der Fagottist” opera, 1791	WH, 8	85
	Arr. unknown, Harmoniemusik
Müller, Wenzel	“Kaspr der Fagottist” opera, 1791	WH, 8	85
	Arr. unknown, Harmoniemusik
Müller, Wenzel	“Kaspr der Fagottist” opera, 1791	WH, 8	85
	Arr. , Harmoniemusik
Müller, Wenzel	“Kaspr der Fagottist” opera, 1791	WH, 8	85
	Arr.Sartorus 6 winds
Müller, Wenzel	“Kaspr der Fagottist” opera, 1791	WH, 8	85
	Arr. Schmitt, 11 winds, serpent
Müller, Wenzel	“Kaspr der Fagottist” opera, 1791	WH, 8	85
	Arr. Unknown, 6 winds, adv. 1799
Müller, Wenzel	“Kaspr der Fagottist” opera, 1791	WH, 8	85
	Arr. Unknown, 6 winds, adv. 1799
Müller, Wenzel	“Das Neusonnstagskind” opera,	WH, 8	85
	Arr. Schmitt, 10 winds, serpent
Müller, Wenzel	“Das Neusonnstagskind” opera,	WH, 8	85
	Arr. Unknown, 8 winds 1793
Müller, Wenzel	“Das Neusonnstagskind” opera,	WH, 8	86
	Arr. Unknown, 6 winds, 9 mvts
Müller, Wenzel	“Das Neusonnstagskind” opera,	WH, 8	86
	Arr. Unknown, 6 winds
Müller, Wenzel	“Das Neusonnstagskind” opera,	WH, 8	86
	Arr. Unknown, Hamoniemusik
Müller, Wenzel	“Das Neusonnstagskind” opera,	WH, 8	86
	Arr. Unknown, 8 winds,
Müller, Wenzel	“Zwey Schwestern von Prag,” ,Op.	WH, 8	86
	Arr. Unknown, 8 winds, 1794
Müller, Wenzel	“Zwey Schwestern von Prag,” ,Op.	WH, 8	86
	Arr. Unknown, 8 winds, Harmonie
Müller, Wenzel	“Zwey Schwestern von Prag,” ,Op.	WH, 8	86
	Arr. Wanerzovsky, 6 winds
Müller, Wenzel	“Die Jungfrauen,”” ,Opera	WH, 8	86
	Arr. Unknown, 8 winds,
Müller, Wenzel	“Die 12 schlafenden Jungfrauen”	WH, 8	86
	Arr. Unknown, Harmoniemusik
Müller, Wenzel	“Tirfoller Vastel”	WH, 8	86
	Arr. unknown 6 winds, 6 mvts
Müller, Wenzel	“Betrig durch Aberglanden,”	WH, 8	87
	Arr. Unknown, 8 winds,
Müller, Wenzel	“Pizzichi”	WH, 8	87
	Arr.Sartorius, Harmoniemusik
Müller, Wenzel	“Der Uiberall u. N.	WH, 8	87
	Arr. Unknown, Hdarmoniemusik
Nasolini, Sebastiano	“Sesostri”	WH, 8	87
	Arr. Uninown, 8 winds
Naumann, Johann	“Cosa och Alonzo,” opera, 1782	WH, 8	87
	Arr. Unknown, 8 winds
Naumann, Johann	“Protesilao,”” opera, 1789	WH, 8	87
	Arr. Schmitt, 12 win, 2 Basset, hn, bc
Naumann, Johann	“Dama Soldato” opera?, 1791	WH, 8	87
	Arr. Unknown, 11 winds, 6 marches
Niccolini,Giuseppe	“Traiano in Dacia,” opera, 1807	`WH, 8	87
	Arr. Triebensee, 8 winds, 10 mvts
Niccolini,Giuseppe	“Traiano in Dacia,” opera, 1807	`WH, 8	88
	Arr. Triebensee, 8 winds, 10 mvts
Niccolini,Giuseppe	“Traiano in Dacia,” opera, 1807	`WH, 8	88
	Arr.unknown, 7 winds
Niccolini,Giuseppe	“Traiano in Dacia,” opera, 1807	`WH, 8	8
	Arr. Triebensee, 7 winds, 8 mvts
Niccolini,Giuseppe	“Traiano in Dacia,” opera, 1807	`WH, 8	88
	Arr. Sedlak, 11 winds, 10 mvts
Niccolini,Giuseppe	“Coriolano,”,” opera, 1808	`WH, 8	88
	Arr.unknown, 9 winds,
Niccolini,Giuseppe	“Quinto Fabir,” orig. unknown	`WH, 8	88
	Arr.unknown 8 winds, 10 mvts
Niccolini,Giuseppe	“Der Turkisch Artzt” orig. unknown”	`WH, 8	88
	Arr.Triebensee, 8,winds
Pacini, Giovanni	“L’ultimo Giorno di Pompei,” opera.	`WH, 8	88
	Arr. Sedlak, 8 mnts, Pt. I, Harmonie
Pacini, Giovanni	“L’ultimo Giorno di Pompei,” 1825	`WH, 8	88
	Arr. Sedlak, 6 mnts, Pt. II, Harmonie
Paer, Ferdinando	“L’ Intrigo amoroso,” opera, 1795	WH, 8	89
	Arr, unknown, 8 winds
Paer, Ferdinando	“L’ Intrigo amoroso,” opera, 1795	WH, 8	89
	Arr,.Sedlak?, 8 winds
Paer, Ferdinando	“L’ Intrigo amoroso,” opera, 1795	WH, 8	89
	Arr,. Unknown
Paer, Ferdinando	“Il Principe di Taranto,,” op., 1797	WH, 8	89
	Arr,. Unknown, 8 winds
Paer, Ferdinando	“Il Principe di Taranto,,” op., 1797	WH, 8	89
	Arr,.Sedlak?, 8 winds, 10 mvts
Paer, Ferdinando	PR “La Virttu al Cimento,” opera,	WH, 8	89
	Arr Fuchs, 6 winds, 1798 [Griselda]
Paer, Ferdinando	PR “La Virttu al Cimento,”	WH, 8	89
	Arr. Fuchs, 6 winds
Paer, Ferdinando	PR “Pieces d’harmonie.” [Giselda]	WH, 8	89
	Arr. C. Ahl
Paer, Ferdinando	PR “Arias de Gisleda”	WH, 8	89
	Arr. Unknown, 6 winds
Paer, Ferdinando	PR “Overture de Gisleda”	WH, 8	90
	Arr. Unknown, Harmoniemusik
Paer, Ferdinando	“Camilla,” opera, 1799	WH, 8	90
	Arr. Stumpf, 6 winds
Paer, Ferdinando	“Camilla,” opera, 1799	WH, 8	90
	Arr. Wendt, 8 winds, 11 mvts
Paer, Ferdinando	“Camilla,” opera, 1799	WH, 8	90
	Arr. Unknown, 9 winds, 7 mvts
Paer, Ferdinando	“Camilla,” opera, 1799	WH, 8	90
	Arr. Unknown, Harmoniemusik
Paer, Ferdinando	“Camilla,” opera, 1799	WH, 8	90
	Arr. Wendt, 6 winds
Paer, Ferdinando	PR “Camilla,” opera, 1799	WH, 8	90
	Arr. Stumpf, 6 winds
Paer, Ferdinando	“Camilla,” opera, 1799	WH, 8	90
	Arr. Unknown Harmoniemusik
Paer, Ferdinando	“Il Morto vivo, ,” opera, 1799	WH, 8	91
	Arr.Triebensee, 8 winds
Paer, Ferdinando	PR “Il Morto vivo,” opera, 1799	WH, 8	91
	Arr. Stumpf, 6 winds
Paer, Ferdinando	“Achille,” opera, 1801	WH, 8	91
	Arr. Unknown, 5 winds, 15 movements
Paer, Ferdinando	“Achille,” opera, 1801	WH, 8	91
	Arr. Unknown, 5 winds, 15 movements
Paer, Ferdinando	“Achille,” opera, 1801	WH, 8	91
	Arr. unknown, 6 winds
Paer, Ferdinando	“Achille,” opera, 1801	WH, 8	91
	Arr.Sedlak, 8 winds, 15 movements
Paer, Ferdinando	“Achille,” opera, 1801	WH, 8	91
	Arr. Buchnal, 5 winds
Paer, Ferdinando	“Achille,” opera, 1801	WH, 8	91
	Arr. Unknown, 6 winds
Paer, Ferdinando	“Achille,” opera, 1801	WH, 8	91
	Arr. Unknown, Harmoniemusik
Paer, Ferdinando	PR “Achille,” opera, 1801	WH, 8	91
	Arr. Fuchs, Harmoniemusik
Paer, Ferdinando	PR “Achille,” opera, 1801	WH, 8	91
	Arr. Unknown, 6 or 11 winds
Paer, Ferdinando	“Sargino,” opera, `1803	WH, 8	92
	Arr. Unknown, 8 winds
Paer, Ferdinando	“Sargino,” opera, `1803	WH, 8	92
	Arr. Triebensee, 8 winds
Paer, Ferdinando	“Sargino,” opera, `1803	WH, 8	92
	Arr. Unknown, 8 winds, 13 mvts
Paer, Ferdinando	“Sargino,” opera, `1803	WH, 8	92
	Arr. Sedlak, 8 winds
Paer, Ferdinando	“Sargino,” opera, 1803, Duet	WH, 8	92
	Arr. Triebensee, 8 winds
Paer, Ferdinando	PR “Leonora,” opera, 1804	WH, 8	92
	Arr. Barth, 7 winds
Paer, Ferdinando	“Sofniska,” opera, 1805, Over, Duet	WH, 8	92
	Arr.Triebensee, 8 winds
Paer, Ferdinando	“Sofniska,” opera, 1805, Marsche	WH, 8	92
	Arr.Triebensee, 8 winds
Paer, Ferdinando	“PR “Una in bene…” opera, 1805	WH, 8	92
	Arr. Fuchs, 8 winds
Paer, Ferdinando	“PR “Una in bene…” opera, 1805	WH, 8	93
	Arr. Fuchs, 8 winds
Paer, Ferdinando	“PR “Una in bene…” opera, 1805	WH, 8	93
	Arr. Unknown, Harmoniemusik
Paer, Ferdinando	“PR “l’Agnese” opera, 1809	WH, 8	93
	Arr. Gambaro 12 winds, serpent
Paer, Ferdinando	PR “L’Agnese,” opera	WH, 8	93
	Arr. Lachnith, Harmoniemusik
Paer, Ferdinando	“Numa Pompilio,” opera, 1809	WH, 8	93
	Arr. Wendt, 23 mvts, 8 winds
Paer, Ferdinando	“Numa Pompilio,” opera, 1809	WH, 8	93
	Arr. Unknown, 8 winds
Paer, Ferdinando	“Numa Pompilio,” opera, 1809	WH, 8	93
	Arr. Unknown, 9 winds, 5 mvts
Paer, Ferdinando	PR “Numa Pompilio,” opera,	WH, 8	93
	Arr. Unknown, 9 winds, Overture
Paer, Ferdinando	PR “Der lustige Schuster,” opera?	WH, 8	94
	Arr. Stumpf, 6 winds, 1809
Paer, Ferdinando	PR “Le Maitre de Chapelle,” opera, 1821″ opera?	WH, 8	94
	Arr. Unknown Harmonie, 1821
Paer, Ferdinando	PR “Le Maitre de Chapelle,” opera, 1821″ opera?	WH, 8	94
	Arr. Unknown, Harmonie, overture
Paer, Ferdinando	“Die Wanderfuten Komedianten,”	WH, 8	94
	Arr. Unknown, 6 winds, 10 mvts
Paer, Ferdinando	Tarsimo,” orig. unknown	WH, 8	94
	Arr. Unknown, 8 winds
Paer, Ferdinando	“Oratorio del Passione	WH, 8	94
	Arr. Unknown, 8 winds
Paer, Ferdinando	“Cantate per il Natale,”	WH, 8	94
	Arr. Unknown, 8 winds
Paer, Ferdinando	PR “Pieces d’Harmonie”,	WH, 8	94
	Arr. Barthe, 6 winds
Paer, Ferdinando	PR “6 Pieces d’Harmonie”,	WH, 8	94
	Arr. unknown, 6 winds
Paer, Ferdinando	PR “Duetto”, source unknown	WH, 8	94
	Arr. Unknown, 6 winds
Paer, Ferdinando	PR “6 Walser”	WH, 8	95
	Arr. Vanderhagen, 10 winds, serp.
Paer, Ferdinando	PR “6 Walser”	WH, 8	95
	Arr. unknown, 6 of 10 winds
Paisiello, Giovanni	PR “Le finte Contesse,”,” opera	WH, 8	95
	Arr. Unknown, 6 or 8 winds,, 1766
Paisiello, Giovanni	PR “La Frascatana,” opera 1774	WH, 8	95
	Arr.Satorus, 6 winds
Paisiello, Giovanni	“La Frascatana,” opera 1774	WH, 8	95
	Arr. Unknown, 8 winds,
Paisiello, Giovanni	“La Frascatana,” opera 9 mvts	WH, 8	95
	Arr. Prob. Wendt, 6 winds,2 Eng.hn
Paisiello, Giovanni	“La Frascatana,” opera 1774	WH, 8	95
	Arr. Unknown, 8 winds,
Paisiello, Giovanni	“La Frascatana,” opera 1774	WH, 8	95
	Arr. Unknown, 8 winds,
Paisiello, Giovanni	“La Frascatana,” opera 1774	WH, 8	95
	Arr. Unknown, 6 winds,
Paisiello, Giovanni	“La Frascatana,” opera 1774	WH, 8	96
	Arr. Plrob. Wendt, 6 winds, 2 Eng.hn
Paisiello, Giovanni	“Leduc Contese,” opera 1776	WH, 8	96
	Arr. Unknown, 8 winds,
Paisiello, Giovanni	“La Nitteti,” opera 1777	WH, 8	96
	Arr. Unknown, 8 winds,
Paisiello, Giovanni	“Le Philosophe,” opera 1779	WH, 8	96
	Arr. Unknown, 8 winds,
Paisiello, Giovanni	“Le Philosophe,” 5 mvgs	WH, 8	96
	Arr. Unknown, 8 Hardmoniemusik
Paisiello, Giovanni	“Le Philosophe,” opera adv. 1799	WH, 8	96
	Arr. Unknown, 8 winds,
Paisiello, Giovanni	“Le Philosophe,” opera, adv. 1799	WH, 8	96
	Arr. Unknown, 6 winds,
Paisiello, Giovanni	La finta Amante,” opera, 1780	WH, 8	96
	Arr. Unknown, 8 winds,
Paisiello, Giovanni	La finta Amante,” opera,7 mvts	WH, 8	96
	Arr. Wendt, 6 winds, 2 Eng. Hns
Paisiello, Giovanni	La finta Amante,” opera, 1780	WH, 8	97
	Arr. Unknown, 8 winds,
Paisiello, Giovanni	“La Serva Padrona,”,” opera, 1781	WH, 8	97
	Arr. Unknown, 8 winds,
Paisiello, Giovanni	“Il Barbiere di Sivigla”,” opera, 1782	WH, 8	97
	Arr. Unknown, 8 winds,
Paisiello, Giovanni	V”Il Barbiere di Sivigla”,” opera, 178	WH, 8	97
	Arr. Unknown, 8 winds,
Paisiello, Giovanni	“Il Barbiere di Sivigla”,” opera, 1782	WH, 8	97
	Arr. Unknown, Harmoniemusik
Paisiello, Giovanni	“Il Barbiere di Sivigla”,” opera, 1782	WH, 8	97
	Arr. Unknown, Harmoniemujsik,
Paisiello, Giovanni	“La Passione””,” oratorio, 1783	WH, 8	97
	Arr. Unknown, 8 winds,
Paisiello, Giovanni	“Teodoro in Venczia”,” opera, 1784	WH, 8	97
	Arr. Unknown, 8 winds
Paisiello, Giovanni	“Teodoro in Venczia”,” opera, 1784	WH, 8	97
	Arr. Rosiniak, Harmoniemusik
Paisiello, Giovanni	“Teodoro in Venczia”,” opera, 1784	WH, 8	97
	Arr. Unknown, 6 winds
Paisiello, Giovanni	“Teodoro in Venczia”,” op.,14 mvts	WH, 8	98
	Arr. Wendt, 6 winds, 2 Eng. Hns
Paisiello, Giovanni	PR “Teodoro in Venczia”,” opera, 1784	WH, 8	98
	Arr. Kreith?, 3, winds, 2 fl d’amore
Paisiello, Giovanni	“Teodoro in Venczia”,” opera, 1784	WH, 8	98
	Arr. Unknown, 7 winds
Paisiello, Giovanni	“Teodoro in Venczia”,” opera, 1784	WH, 8	98
	Arr. Unknown, Harmoniemusik
Paisiello, Giovanni	“Teodoro in Venczia”,” opera, 1784	WH, 8	98
	Arr. Unknown, 6 winds
Paisiello, Giovanni	“Teodoro in Venczia”,” adv. 1799	WH, 8	98
	Arr. Unknown, 8 winds
Paisiello, Giovanni	“Teodoro in Venczia”,” adv. 1799	WH, 8	98
	Arr. Unknown, Harmoniemusik
Paisiello, Giovanni	“Le Gare generose”,” opera, 1786	WH, 8	98
	Arr. Unknown, 8 winds
Paisiello, Giovanni	“Le Gare generose”,” opera, 1786	WH, 8	98
	Arr. Unknown, 8 winds
Paisiello, Giovanni	“Le Gare generose”,” opera, 1786	WH, 8	98
	Arr. Unknown, 8 winds
Paisiello, Giovanni	“L’Olimpiade”,” opera, 1786	WH, 8	98
	Arr. Witt, 10 winds, st. bass
Paisiello, Giovanni	“La Molinara”,” opera, 1788	WH, 8	99
	Arr. unknown, Harmoniemusik
Paisiello, Giovanni	“La Molinara”,” opera, 1788	WH, 8	99
	Arr. unknown, 8 winds
Paisiello, Giovanni	“La Molinara”,” opera, 1788	WH, 8	99
	Arr. Unknown, 6 winds, 11 mvts
Paisiello, Giovanni	“La Molinara”,” opera, 12 mvts	WH, 8	99
	Arr. Wendt, 6 winds, 2 Eng. Hns
Paisiello, Giovanni	Here “L’Aamor contrastatio”	WH, 8	99
	Arr. unknown, 8 winds
Paisiello, Giovanni	“La Molinara”,” opera, adv. 1799	WH, 8	99
	Arr. unknown, 6 winds
Paisiello, Giovanni	“La Molinara”,” opera, adv. 1700	WH, 8	99
	Arr. unknown, 8 winds
Paisiello, Giovanni	“La Molinara”,” opera, 1788	WH, 8	99
	Arr. Stumpf, t6 winds, 6 mvts,
Paisiello, Giovanni	PR “La Molinara”,” opera, 1788	WH, 8	99
	Arr. Wendt, 6 winds
Paisiello, Giovanni	PR Here “Pieces d’harmonie”	WH, 8	100
	Arr. Stumpf, [Harmoniemusik]
Paisiello, Giovanni	“Nina”,” opera, 1789	WH, 8	100
	Arr. unknown, Harmoniemusik
Paisiello, Giovanni	“Nina”,” opera, 1789	WH, 8	100
	Arr.Luigi Gianella, 7 winds
Paisiello, Giovanni	PR “Potpouri di Nina”,”	WH, 8	100
	Arr. Fuchs, 8 winds
Paisiello, Giovanni	“Didone abbandonata,” op., 1794	WH, 8	100
	Arr. unknown, 8 winds
Paisiello, Giovanni	PR “Proserpine”,” opera, 1803	WH, 8	100
	Arr.Fuchs, 6 winds, “arias of”
Paisiello, Giovanni	PR “Proserpine”,” opera, 1803	WH, 8	100
	Arr. Fuchs, 7 winds, serpent
Paisiello, Giovanni	PR “Noces de Dorine,” opera?,”	WH, 8	100
	Arr. Fuchs, 8 winds
Paisiello, Giovanni	“La Cantadina di Spinto”,” opera?	WH, 8	100
	Arr. unknown, 8 winds
Paisiello, Giovanni	“La Cantadina di Spinto”, 8 mvts	WH, 8	101
	Arr. Wendt, 6 winds, 2 Eng. hn,
Paisiello, Giovanni	[Unidentified opera]	WH, 8	101
	Arr. unknown, 6 winds
Palma, Silvestro	“La Pietra simpatica”, opera1795	WH, 8	101
	Arr. Sedlak [8 mvt] Wendt {9th mvt]
	8 winds
Palma, Silvestro	“La Pietra simpatica”, opera 1795	WH, 8	101
	Arr unknown, 8 winds
Palma, Silvestro	PR “La Pietra simpatica”, Arias of	WH, 8	101
	Arr. Unknown, Harmoniemusik
Palma, Silvestro	“La Pietra simpatica”, adv. 1799	WH, 8	101
	Arr. Unknown, 8 winds
Palma, Silvestro	PR “La Piestra simpatica,” arias of	WH, 8	101
	Arr. Fuchs, 8 winds
	[Together with works by Cimarosa	,
	Bianchi, and anonymous]
Pavesi, Stefano	“Ser…Marc Antonio,” opera, 1810	WH, 8	101
	arr. Sedlak, 8 winds
Persuis, Louis	“Nina,” ballet, 1813, Act I, 12 mvts	WH, 8	102
	arr. Sedlak, 8 winds “Nr. 113”
Persuis, Louis	Nina, ballet, 1813, Act II, 8 mvts	WH, 8	102
	arr. Sedlak, 8 winds
Persuis, Louis	PR “Nina”,” ballet	WH, 8	102
	Arr. Unknown, 9 winds
Philidor, Francois	“Ernelinde” opera, 1767	WH, 8	102
	Arr. Roser, Harmoniemusik
Philidor, Francois	PR “Ernelinde”	WH, 8	102
	Arr. Vanderhagen, 6 winds
Piccinni, Nicola	“Alesandro nell’Indie,” opera, 1774	WH, 8	102
	Arr. Unknown 13 winds, 2 mvts
Piccinni, Nicola	“Didon,” opera, 1783	WH, 8	102
	Arr. Unknown, 8 winds
Piccinni, Nicola	“Didon,” opera, 1783	WH, 8	103
	Arr. Unknown, 8 winds
Piccinni, Nicola	“Amazilia,” opera?	WH, 8	103
	Arr. Ssdlak, 11 winds, 5 mvts
Piccinni, Nicola	“Lasciami respirar,” aria, unident.	WH, 8	103
	Arr. Unknown, 8 winds
Pizzini, ?	“Die Madchen von Frascati,”	WH, 8	103
	Arr. Drosiniack, 8 winds, orig. unk.
Pleyel, Ignaz	“3 Quartets”	WH, 8	103
	Arr. F. Michel, 8 winds
Pleyel, Ignaz	“Quintet,”	WH, 8	103
	Arr. F. Michel, 8 winds
Pleyel, Ignaz	“Sonata,” [for clavier]	WH, 8	103
	Arr.Triebensee,8 winds
Pleyel, Ignaz	PR “Pieces d’harmonie”	WH, 8	103
	Arr. Mr. Bisch, 6 winds
Pleyel, Ignaz	“Suite; de ,prceaix”	WH, 8	103
	Arr. Mr. Bisch, 6 winds
Reissiger, Karl G.	“Overture aus Felsenumule,” 1831	WH, 8	104
	Arr. Unknown, 12 winds
Ricci, Luigi	“Il nuovo Figaro,” opera, 1832	WH, 8	104
	Arr. Sedlak? 13 winds, 4 mvts
Ricci, Luigi	“Il desertore per amore,” op.,1836	WH, 8	104
	Arr. Sedlak/Perschl, 8 winds
Ricci, Luigi	“Il desertore per amore,” Cavatina	WH, 8	104
	Arr. Unknown, 8 winds
Riegel, Henri-Jean	PR “Les Deux Meunierfs,” op, 1799	WH, 8	104
	Arr. Unknown, Harmonie, Overture
Righini, Vincenzo	“L’Incontro Inaspettato,” opera	WH, 8	104
	Arr. Triesbensee, 8 winds, 12 mvts
Righini, Vincenzo	“L’Incontro Inaspettato,” opera	WH, 8	104
	Arr. Wendt, 13 mvts, 6 winds, 2 Eh
Righini, Vincenzo	“L’Incontro Inaspettato,” opera	WH, 8	105
	Arr. unknown, 8 winds, 1785
Righini, Vincenzo	“L’Incontro Inaspettato,” opera	WH, 8	105
	Arr. unknown, 6 winds, 1785
Righini, Vincenzo	“L’Incontro Inaspettato,” opera	WH, 8	105
	Arr. unknown, 8 winds, adv. 1799
Righini, Vincenzo	“Enca nel Lazio,” opera, 1793	WH, 8	105
	Arr.Schmitt,12 win. 2 Basset hn, bs
Righini, Vincenzo	“Armida,” opera, 1797	WH, 8	105
	Arr.Ehrfenfried, 8 winds st. bass
Righini, Vincenzo	“Gerusalemme liberata,”, op. 1803	WH, 8	105
	Arr. Unknown, Harmoniemusik
Righini, Vincenzo	“Pieces d’harmonie,”	WH, 8	105
	Arr. F. Tausch, 6 winds
Rombeg, Andreas	” Simphonie”	WH, 8	105
	arr. Walch, 11 winds, corno basso
Rossini, Gioacchino	“L’Inganno Felice, opera, 1812	WH, 8	106
	Arr. Starke, 11 winds, 16 mvts
Rossini, Gioacchino	“L’Inganno Felice, opera, 1812	WH, 8	106
	Arr. Starke, 11 winds, 16 mvts
Rossini, Gioacchino	PR “L’Inganno Felice, opera, 1812	WH, 8	106
	Arr. Legrand, 7 winds,
Rossini, Gioacchino	“L’Inganno Felice, opera, 1812	WH, 8	106
	Arr. Blasius, Harmoniemusik
Rossini, Gioacchino	PR “L’Inganno Felice, opera, 1812	WH, 8	106
	Arr. Fuchs, 8 winds,
Rossini, Gioacchino	“Cirus in Babilon, opera, 1812	WH, 8	106
	Arr. Sedlak, Pt. I, 12 mvts, 11 winds,
Rossini, Gioacchino	“La Scala di Seta,” opera, 1812	WH, 8	106
	Arr. Unknown 12 winds, 3 mvts
Rossini, Gioacchino	“Tancredi,”” opera, 1813	WH, 8	106
	Arr. Unknown 11 winds, 12 mvts
Rossini, Gioacchino	“Tancredi,” opera, 1813	WH, 8	106
	Arr. Unknown 9 winds, 12 mvts
Rossini, Gioacchino	PR “Tancredi”	WH, 8	106
	Arr. Legrfand 8 winds,
Rossini, Gioacchino	“Tancredi,”” opera, 1813	WH, 8	107
	Arr. Sedlak, 8 winds,
Rossini, Gioacchino	“Tancredi,”” opera, 1813	WH, 8	107
	Arr. Gregoire 8; or 10 winds, 3
Rossini, Gioacchino	PR “Tancredi,”” opera, 1813	WH, 8	107
	Arr. Gambaro, 7 or 14 winds
Rossini, Gioacchino	PR “Tancredi,” opera, 1813	WH, 8	107
	Arr. Fuchs Harmoniemusik
Rossini, Gioacchino	“Tancredi,”” opera, 1813	WH, 8	107
	Arr.Rummel, Harmoniemusik
Rossini, Gioacchino	PR “Tancredi,”” opera, 1813	WH, 8	107
	Arr. Unknown 9 winds, 3
Rossini, Gioacchino	PR “La Scala di Seta,” opera, 1812	WH, 8	107
	Arr. Unknown 8 winds
Rossini, Gioacchino	“Italiana in Algeria,” opera 1813	WH, 8	107
	Arr. Unknown, 7 winds, overture
Rossini, Gioacchino	“Italiana in Algeria,” opera 1813	WH, 8	107
	Arr Sedlak, 11 winds, 12 mvts
Rossini, Gioacchino	“Italiana in Algeria,” opera 1813	WH, 8	107
	Arr. Unknown, 10 winds, 3 mvts
Rossini, Gioacchino	PR “Italiana in Algeria,” opera 1813	WH, 8	108
	Arr. Legdrand, 8 winds,
Rossini, Gioacchino	PR Italiana in Algeria,” opera 1813	WH, 8	108
	Arr. Unknown, 9 winds
Rossini, Gioacchino	PR “Italiana in Algeria,” opera 1813	WH, 8	108
	Arr.Fuchs, Harmoniemusik
Rossini, Gioacchino	“Der Turk in Italien, opera, 1814	WH, 8	108
`	Arr. Starke, 11 winds, 24 mvts
Rossini, Gioacchino	PR “Der Turk in Italien, opera, 1814	WH, 8	108
`	Arr. Gregoifre 8 or 10 winds,
Rossini, Gioacchino	“Elisabetta, Regina,”opera, 1815	WH, 8	108
`	Arr. Sedlak, 8 winds, 24 mvts
	his 26th and 27th work
Rossini, Gioacchino	“Elisabeth,” Pt 1 10 mvts, Pt II, 9 mv	WH, 8	108
`	Arr. Unknown, 11 winds
Rossini, Gioacchino	PR “Torvaldo e Dorliska, op., 181	WH, 8	108
`	Arr. Fuchs, Harmoniemusik
Rossini, Gioacchino	“Salvaggia,” Duetg, op., 181	WH, 8	108
`	Arr. Unknown, 11 winds
Rossini, Gioacchino	“Der Barbier von Sevilla,”	WH, 8	109
`	Arr. Sedlak, 6 winds
Rossini, Gioacchino	“Il barbiere di Seviglia, 7 mvts.	WH, 8	109
	Arr. Unknown, 11 winds
Rossini, Gioacchino	“Il barbiere di Seviglia, 9 mvts.	WH, 8	109
	Arr. Unknown, 11 winds
Rossini, Gioacchino	“Il barbiere di Seviglia,Pt. II, 8 mvts.	WH, 8	109
	Arr.Ruzni 11 winds
Rossini, Gioacchino	“Il barbiere di Seviglia, overture	WH, 8	109
	Arr.Osswald, 12 winds
Rossini, Gioacchino	“Il barbiere di Seviglia, 7 mvts.	WH, 8	109
	Arr. Sedlak, 8, winds, his 22nd work
Rossini, Gioacchino	PR “Le Barbier de Seville,	WH, 8	109
	Arr. Fuchs, 10 winds
	Pt. I, 6 mvts; Pt. 2, 13 mvts
Rossini, Gioacchino	PR “Barbier de Seville,” overture	WH, 8	109
	Arr. Fuchs, 11 winds
Rossini, Gioacchino	PR “Babier de Seville, arias	WH, 8	109
	Arr Gambaro, Harmoniemusik
Rossini, Gioacchino	PR “Babier de Seville, ouverture	WH, 8	109
	Arr Gambaro, Harmoniemusik
Rossini, Gioacchino	“Otello”, opera, 1816	WH, 8	110
	Arr. Unknown, 11 winds
Rossini, Gioacchino	“Otello”, opera, 1816	WH, 8	110
	Arr. Starke, 5 mvts, 11 winds
Rossini, Gioacchino	“Otello”, opera, 1816	WH, 8	110
	Arr. Unknown, 8 winds
Rossini, Gioacchino	PR “Otello”, opera, 1816	WH, 8	110
	Arr. Unknown, 10 or 11 winds
Rossini, Gioacchino	“Otello”, opera, 1816	WH, 8	110
	Arr. Gambaro, 7 or 10 winds
Rossini, Gioacchino	“Otello”, opera, 1816	WH, 8	110
	Arr. Kuffner, Harmoniemusik
Rossini, Gioacchino	“Otello”, opera, 1816, overtudre	WH, 8	110
	Arr. Gregoire Harmoniemusik
Rossini, Gioacchino	PR “La Cenerentola,: opoera, 1817	WH, 8	110
	Arr.Fuchs, Harmonie. Overture
Rossini, Gioacchino	“La Gazza Ladra,” opera, 1817	WH, 8	110
	Arr. Unknown, 8 winds
Rossini, Gioacchino	PR “La Gazzaa Ladra,” Otello”, opera, 1816	WH, 8	110
	Arr. Lagrand, 7 winds
Rossini, Gioacchino	PR “La Gazza Ladra,” opera, 1817	WH, 8	111
	Arr. Gregoire, 10 winds
Rossini, Gioacchino	PR “La Gazza Ladra,” opera, 1817	WH, 8	111
	Arr. Gambaro, 7 or 112 winds
Rossini, Gioacchino	PR “La Gazza Ladra,” opera, 1817	WH, 8	111
	Arr. Fuchs, Harmoniemusik
Rossini, Gioacchino	“Armida”, opera, 1817	WH, 8	111
	Arr. Starke, Act II, 7 mvts, 11 winds
Rossini, Gioacchino	PR “Armida,”, overture	WH, 8	111
	Arr Fuchs Harmoniemusik
Rossini, Gioacchino	“Moyes in Egitto,”,” opera, 1818	WH, 8	111
	Arr. Unknown, 11 winds, 12 mvts
Rossini, Gioacchino	“Moyes in Egitto,”,” opera, 1818	WH, 8	111
	Arr. Unknown, 13 winds, 2 mvts
Rossini, Gioacchino	“Moyes in Egitto,”,” opera, 1818	WH, 8	111
	Arr. Unknown, 8 winds
Rossini, Gioacchino	PR “Moyes in Egitto,”,” opera, 1818	WH, 8	111
	Arr. Gregoire, 10 or 13 winds
Rossini, Gioacchino	“Ricciardo e Zoraide, opera, 1818	WH, 8	112
	Arr. Sedlak, 11 winds
	Pt. 1,11 mvts; Pt. II, 14 mvts
Rossini, Gioacchino	PR “Ricciardo e Zoraide	WH, 8	112
	Arr unknown 8 winds
Rossini, Gioacchino	PR “Eduardo e Cristina, Op. 1819	WH, 8	112
	Arr Fuchs 8 Harmoniemujsik
Rossini, Gioacchino	“La Donna del Lago,” opera 1819	WH, 8	112
	Arr unknown 11 winds, 10 mvts
Rossini, Gioacchino	PR “La Donna del Lago,” opera	WH, 8	112
	Arr Gregoire, 10 or 11 winds
Rossini, Gioacchino	“Bianca e Falliero,” opera, 1819	WH, 8	112
	Arr. Skacel, 11 winds, Quartet from
Rossini, Gioacchino	“Zelmira,” opera 1822	WH, 8	112
	Arr. Sedlak, 11 mvts
Rossini, Gioacchino	“Zelmira,” opera 1822	WH, 8	112
	Arr. Sedlak, 20 mvts, 8 winds
Rossini, Gioacchino	“Zimara,”,” opera 1822, Pt. 1 and 2	WH, 8	112
	Arr. Sedlak, 6 win.”39th and 40″ work
Rossini, Gioacchino	“Zelmira,” opera 1822	WH, 8	113
	Arr. Starke, 13 winds
Rossini, Gioacchino	PR “Zimadra,”	WH, 8	113
	Arr. Starke, 8 winds
Rossini, Gioacchino	“Semiramide,” opera, 1823	WH, 8	113
	Arr. Sedlak, 8 winds
	20 mvts, “52nd work”
Rossini, Gioacchino	“Semiramide,” opera, 1823, Pt. 2	WH, 8	113
	Arr. Unknown 10 winds, 13 mvts
Rossini, Gioacchino	“Semiramide,” Ddujete	WH, 8	113
	Arr. Unkown, 13 windswinds
Rossini, Gioacchino	PR ” 8 Pieces de.,,,Semiramide,”	WH, 8	113
	Arr. Widder, 7 winds
Rossini, Gioacchino	“Le Siege de Corintha,” op., 1826	WH, 8	113
	Arr. Sedlak, 8 winds
	Part I, 14 mvts; Part 2, 6 mvts
Rossini, Gioacchino	“Le Siege de Corinth,” op., 1826	WH, 8	113
	Arr. unknown, 8 winds
Rossini, Gioacchino	“Le Comte Ory” op., 1828	WH, 8	113
	Arr. Unknosn, 11 winds
	Part 1, 5 mvts; Part 2, 7 mvts
Rossini, Gioacchino	“Wilhelm Tell,” opera, Part i	WH, 8	114
	Arr. Sedlak, 11 winds, 12 mvts
	Part I, 8 mvts; Part 2, 7 mvts
Rossini, Gioacchino	“Wilhelm Tell,” opera, Part I	WH, 8	114
	Arr. Sedlak, 11 winds, 12 mvts
Rossini, Gioacchino	“Guillaume Tell,” opera, 1829	WH, 8	114
	Arr.unknown, 8 winds
Rossini, Gioacchino	“Pietro il Grando, opera	WH, 8	114
	Arr.unknown, 11 winds, Cavatina
Rossini, Gioacchino	“Pietro il Grando, opera	WH, 8	114
	Arr.unknown, 9 winds, Cavatina
Rossini, Gioacchino	“Blaubart,” balllet	WH, 8	114
	Arr.Sedlak, 12 mvts, 11 winds
Rossini, Gioacchino	“Die diebische Elster,” orig.unknown	WH, 8	114
	Arr. Starke Part II, 12 mvts 10 winds
Rossini, Gioacchino	Collection 10 Overtujres	WH, 8	114
	Arr.unknown, Harmoniemusik
Sacchini, Antonio	“Oedipe a Colone, opera, 1786	WH,8	114
	Arr. Unknown, 6 winds, arias
Salieri, Anonio	“La Fiera di Venesia,” op. 1711	WH, 8	115
	Arr. Unknown, Harmoniemusik
Salieri, Anonio	“La Cifra,” first “Dama Pastorella”	WH, 8	115
	Arr. Wendt, 8 winds,opera 1780
Salieri, Anonio	“La Cifra,”	WH, 8	115
	Arr. unknown, 8 winds,oper
Salieri, Anonio	“La Cifra,”	WH, 8	115
	Arr. Unknown Harmoniemusik
Salieri, Anonio	“La Chiffera”	WH, 8	115
	Arr. unknown 8 winds,
Salieri, Anonio	“Die Drauchfangkehrer, Op 1781	WH, 8	115
	Arr. Unknown 8 winds
Salieri, Anonio	“Die Drachfangkehrer	WH, 8	115
	Arr. unknown 8 winds,
Salieri, Anonio	“Il ricco d’un giorno,” op. 1784	WH, 8	115
	Arr.Wendt, 6 winds, 2 basset hn
Salieri, Anonio	“Il ricco d’un giorno,”	WH, 8	115
	Arr. Wendt, 7 mvs, 6 wind, 2 Eng. Hn
Salieri, Anonio	“La Grotta di Triofonio,” op, 1785	WH, 8	116
	Arr. Wendt, 8 winds
Salieri, Anonio	“La Grotta di Triofonio,” op, 1785	WH, 8	116
	Arr. Unknown,10 winds, 2 violas?
Salieri, Anonio	“La Grotta di Triofonio,” 12 mvts	WH, 8	116
	Arr. Wendt, 6 winds, 2 Eng. Hn.
Salieri, Anonio	“La Grotta di Triofonio,” op, 1785	WH, 8	116
	Arr. Unknown, 8 winds
Salieri, Anonio	“La Grotta di Triofonio,” op, 1785	WH, 8	116
	Arr. unknown, 8 winds
Salieri, Anonio	“La Grotta di Triofonio,” op, 1785	WH, 8	116
	Arr. unknown, 8 winds, adv. 1799
Salieri, Anonio	“La Grotta di Triofonio,” op, 1785	WH, 8	116
	Arr. Wendt, 6 winds, adv. 1799
Salieri, Anonio	“Axur Re d’Ormus,” op, 1787	WH, 8	116
	Arr. Wendt, 8 winds
Salieri, Anonio	“Axur Re d’Ormus,” 17 mvts	WH, 8	116
	Arr. Wendt, 6 winds, 2 Eng. Hn
Salieri, Anonio	“Axur Re d’Ormus,” op, 1787	WH, 8	116
	Arr. Unknown, 8 winds
Salieri, Anonio	“Axur Re d’Ormus,” op, 1787	WH, 8	117
	Arr. Stumpf, 6 winds
Salieri, Anonio	“Axur Re d’Ormus,” op, 1787	WH, 8	117
	Arr. Wendt, 8 Harmoniemujsik
Salieri, Anonio	“Axur Re d’Ormus,” adv. 1799	WH, 8	117
	Arr. Ernest 6 winds
Salieri, Anonio	“Axur Re d’Ormus,” adv. 1799	WH, 8	117
	Arr. Ernest 6 winds
Salieri, Anonio	“Axur Re d’Ormus,” adv. 1799	WH, 8	117
	Arr. Unknown 6 winds
Salieri, Anonio	“Axur Re d’Ormus,” adv. 1799	WH, 8	117
	Arr. Stujmpf, 6 winds
Salieri, Anonio	“Axur Re d’Ormus,” adv. 1799	WH, 8	117
	Arr. unknown, 8 winds
Salieri, Anonio	“Il Talismano,” opera 1788, 16 mvts	WH, 8	117
	Arr. Wendt, 6 winds, 2 Eng. Hn
Salieri, Anonio	“Il Talismano,” opera 1788, 16 mvts	WH, 8	117
	Arr. Wendt, 6 winds, 2 Eng. Hn
Salieri, Anonio	“Il Talismano,” opera 1788,	WH, 8	118
	Arr. Stumpt, 6 winds, 6 mvts
Salieri, Anonio	“Il Talismano,” opera 1788, 16 mvts	WH, 8	118
	Arr. Unknown, 8 winds
Salieri, Anonio	“Il Talismano,” opera 1788, 16 mvts	WH, 8	118
	Arr. Unknown, 8 winds
Salieri, Anonio	“Il Talismano,” opera adv. 1799	WH, 8	118
	Adv. Unknown, 8 winds
Salieri, Anonio	“Il Talismano,” “6th collection,	WH, 8	118
	Adv. Stemplf, 6 winds, adv. 1799
Salieri, Anonio	“Palmira, Regina di Persia	WH, 8	118
	Adv. Wendt 8 winds, opera, 1795
Salieri, Anonio	“Regina di Persia	WH, 8	118
	Adv. J. Handl, 1 mvt, 8 winds
Salieri, Anonio	“La Palmira,	WH, 8	118
	Adv. unknown 8 winds, opera, 1795
Salieri, Anonio	“Palmira, Regina di Persia	WH, 8	118
	Adv. Wendt 8 winds, opera, 1795
Salieri, Anonio	“Palmira, Regina di Persia	WH, 8	118
	Adv. unknown 8 winds, 23 mvts
Salieri, Anonio	“Palmira”	WH, 8	119
	Adv. unknown 8 winds
Salieri, Anonio	“Palmira”	WH, 8	119
	Adv. Unknown, clar. Basset hns
Salieri, Anonio	“Palmira”	WH, 8	119
	Adv. Unknown, 8 winds
Salieri, Anonio	“Falstaff,” opera 1799	WH, 8	119
	Adv. Unknown, 8 winds
Salieri, Anonio	“Cesare; in Farnuccia, op 1800	WH, 8	119
	Adv. Unknown, 8 winds, trio, finale
Salieri, Anonio	“Cesare; in Farnuccia, op 1800	WH, 8	119
	Adv. Unknown, 8 winds
Salieri, Anonio	“King of England [orig. unknown]	WH, 8	119
	Adv. Unknown, 8 winds
Sarsino, ?	“Honon” [orig. uninown]	WH, 8	119
	Adv. Unknown, 6 winds
Sarti, Giuseppe	“I Contrattempi,” opera, 1778	WH 8	119
	Arr. Uninown, 8 winds
Sarti, Giuseppe	“Il Contra Tempi,” 29 mvts	WH 8	120
	Arr. Wendt, 6 winds, 2 Eng. Hn
Sarti, Giuseppe	“I Contrattempi,” 10 mvts	WH 8	120
	Arr. Wendt, 6 winds, 2 Eng. Hn
Sarti, Giuseppe	“I Contrattempi,” opera, 1778	WH 8	120
	Arr. Uninown, 8 winds
Sarti, Giuseppe	“I Contrattempi,” opera, 1778	WH 8	120
	Arr. Uninown, 8 winds
Sarti, Giuseppe	“I Contra Tempi,” adv. 1799	WH 8	120
	Arr. Uninown, 8 winds
Sarti, Giuseppe	“I Contrattempi,” adv. 1799	WH 8	120
	Arr. Uninown, 6 winds
Sarti, Giuseppe	“Ciulio Sabino,” opera 1781	WH 8	120
	Arr. Uninown, 11 winds 5 mvts
Sarti, Giuseppe	“Jujlio Sabino” 3 mvts	WH 8	120
	Arr. Wendt, 6 winds, 2 Eng hns
Sarti, Giuseppe	“Giulo Sabino”	WH 8	120
	Arr. Uninown, 8 winds
Sarti, Giuseppe	“Fra due Litiganti,” opera 1782	WH 8	120
	Arr. Uninown, 8 winds
Sarti, Giuseppe	“Fra due Litiganti,” opera 1782	WH 8	120
	Arr.Wendt 8 winds
Sarti, Giuseppe	“Due Litiganti,” opera 1782	WH 8	121
	Arr. Uninown, 5 winds
Sarti, Giuseppe	“Fra due Litiganti,” adv. 1799	WH 8	121
	Arr. Uninown, 6 winds
Sarti, Giuseppe	“Fra due Litiganti,” 8 mvts	WH 8	121
	Arr. Wendt,6 winds, 2 Eng. Hn
Sarti, Giuseppe	“Fra due Litiganti,” adv 1799	WH 8	121
	Arr. Uninown, 8 winds
Sarti, Giuseppe	Terzetto	WH 8	121
	Arr Wendt? 6 winds, 2 Eng. Hns
Sarti, Giuseppe	“Rondo nella Saarti idolo amato”	WH,8	121
	Arr unknown, 8 winds
Schaffner, N. A.	“Ouverture du Chasse”	WH 8	121
	Arr. Gambaro, Harmoniemusik
Schenk, Johann	“Die Weinlese,” opera, 1785	WH 8	121
	Arr Wendt? 4 mvts 8 winds
Seyfried, Ignaz	“Saul, Konig in Israel,” 1810	WH 8	121
	Arr unknown, 8 winds, Bibl. Drama
Seyfried, Ignaz	PR “Saul”	WH 8	122
	Arr unknown, 6 and 9 winds
Seyfried, Ignaz	PR “Saul, Konig in Israel,” 1810	WH 8	122
	Arr comp;oser, 8 winds,
Seyfried, Ignaz	PR “Saul, Konig in Israel,” 1810	WH 8	122
	Arr unknown, 6 and 9 winds
Seyfried, Ignaz	“Richard Lowenherz,” orig unknown	WH 8	122
	Arr unknown, 8 winds,
Seyfried, Ignaz	“Duet from Mitternacht” opera	WH 8	122
	Arr Triebensee, 8 winds,
Seyfried, Ignaz	“Duet from Marpissa” opera	WH 8	122
	Arr Triebensee, 8 winds
Seyfried, Ignaz	“March from Alamar der Maure”	WH 8	122
	Arr. Triebensee. Orig unifentified
Solié, Jean Pierre	“Juan et Genessvieve” opera 1792	WH 8	122
	Arr. Fuchs 4 cl, 2 bsn, 2 hn, arias
Solié, Jean Pierre	“Juan et Genessvieve” opera 1792	WH 8	122
	Arr. Fuchs 8 winds, arias
Solié, Jean Pierre	“Le jockey,” opera 1796, overture	WH 8	123
	Arr unknown 8 winds
Solié, Jean Pierre	PR “Le jockey,” suite d;harmonie	WH 8	123
	Arr. Simonet 8 winds
Solié, Jean Pierre	PR “Le Chapitre second” op. 1799	WH 8	123
	Arr unknown 8 winds, overture
Solié, Jean Pierre	PR “Le Chapitre” arias	WH 8	123
	Arr. Fuchs 8 winds,
Solié, Jean Pierre	PR “Le chapire” overture	WH 8	123
	Arr uninown 8 winds
Solié, Jean Pierre	PR “Le chapire” arias	WH 8	123
	Arr uninown 8 winds
Spohr, Louis	“Faust” opera 1816	WH 8	123
	Arr unknown, 9 winds, 9 mvts
Spohr, Louis	“Jessanda” 2 mvts	WH 8	123
	Arr unknown 9 winds
Spohr, Louis	PR “Jessanda”	WH 8	123
	Arr unknown, Harmoniemusik
Spohr, Louis	PR “Jessonda” overture	WH 8	124
	Arr unknown, Harmoniemusik
Spohr, Louis	PR “Der Krenzfuhrer” op 1845	WH 8	124
	Arr Schulz, 6 and 7 part winds
Spontini, Gasparo	PR “Milton” opera 1804	WH 8	124
	Arr uninown Haroniemusik
Spontini, Gasparo	PR “Julie” opera 1805	WH 8	124
	Arr unknown Haroniemusik
Spontini, Gasparo	“La Vesale: opera 1807	WH 8	124
	Arr unknown 8 winds
Spontini, Gasparo	“Die Vestalin”	WH 8	124
	Arr Triebsensee, 8 winds
Spontini, Gasparo	“Die Vestalin”	WH 8	124
	Arr unknown, 8 winds, 7 mvts
Spontini, Gasparo	“Vesstalin” 2 mvts	WH 8	124
	Arr unknown, 9 winds,
Spontini, Gasparo	PR “La Vestale”	WH 8	125
	Arr unknown, 9 winds
Spontini, Gasparo	PR “Ouverture du Vestale”	WH 8	125
	Arr Etienne Gebauer, 13 winds
Spontini, Gasparo	PR “Vestalinn Nr. III”	WH 8	125
	Arr unknown, 6 winds
Spontini, Gasparo	PR “die Vestalin”	WH 8	125
	Arr uninown 9 winds
Spontini, Gasparo	PR “arias de la Vestalin”	WH 8	125
	Arr unknown, 6 winds
Spontini, Gasparo	PR “Ouverture de la Vestale”	WH 8	125
	Arr unknown Harmoniemusik
Spontini, Gasparo	PR “Airs de la Vestale”	WH 9	125
	Arr unknown Harmoniemusik
Spontini, Gasparo	“Ferdinand Cortez” opera 1809	WH 8	125
	Arr uniknown, 9 winds, 12 mvts
Spontini, Gasparo	PR “Ferdinand Cortez”	WH 8	125
	Arr unknown 9 winds
Spontini, Gasparo	PR “Ferdinand Cortez”	WH 8	125
	Arr unknown 9 winds
Spontini, Gasparo	PR “Ferdinand Cortez”	WH 8	126
	Arr unknown 6 winds
Spontini, Gasparo	PR ” arias from “Dieux Rivaux”	WH 8	126
	Arr unknown Harmoniemusik
Starzer, Josef	“Adele von Ponthieu” ballet 1775	WH 8	126
	Arr uninwon 7 winds
Starzer, Josef	“Adelheit v. Ponthieu”	WH 8	1`26
	Arr unknown 7 winds
Steibelt, Daniel	PR “”Le Journee d’Ulm”	WH 8	126
	Arr unknown, 6 or 10 winds
Steibelt, Daniel	PR “Combagt naval” orig for piano	WH 8	126
	Arr Gopfert, 9 winds
Steibelt, Daniel	“March and trio” orig. unidentified	WH 8	126
	Arr Tgriebenssee, 8 winds
Steibelt, Daniel	PR “Cinquieme poi-pourry”	WH 8	126
	Arr Fuchs, 4 cl, 2 bsn, 2 hns
Steibelt, Daniel	PR “Bataille d’Austerlitz”	WH 8	126
	Arr Fuchs, Harmoniemusik
Storace, Stephen	“Gli Sposi madcontenti” op 1785	WH 8	127
	Arr Wendt, 6 winds, 2 Eng hns,
	10 mvts
Storace, Stephen	“Sposi Malcontineti”	WH 8	127
	Arr unknown 8 winds
Storace, Stephen	“Gli Sposi mal Contentgi”	WH 8	127
	Arr uninwon 8 winds
Storace, Stephen	“Cora” opera? 19 mvts	WH 8	127
	Arr Wendt 6 winds Eng hns
Storace, Stephen	“Der Esterwichtig Liebhaber” op?	WH 8	127
	Arr Wendt, 6 mvts, 6 winds 2 Eng h.
Strauss, ?	PR “Krapfenwaldelwalzer”	WH 8	127
	Arr unknown 6t and 9 winds
Süussmayr, Franz	“Der Spiegel v. Arkadien” op. 1794	WH 8	127
	Arr Triebensee and Wendt 8 winds
	19 mvts
Süussmayr, Fran	“Spiegel von Arkadien	WH 8	127
	Arr unknown 8 winds
Süussmayr, Fran	“Spiegel von Arkadien	WH 8	128
	Arr unknown, Harmoniemusik
Süussmayr, Fran	“Spiegel von Arkadien	WH 8	128
	Arr. Schmitt 11 winds
Süussmayr, Fran	“Spiegel von Arkadien adv. 1799	WH 8	128
	Arr. Unknown, 8 winds
Süussmayr, Fran	“Spiegel von Arkadien adv. 1799	WH 8	128
	Arr unknown, 6 winds
Süussmayr, Fran	“Soliman der Zweite,” op. 1799	WH 8	128
	Arr. Triebensee, 8 winds, 9 mvts
Süussmayr, Fran	“Der Ritter in Ge;fahr,” 1796	WH 8	128
	Arr Sedlak? 8 winds, cantata
Taglioni, Marie	“Pas de Deuzx, “Divertis.” ballet	WH 8	128
	Arr. Triebensee, 8 winds
Taglioni, Marie	“Pas de Deux” source unident.	WH 8	128
	Arr. Triebensee, 8 winds
Tarchi, Angelo	“Bachus et Adriani,” opera?	WH 8	128
	Arr. Ruzni, 5 mvts
Tarchi, Angelo	“Ir Suite d’opera comique”	WH 8	129
	Arr. Fuchs, Harmoniemusik
Titl, Anton	“Der Zamberschleier” orig. unifent.	WH 8	129
	Arr. Wajacek, 10 winds
Umlauff, Ignaz	“Die schone Schusterin,” op. 1779	WH 8	129
	Arr. Unknown 2, bsns, 3 basset hns
Umlauff, Michael	“Paul eet Rosette,” ballet 1806	WH 8	129
	Arr Sedlak, 8 winds
Umlauf, Michael	“Aeneas in Carthago,” ballet 1805	WH 8	129
	Arr.Wendt? 8 winds, 2 mvts
Umlauf, Michael	“Don Quixotte” orig. unifent.	WH 8	129
	Arr. Triebensee, 2 mvts 8 winds
Umlauf, Michael	“Das eigensinnige Landmadchen	WH 8	129
	Arr. Triesbensee, 8 winds, ballet
	1810, 12, 8, and 7 mvts
Umlauf, Michael	“Das Eigensinige Landmadchen	WH 8	129
	Arr unknown, 10 mvts, Harmonie
Vesque v. Pittlingen	“Johanna d’Arc” opera	WH 8	130
	Arr. J. Hoven, 12 mvts, 9 winds
Vogel, Johann	PR “Demoophon”	WH 8	130
	Arr Fuchs, 6 or 10 winds
Vogel, Johann	PR “Demophon”	WH 8	130
	Arr unknown 6 or 10 winds
Vogel, Johann	PR “Demophon”	WH 8	130
	Arr. Unknown 8 winds
Vogel, Johann	PR “Overure, Deopohon”	WH 8	130
	Arr unknown 6 winds
Vogel, Johann	Overture, “Demophon”	WH 8	130
	Arr. Triebensee 8 winds
Vogler, Georg	PR “Castore e Polluce,” op. 1787	WH 8	130
	Arr. Triebsensee, 3 acts Harmonie
	Adv. 1804 with oig. Parthie
Wagner, Jakob	“Liebe und Freundschaft”	WH 8	130
	Arr. Sarorius, Harmoniemusik
Weber, Bernhard	“Die Jungfrau v. Orleans”	WH 8	131
	Arr. Unknown winds, st bass
Weber, Bernhard	“Monolog aus Die Jungfrau”	WH 8	131
	Arrl Triebensee 8 winds
Weber, Bernhard	PR Arias de “Jungfrau v. Orleans	WH 8	131
	Arr. Schulz 6 or y part winds
Weber, Bernhard	“Johanna”	WH 8	131
	Arr. Schmitt? 5 winds
Weber, Carl Maria	PR “Preciosa” overture, op. 1821	WH 8	131
	Arr. Unknown, 9 winds
Weber, Carl Maria	PR “Preciosa” overture, op. 1821	WH 8	131
	Arr. Unknown, Harmoniemusik
Weber, Carl Maria	“Dar Freischutz,” opera 1821	WH 8	131
	Arr. Flachs, 10 winds
Weber, Carl Maria	“Der Frieschutz”	WH 8	131
	Arr. Uninown 8 winds
Weber, Carl Maria	“Freyschutz”	WH 8	132
	Arr. Sedlak,12, 9 mvts, 11 winds
Weber, Carl Maria	PR “Freischutz”, 5 mvts	WH 8	132
	Arr. Kuffner winds, basset hn
Weber, Carl Maria	PR Arias from “Freischutz”	WH 8	132
	Arr Liffner, Harmoniemusik
Weber, Carl Maria	PR “der Freischutz”	WH 8	132
	Arr. Flachs, 9 winds
Weber, Carl Maria	PR mvts from Freischutz	WH 8	132
	Arr unknown, 9 winds
Weber, Carl Maria	PR mvts from Freischutz	WH 8	132
	Arr unknown, 6 winds
Weber, Carl Maria	PR “Der Freischutz”	WH 8	132
	Arr unknown 7 winds
Weber, Carl Maria	PR “Der Freischutz”	WH 8	132
	Arr Brod, fl, 2 cl, 2 ob, bsn, 2 hns
Weber, Carl Maria	PE “Der Freischutz”	WH 8	132
	Arr unknown, 6 winds
Weber, Carl Maria	“Euryanthe”	WH 8	132
	Arrf unknown, 11 winds
Weber, Carl Maria	PR “Euranthe”	WH 8	133
	Arr unknown 9 winds
Weber, Carl Maria	PR “Euranthe”	WH 8	133
	Arr unknown fl, 2 cl, 2 bsn, hn
Weber, Carl Maria	PR ” Oberon” opera 1826	WH 8	133
	Arr. Weller,10 and 12 winds
Weber, Carl Maria	PR ” Oberon” overtujre	WH 8	133
	Arr. Weller,10 and 12 winds
Weber, Carl Maria	PR”Jubel” Cantata, overture	WH 8	133
	Arr. Rummel, 9 winds
Weber, Carl Maria	PR “Lutzous wilde Jagd”	WH 8	133
	Arr. Neithardt,8 winds, 2 Kenthorns
Weber, Carl Maria	“Lorzing”	WH 8	133
	Arr. Rugni, 2 mvts, 6 winds, basso
Weber, Carl Maria	[Unidentified opera mvt]	WH 8	133
	Arr unknown 9 winds
Weigl,Joseph	“Das Petermannuchen” op 1784	WH 8	133
	Arr unknown, 8 winds
Weigl,Joseph	“Il Pazzo per Forza” 15 mvts	WH 8	134
	Arr. Wendt, 6 winds 2 Eng hns
Weigl,Joseph	“Pazza per forza	WH 8	134
	Arr unknown 6 winds, adv 1799
Weigl,Joseph	“Pazzo per forza”	WH 8	134
	Arr. Unknown 8 winds, adv. 1799
Weigl,Joseph	“Giulietta e Pierotto” op. 1794	WH 8	134
	Arr Wendt, 12 mvts, 6 winds, 2 En
Weigl,Joseph	“La Principessa d’Amalfi,” op 1794	WH 8	134
	Arr. Wendt 8 winds
Weigl,Joseph	“La Principessa d’Amalfi,” op 1794	WH 8	134
	Arr. unknown 8 winds
Weigl,Joseph	“La Principsesoa da Malei” 12 mvts	WH 8	134
	Arr Wendt 6 winds Eng hns
Weigl,Joseph	“Principessa d’Almalfi”	WH 8	134
	Arr. Unknown, Hadrmoniemusik
Weigl,Joseph	“I solitari” opera, 1797	WH 8	134
	Arr Wendt, 8 winds
Weigl,Joseph	“”L’Amor marinaro” opera 1797	WH 8	135
	Arr unknown 8 winds
Weigl,Joseph	“”L’Amor marinaro” opera 1797	WH 8	135
	Arr unknown 8 winds
Weigl,Joseph	“”L’Amor marinaro” opera 1797	WH 8	135
	Arr unknown 6 winds
Weigl,Joseph	PR “Gli amorfi marinari” 6 mvts	WH 8	135
	Arr. Stumpf, 6 winds
Weigl,Joseph	“Vesta’s Feuer” opeera 1803	WH 8	135
	Arr unknown 8 winds
Weigl,Joseph	“Die Uniform: opessra 1805	WH 8	135
	Arr unknown 8 winds
Weigl,Joseph	“Kaiser Hadrian” opera 1807	WH 8	135
	Arr unknown 11 winds, t mvts
Weigl,Joseph	“Kaiser Adrian”	WH 8	135
	Arr unknown 8 winds
Weigl,Joseph	“Kaiser Haddrian”	WH 8	135
	Arr unknown, 9 winds, 10 mvts
Weigl,Joseph	“Marsch aus Kayser Hadrian”	WH 8	136
	Arr Triebensee, 8 winds
Weigl,Joseph	“Marsch aus Kayser Hadrian”	WH 8	136
	Arr. Unknown 9 winds
Weigl,Joseph	“Adrian von Ostade” o pera 1807`	WH 8	136
	Arr unknown, 8 winds
Weigl,Joseph	“Das Waisenhaus” opeera 1808	WH 8	136
	Arr unknown, 8 winds
Weigl,Joseph	“das Waisenhaus” 5 mvts	WH 8	136
	Arr unknown, 8 winds
Weigl,Joseph	PR “Marsch aus das Waisenhaus”	WH 8	136
	Arr unknown 11 winds,
Weigl,Joseph	PR “Marsch aus das Waisenhaus”	WH 8	136
	Arr unknown 9 winds,
Weigl,Joseph	“Die Schweizer Familie, op. 1809	WH 8	136
	Arr unknown, t mvss 9 winds
Weigl,Joseph	“Die Schwerzerfamilie”	WH 8	137
	Arr Triesbensee, 8 winds, 10 mvts
Weigl,Joseph	PR “Schwesizer Familie”	WH 8	`137
	Arr unknown 6 winds
Weigl,Joseph	“Schweizer Familie, 4 mvts	WH 8	137
	Arr unknown 6 winds
Weigl,Joseph	PR “Schweizerfamilie, 13 mvts	WH 8	137
	Arr unknown 9 winds
Weigl,Joseph	“Schweizer Familie, 13 mvts	WH 8	137
	Arr unknown 6 winds
Weigl,Joseph	PR “Die Schweizerfamilie” 14 mvts	WH 8	137
	Arr. Ahl, Haroniemusik
Weigl,Joseph	PR “Die Schweizerfamilie”	WH 8	137
	Arr unknown, 9 winds
Weigl,Joseph	PR “Die Schweizerfamilie”	WH 8	137
	Arr unknown, 9 winds
Weigl,Joseph	PR “Die Schweizer Familie	WH 8	137
	Arr unknown 6 winds
Weigl,Joseph	PR “die Schweizerfamilise”	WH 8	137
	Arr unknown 9 winds
Weigl,Joseph	PR “die Schweizerfamilise”	WH 8	137
	Arr unknown 6 winds
Weigl,Joseph	PR die Schweizerfamilie	WH 8	138
	Arr.Barth, 9 winds, mvts from
Weigl,Joseph	“Nachtigall und Rabe” op. 1818	WH 8	138
	Arr. Starke, 11 winds, 7 mvts
Weigl,Joseph	“Der Sinnbild,” ballet, 1794, 16 mvt	WH 8	138
	Arr. Wendt 6 winds, 2 Engj hns
Weigl,Joseph	“Der Sinnbild,” ballet, adv 1799	WH 8	138
	Arr. unknown 6 winds adv 1799
Weigl,Joseph	“Der Sinnbild,” ballet,	WH 8	138
	Arr. Wendt 8 winds adv 1799
Weigl,Joseph	“Der Sinnbild des Menschlichen	WH 8	138
	Lebens” Arr unknown, 8 winds
Weigl,Joseph	“Die Reue des Pygmalion” 1794	WH 8	138
	ballet, arr unknown 9 winds
	adv 1799
Weigl,Joseph	“Die Reue des Pygmalion”	WH 8	138
	Arr Wendt 8 winds
Weigl,Joseph	“Die Reue des P:ygmalion” 12 mvt	WH 8	138
	Arr. Weidt 6 winds, 2 Eng hn,
	12 mvts
Weigl,Joseph	“Die Reueu des Pygmalion”	WH 8	138
	Arr unknown, Harmoniemusik
Weigl,Joseph	“Die Reueu des Pygmalion”	WH 8	139
	Arr unknown, Harmoniemusik
Weigl,Joseph	“Die Reueu des Pygmalion”	WH 8	138
	Arr unknown, 6 winds, aadv 1799`
Weigl,Joseph	“Richard; Lowenherz” ballet 1795	WH 8	139
	Arr unknown 8 winds
Weigl,Joseph	“Richard; Lowenherz” 15 mvts	WH 8	139
	Arr Wendt, 6 winds, 2 Eng. Hn
Weigl,Joseph	“Richard; Lowenherz” ballet 1795	WH 8	139
	Arr unknown 6 winds
Weigl,Joseph	“Richard; Lowenherz” ballet 1795	WH 8	139
	Arr unknown 6 winds, adv. 1799
Weigl,Joseph	“Richard; Lowenherz” March	WH 8	139
	Arr unknown 6 winds, adv. 1799
Weigl,Joseph	“Richard; Lowenherz” adv. 1799	WH 8	139
	Arr unknown 8 winds
Weigl,Joseph	“Richard; Lowenherz” ballet 1795	WH 8	139
	Arr unknown 8 winds, adv. 1799
Weigl,Joseph	“Richard; Lowenherz” March	WH 8	139
	Arr Stuckel, 6 winds,
Weigl,Joseph	“Richard; Lowenherz” & Insel Chr.	WH 8	140
	Arr Buchal, 5 winds, works from
Weigl, Joseph	“Richard Lowenherz”	WH 8	140
	Arr unknown, 8 winds
Weigl, Joseph	PR “Riccardo” adv 1796 in WZ`	WH 8	140
	Arr unknown, Harmoniemusik
Weigl, Joseoph	“Der Rauch der Hellena” 1795 bal	WH 8	140
	Arr Wendt? 6 winds, 2 Eng. Hns
	ballet, 10 mvts
Weigl, Joseph	“Rauch der Helena”	WH 8	140
	Arr unknown 8 winds
Weigl,Joseph	“Rauch der Helena”	WH 8	140
	Arr unknown, 8 winds
Weigl,Joseph	“Der Drauch helenus”	WEH 8	140
	Arr unknown, 8 winds, adv. 1799
Weigl,Joseph	PR “Hellena” adv. WZ 1786	WH 8	140
	Arr unknown, Harmoniemusik
Weigl,Joseph	“Die Verbrennung ud Zestorung
	der Stadt Troja” balled 1796	WH 8	140
	Arr uniknown, 10 mvts 8 winds
Weigl,Joseph	“Incando di Troja”	WH 8	141
	Arr unknown 8 winds
Weigl, Joseph	“Alonzo e Cora,” ballet 1796	WH 8	141
	Arr unknown 8 winds
Weigl, Joseph	“Ballo aus Allonso & Cora”	WH 8	141
	Arr unknown, 8 winds adv. 1799
Weigl, Joseph	“Alcina,” ballet 1798	WH 8	141
	Arr Wendt? 8 winds, 17 mvts
Weigl, Joseph	“Alcine”	WH 8	141
	Arr unknown, Harmoniemusik
Weigl, Joseph	“Alcine”	WH 8	141
	Arr unknown, 6 winds
Weigl, Joseph	“Allcina,” works fom	WH 8	141
	Arr. Buchal, 6 winds
Weigl, Joseph	“Chothilde, Pdrinzessin von
	Salerno,” Ballet, 1799	WH 8	141
	Arr unknown, Harmoniemusik
Weigl, Joseph	” Clothilde Prinsesin v. Salerno”	WH 8	141
	Arr. Havel, 5 winds
Weigl, Joseph	“Alceste,” ballet 1809	WH 8	142
	Arr Wendt? 8 winds
Weigl, Joseph	“Alceste”	WH 8	142
	Arr. Unknown, 8 winds, 7 mvts
Weigl, Joseph	“Alceste”	WH 8	142
	Arr unknown, 6 winds, 15 mvts
Weigl, Joseph	“Die Spanier auf der Insel	WH 8	142
	Christina” ballet 1802
	Arr unknown, Harmoniemjsik
Weigl, Joseph	“Der Spanier auf der Insel Christina	WH 8	142
	Arr unknown, 8 winds
Weigl, Joseph	“Richadrd Lowenherz und Insel	WH 8	142
	Christina, arr Buhal, 5 winds
Weigl, Joseph	“Die Atheniensische Tanzerin	WH 8	142
	Arr unknown 6 winds
Weigl, Joseph	“Die Tanzerin” 10 mvts	WH 8	142
	Arr Paul Maschekk 8 winds
Weigl, Joseph	“Die Tanzerin aus Athen”	WH 8	142
	Arr Sedlak, 8 winds
Weigl, Joseph	“Piolla” & 3 unident operas	WH 8	143
	Arr unknown 8 winds
Weigl, Joseph	“Tiroler Jahrmarkt” ballet	WH 8	143
	Arr unknown 6 winds 2 mvts
Weigl, Joseph	“Palmira” orig unidentified	WH 8	143
	Arr unknown Harmonie, adv WZ 1796
Weigl, Thadeus	“Bachus et Ariadue” ballet	WH 8	143
	Arr u nknown Harmoniemusik
Weigl, Thadeus	“Bachus und Ariadne	WH 8	143
	Arr Triebensee? 9 winds, 13 mvt
Weigl, Thadeus	“Ariadne e Bacchus	WH 8	143
	Arr Wendt? 8 winds, 13 mvts
Weigl, Thadeus	“Die Huldigung” ballet	WH 8	143
	Arr. Wendt 8 winds
Weigl, Thadeus	“Die Vermahlung im Keller’ ballet	WH 8	143
	Arr uninown, 12 mvts 8 winds
Weigl, Thadeus	“Die Vermahlung im Keller’ ballet	WH 8	143
	Arr uniknown, 11 mvts, Harmonie
Weigl, Thadeus	“die Vermahlung in Keller”	WH 8	144
	Arr unknown, 8 winds, adv. 1799
Weigl, Thadeus	“Die Vermuhlung im Kellar	WH 8	144
	Arr unknown 6 winds, adv. 1799
Weigl,?	“Ginevra di Sozia,” ballet	WH 8	144
	Arr. Unknown, 8 winds
Weigl, ?	“10 Arien” orig unknown	WH 8	144
	Arr unknown 6 winds
Weiss, ?	“Amphion” ballet	WH 8	144
	Arr. Triesbensee, 8 winds, 1 mvt
Winter, Peter von	“Henry IV” ballet 1781	WH 8	144
	Arr. Rosiniack, Harmoniemujsik
Winter, Peter von	“Helena und Paris,” opera 1782	WH 8	144
	Ardr. Sartorius, 7 winds
Winter, Peter von	“Das underbrochene Operfest	WH 8	144
	Opera,1796, 6 winds arr Stumpf
	adv 1799
Winter, Peter von	“Das unterbrochene Operfest	WH 8	145
	Arr Sartorius, 7 winds
Winter, Peter von	“Unterbrochene Operfest	WH 8	145
	Arr unknown 8 winds
Winter, Peter von	“Das unterbrochene Operfest	WH 8	145
	Arr Triebensee? 8 winds, 11 and 5
	mvts
Winter, Peter von	“Das unterbrochene Operfest	WH 8	145
	Arr unknown, 11 mvts, 6 winds
Wnter, Peter von	“Das unterbrochene Operfest	WH 8	145
	Arr unknown 6 winds
Winter, Peter von	“Das unterbrochene Operfest	WH 8	145
	Arr. Unknown Harmoniemusik
Winter, Peter von	“Das unterbrochene Operfest	WH 8	145
	Arr unknown 6 winds
Winter, Peter von	“Das unterbrochene Operfest	WH 8	145
	Arr. Stumpf, 6 winds, pieces de
Winter, Peter von	“Babylons pydramiden” op. 1797	WH 8	146
	Arr unknown, 8 winds
Winter, Peter von	“Das Labirint” oopera 1798	WH 8	146
	Arr Wendt? 13 mvts, 8 winds
Winter, Peter von	“Labirinth”	WH 8	146
	Arr Triebensee, 8 mvts, 9 winds
Winter, Peter von	“Der Labyrint	WH 8	146
	Arr unknown, 8 winds
Winter, Peter von	“Das Labyrinth	WH 8	146
	Arr Triesbensee Padrt I, 14 mvts
	9 winds, adv.AMZ 1804 as 2 acts
Winter, Peter von	“Das Labirinth	WH 8	146
	Arr unknown, 14 mvts, 6 winds
Winter, Peter von	“Das Labirinth	WH 8	146
	Arr Sedlak 6 winds
Winter, Peter von	“Das Labyrinithe	WH 8	146
	Arr unknown, Harmoniemujsik
Winter, Peter von	“Marie von Montalban” op. 1800	WH 8	146
	Arr unknown, 8 winds
Winter, Peter von	“Maria von Matalban	WH 8	147
	Arr Sedlak, 6 winds
Winter, Peter von	“Marie von Montalban”	WH 8	147
	Arr unknown 6 winds
Winter, Peter von	“”Stucke aus Montalban und	WH 8	147
	Operffest” arr. Buchnal, 6 winds
Winter, Peter von	PR “Suite d’harmonie”, overture	WH 8	147
	Arr unknown, Harmoniemusik
Winter, Peter von	“Ouverure de Marie de Montalban	WH 8	147
	Arr. Unknown, Harmoniemusik
Winter, Peter von	“Tamerlan” opoera 1802	WH 8	147
	Arr Triebensee, 8 winds, 20 mvts
Winter, Peter von	“Deuxieme suite d’harmonie	WH 8	147
	Arr unknown, Harmoniemjusik
Winter, Peter von	“Elise Graefin von Kilburg	WH 8	147
	Arr. Sartorius, 7 winds, orig unknown
Winter, Peter von	“Elisa” orig unidentified	WH 8	147
	Arr unknown, 8 winds
Winter, Peter von	“Bruder von Stauffenberg” 6 mvts	WH 8	147
	Arr. Triebensee, 9 winds,
Winter, Peter von	“Harmonie tiree des sis Opern	WH 8	148
	Arr unknown, Harmoniemusik
Winter, Peter von	“Oboe quartet” 1 mvt	WH 8	148
	Arr. Triebensee, 8 winds
Wranitzky, Paul	“Oberon, Konig der Elfen,”	WH 8	148
	Arr. Rosiniak, 8 winds, op. 1789
Wranitzky, Paul	PR “dPieces d’harmonie”	WH 8	148
	Arr. Stumpf, 6 mvts
Wranitzky, Paul	PR “dPieces d’harmonie”	WH 8	148
	Arr. Stumpf, 6 mvts, both adv 1799
Wranitzky, Paul	“Das Waldmadchen,”ballet 1796	WH 8	148
	Arr Sedlak? 13 mvts 8 winds
Wranitzky, Paul	“Das Waldmachen”	WH 8	148
	Arr unknown, Harmoniemusik
Wranitzky, Paul	“Das Waldmachen” 12 mvts	WH 8	148
	Arr unknown, Harmoniemusik
Wranitzky, Paul	“Das Waldmachen”	WH 8	149
	Arr unknown, 6 winds
Wranitzky, Paul	“Das Waldmachen, 12 mvts	WH 8	149
	Arr unknown 6 winds
Wranitzky, Paul	“Das Waldmachen” 13 mvts	WH 8	149
	Arr. Ignaz Beecke, 8 winds
Wranitzky, Paul	“ballo aus das Waldmachen”	WH 8	149
	Arr. Unknown 6 winds
Zingarelli, Nicola	“Pirro, re d’Epiro”, op 1791	WH 8	149
	Arr unknown, Harmoniemusik
Zingarelli, Nicola	“Pirro” 5 mvts	WH 8	149
	Arr unkknown 8 winds
Zingarelli, Nicola	“Pirro” 5 mvts	WH 8	149
	Arr unknown, 8 winds
Zingarelli, Nicola	PR “Pirrro”	WH 8	149
	Arr unknown, 8 winds
Zingarelli, Nicola	“Giulietta e Romeo” opera 1796	WH 8	149
	Arr uninown, 8 winds
Zingarelli, Nicola	“Giuletta e Romeo, 8 mvts	WH 8	150
	Arr unknown, 9 winds
Zingarelli, Nicola	“Giuletta e Romeo	WH 8	150
	Arr. Ravel, 6 winds
Zingarelli, Nicola	“Giuletta e Romeo	WH 8	150
	Arr unknown Harmoniemusik
Zingarelli, Nicola	“Giuletta e Romeo	wh 8	150
	Arr Sedlak, 6 winds
Rummel	PR Arr of coll. “Deux grande	WH 8	150
	Pieces,” 9 winds
Weber	PR A work inc in Rummel “Deux	WH 8	150
	grande Pieces” 9 winds
Dussec	PR A work inc in Rummel “Deux	WH 8	150
	grande Pieces” 9 winds
Kalkbrenner	PR A work inc in Rummel “Deux	WH 8	150
	grande Pieces” 9 winds
Wenusch,	Arr “VIII Sucke aus opera”, 8 mvts	WH 8	150
	6 or 7 winds
Wranitzky	A work inc in Wenusch, “VIII Sucke	WH 8	150
	6 or 7 winds
Kreutzer	A work inc in Wenusch, “VIII Sucke	WH 8	150
	6 or 7 winds
Triebensee	Arr coll. “Aus dem besten Opern”	WH 8	150
	8 winds 37 mvts
Mayr	6 works inc in Triebensee, “Aus	WH 8	150
	dem besten Opern” 8 winds
Zingarelli,	3 works inc in Triebensee, “Aus	WH 8	150
	dem besten Opern” 8 winds
Mozart,	3 works inc in Triebensee, “Aus	WH 8	150
	dem besten Opern” 8 winds
Salieri	A work inc in Triebensee, “Aus	WH 8	150
	dem besten Opern” 8 winds
Paer	9 works inc in Triebensee, “Aus	WH 8	150
	dem besten Opern” 8 winds
Weigl	10 works inc in Triebensee, “Aus	WH 8	150
	dem besten Opern” 8 winds
Wranitzky	4 works inc in Triebensee, “Aus	WH 8	150
	dem besten Opern” 8 winds
Sedlak	Arr coll. “Die Fee und der Ritter”	WH 8	150
	“56th and 57th work: 12 mvts, 8 wnd
Rossini	A mvt used in Sedlak, “Die Fee”	WH 8	150
	8 winds
Aiblinger	A mvt used in Sedlak, “Die Fee”	WH 8	150
	8 winds
Mercadange	A mvt used in Sedlak, “Die Fee”	WH 8	150
	8 winds
Pacini	A mvt used in Sedlak, “Die Fee”	WH 8	150
	8 winds
Payer	A mvt used in Sedlak, “Die Fee”	WH 8	150
	8 winds
Pensel	A mvt used in Sedlak, “Die Fee”	WH 8	150
	8 winds
Romani	A mvt used in Sedlak, “Die Fee”	WH 8	150
	8 winds
Widder	Arr coll “76 Stucke fur Harmonie”	WH 8	151
	7 winds [1-56], 8 winds [57-76
Rossini	Work inc in Widder “76 Stucke”	WH 8	151
Meyerbeer, Giacomo	Work inc in Widder “76 Stucke”	WH 8	151
Weber	Work inc in Widder “76 Stucke”	WH 8	151
Auber	Work inc in Widder “76 Stucke”	WH 8	151
Mozart,	Work inc in Widder “76 Stucke”	WH 8	151
Strauss, Johann	Work inc in Widder “76 Stucke”	WH 8	151
Anonmous	Arr of coll. “88 Stucke”	WH 8	151
	10 winds, 2 violas, st. bass
Poissl	Arr coll “Harmonie fujr die	WH 8	151
	konigliche Tafelmusik” Harmonie
Donizetti	A work inc in Poissel “Harmonie”	WH 8	151
Auber	A work inc in Poissel “Harmonie”	WH 8	151
Lachner	A work inc in Poissel “Harmonie”	WH 8	151
Anonymous	Arr of coll “89 Stucke” [opera arr]	WH 8	151
	6 winds
Rossini	A work inc in Anonymous “89	WH 8	151
	Stucke”
Rosetti	A work inc in Anonymous “89	WH 8	151
	Stucke”
Wanhall	A work inc in Anonymous “89	WH 8	151
	Stucke”
Gossec	A work inc in Anonymous “89	WH 8	151
	Stucke”
Ruzini	Arr coll “Miscellanees de la	WH 8	151
	Musique,” 5 mvts, 10 winds
Della Maria	A work inc in Ruzini “Miscellanees’	WH 8	151
Bruni	A work inc in Ruzini “Miscellanees’	WH 8	151
Weigl	A work inc in Ruzini “Miscellanees’	WH 8	151
Winter, Peter von	A work inc in Ruzini “Miscellanees’	WH 8	151
Ruzini	Arr coll “Miscellanees de la	WH 8	151
	Musique,” 6 mvts, 8 winds
Dramar	A work inc in Ruzini “Miscellanees’	WH 8	151
	8 winds
Weigl	A work inc in Ruzini “Miscellanees’	WH 8	151
	8 winds
Winter, Peter von	A work inc in Ruzini “Miscellanees’	WH 8	151
	8 winds
Ruzini	Arr coll “Miscellanees de la	WH 8	151
	Musique,” 4 mvts, 8 winds
Winter, Peter von	A work inc in Ruizini, 4 mvts	WH 8	151
Kauer	A work inc in Ruizini, 4 mvts	WH 8	151
Triebensee	A work inc in Ruizini, 4 mvts	WH 8	151
Anonymous	Arr of coll, 10 winds	WH 8	151
Wilhelm, J.	A work inc in Anon. coll	WH 8	151
Schwarz	A work inc in Anon. coll	WH 8	151
Covalovsky	A work inc in Anon coll	WH 8	151
Starke	Arr [collection], 11 winds	WH 8	152
Boieldieu	A work inc in Starke collection	WH 8	152
Starke	A work inc in Starke collection	WH 8	152
Rossini	A work inc in Starke collection	WH 8	152
Guiliani	A work inc in Starke collection	WH 8	152
Sedlak	Arr. Collection 11 winds	WH 8	152
Rode	A work inc in Sedlak collection	WH 8	152
Hummel	A work inc in Sedlak collection	WH 8	152
Starke	Arr collection 4 mvts 10 winds	WH 8	152
Adam	A work inc in Starke 4 mvt collection	WH 8	152
Donizetti	A work inc in Starke 4 mvt coll.	WH 8	152
Anonymous	Arr collection for 9 winds	WH 8	152
Weiss,	A work inc in Anon. coll. For 9 winds	WH 8	152
Tarchi	A work inc in Anon. coll for 9 winds	WH 8	152
Anonymous	“Harmonie” arr Coll, 8 mvs, 6 winds, ded Prince	WH 8	152
	ded Prince Waldek, several Haydn
Anonymous	Arr collection for 12 winds	WH 8	152
Lanner	A work inc in Anon 12 winds coll	WH 8	152
Strauss	A worki inc in Anon 12 winds coll	WH 8	152
Starke	“Zwey Rondeaux Concertants	WH 8	152
	11 winds
Kalkbrenner	A work in Starke coll for 11 winds	WH 8	152
Mayseder	A work in in Sarke coll for 11 winds	WH 8	152
Triebensee	Arr “Miscellanees” 19 mvts, 7 winds	WH 8	152
Mozart,	A work in Triebensee “Miscell.”	WH 8	152
Pleyel	A work in Triebensee “Miscell.”	WH 8	152
Seyfied	A work in Triebensee “Miscell.”	WH 8	152
Diabelli	A work in Triebensee “Miscell.”	WH 8	152
Paer	A work in Triebensee “Miscell.”	WH 8	152
Maurer	A work in Triebensee “Miscell.”	WH 8	152
Weigel	A work in Triebensee “Miscell.”	WH 8	152
Gretry	A work in Triebensee “Miscell.”	WH 8	152
Tipsly	A work in Triebensee “Miscell.”	WH 8	152
Cherubini	A work in Triebensee “Miscell.”	WH 8	152
Beinet	PR Arr “Suite d’airs’ 4 winds	WH 8	153
Champein	A work in Beinet “Suite d’airs”	WH 8	153
Dalayrac	A work in Beinet “Suite d’airs”	WH 8	153
Framery	A work in Beinet “Suite d’airs”	WH 8	153
Giarnovick	A work in Beinet “Suite d’airs”	WH 8	153
Gretry	A work in Beinet “Suite d’airs”	WH 8	153
Haydn	A work in Beinet “Suite d’airs”	WH 8	153
Monsigny	A work in Beinet “Suite d’airs”	WH 8	153
Salieri	A work in Beinet “Suite d’airs”	WH 8	153
Vogel, Johann	A work in Beinet “Suite d’airs”	WH 8	153
Beinet	PR “Amusemens militaire” 8 winds	WH 8	153
Gretry	A work in Beinet “Amusemens”	WH 8	153
Paisiello	A work in Beinet “Amusemens”	WH 8	153
Salieri	A work in Beinet “Amusemens”	WH 8	153
Fuchs	PR arr “Premiere suite d’airs	WH 8	153
	d’opera, 8 winds	WH 8	153
Bruni	A work in Fuchs “Premiere sjuie”	WH 8	153
Dalayrac	A work in Fuchs “Premiere sjuie”	WH 8	153
Tarchi	A work in Fuchs “Premiere sjuie”	WH 8	153
Fuhs	PR arr “2e Suite d’Airs” 8 winds	WH 8	153
Ozi	PR arr “Nouvelle suite de pieces	WH 8	153
	d’harmonie 6 winds
Chapelle	A work in Ozi “Nouvelle suite”	WH 8	153
Chardiny	A work in Ozi “Nouvelle suite”	WH 8	153
Dalayrac	A work in Ozi “Nouvelle suite”	WH 8	153
Deshayes	A work in Ozi “Nouvelle suite”	WH 8	153
Gardel	A work in Ozi “Nouvelle suite”	WH 8	153
Giroult	A work in Ozi “Nouvelle suite”	WH 8	153
Gretry	A work in Ozi “Nouvelle suite”	WH 8	153
Haydn	A work in Ozi “Nouvelle suite”	WH 8	153
Kreutzer	A work in Ozi “Nouvelle suite”	WH 8	153
Martini	A work in Ozi “Nouvelle suite”	WH 8	153
Ozi	A work in Ozi “Nouvelle suite”	WH 8	153
Paisiello	A work in Ozi “Nouvelle suite”	WH 8	153
Philidor	A work in Ozi “Nouvelle suite”	WH 8	153
Piccini	A work in Ozi “Nouvelle suite”	WH 8	153
Pleyel	A work in Ozi “Nouvelle suite”	WH 8	153
Rouget de Lisle	A work in Ozi “Nouvelle suite”	WH 8	153
Salieri	A work in Ozi “Nouvelle suite”	WH 8	153
Trietto	A work in Ozi “Nouvelle suite”	WH 8	153
Viotti	A work in Ozi “Nouvelle suite”	WH 8	153
Vanderhagen	PR Arr of coll “Pieces d’harmonie”	WH 8	153
	6 winds
Dalayrac	A work in Vanderhagen “Pieces”	WH 8	153
Dezede	A work in Vanderhagen “Pieces”	WH 8	153
Gretry	A work in Vanderhagen “Pieces”	WH 8	153
Monsigny	A work in Vanderhagen “Pieces”	WH 8	153
Paisiello	A work in Vanderhagen “Pieces”	WH 8	153
Sacchini	A work in Vanderhagen “Pieces”	WH 8	153
Anonymous	A work in Vanderhagen “Pieces”	WH 8	153
Vanderhagen	PR Arr of coll “Suite d’harmonie”	WH 8	153
	6 winds
Beffroy de Resgny	A work in Vanderhagen “Suite”	WH 8	153
Dalayrac	A work in Vanderhagen “Suite”	WH 8	153
Gretry	A worki in Vanderhagen “Suite”	WH 8	15w3
Mehul	A work in Vanderhagen “Suite”	WH 8	153
Pleyel	A work in Vanderhagen “Suite”	WH 8	153
Anonymous	A work in Vanderhagen “Sujite”	WH 8	153
Vandehagen	PR Arr of coll.”Suite d’airs”	WH 8	154
	6 winds
Gretry	A work in Vanderhagen “S. d’airs”	WH 8	154
Martini	A work in Vanderhagen “S. d’airs”	WH 8	154
Piccini	A work in Vanderhagen “S. d’airs”	WH 8	154
Sacchini	A work in Vanderhagen “S. d’airs”	WH 8	154
Courtin	PR Arr coll Harmoniemuisik	WH 8	154
Andreozzii	A work in Courtin coll	WH 8	154
Martini	A work in Courtin coll	WH 8	154
Mozart	A work in Courtin coll	WH 8	154
Sarti	A work in Courtin coll	WH 8	154
Zingarelli	A work in Courtin coll	WH 8	154
Anonyhmous	Coll. 12 mvts fl, ob, 2 cl, 2 hn	WH 8	154
Gretry	A work in Anon collection	WH 8	154
Monsigny	A work in Anon collection	WH 8	154
Piccini	A work in Anon collection	WH 8	154
Dalayrac	A work in Anon collection	WH 8	154
Dittersdorf	A work in Anon collection	WH 8	154
Paisiello?	“Nina” opera, 7 mvts	WH 8	154
	Arr. Wendt, 6 winds, 2 Eng hns
Gyrowetz	“Der Zauberschlaf” ballet	WH 8	154
	Arr Starke 11 winds
Anonymous	“Alexandre et Campase” ballet	WH 8	154
	Arr unknown, 7 winds	WH 8	154
Anonymous	“Le Baal Angloise” ballet	WH 8	155
	Arr unknown 7 winds
Anonymous	“La Bianca e la Rolsa” ballet	WH 8	155
	Arr Wendt” 11 mvts, 6 winds 2 E.hn	WH 8	155
Anonymous	“Valses, “Le bon gout”	WH 8	155
	Arr unknown 11 winds, serpent
Anonymous	“Die Eingebildeden Philosophen	WH 8	155
	opera, arr Wendt? 10 mvts
	6 winds, 2 Eng hn
Anonymous	PR “Airs d’ Fuchesria e puntiglio	WH 8	155
	Arr Fuchs, 8 winds
Cimarosa	A work in Anon. “Airs d’Fuchesna”	WH 8	155
Bianchi	A work in Anon “Airs d’Fuchesna”	WH 8	155
Palma	A work in Anon “Airs d’Fuchesna”	WH 8	155
Anonymous	A work in Anon “Airs d”Fuchesna”	WH 8	155
Anonymous	“6 Menuetti, 12 Deutsche aus	WH 8	155
	bummen Gartner” 7 winds, adv 1799
Anonymous	“Le Festin de Piere” ballet	WH 8	155
	Arr unknown, 7 winds
Anonymous	“Le fete flamende” ballet	WH 8	155
	Arr unknown, 7 winds
Anonymous	“Runddtanz aus Figaro” ballet	WH 8	155
	Arr unknown 9 winds
Anonymous	“Les Honaces” ballet	WH 8	155
	Arr. Unkown 7 winds
Anonymous	PR “Groser Marsch, aus Kng Lear	WH 8	156
	Arr. J. von Blumenthal, 9 winds
Anonymous	“Le Lavandaje di Cittera” ballet	WH 8	156
	Arr Wendt” 7 mvts, 6 winds, 2 E. hn
Anonymous	“Das beliebte Lied, Mensch…”	WH 8	156
	Arr unknown 11 winds
Anonymous	“Messellan”	WH 8	156
	Arr unknown 9 winds
Anonymous	“Messano”	WH 8	156
	Arr. J. Wratni, 7 winds
Anonymous	“March v. Messano”	WH 8	156
	Arr. J. Wratni, 6 winds
Anonymous	“La morte di Virginia”	WH 8	156
	Arr unknown, 6 mvts 11 winds
Anonymous	“Die Psyche” ballet, Pt 2, 12 mvts	WH 8	156
	Arr. Ruzni, 11 winds
Anonymous	“Der Quacksalber & Zwerge” ballet	WH 8	156
	Arr Triebensee 8 winds
Anonymous	PR “Rochus Pumpernickel”, over.	WH 8	157
	Arr unknown, 10 winds
Anonymous	“La Sposa Persiana” ball. 20; mvts	WH 8	157
	Arr Wendt? 6 winds, 2 Eng. Hns
Anonymous	“Die Tage de Gefahr”, op 2 mvts	WH 8	157
	Arr. Triebensee, 8 winds
Anonymous	“Der Tfiumph des Vitelius Maximus	WH 8	157
	ballet, Arr.Triebensee, 3 mvts.
	8 winds, perhaps by Agostgino
	Ballolt
Belloli, Agostino	Perhaps composer of “Der Triumph	WH 8	157
	der Vitelius Maximus, ballet,3 mvts
	Arr. Triesbensee 8 winds
Anonymous	“L’uomo negro” 3e parts, 21; mvts	WH 8	157
	Arr. Osswald, 11 winds
Anonymous	PR “Airs, Ballet, Venus et Adonis	WH 8	157
	Arr Vanderhagen, 6 winds
Anonymous	“Die Zxween Anton: opera	WH 8	157
	Arr unknown 8 winds
Anonymous	“Die Zwey Anton oder der Dame	WH 8	157
	Gartner” 16 mvts Arr Wendt?
	6 winds, 2 Eng hn
Anonymous	“Madame D” orig, clavecin	WH 8	157
	Arr unknown 6 winds
Anonymous	“Ballo” orig unidentified	WH 8	158
	Arr unknown 7 winds
Anonymous	“Belichter Marsch orig unident	WH 8	158
	Arr unknown, 8 winds
Anonymous	“Condrillon Romance” orig unident	WH 8	158
	Arr unknown 8 winds
Anonymous	“sposalizio Allegro” orig. unknown	WH 8	158
	Arr unknown 8 winds
Anonymous	[unidentified opera]	WH 8	158
	Arr unknown, 8 winds
Anonymous	[unidentified opera]	WH 8	158
	Arr unknown 11 winds
Anonymous	PR “Pieces d’harmonie,”	WH 8	158
	Arr F. Baer, 6 winds`
Anonymous	[unidentified opera]	WH 8	158
	Arr. Joseph Heinrich Harmonie
	adv. AMZ 1832
Anonmous	PR “Airs d’opera buffa	WH 8	158
	Arr. Fuchs Harmoniemusik
Anonymous	PR “Airs d’Opera comique	WH 8	158
	Arr. Fuchs, Harmoniemusik
Anonymous	PR “2me Suite d’Airs	WH 8	159
	Arr Fuchs 8 winds
Anonymous	PR “Pot-pourri”	WH 8	159
	Arr Fuchs 4 cl, 2 bsn, 2 hn
Anonymous	PR “Douze ariettes”	WH 8	159
	Arr.Hoffmeister 5 winds
Anonymous	PR “L’opera comique”	WH 8	159
	Arr Jorg, 6 winds
Anonymous	PR “12 Piecen”	WH 8	159
	Arr. Jorg, Harmoniemusik
Anonymous	“Ouvertures et Airs	WH 8	159
	Arr. Ozi, Harmoniemujsik
Anonymous	“Misscelaus fur 1816”	WH 8	159
	Arr. Starke, 13 mvts
Anonymous	“Overture”	WH 8	159
	Arr. Stumpf, 6 winds
Anonymous	PR “Pieces d’harmonie”	WH 8	159
	Arr Vanderhagen, 6 winds
Anonymous	PR Iere [12eme] Suitte des	WH 8	159
	amusements militaires, 6 winds
	Arr. Vanderhagen [2 sets]
Anonymous	PR “pot-pourri”	WH 8	160
	Arr Vanderhagen, Harmoniemusik
Anonymous	PR “Airs de l’Opera buffa	WH 8	160
	Arr. Vanderhagen 6 winds
Anonymous	“Franzosische stucke aus Opern	WH 8	160
	Arr Wendt? 21 mvts 6 winds 2 Eh
Anonymoujs	[Pieces from various ballets]	WH 8	160
	Arr. Wendt 8 winds
Anonymous	“Diverisi Opern Arien	WH 8	160
	Arr Wenddt 6 winds
Anonymous	“Vari Pezzi degli Balli”	WH 8	160
	Arr Wendt, 6 winds
Pichl, Wenzel	51 Partitas 21-02	WH 8	163
Alessio, Francesco	41 Partitas 21-02	WH 8	163
Aspelmayer, Franz	36 Partitas 21-02	WH 8	163
Neuman	6 Partitas bsn, 2 hn, 2 Eng hn	WH 8	163
Handke, Mauritius	4 Partitas, bsn, 2 hn, 2 Eng hn	WH 8	163
Anonymous	Classical Period Bohemia	WH 8	163
	“Adagio” 2002-02
Anonymous	Classical Period Bohemia	WH 8	163
	“Alle Mande” in C 21-02
Anonymous	Classical Period Bohemia	WH 8	163
	“Animas Fidelium,
	SATB 2201-22
Anonymous	Classical Period Bohemia	WH 8	163
	“Aria funebris” SATB 21-02
Anonymous	Classical Period Bohemia	WH 8	163
	“Arioso e Minuetto” 22-01 adv 1799
Anonymous	Classical Period Bohemia	WH 8	163
	3 Auszuge, 13 winds, timp
Anonymous	Classical Period Austria	WH 8	164
	“Begrabnisgang, SATB, 6 winds
Anonymous	Classical Period Bohemia	WH 8	164
	“Cassation” solo flute, 6 winds
	2 “taliae”
Beer?	Classical Period Austria	WH 8	164
	Concerto for Bb Clarinet, 8 winds
Anonymous	Classical Period Bohemia	WH 8	164
	“Deutsche Messe, 9 mvts
	SA, 2020-02, organ
Anonymous	Classical Period Bohemia	WH 8	164-5
	11 Divertimenti, 5 and 6 winds
	One for 21-basset hn, 3 mvts
Anonymous	Classical Period Bohemia	WH 8	165
	“Eccasse” 8 winds
Anonymous	Classical Period Bohemia	WH 8	165
	“Gott auf dem Wort edrscheinin”
	SATB, -022, organ, st bass
Anonymous	Classical Period Austria	WH 8	165
	PR “Hymne auf die Harmonie”
Anonymous	Classical Period Bohemia	WH 8	165
	“Hymnus pro olemni, SATB,8 winds
Anonymous	Classical Period Austria	WH 8	165
	PR Sammlung aller Marsche und
	Kriegslieder des Osterr”. 8 winds
	adv. WZ 1797
Anonymous	Classical Period Bohemia	WH 8	165
	6 Marsche von various composers
	8 winds
Anonymous	Classical Period Austria	WH 8	165–6
	56 Marches, most 8 winds
Anonymous	Classical Period Austria	WH 8	165
	PR “Marsch des lobl: zweyten Burger
	Regiment in Wien” 8 winds
Anonymous	Classical Period Swiss?	WH 8	165
	“Den Manen des gefallenen Volkes
	von Unterwalde nid dem Walde,
	am 9ten Herbstmonat 1798
	6 winds, 2 muited hns
Anonymous	Classical Period Bohemia	WH 8	166
	“Madrch de l’Atillerie Tambourette”
	5 winds
Anonymous	Classical Period Bohemia	WH 8	166
	2 Minuetto, 201-02
Anonymous	Classical Period Austria	WH 8	166
	“Pange lingua” SSATBB, 5 winds
Anonymous	Classical Period Austria	WH 8	166-7
	8 Partitas, 5-7 winds, adv. 1799
	two “Partitte Turchesi for 10 winds,
	2 piccolos, Tam. Piccolo, Trianglo
	Tamb. Grande, Cinelli
Anonymous	Classical Period Pachty estate	WH 8	167-70
	64 Partitas, most 7 winds. One is
	“parthia Pastoralis” two are
	“Parthia ala Camera”
Anonymous [“C.M”.]	Classical Period Bohemia	WH 8	170
	2 Parthia 1776, 6 winds
Anonymous	Classical Period Bohemia	WH 8	170
	6 Poloneso e 2 Mazurka, 8 winds
Anonymous	Classical Period Ausstria	WH 8	171
	Polonoise, 5 winds, adv 1799
Anonymous	Classical Period Bohemia	WH 8	171
	Quadrille, 7 winds, composer given
	as “Adolph I. K. H. P.”
Anonymous	Classical Period Austria	WH 8	171
	Sextetto [1800], 6 winds
Anonymous	Classical Period Bohemia	WH 8	171
	Sonatini, 6 winds
Anonymous	Classical Period Austria	WH 8	171
	6 Variatione [“Nr. 3”] clar, 7 winds
Alessio, Francesco	Classicall Period	WH 8	171-3
	53 Parthia, most 6 winds; 11 are
	given as 202-02 with 22-02 as an
	option
Alessio, Francesco	Classical Period	WH 8	172-3
	2 Cassatio, 2-02, 2 talie
Amantino, ?	Classical Period Bohemia	WH 8	173-4
	12 Divertimeni, 201-02
Ascherl, ?	Classical Period Bohemia	WH 8	174
	Marsch, 10210112, drum
Aspelmayer, Franz	1728-1786, Bohemian	WH 8	174-77
	33 Partita di Campagnia
	41 Partitas, most 2001-02
	Partita du Camera
	Concertino, 1786, 202-02, 2 talii
Avertal, ?	Classical Period, Austria	WH 8	177-8
	3 Partita 2021-22 Tamborino,
	Tamb. Turc, Piati, all adv. 1799
	Parthia, 2022-2 “Cor Trombe”
	Parthia, 21-12 and 2 Pfiffari
	Turxca, 2022-2
Beer,Joseph	1744-1811 Bohlemia	WH 8	178
	Variatione 22-02
Bayer, ?	Classical Period, Bohemia	WH 8	178
	Landler, 222-02
Bem, Vaclav	Classical Period Bohemia	WH 8	178
	Parthia, 202-02
Bitsch, ?	Classical Period, Austria	WH 8	178
	Pieces d’Harmonie, 22-02,
	Adv 1799
Bono, Giuseppe	1710-1788 Bohemia	WH 8	178-9
	10 Parthia, 1-02, 2 Eng hn
	Partitta du Camare, 1-02, 2 Eng hn
Brixi, Fxrantisek	1732-1771 Bohemia	WH 8	179
	3 Pathia, 1-02, 2 talie
	Intermezzo, 2-02, 2 talie
Brusek, Joseph	Classical Period	WH 8	179-80
	2 Parthia 8 winds
	Variatione 22-02
	Salve Regina, SAB 8 winds
	Salve Regina, 8 voices, winds
Buchna, ?	Classical Period Bohemia	WH 8	180
	Toden Marsch 22-02
Cartellieri, Antonio	1772-1807 Austria	WH 8	180
	3 Divertimento 9 winds
Cejka, Valentin	Classical Period Bohemia	WH 8	180
	3 Divertimento 202-02
Cigler, ?	Classical Period Bohemia	WH 8	181
	Pathia 201-02
Cisler, ?	Classical Period Austria	WH 8	181
	Parttia, 22-02
Cremitasch, ?	Classical Period Austria	WH 8	181
	Parthia 22-02
Czeyka, Valentin	b.1769 Italy	WH 8	181
	Walzer & 3 Landler Harmoniemusik
Dittrichstein, Moritz,	Graf, 1775-1864 Austria	WH 8	181
	Minuetto, 2001, 2 basset hn, 2 Eng
	hns
Discher, J.	Classical Period Bohemian	WH 8	181
	4 Partie ala Camera, 4 and 5 mvts
	Quintetto, 4 mvts all 22-02
Donsa, Karl	Classical Period, Bohemia	WH 8	182
	Missa in honorfen St. Venceslai
	SATB -202
Drechsler, Jossef	1782-1852 Hungarian	WH 8	182
	Marcia Mor. di Nelson 8 winds
Drduschetzky, Georg	1745-1819 Hungarian	WH 8	182-8
	Adagio & Allegro, 8 winds
	2 Concerti, solo Clar, 6 winds
	2 “Der Fruhling, SATB 8 winds
	Zmeskal tact – Wiener Zell, 8 winds
	3 French marches 8winds
	March for General Gudon 8 winds
	Marsch for Napoleon, 9 winds
	“Mass” 12 winds [no vocal?]
	“Misere” 6 winds, basset hns
	“Motetto” 6 winds adlib voices, stgs
	“Offertorium St. Stephan, 10 winds
	organ, missing voices, “Adagio
	con un Imitiazione”
	83 Parthia, mostly 6 winds
	“Partitta Berdlersgarn” folk insts
	2 Parthia “Conceertand” 6 winds
	2 Partittta La Camera” 4 winds
	and 3 basset horns
	“Parthia, Concertino a Flauto 5 wnds
	Partita, 8 winds, solo Timpani
	Punschlied, SATB 8 winds
	Sensucht SATB 8 winds
	6 themes each with 6 var. 6 winds
	Var on March theme by Count
	Louis de Szechny, 8 winds
	3 sets of Variations, 8 winds
	Zrini Ungadria 8 winds
Dusek, Frantisek	1731-1799 Bohemian	WH 8	188-92
	Marsch 8 winds, timpani
	55 Partita, 6 winds
Fischer, ?	Classical Period Bohemia	WH 8	193
	Todten Marsch 6 winds
Fischer, Thomas	Classical Period, Austria	WH 8	193
	“Il Couraggio” soli ob, Eng hn, 6 wn
Freundthalier, ?	Classical Period Austria	WH 8	193
	Divertimento 5 winds
	Harmoniestucke, 2 bsn, 2 basset hn
	Harmoniestucke 2 cl, bsn, basset h
	Divertimento, 2 cl, bsn, 2 hn, basset
Gassmann, Florian	1729-1774 German	WH 8	193-4
	10 Parthia 5 and 6 winds, one
	“Madame la Comtesse de
	Wallerstein”
Gebel, ?	Classical Period, Austria	WH 8	194
	PR 2 Harmonie, Op. 11, 6 winds
Golabek, ?	Classical Period [cited in Hellyer]	WH 8	194
	Partita, 5 winds
Griessbacher,	Reimund,Director Harm. of Prince	WH 8	195
	Grassalkowitz, Vienna 1796
	Allegro and Romance 6 winds
Grot, ?	Classical Period, Austria	WH 8	195
	Parthia, 6 winds
Gyrowetz, Adalbert	1763-1850	WH 8	195-6
	Aria Russe 6 winds
	Divertimento in D Harmoniemusik
	“Lasst Fenisens Lob, voice 6 winds
	guitar, 2 timpani
	Noturno 6 winds
	26 Parthia, 6 and 9 winds
	Quintetto, 2 bsn, 3 basset hns
	PR 5 Serenades 21-02
	PR Serenade, Op. 7, 9 winds
	PR Walses, Harmoniemusik
Hanschke	Classical Period, Bohemia	WH 8	196
	Partia, 6 winds
Harke, Friedrich	Classical Period Poland	WH 8	197
	6 Marschen, 10 winds
Hattasch, Dismas	or Jan Hatas, 1724-1777	WH 8	197
	4 Parthia Pastoritia 5 winds
	5 Parthia 5 and 6 winds
Haydn, Franz Josef	1732-1809	WH 8	197-203
	Adagio, 1122-02
	Andante, 21-02
	23 Divertimento 6 and 8 winds
	Feld Parthie, lost
	2 Partie	6 winds
	16 Parthie, 5 – 8 winds
	Echo, 2 fl
	Introduzione, 12 winds [Overture
	Part 2, Seven Lst Words
	10 Marsch
Haydn, Joh. Michael	1737-1806	WH 8	203-4
	3 Divertimenti 4 to 8 winds
	PR Harmonie Nr. 1 8 winds
	Libera, STB, 6 winds
	March collection 6 winds
	Turkischer Marsch 12 winds, perc
	Deutsche Messe SATB 12 winds,
	organ, timpani
	Deutsche, SATB 6 winds organ
	Heiligen Messe, SATB 6 win. Organ
	Missa St. Hieronymus. Voices
	202-003
	Partita, 5 winds, lost
	Terzetto, “yluc piae mentes” STB
	22-02
Hoschna, Jcob	Classical Period Bohemia	WH 8	204
	Parthia, 5 winds
Huber, Jakub	Classical Period, Bohemia	WH 8	204
	2 Missa choralis, SATB, 4 and 5
	winds, organ
Kammel, ?	Classical Period	WH 8	205
	2 Serenata, 4 and 6 winds
Kauer, Ferdinand	1751-1831 Austria	WH 8	205
	PR “Nelsons grosse Seeschlacht
	Harmoniemusik
	Parthia, 6t winds
Kristen, ?	Classical Period Bohemia	WH 8	205
	2 Parthia, 2001-02, 2 taille
Knezek, Vaclav	1745-1806 German	WH 8	205
	2 Partita, 6 winds, 2 viola?, st bass
Knorr, Bernhard	Freiherr, 18th c. Vienna	WH 8	205
	Quintet 1001,02, Eng. hn
Koschesvitz, Josef	Classical Period Hungary	WH 8	206
	6 Hongroises, 9 winds
	6 Hongroises 9 winds, arr.
	Druschsetzky
Kotters, ?	Classical Period Bohemia	WH 8	206
	Parthia 6 winds
Kozeluch, Jan	1738-1814 Bohemia	WH 8	206
	Cassatdon, 5 winds
Kozeluch, Leophold	1752-1818 Bohemia	WH 8	206=8
	6 Divertimenti 6 winds, 2 w/ piano
	PR Harmonie Nr. 2, 9 winds B&H
	Musica Miliaire, inst unknown
	PR Marsch fur das Corps des
	Handelstands von Wien, adv 1799
	Harmoniemusik
	Prag. Coll military pieces in pf score
	10 Parthia 6, 7, 8 mvts
	Quintet, 5 or 6 winds
Krasa, ?	Classical Period Bohemia	WH 8	208
	2 Parthia, 6 winds
Kreith, Karl	d. 1809 Austria	WH 8	208-10
	30 Partita 6 winds
	PR Armonia, Harmoniemusik
	PR Marcia per I morti 9 winds
	PR Andantino, “Der Trompetenstoss
	9 winds
	PR 8 marches, one “fur das neu
	Errichtete Wiener Scharfschutzen-
	Korps
	PR 2 marches, Op. 95 8 winds
	12 Original aufzuge fur die K.K.
	Regimenter zu Pferd 5 tpts
	Musique harmonique 8 winds
Kucharz, Johann	1751-1829	WH 8	210
	Partitas, Harmoniemusik
Lambe, Antonin	1718-1784 Bohemia	WH 8	211
	12 Parthia, 6 winds
	Te Deum, SATB, -23, timp, organ
Linck, Jiri	Classical Period, Bohemia	WH 8	212
	Fanfare, 1785, 4 tpt, timp
Lorentz, ?	Classical Period,Bohemia	WH 8	212
	13 Parthia, 6 winds
Lutter, ?	Classical Period, Austria	WH 8	212
	Parthia, 6 widns
Malzat, Ignaz	1757-1804 Austria	WH 8	212-3
	5 Parthia, 1799 5 and 7 winds
	Divertimento per L’armonia 8 winds
	and Eng hn
Martiegka, W.	Classical Period, Bohemia	WH 8	213
	6 Aufzuge, 4 tpt, 2 hn,tb, timp
	6 Aufzuge, solo clarino, 6 brass, timp
	“Regenschoir in Wien
Mayer, Franz	Classical Period, Bohemia	WH 8	213
	5 Parthia
Mederfisch, Johann	1752-1835	WH 8	213
	Chor der Tempelherrn SATB organ
	2021-002
Mering, ?	Classical Period Bohemia	WH 8	213
	Parthia, bsn, 2 tpt 2 Eng. hn
Michl, Joseph	1745- 1815	WH 8	214
	Laudate Pveri 1770, SATB organ
	timpi, 200-22
	Polonaise concertante 1002-02
Milling, ?	Classical Period Bohemia	WH 8	214
	2 Parfhia, 6 winds
Misik, Frandtisek	Classical Period Bohemia	WH 8	214-5
	19 Paftita 201-02, 2 talie
Monn, Giovanni	Classical Period, adv. 1799	WH 8	215
	Musica Turchese 201-22 gimpi,
	Tamburno grand Piatti
Moravetz, ?	Adv. 1799, Vienna	WH 8	216
	Padrthia 8 winds
Mozart, Wolfgang	1756-1791 Ausria	WH 8	216-23
	PR/MS Divertimenti K 159b, 159d
	213, 240, 240a, 240b, 253, 270,
	271g, 370a [gran Partita with
	several arrangements] 375 [with
	arrangements], 384a [with arr. and
	fragmens], KC 17.01, 1702, 1703,
	17.04, 17.05, 17.07, 17.08, 17.09
	17.10. 6 Variaions in F, 5 Parthia,
	32 mvts attribued to Mozart
	Partita, 2 Parthien, K.497 8 winds
	Alma dei K. 277 arr. Ferd. Schubert
	for voices 101-22 timp
	K. 386c, horn and 4 strings
Muller Wenzel	1767-1835 Austria	WH 8	224
	Works for Harmoniemusik A:Gk
Mulling, ?	Classicall Period, Bohemia	WH 8	224
	Parthia, 6 winds
Myslivecek, Josef	1737-1781 German	WH 8	224
	3 Parthia
Neubauere, Fdranz	1760-1795 German	WH 8	224-5
	22 Parhien 8 winds, one is 1122-
	02, Quart bassoon
Neuhauser, ?	Austria, adv. 1799	WH 8	225
	Marcia Turica 11 winds, timp. 1799
Neumann,Anton	1740-1776 Bohemia	WH 8	225
	7 Parthias, one is 1-02, 2 Eng hn
Nudera, Vojtech	Classical Period Bohemia	WH 8	226
	Parthia 5 winds
Ordonez, Carlo	1734-1786 Vienna	WH 8	226
	Octet, 6 winds 2 Eng hn
	Partita Turc 201-22,timp, Tambour
	Piatti, adv 1799
	Wiener Diarium 1779:Das
	Denkkmal des Friedens, 2 wind
	orchestras during fireworks in
	Prater
Panizza, Giovanni	Classical Period, Austria	WH 8	226
	Sextet, 1021-02
Piccinni,Nicola	1728-1800 Vienna	WH 8	226
	RaffnelMarcia des loblich
	Standischen Fresnkorps, 8 winds
	adv 1799
Pichl, Wenzel	1741-1805 Bohemia	WH 8	226-8
	Harmonie 5 winds
	35 Partitas, Pastorelle, 6 winds
	Divertimento 6 winds
Pleyel, Ignaz	1757-1831 Bohemia	WH 8	228-30
	13 Parthia, 6 and 8 winds
	6 Pieces d’Harmonie 8 winds
	3 Seenades 14 perc and two are
	8 with contrebasse
	Rondo, 111-12 serpent
	2 Sextets 111-02, piano; winds
	PR 9 harmonifes, 6 winds
	Hymn to Liberty, solo voice 22-02
	PR Pieces d’harmonie tires des
	oeuvres de Mr. Pleyel Arr Bisch
	PR Side de modrceaux, tires de
	ouvrfes de Mr. J. Pleyel. Arr. Bisch
Posselt, Franz	Classical Period Bohemia	WH 8	230
	Partita, 101-02, viola?
Prachensky, Joaues	Classicall Period Austrdia	WH 8	230
	4 Parthia Turika, winds 13 w/timp
	2 with 8 winds, 2 p iccolo, pagel,
	Zinellen
Puschman, Joseph	Classical Period Bohemia	WH 8	231
	5 Partita, 6 winds, one adv 1799
Relluzi, ?	Classical Period Bohemia	WH 8	231
	Parthia, 5 winds
Righini, Vincenzo	1756-1812 Austria	WH 8	231-2
	3 Serenades 6 winds, one 8 winds
	Armonia, 1797, 8 winds sst bass
	[An extraordinarily long and
	difficutt work] ; Partita 8 winds
	Sonata, 6 winds
Rindl, Hermann	Classical Period, Bohemia	WH 8	232
	2 Prufungslieds, 1799 and 1800
Roller, ?	Classical Period Bohemia	WH 8	232
	13 Parthia, 6 8 and 10 winds
Roser, Johann	1740-1797 Belgium	WH 8	233
	Tantum ergo SATB, 8 winds, organ
	works for Harmoniemusik [MGG]
Salieri, Antonio	1750-1825 Italy/Vienna	WH 8	233-4
	Aromonia della Notte, 8 winds
	Cassazione, 6 winds 2 Eng. Hn
	3 Quintets 5 winds [Italian]
	11 Marches Nr. 1 10 winds
	Nr. 2: 2 trumpets, 3 timpani
	Nr. 3 8 grumpets 4 timpani
	Nr. 9 2 tumpets [a fanfasre]
	Marsch 10 winds
	Parade Marsch 10 winds singer
	4 Serenades 2202-02 and 8 winds
	2 Sesrenades 2202-02 st bass
Schmidbauer ?	Classical Period Czechoslovakia	WH 8	234
	2 Partitta 5 winds
Schoringer, Carl	Classical Period Czechoslovakia	WH 8	234
	Parthia 5 winds
Schuester, ?	Classical Period Czechsolovakia	WH 8	234-5
	9 Parthia 5 and 6 winds
Schwarz, ?	Classical Period Vienna?	WH 8	235
	PR “Marche fur die ganze
	Turkische Musik oder 9 winds
Simon, ?	Classical Period Bohemia	WH 8	235
	4 Partita 2001-02, 2 taille
Spergen ?	Classical Period Austria?	WH 8	235
	Parthia 6 winds
Stadler, Anton	1753-1812 Austria	WH 8	235
	Partitas for 6 winds, lost mentioned
	in 1785 records of the Crowned
	Hope Masonic Lodge in Wien
Stadler, Josef	Classical Period Austria	WH 8	235
	12 Tadeschi for 22-02
Sstadler, Maximilian	1748-1833 Austria	WH 8	236
	Hoch du mein Vaterland, SATB
	Harmoniemusik
Starzer, Josef	1726-1787 Austria/Russia	WH 8	236
	2 Musica di Cameera 30-12, timp
	for Regina di Moscovia
	Les 3 Sultanes, 5 winds
	Le Matin et Soir 8 winds also
	for 202-02 2 Eng hns
	Concerto 5 winds 1780
Steffani, ?	Classical Period German?	WH 8	236
	6 Parthien, Op. 1, 5 winds
Stepan, Josef	1726-1797 German?	WH 8	236-7
	2 Harmonie 5 and 8 winds
	Serenata, Harmoniemusik
	6 Partitas, 8 winds
Strouhal Padre B.	Classical Period Bohemia	WH 8	237-8
	9 Parthia 5 winds
	8 Parthia, with parts marked a2
	Parhia “Il Cuco” solo fl, 6 winds
	Parthia “Il Echo con Adieu” 6 winds
	Parhia “Le Galline Cloche” 6 winds
Süssmayer, Franz	1766-1803 Austria	WH 8	238
	3 Marchs 8 and 9 winds
Thern, Carl	Classical Period Austrdia	WH 8	238
	Wachparade, 8 winds
Umlauf Ignaz	1746-1796 German	WH 8	239
	Musik von Bergleuten, independent
	work within an opera 6 winds
Vanerovsky, ?	Classical Period Bohemia	WH 8	239
	2 Parthie, 6 winds
	Litaniae, SATB 7 winds, timpani
	Requiem, SATB 6 winds
Vanhal, Johann	1739-1813 Bohemia	WH 8	239-40
	3 Divetimenrti 5 winds
	Breves et faciles Hymn, SATB,
	5 winds
	5 Marches 6 winds
	3 Parthia 5 and 6 winds
	6 Qujintets, 5 winds adv. 1771
	Serenade, 7 widns, some a2
Vogel, Pater Cajetan	1750-1794 Classical Period	WH 8	240
	Parthien, cited in MGG & Grove
	Demophon Ouverture 8 widns
	Same, PR arr Fuchs 10 winds
Wallner, Vinzenz	1769-1799 Ausrria	WH 8	240
	“4 Notturni, canone wih variations,
	a Marcha an adagio per armonia
	solo 1796, cited in MGG
	Chorus, 1-22
Weigart, Francisco	Classical Period Czechoslovakia	WH 8	240-1
	8 Partita 5 winds
Weigl, Joseph	1740-1820 Austria	WH 8	241
	Marsch 8 winds, timpani
	2 Parhia 8 winds
Wendt, Johann	1745-1809 Bohemia/Austria	WH 8	241-44
	35 Parthia 6 and 8 winds
	18 Pieces, 6 winds, 2 Eng hn
	17 Pieces 6 winds, 2 Eng hn
	12 Pieces, 6 winds, 2 Eng hn
	Oktet 8 winds
	PR Pieces en harmonie 4 cl, 2 bsn
	PR Pieces en harmonie 42-02
	Pieces alla Camera, 201-02,
	another version bsn, 2 hn, 2 basset
	Adv. 1799, Vienna
Willy, Jean	Classial Period Czechoslovakia	WH 8	244
	6 Parthia [here Barthia] 6 winds
	Divertimento 2-02 [parts for viola,
	bassoon, 2 horns
Winter, Peter von	1754-1825 Austgria	WH 8	245
	6 Parthia 6 and 8 winds
	Non danket alle Gott, SATB 6 winds
	O konnt ich dich, SATB 8 winds
	Veni Sancte Spiritus, SATB 8 winds
Wranitzky,Anton	1761-1820 Czechslovakia	WH 8	245-6
	4 Jagdmarsche 6 ;winds
	2 Jagermarsche ‘in the French style
	10 winds
	6 Marsche 10 winds
Wdranitzky, Paul	1756-1808 German	WH 8	246
	PR Diverti. La Chasse 10 winds,
	timp;, grand tambour
	Parthia 8 winds
Zapf, Johann	Classical Period, Austria	WH 8	246
	Parthia 8 winds
Ziha, ?	Classical Period Czechslovadia	WH 8	246
	5 Partita 5 winds
Zimmermann, Anton	1741-1781 Austria	WH 8	247
	6 Parthia 5 and 6 winds, one with
	1-02, 2 Eng hn
Zoedler, ?	Classical Period Bohemia	WH 8	247
	Parthia, 1-02, 2 Eng hn
Anonymous	Classical Period Belgium	WH 8	248
	PR 4 marches c. 1790
	piano score]
Gehot, Joseph	Classical Period Geermany	WH 8	248
	PR 24 Military pieces 21-02
Croebelis, Domingo	Classical Period Denmark	WH 8	249
	Quartet 4000-
Schall, Claus	Classical Period Denmark	WH 8	249
	Carasel Musique 1791, 3 pieciers
	Nr. 1 for Harmoniemusik
	Nr. 2 for 3 tpts, timp
	Nr. 3 2022-22, 2 piccolos, perc
Annymous	Classical Period England	WH 8	250
	2 Divertimento,6 winds, 2 basset hn
	some with fl instead of ob, w serpent
Anonymous	Classical Period England	WH 8	250
	74 Pieces, 202-02, 2 basset hns
Anonymous	Classicall Period England	WH 8	250
	PR 24 Military Pieces ob or fl,
	and 2-02
Anonymous	Classical Period England	WH 8	250
	PR 24 Favourite Marches
Anonymous	Classical Period England	WH 8	250
	Second coll 24 favoudrite marches
	His Majesty’s Foot & Horse Guards
	220-02 bass [with fig. bass]
Anonymous	Classical Period England	WH 8	250
	PR 8 Military Concertos 8 winds
Anonyhmous	Classical Period England	WH 8	250
	PR 4 Concerti Militiari 201-22
Annymous	Classical Period England	WH 8	250
	PR 13 Military Concertos 121-02
Anonymous	Classical Period England	WH 8	251
	PR A new set of Miliary pieces for
	full band 2041-12, sepent
Anoniyjous	Classical Period Emngland	WH 8	251
	PR 6 marches 1032=121, serp cym
Anonyhmous	Classical Period England	WH 8	251
	PR [R.I.] Marches, band, 1770
Anonymous	Classical Period England	WH 8	251
	PR Arch Duke Charles of Austria
	March, band 1797
Anonyhmous	Classical Period England	WH 8	251
	PR //low and fast march Mid-
	Lothian Artillery 21-02
Abingdon, 4th Earl	1740-1799 England	WH 8	251
	PR 12 Psalms and Hymns, incp by
	Revolaion of St John, chorus,
	222-02, timp
Abington, William	Classical Period England	WH 8	251
	Royal East India Slow March
	1777 22-12, serp; same Fast March
Arundall, Robertg	Lord Gallway, England	WH 8	251
	PR Two favorite minuets, 1-02
Ashley,Josiah	Classical Period England	WH 8	252
	Royal Dorsetshire March 1797
	2021-22, with dedication
Attwood, Thomas	England b. 1765	WH 8	252
	PR Thid Royao East India slow &
	fast marchs, band
	Piece, 31-02
	Divertimento 202-02, 2 basset hns
	serpent, in collaborationl with Pleyel
	and Storace
	2 Royal Exchange Marches
	2022-12, serpent
Pleyel, Ignaz	See Thomas Attwood	WH 8	252
Storace	See Thomas Attwood	WH 8	252
Baillie, R Miss	Classical Period England	WH 8	252
	PR A Favorite March, 1795
	21-12
Barthelemon, Franc.	1741-1808 England	WH 8	252
	PR/MS Prince of Witemberg March
	band
Beckford, Mons. De	Classical Period England	WH 8	253
	Marche 221-02
Beckford, William	1759-1844 England	WH 8	253
	March 8 winds [student of Mozart]
Blackwell,J. G.	Classical Period England	WH 8	253
	Grand divertimentgo: Mil march
	212, etc
Mozart, Wolfgang	See Wm Beckford WH 8 253
Bridgeman, Chas	Organist at Hertford Classical Per	WH 8	253
	PR 8 Marches for Hertfordshie Vol.
	22-12, 2 fifes
Brooks, James	Classical Period England	WH 8	253
	PR 36 pieces for mil band 1797
Busby, Thomas	1755-1838 England	WH 8	253
	Field of Honor march 1798
	PR The Triumph March 1799
	2021-22 serpent
	PR British Valour March 1798
	2022-22 serpent
Cantelo ?	Classical Period England	WH 8	254
	PR 24 American county dances, &
	6 minuets. Piano with wind incipits
Chapman, Richard	Classical Period England	WH 8	254
	PR Overture and airs performed at
	the Bastile. Inst. Unknown
Coleman, John	Classical Period England	WH 8	254
	PR 12 slow and fast marches
	played at Gibraltar 2022-12, fifes
Ddibdin, Chardles	Classical Period England	WH 8	254
	3 Marches 22-22, bassi
	March 21-022
	8 British War Songs, voice, band
	[Grove V, 427]
Dixon, William	b. 1760 England	WH 8	254
	PR 4 Services in score, with winds
	designed for country choirs
Eastland, Edwin	Classical Period England	WH 8	255
	PR 12 marhes 2 fl or cl, with 201-
Ebdon, Thomas	1738-1811 England	WH 8	255
	Favorie March, c 1795
	inst unknown
Eley, C. F.	Classical Period England	WH 8	255
	Coldstream Regt Troop 1784
	22-12, opt 2000- guitar
	Favorie short trooop 21-12
	Duke of York band
	PR Hercules & Omphale march 194
	10 winds
	PR March in Cymon 22-121, opt
	2000-
	PR 12 select military Pieces 22-12
	Goldstream Guards
	PR 8 militaryh pieces 22-12,
	2 ob alernating wih “flue Terzio”
	PR 8 Thirt set of miliary pieces
	9 winds
Essex, Timothy	Classical Period England	WH 8	256
	PR Royal Westminister March
	1022-12 serpent, timpani
	PR Hampstead Loyal Assoc
	March 1797 1022-12, serp, timp
	PR Angus Fencibles March, band
	Grand March for Sir John De la Pole
Fergus, John	Classical Period England	WH 8	256
	Grand March 1794 22-02
Flack,Cas[er	Classical Period England	WH 8	256
	PR 36 Mil. Divertimsenti 21-02
Godfrey, W.	Classical Period England	WH 8	256
	PR The Thrush solo piccolo
	22-02, serpent
Gov, Nathaniel	1763-1831 England	WH 8	257
	PR Ramsey March 21-12
Griesbach, Charles	TT Classical Period England	WH 8	257
	PR 12 Military Divertismentos
	42-12, serpent alt: 22-02
	PL 12 Mil Divertimentos, 3rd set
Hargrave, Henry	Classical Period England	WH 8	257
	PR 5 Concertos, bsn and stgs
Hartmann, ?	Classical Period England	WH 8	267
	PL a set of miliary pieces band?
Herschel, Friedrich	1738-1822 [famous astonomer]	WH 8	257
	Deus conceos militaies 202-22
	Andanino, 202-02, 2 basset hns
Hewitt, Jams	1770-1827 [in US after 1792]	WH 8	257
	PR 4 quick marches 22-12
Hill, Frederic	organist at Longhborough	WH 8	258
	PR Leicester Quick Step 1780
	21-02, trio sith 2 fifes, ddrus
	Three Military Pieces, full band
Hill,l John	1724-1797 England	WH 8	258
	PR Hill’s Church Music, with
	proper symphonies
Hindmarsch, J.	d. 1796 England	WH 8	258
	PR Earl of Uxbridge March 1795
	2020-121, bsn
Hoberecht, J.L.	England	WH 8	258
	PR A Grfand Mil Piece 42-02, serp
Holden, Smollet	Classical Period England	WH 8	258
	PR Coll of quick and Slow marches
	inst unknown Dublin
Hummel,Karl	Classical Period England	WH 8	258
	Marsch, for Mil-Musik, 1770
Kauntze, George	Classical Period England	WH 8	258
	PR Downfall of Pais Quick Step
	2020- piano
King, Matthew	1733-1823 England	WH 8	259
	PR The Mary-Le- Bone March 1794
	PR The Siege ofo Valenciennes
	22-12
	PR The British March 1798
	1222-12, 2 fifes, serpent, timp,
	long drum, side drum
	PR The Prince of Wales March
	inst unknown
Kollmann, August	1756-1929 England	WH 8	259
	PR A New March, inst unknown
Ldegier, John	Classical Period England	WH 8	259
	13 sets of Military Pieces
Longman & Broderip	Classical Period Publishers	WH 8	259
	PR The Clarinet instructor, to whichh
	is added…a Quintetto for horns,,
	clarinets and bassoon
Mackintush, Robert	1745-1807 England	WH 8	259
	PR Edinbujrgh Vol. March 21-12
Mahon, John	1749-1834 England	WH 8	259
	Slow and Qu9ick marches for the
	Oxford Assoc. Mil. [Groves XI, 533]
McLean, J. M.	Classical Period, 29th Reg.	WH 8	260
	PR The Bagshot March 1795
	22-12, 2 fifes
	PR Brigham Camp March
	221-12, serpnet
	PR Brigham Camp Qujick March
	21-12, serpent, 1795
Miller, M.	Classical Period England	WH 8	260
	PR 12 Military Marches 22-22, serp
Monckton, Robert	1726-1782 England	WH 8	260
	PR Lady Galway;s Minujet, Miss
	Buckley Matthsew’s Minuet 21-02
Oliver, J.A.	Classical Period England	WH 8	260
	PR 40 Divertissemesnts mil. For
	2nd Schottischen Inf. Reg 22-02
Oswald, James	1711-1768 England	WH 8	260
	The Hessian & Prussian Night
	Pieces & Marches c. 1762 [MGG]
	55 Marches for Mil. C. 1765
Percival, John	Classical Period, England	WH 8	261
	PR [Mastger of the Band] Bristol
	Vol. Troop 1799 21-12, serpent
Powell, Thomas	b. 1776, England	WH 8	261
	Grand March and Rondo, to be
	performed by the mil band at
	Vauxhall Gardens
Raimondi, Ignazio	1737-1813 in London after 1790	WH 8	261
	PR 6 grand marches; a 2nd set
Rathgen,A	Classical Period England	WH 8	261
	PR 7 Sonate, OP. 1 221-02
	PR 6 Mil divertimentos 21-02
Rawlings, J. A.	ClassicalPEriod England	WH 8	261
	PR A Grand Mil March c. 1780
	222-12, timp
Rdeid, John General	1721-1807 England	WH 8	261
	PR 12 Marches 21-02
	PR a Second Set of six solos
	oboe or fl with 21-02 1778
Reinagle, Joseph	1762-1825 England	WH 8	262
	PR 2 Oxfod Universiy Vol Marchs
	1776 21-02, alernate vers 2000-
Rockeman & Alters	Classical Period England	WH 8	262
	PR 6 Sonastes 21-02
Rogers, ?	Classical Period england	WH 8	262
	PR 24 Divertissements 21-02
Rose, J.H.	Classical Period England	WH 8	262
	PR 1st battn Breadalbane
	fencibles new march 21-12
	PR Tay side fencibles slow and
	quick march 21=12
Russel, W.	Classical Period England	WH 8	262
	PR Guildford Vol. March [band]
Salner, G. P.	Classical Period England	WH 8	262
	PR St. Helena slow march
	2042-12, piccolo timp tamborine
	side drum, serpent
Schetky, Johann	1740-1820 England	WH 8	262-3
	PR 12 Slow Aires and 12 Reels
	and Strathspeys, 2021-12
	PR Coll of marches and lively
	Scotch Airs picc 2 fifes 2 bugles
Schroeder, H. B.	Classical Period England	WH 8	263
	PR Earl of Radnor Slow and
	quck marches 22-12, serp, timp
	PR Duke of York Quick march 1795
	22-12
	PR West London slow and quick+
	marches 21-12
	PR Berkshire Mil Troop March 1795
	22-12
	PR a favorite Quick march [band]
Skillern [Publisher]	Classical Period England	WH 8	263
	PR complete instgructions for fife
Smart, Timothy	Classical Period England	WH 8	264
	PR 24 mil pieces 22-02
Spencer, Capt John	Classicala Period England	WH 8	264
	PR Oxfordshire Mil Troop 1793
	2032-12, serpent
Stevens, Richard	1757-1837 England	WH 8	264
	2 mardches [band, MGG]+
Storace, Stephan	1763-1796 England	WH 8	264
	“Hope a distant Joy disclosing”
	from opera La Cameriera Astuta
	SSTB 2222-02
Tebay, J.	Cllassical Priod England	WH 8	264
	PR The Bath Vol Madrch 22-02
Thompson [publisher]	Classical Period England	WH 8	264
	PR Complete tutor for fife with coll
	of marches and airs
Randel	a work in Thompson WH 8 264
Wiedeman	aa work in Thompson WH 8 264
Troop, A.	Classical P:eriod England	WH 8	264
	3 Scotch Quick steps [band]
Webb, William	Classicala Period England	WH 8	264
	PR Isle of Wigh vol slow march
	42-12
Weideman, Chales	d. 1782 England	WH 8	265
	PR Old Buffs March, c. 1760
	201-02
Weigh, Jolin	Classical Period England	WH 8	265
	PR 2 marches 22-02
Wesley, Samuel	Classical Period England	WH 8	265
	March in D 1737 202-02, serp
Wivill, Zarubbabel	Classical Period England	WH 8	265
	PR Berkshire Mil March 1793
	2222-02 comp for earl of Radnor
Worgan, Jamaes	Classical Period England	WH 8	265
	PR Essex March 1799 1222-22 tim
	PR “Hark! The loud drum” a march
	for tpts, ddruks hautboys, bsn
	PR French march, mil band
Wright, Thomas	1763-1829 England	WH 8	265
	PR Newcastle slow and quick
	marches 21-02
	PR West York march [mil band]
	PR East York Militia march [band]
	PR 2 Marches for vol corp of
	Newcastle upon Tyne 21-02
Anonymous	PR Duke of York New March	WH 8	266
	222-02 for Royal Highness Band
	based on music by Mozart
Mozart, Wolfgang	Music arranged as a march for	WH 8	266
	Duke of York’s band 222-02
Freeman, Thomas	Classical Period England	WH 8	266
	PR Earl of Carlisle March 22-02
Anonymous	Classical Period France	WH 8	267
	Les aifres ord. for la messe des
	Corsses 1772 22-02, tambour
Anonymous	Classical Period France	WH 8	267
	PR Journal de Musique Mil.
	2020-02 fifres, tambours
Anonymous	Classical Period France	WH 8	267
	PR 6eme Mardche for
	Mousquetaires, 22-02
	[Similar] marches 21-02 parts lost
Anonymous	PR 8 Mar. des Gardes francoises	WH 8	267
	21-02
Anonymous	2 Marche religieuse 42-02	WH 8	267
Anonymous	4 Marche 121-121, serpent,	WH 8	267
	cymbales, grosse caisse, timp
Adien l’Aine	Classicall Period France	WH 8	268
	Hymne a la Victoire, sur
	l’evacuation du territoire, Bass,
	chorus 2222-221, 2 piccolos
	serpent, timp, “tambourf turc”
	st bass
Baronville, ?	Classical Period France	WH 8	268
	PR Nouvelles batteries de
	l’ordonnance des dragons de
	France [mil band]
	PR La nouvelle ordonnance des
	dragons [mil band]
Baudron,Antoine	1743-1834 France	WH 8	268
	PR Cinqujieme Suite du Concert
	Mil. 22-02 or 202-02
Bédard, Jean=Bap.	1765-1815 France	WH 8	268
	PR Potporri Connus 22-02
Beinet, ?	Classical Period France	WH 8	268
	PR Suites, Airs and Pot-pourri
	2 vol of Pot Pourris; 4 vols of suites
	22-02
Berton, Henri	1767-1844 France	WH 8	268
	PR Marche mil. 2022-12, serp
	PR Hymne jpoujr la fete de
	l’Agriculture, solo voice chorus,
	1022-223, serpent, triangle,+
	timpani, “tambourd turc”
Bisch, ?	Classical Period Fance	WH 8	269
	“Recujeil de marches e pas
	redoubles 22-02 piccolo, serpent,
	bass drum cimbales
Blasius,Matthew	1758-1829 France	WH 8	269
	PR Suite d’Harmonie, 7 mvts 22-02
	PR Ouverture, 2222-223 serpent
	PR Harmonie Mil. 4 volumes
	PR Harmonie, 6 part Harmonie
	PR Joujrnal d’Harmonie [Vol. 10]
	Messe in A tenor, britone, bass
	soli, with Harmoniemusik
Bordours, Jean	Classical Period France	WH 8	269
	Nouveau Marche 222-12
Brunett, Gaeton	1740-1809 France	WH 8	269
	PR two volumes of d’harmonies
	pour les danses de chevaux
	des fetes publiques [horse dances]
Cambini, Giovanni	1746-1825 France	WH 8	269-70
	Marche Militaire [score]
	PR La pas de charge republicain
	SSATB, 21-`22, serpent, tambour
	PR Hymn to the Supreme Being
	solo voice 21-021 or 201-021
	PR Aymn to the Supreme Being,
	solo voice 222-021, serp. Organ
	PR Hymn to Victory, solo voice
	21-022 or 01-022
	PR Hymn to Victory solo voice
	2 ob or clar, bsns, trombones,
	serpentoni
	PR Ode to the Two Young Heros
	Barra and Viala, solo voice, 21-022
	basse
	PR Hymn to Virtue solo voice,
	222-022, organ
	PR Hymn to Liberty, solo voice
	222-022, serpents, organ
	PR Hymn to Equality, solo voice
	221-022, serpents, organ
	PR Les rois, les grands, les petres
	solo voice, 22-02, sepents basse
	PR Ode on the Victories, solo voice
	22-022, serpentoni, basso
Catel, Charles	1775-1830 France	WH 8	270-2
	PR Ouverture, 2022-221, serpent
	timpanai
	PR Ouveture 2022-223, 2 piccolos
	serpent, timpani
	PR Symphonie 22-223, 2 piccolos
	serpent, tikpani, bass drum
	PR Symphonies miliaire, 22-121
	2 piccolos serpent cymbals, bass dr
	PR [5] Marche mil 22-12, 2 piccolo,
	serpent
	“Ode padtrioique, three part male
	chorus, 2022-223, tuba curva,
	serpent, timpani
	PR Ode sur le vaisseau ‘le Vengeur
	bass voice, 22-02
	PR Hymnes a l’Etre supreme
	solo voice 22-02
	PR Hymne a la victoire, sur la
	bataille de Fleurus, solo voice
	2022-221, serpent
	PR The Battle of Fleurus, three-part
	male chorus, 22-223, 2 piccolos
	serpent, timpani
	PR Hymn to Liberty, solo voice 22-02
	PR Ode on the Situation of the
	Republic during the ‘tyrannie
	d’cemvirale’ solo voice, 22-02
	PR Hymn for August 10, 4 part
	chorus, 22-223, 2 piccolos, sepent,
	tuba curva, buccin, timpani, bass
	drum, tambour turc, cymbals
	PR Hymn for the Republican
	banquet, for the Festival of
	Liberty, solo voice, part chorus
	2 fl or oboes, 22-223, serp. Timpai
	PR Hymn to dthe Sovereignty of
	the people, solo voice 22-02
Cherubini, Luigi	1760=1842 France	WH 8	273-4
	PR Hymn to the Panthon. 3 part
	chorus, 22-223, 2 piccolos, serp
	timp, gong, bass drum
	PR Hymn to Fraternity, 4 part
	chorus, 22-24, 2 picc, serp
	bass drum, cymbals, tambour turc
	PR Hymn for August 10, 4 part
	chorus, 22-223, 2 picc, serp
	buccin, tuba curva, cymbals,
	bass drum
	PR Hymn to Victory, solo voice
	22-223 2 picc, tuba curva, serpent
	bass drum, timpani
	PR Funerall Hymn on the Death of
	General Hoche, 4 solo voices,
	3 part male chorus, 2022-223,
	2 piccolo, serpent, timpani
	PR Ie Sulpetre republicain, solo
	voice 22-02
	PR Ode sur le 18 fductidor,
	3 part male chorus, 22-223,
	2 piccolos, serpent, timpani, st. bass
	PR Hymne pour la fete de la
	Jeunesse, 10 germinal, voice
	22-02
	PR Fete de la Reconnaissnace,
	10 prairial, voice, 22-02
Della Madria, Pierre	1769-1800 France	WH 8	274
	PR Pieces d’harmonie 22-02
Deshayes, Prosper	d. 1815 France	WH 8	274
	PR Premiere suite d’harmonie
	22-02
Devienne, Francois	1759-1803 France	WH 8	274
	PR Ouvertufre, 222-221, 2 picc
	serpent, timpani
	PR Hymn to dsthe Eternal, voice
	22-02
	“Le Chant du dretour” voice,
	22-02, 2 piccolos, timp –lost
Duernoy, Frederic	1765-1838 France	WH 8	274
	PR Pas de manoeuvre, 22-12,
	2 piccolos, serpent,
Eler, Andre-Frederic	1764-1821 France	WH 8	275
	PR Ouverture, 222-223, 2 picc
	serpnt, timpani
	PR Ode on the Situation of the
	Republic in May, 1799, voice,22-02
	6 Walses, 1 Anglaise 22-02
	3 Quartours Op.11 1011-01 [Grove]
Esch, Louis von	Classical Period France	WH 8	275
	“Airs Champetres Op. 4 111-02
	string bass
Feray, Abbe	fl. c.. 1792 France	WH 8	275
	“Strophes on the Anniversary of the
	Just Punishment of the Last King of
	France” Chorujs, 8 winds
Flaska, Joseph	1706-1772 France	WH 8	275
	PR Musique d’harmonie, marches
Foignet, Charfles	1750-1823 France	WH 8	275
	“Messe en symphonie” chorus,
	Military orchestra [MGG]
Friedem, ?	Classical Period France	WH 8	275
	PR 2 ;Sextets, Op. 1, 22-02
Fuchs George Fried.	1752-1821 France	WH 8	275-78
	“Airs Petriotiques, 1798
	2022-12. percussion Lost
	PR Le cariloon national, 22-02
	PR Divertissment, 6 part Harmonie
	PR 6 Fanfares, -421, timpani
	PR Iere Harmonie 42-12 serpent
	;percussion
	PR 2ere Harmonie “le Siege de
	Lille” 42-12, cymbals, bass drum
	PR Harmonie Nr. 2 42-02
	PR 3eme Harmonie “le Siege de
	Thionville” 42-12 serplent perc.
	PR 4eme Harmonie “l’Entrée des
	Francais a Mayence” 42-12 serp
	perc.
	PR 5eme Harmonie “la Bataille de
	Cemmapes et la prise de la ville
	de Mons” 42-12, bass drum
	PR Harmonie Ouverture du Camp
	de Grand-Pre. Inst.uncertain
	PR Harmonie Airs du Camp de
	Grand Pre, 42-02
	PR Harmonie La Batgaille de
	Marenzo, 1022-11, serpent perc
	ded “a Bonaparte”
	PR Harmonie Op. 50 inst unknown
	PR Harmonie 12 winds
	PR [18 marches]
	PR Harmoniemusik
	PR 104eme Suite militaire
	PR 112 Nocturnes 1-02
	“Pardthie” Harmoniemusik
	PR r5 Pas edouble, 4 Contredanses
	et 4 Walses, Harmoniemusik
	PR [3 Potpourri” 42-02 one based
	on Blasius, anotgher on Paesielle
	PR 3 Quartets, 11-02 [Conserv.
	library has 3 concertants for
	clarinets]
	PR 29 Walses for Harmoniemusik
	PR Walses fav. De la Reine de
	Prusse, Harmoniemusik
Blasius	see Fuchs, Potpourrri, 6 mvts
	Wh 8 278
Paesielle	see Fuchs, Potpourri WH 8 278
Gambaro, V.	Classical Period France	WH 8	278
	PR Ouverture, 1022-11, serpent
	timpani, st. bass
	PR 4 suites, 1030-11 serpent
	percussion

Gébauer, Francois	1773-1844 France	WH 8	279
	PR 6 Sujites, Harmoniemusik
	PR 11 Mdarches 22-02, 3 are “pour
	l’entrée Louis XVIII
	PR 2 Pas de manoeuvre 22-12,
	serpent, 2 piccolos
	“3 Quintets” 1111-11
	“3 Quartets”1101- Eng hn
	PR 3 Quartets 1011-01
Gébauer Michel-Jos. [father] Classical P:Eriod France	[father] Classical Eriod France	WH 8	279-80
	PR 12 Marches for parafe
	“5 Marches” for Imperial Guard
	PR Marche militare 22-12, 2 picc
	serpent,
	PR Pas de manoeuvre 22-12
	2 piccolos serpent
	PR Ire Suite de 12 fanfares and
	marches -4 ,timpani

Gossec, Francolis	1734-1829 France	WH 8	280-4
	“Andante Laghetto, C minor 22-02
	[note in Gossec’s hand says this
	may take place of the andante of a
	symphonie, if needed.
	“Concertanta 1111-01
	“Symphony” 3 mvts 22-02
	“La Bataille” 4 mvts 22-02 note
	by Gossec, written for Prince di
	Conde a Chantilli, etc.
	“La grande chasse di Chantilli”
	22-02
	“Chasse d’Hylas et Silvie,” 22-02
	“Symphonie militaire,” 222-22, 2 pic
	serpent timpani bass drum
	“Sympohonie in C 222-023, tuba
	curva, serpent buccin 2 piccolos,
	timpani
	“Concertante” Solo, 2221-02
	acc by 1-203 timpani
	“Marche lugubre” 22-223, 2 piccolo
	serpent, tam-tam bass drum,
	caisse roulane voilee
	PR Marche religieuse 2022-12,
	serpent
	PR Marfche religieuse” 2022-12,
	serpent
	“Marche funebre” 22-223, 2 piccolo
	serpent, tuba curva, tam-tam “drum
	or timpani”
	PR Marche victorieuse” 22-12,
	2 piccolo serpent
	PR 2 Marches 22-12, 2 piccolo
	serpent
	“Te Deum” 3 part chorus, 222-223
	2 piccolo, 2 “alto,” serpent, bass
	drum, “tonnerre,” cymbal, snare dr
	“Domine Salvum” 3 part chorus,
	222-223, 2 piccolos, 2 “alto,”
	serpent, bass drum, “tonnerre,”
	cymbal, snare drum
	PR Hymn for July 14, 3 part chorus
	2022-223, serpent
	“Hymne sujr la translation du corps
	de Voltaire au Pantheon,l solo voice
	22-02
	“Patriotic Chordus,” 3 part chorus
	serpent “petites et grands trompes
	antiques” timpani [note in
	Gossec hand says in absence of
	clarinets, violins may transpose”
	“Choeur a la liberte” 4 part chorus
	1022-043, p iccolo, serpent, timp
	PR National Round 4 part chorus
	1022-043, p iccolo, serpent, timp
	PR Patriotic Chorus, 3 part chorus
	222-223, 2 piccolos serpent,
	buccin, tuba curva bass drum, cym
	PR Htmn to Liberty, 4 part chorus
	22-223, 2 piccolos, serpent, timp
	PR Hymn to Liberty, 4 part chorus
	22-103, piccolo serpent
	PR Hymn to Nature, chorus 22-203
	piccolo, serpent, timp
	“Hymn to the Statue of Liberty”
	3 part chorus, 2-22, piccolo
	“Air des Mafrseillais” 3 part chorus
	22-22, 2 piccolos, serp. Timp.
	PR [3] “Hymn to the Supreme Being”
	4 part chorus, 2222-223, 2 picc
	buccin, tuba cudrva, serpent
	bass drum, cym, tambour turc
	PR Hymn to Jean-Jasques
	Roussesau, solo voice, 22-02
	“Chant funebre sur la mor de
	Ferraud” solo, chorus, 2222-243,
	serpent
	“Hymn to Humanity” chorus,
	2022-223, serpentg, string bass
	“Aux manes de la Gidronde”
	soli, chorus, 2232-243, 2 piccolo,
	serpent, timp, st. bass
	“Hymn to ‘vicdtory” chorus, 222-223,
	2 piccolos, buccin, tuba curva,
	serpent, timp,
	“Hymn for the Celebration of
	Victory” solo, chorus, 2222-223
	tuba curva, serpent, timp.
Honauer, Leonz	flin Paris, 1760-1778 France	WH 8	284
	Suite de Pieces in Bb, 22-02, piano
	Suite d Pieces in Eb 22-02 piano
	PR Suite de Pieces, 22-02, clavecin
Horix, ?	Classical Period France	WH 8	285
	Marche des Francais sur les bords
	de ls Grande-Bretagne 2122-223
	perc.
Jadin, Hyacinthe	1769-1800 France	WH 8	285
	PR Overture, 22-12, 2 piccolos
	serpent
	PR Hymn to January 24, solo voice
	22-02
	“Hymn to Agriculture” solo chorus
	15 winds
Jadin, Louis Emma.	1786-1853 France	WH 8	285-6
	PR 3 Sextours concertans 22-02
	PR 3 Quintetti concertans,oboe or
	clar, 1001-01, piano
	PR Harmonie 22-02
	PR Harmonie par Musique
	Militaire
	PR Symphonie 22-221, 2 piccolos,
	serpent
	PR Ouverure, 2222-221, 2 piccolo
	serpent, timpani
	PR Marche, 22-12, 2 piccolo
	serpent
	PR Pas de manoeuvre, 22-12,
	2 piccolos, serpent
	PR Hymn of the Freed Slaves
	voice, 22-
	“Hymn to J. J. Roussesau, chorus,
	2022-22, sepent
Kreutzer,Rodolphe	1766-1831 France	WH 8	286
	PR Ouverure, 22-121, 2 piccolo
	serpent, timpani
Lamberti, Louis	b. 1769 France	WH 8	286
	PR Pieces en harmonie [lost]
Langle, Honore	1741-1807 France	WH 8	286
	PR 6 Sinfonie, Op. 1 22-02
	PR Hymn to the Eternal, solo voice
	22-02
Lefėvre, Jean	1763-1829 France	WH 8	287
	“Overure,” 122-02, piccolo, serpent
	tuba curva, buccin, st. bass
	PR 6 Marches, 6 Pas redoubles
	2022-12, serpent, cymbals, bass dr
	PR Marche miliaire 22-121,
	2 piccolos serpent, timp
	PR Pas de manoeuvre 22-121,
	2 piccolo, serplent
	“Hymn” 2222-223, serp, timp
	“dHymn to Agriculture” solo, chorus
	2022-223, serpent
Lesueur,Jean Fran.	1760-1837 France	WH 8	287-8
	” Hymn of the Triumph of the
	French Republic” 8 winds bass dr
	cymbal, snare drum
	“Hymn of the Triumph of the
	French Republic” chorus, 2222-223
	serpent, timp
	“Patriotac Scene, male chorus
	2224-243, 2 piccolos, serpent
	tuba curdva, st. bass, timpani
	PR Chant du IX thermidor, solo
	voice, 22-02
	“Hymn for the Inaugration of a
	Temple of Liberty” voice, 22-02
	PR Chant dithyrambique”
	solo voice, 22-02
	PR Hymn for the Festivall of
	Agriculture, solo voice, 22-02
	PR Hymn for Old Age, voice,22-02
Lorenziti, Bernaardo	Late 18th century, France	WH 8	288
	PR Canon ou divertissement, 22-
Martini, Johann	1741-1816 France, known as	WH 8	288
	Martini el Tedesco
	PR Hymn to the Republic, chorus,
	2222-221, 2 piccolos, serpent
	bass drum, cymbals, st. bass
	“Triumphal Hymn for the Festival of
	September 22, chorus, 1222-021
	piccolo, serpent, bass drum, cym
	st. bass
Mehul, Etienne	1763-1817 France	WH 8	288-9
	PR “Ouverture” 22-221, 2 piccolos,
	serpent, timpani
	PR Le chant du depart, solo, chorus
	22-2, sepent, timpi
	PR Le Chant du victgories, chorus
	222-2232, serpent, buccin, cym
	bass drum, st. bass
	PR Funeral Hymn for Ferand, voice
	22-223, 2 p iccolos, serpent
	PR Hymne duj IX thermidor, voice
	22-02
	PR Hymn of the Twenty-Two,
	solo, chorus, 22-223 2 piccolos
	buccin, serpent, st. bass, timpani
	bass drum, cym
	PR Le chant du retour, voice,
	22-02
Millingre, ?	Classical Period France	WH 8	289
	PR Suite pour la Harmonie, 9 winds
Minoja, Ambrogio	b. 1752 Fdrance	WH 8	290
	March and Funeral symphony, in
	honor of Gen. Hoche, received the
	prize of a gold medal from
	Buonaparte
Mitscha, Francois	1746-1811 France	WH 8	290
	PR Pieces d’harmonie 8 winds
Ozi, Etienne	1754-1813 France	WH 8	290-1
	PR 32 Nouvelles suites de pieces
	d’harmonie 22-02
	PR Marches et Pas redoubles
	PR (2) Pas de manoeuvre, 22-12
	2 piccolo, serpent
	PR Hymne a l’hymen pour la
	celebrations des marriages,
	2 voices 22-02
Pujolas, ?	Classical Period France	WH 8	290-1
	PR Nouvelles marches militaires
	a plusieurs insstruments, 242-22
	serpent, caisse, cimballes
	8 sets, same title & inst
Riegel, Henri	1741-1799 France	WH 8	291
	Parthia, 201-02
Rigel, pere	Classical Period France	WH 8	291
	Hymn to Liberty, chorus, 22-22,
	piccolo, serpent, timp, st. bass
Röser, Valentin	1735-1782 France	WH 8	291-2
	Andante Grazioso, 2002-02,
	2 basset hns
	PR [Instructional manuel for hns,
	clarinets and for harmonie of
	2 clarin, 2 hns, 2 bsns]
	PR Sujige de Pieces d’harmonie
	22-02
	PR Suite d’harmonie des Opera
	22-02
	PR [56 sets] Divertissements
	mil. 22-02 [some lost]
	PR Ire Suite des Ariettes, 22-02
	PR Suites des Airs, 22-02
	PR XVI Marches et Airs, 22-02
Rougeet de Lisle, C.	1760-1836 France	WH 8	292
	PR Marche des Marseillois, arr.
	Gossec, 2022-022, timp
	PR Roland a Roncevaux, chorus
	21-22, serpent
Gossec, Francolis	Arr. Rouget de Lisle’s Marche
	des Marseillois, 2022-022 timp
Rousseau, Jean Jac.	1712-1778 France	WH 8	292
	Coll.4 Airs for 2 cl; Air for fife and
	tambour, Air pour musique 221-01
	“Deuxieme Air pour la Musique
	8 winds
	Air for 2 clarinets “composes
	pour le marquis de Belfroy
Solere, Etienne	1753-1817 France	WH 8	293
	PR Ouverture, 22-12 2 picc, serp
Solié, Jean Pierre	1755-1812	WH 8	293
	PR Pas de manoeuvre, 22-12,
	2 piccolos, serpent
Widerkehr,J.C.	1759-1823 France	WH 8	293
	PR [102] Sinphonie concertanies
	1112=01, cello
Anonymous	Classical Period Germany	WH 8	294
	4 Aufzuge c. 1780, two 4-part
	brass choidrs, timpani
Anonymous	Classical Period Germany	WH 8	294
	Aufzuge c. 1800 9 part brass
Anonymous	Classical Period Germany	WH 8	294
	Aufzuge c. 1780, 10 part brass
Anonymous	Classical Period Germany	WH 8	294
	Aufzuge 8 part brass
Anonymous	Classical Period Germany	WH 8	294
	Allegretto con variazioni
	2021-02
Anonymous	Classical Period Germany	WH 8	294
	Allemande 122-12
Anonymous	Classical Period Germany	WH 8	294
	Andante 1222-02, serpent
Anonymous	Classical Period Germany	WH 8	294
	Andante maestoso, 2222-02,
	serpent
Anonymous	Classical Period Germany	WH 8	294
	6 Angloises 22-12
Anonymous	Classical Period Germany	WH 8	294
	Allegretto, 2222-02, serpent
Anonymous	Classical Period Germany	WH 8	294
	Cantate,”Auf den Abzug des Herrn
	SSAATB, 2021-021
Anonymous	Classical Period Germany	WH 8	295
	Cantata “Singet dem Herri ein
	neues Lied, SATB 2101-11, clav
	organ, timpani
Anonymous	Classical Period Germany	WH 8	295
	Choral, “O komm zu uns
	verheissmer Geist” 1797 S, 222-22
	timpani, organ
Anonymous	Classical Period Germany	WH 8	295
	Concerto 1-02, 2 oboe d’amore
Anonymous	Classical Period Germany	WH 8	295
	PR 13 Military Concerti 221-02
Anonymous	Classical Period Germany	WH 8	295
	PR 4 Miliary Conceti 201-22
Anonhymous	Classical Period Germany	WH 8	295
	I. v. I. Divertimento 15 mvts
	2001-02
Anonymous	Classical Period Germany	WH 8	295
	3 Diverimenti 22-02
Anonymous	Classical Period Germany	WH 8	295
	Harmonie,l 2 mvts, c. 1790 202-1
Anonymous	Classical Periodo Gemany	WH 8	295
	PR Journal de Musique militar 22-02
Anonymous	Classical Period Germany	WH 8	295
	5 Marsche [one called Saxon
	Grfenadiergarde] 8 winds
Anonymous	Classical Period Germany	WH 8	295
	250 marches [4 to 6 winds]
Anonymus	Classical Period Germany	WH 8	295
	200 Marches Die Koniglich
	Preusische Ordonance,c. 1776-
	1771, incomplete
Anonymous	Classical Period Germany	WH 8	295
	Prade Marsch 1788 “Elector
	Sachischen Reg.”
Anonymous	Classsical Period Gemany	WH 8	296
	6 Marchs 201-12
Anonymous	Classical Period Germany	WH 8	296
	6 Marsche 202-12
Anonymous	Classical Period Germany	WH 8	396
	5 Marcher “vom Leib-Regiment”
	220-02
Anonymoujs	Classical Period Germany	WH 8	296
	Madriata bella Truppa Municipals
	2001-221
Anonymous	Classical Period Germany	WH 8	296
	4 Marsche 201-12
Anonymous	Classsical Period Germany	WH 8	296
	Marsche Allegro, Ecoss Walzer
	4 tgrumpets timpani
Anonymous	Classical Period Germany	WH 8	296
	PR 8 Marsche fur Turkische Musick
	2022-221, percussion
Anonymous	Classical Period Germany	WH 8	296
	Marsch 201-12
Anonymous	Classical Period Germany	WH 8	296
	24 Marsche, inst. Unknown
Anonymus	Classical Period Germany	WH 8	296
	4 Vergastterungen and one
	Zapfenstreich 2020-, 2 pfeiffe,
	small drum
Anonymous	Classical Period Germnay	WH 8	296
	Marsch “Du Roy de Prusse” 201-1
Anonymous	ClassicalPeriodGermany	WH 8	296
	Zapfenstreich, 3023-441, perc
Anonymous	Classical Period Germany	WH 8	296
	Friedensmarsch, 1222-22, perc
Anonymous	Classical Period Germany	WH 8	297
	Collection:
	Marsch, 2222-12
	Andante, 2222-12, perc
	Allleretto for Blasinsrumente
	Quadrille for Blasinstrumente
Anonymous	Classical Period Germany	WH 8	297
	Marcia con Minuetto 22-03
Anonymous	Classical Period Germany	WH 8	297
	3 Marsche 1022-121, contrabsn
Anonymous	Classical Period Germany	WH 8	297
	Marsche Collecdtion, 22-02
Anonymous	Classical Period Gemany	WH 8	297
	Madrsch, 8 winds
Anonymous	Classical Period Germany	WH 8	297
	Madrsche 201-2
Anonymous	Classical Period Germany	WH 8	29n7
	2 Marsche “Alte Dessaner und des
	Furst Morizinsen Reg. Diese
	Marche erhiselt Ich von dem
	Hobobisten erfsteren Regiments
	modo Thadden”
Anonymous	Classical Period Germany	WH 8	297
	2 Marsche 8 winds “Gen Konig”
	and “Gen. Bornstadt” c. 1790-1800
Anonymous	Classical Period Germany	WH 8	297
	Marsche for “Exelenz: Moellendorff
	one for 21-12; one for 221-12
Anonymous	Classical Period Germany	WH 8	29n7
	Marsch Julius Caesar “pour tout
	la Musique turque Du Regiment
	d’Alsase c 1790 2021-22, serpent
Anonymous	Classical Period Germany	WH 8	297
	Marsche, 202-2
Anonymous	Classical Period Germany	WH 8	298
	Marsch “K.K. Inf. Reg. v. Ligne”
	2022, bass
Anonymous	Classical Period Germany	WH 8	298
	Marc Graz c. 1780 20-22, bass
Anonymous	Classical Period Germany	WH 8	298
	Marsche “fon deer Armee des
	Bouonaparte” 22-12
Anonymous	Classical P:eriod Germany	WH 8	298
	2 Marsches fur Princess
	Amalia v. Prussia and Prince
	Christian v. Hessen 41-22
Anonymous	Classical Period Germany	WH 8	298
	Marschj c. 1770
	202-1
Anonymous	Classical Period Germany	WH 8	298
	2 Marsche “Wilhelman v.Nsssau”
	and “al is ons Prinsje nog 200 Kley”
	8 winds
Anonymous	Classical Period Germany	WH 8	298
	Marsch c. 1800 3041-22
Anonymous	Classical Period Germany	WH 8	298
	Marsche “du quinzieme Reg.
	d’Angletterre” c. 1790 2 cl or ob
	2 hns or tpts, bsn
Anonymous	Classical Period Germany	WH 8	298
	Marsche c 1790 22-12
Anonymous	Classical Period Germahy	WH 8	298
	Marche a 9 Parth: 222-12
Anonymous	Classical Period Germany	WH 8	298
	Marche “Regimnt Sr Exctenz. v.
	Moellendorf” 221-12
Anonymous	Classical Period Germany	WH 8	298
	Menuett, 202-12
Anonymous	Classical Period Geramny	WH 8	298
	Menuet & Gavotte 202-12
Anonymous	Classical Period Germany	WH 8	299
	Partita in C 9 winds
Anonymous	Classical Period Germany	WH 8	299
	Parfthia 2021-02
Anonymous	Clssical Period Germany	WH 8	299
	Parthia 22-02
Anonymous	Classical Period Germany	WH 8	299
	6 Pariten, incomplete
Anonymous	Classical Period Germany	WH 8	299
	Partia, 22-12, 3 mvts
Anonymous	Classical Period Gemany	WH 8	299
	Parthie in D 201-02
Anonymous	Classical Period Germany	WH 8	299
	2 Padrtitas “Nr. III & V” 211-02
Anonymous	Classical Period Germany	WH 8	299
	Parthia in C 21-12
Anonymous	Classical Period Germany	WH 8	299
	2 Partitas in Eb 21-02
Anonymous	Classical Period Germany	WH 8	299
	Parthia 1022-02
Annonymous	Classical Period Germany	WH 8	299
	Parthia “Transjpoa del Henico
	Ehrenfried,” 8 winds
Anonymous	Classical Period Germany	WH 8	300
	7 Partita, 1773 21-02
Anonymous	Classical Period Germany	WH 8	300
	Partita in Eb 1790 11 mvts
	22-24, 2 violas? St. Bass
Anlnymoujs	Classical Period Germany	WH 8	300
	Pafrtita in Eb c 1790 14 mvts
	22-02, 2 violas? St bass
	“favorite von Rudolf und Wack”
Anonymous	Classical Period Germany	WH 8	399
	Romanze c. 1780 12-02
Anonymous	Classical Period Germany	WH 8	300
	Rondo 200-02
Anlonymous	Classical Period Gemany	WH 8	300
	Sernade, 7 mvts 8 winds
Anonymmous	Classical Period Germany	WH 8	300
	20 Stucke 200-1, basso
Anonymolus	Classical Period Germany	WH8	301
	Variations on “O du Lieber
	Augustin,” 2022-02
Anonymous	Classical Period Germany	WH 8	301
	Walzer 122-1
Collection	Classical Period Germany	WH 8	301
	Diverissiment 22-02
Röser, Valentin	A Presto in Anon. Collection	WH 8	301
Rathgen	A Sicilianao in Anon Coll	WH 8	301
Martini, Johann	A Polonaise in Anon Coll.	WH 8	301
Altenburg, Johann	b. 173 Germany	WH 8	301
	PR “Versuch einer Anleitung zur
	heroisch-musikalischen Trompeter-
	und Pauker-Kunst, contains a
	Concerto -7, timpani
Amalie, Prinzessin	v. Preussen 1723-1787	WH 8`	301
	[sister of Frederick the Great]
	March “Pour le Regt. Der Gen F.
	de Millendorf” 201-3
	3 Marsche 201-01
	1. Pour de Regimen du Comte
	Lottum, March 20, 1767
	2. Pour de Reg. Gen. Bulow
	August 14, 1767
	3. Pour de Reg. Gen Saldern
	May 16 1769
Apell, Johann	1754-1832 Germany	WH 8	301
	12 Notturni, for Blasinstrumente
Bach, Johann Christ.	1735-1782 Germany	WH 8	302
	PR 6 Divertissements 1-02
	3 Marsch 221-02, cembalo
	Nr. 1 du regiment le Prince
	Nr. 2 du Regiment le Beaun
	Nr. 3 du Regiment le Wurmb
	“Due Marce “di Cavalleleria e
	Gran Bretagme d’un Regimento di
	Dragoni,” 8 winds
	PR 2 Marches from Scipione
	military band
	2 Marches for the Bataillon Garde-
	Regiment, Hanover 222-02
	PR 6 Symphonies 22-02
	PR 4 Symphonies 22-02
Bach, Johann Chris.	PR Septett, c. 1780
	122-02
Bach, Karl Philipp	1714-1788 Germany	WH 8	303
	4 Marches, 202-02 and 201-02
	6 kleine Stucke 8 winds
	2 kleine stucke 22-02
	6 Piccolo Sonate 2021-02
Backmann, Anton	1716-1800 Germany	WH 8	303-4
	Allegro and Andante 222-1
	7 Marches 22-1, 222-1,222-02,
	122-1, -3, Harmoniemujsik
	Janaischareumarsch and a Marsch
	with text [lost]
Backofen,Johan n	1768-1830 Germany	WH 8	304
	PR Works for Harmoniemusik
	[MGG]
Barth, Chrisian	1735-1809 Germany	WH 8	304
	PR Grand Sinfonie pour inst. a vent
	Op. 10, 3 mvts [lost in WWII]
Baumgardten, C. G.	1741-1813 Germany	WH 8	304
	PR 30 Aufzuge fur eines Principal
	Trompete, esrst und Zweyte
	Ripientrompete und Pauken for use
	with Cavalry
Beecke, Ignaz	1733-1803 Germany	WH 8	304-5
	P:artita in Eb, 5 mvts, 1121-02
	Parthia 2222-02, st. bass
Benda, ?	Classical Period Germany	WH 8	305
	Dragoner Marsch, 202-1, timpani
Bende,H	Classical Period Germany	WH 8	305
	6 Pieces fur Kavallermarschc
Bordorf,l Hean Ern	Classical Period Gemany	WH 8	305
	Nouveau Marsch, c. 1800 222-12
Boser, ?	Classical Period Germany	WH 8	305-6
	7 Partia, 2001-02, 2 talia c. 1768
Braun, Johann	1753-1795 Germany	WH 8	306
	PR Harmoniestucke, 1792
Bosel, ?	Classical Period, 1780, Germany	WH 8	306
	3 Parade marsches a 5, 202-1
Bucholtz, Johann G.	d. 1800? Germany	WH 9	306
	3 Partie, 1766, 202-02
Bühler, Franz	1760-1824 Germany	WH 8	306
	Veni creator spiritus, 4 voices,
	1021-02
Buschmann, ?	Classical Period Germany	WH 8	306
	2 Parthia in Eb, c. 1760, 22-02
Bujttstett, Franz	1735-1814 Germany	WH 8	307
	Quintet, 1793, 22-01, vioila?
	12 Pieces for Wind Inst and 12
	Choral variations, 1010-001, organ,
	cornett [Grove III, 524]
Cannabich, Johann	1731-1798 Germany	WH 8	307
	PR The Installation Slow March for
	3rd Reg. of Guards
Celestino, Eligio	1739-1812 Germany	WEH 8	307
	[title unknown] 201-12
Cramer, Wilhelm	1746-1799 Germanuy	WH 8	307
	Rondo, c. 1790, 222-02
Croes, Henri-Joseph	1758-1842 Germany	WH 8	307-9
	Andantino 1222-02? St. bass
	Andantino and Allegro 1242-121,
	sepent, 2 violas?
	4 Diveimentos, 202,22 bass; 20-22
	22-24, 2 violas?,12 20 mvts
	Douze moreceaux, 22-02, 2 vla?,
	st. bass
	Dance Marceaux 22-02 “comp.
	a Tischingen, 1788
	19 Partitas 20-22, 22-24, 2 violas?
	st. bass, 22-02, 2vla? St. bass,
	222-04, 2 vla? Sst. Bass,
	1242-121, serpent, 2 vla?, 9 to 14
	mvts
	Romance, 1242-121, serpent,
	2 vlas?
Danzi, Franz	1763-1826 Germany	WH 8	309
	PR Pot-pourri, Op. 45 1202-02
	Sestetto, 22-02
Deiselbach, ?	Classical Period Gemany	WH 8	309
	Parthia 8 winds
Diez,Johann	1711-1793 Germany	WH 8	310
	Lauda Sion, SATB, -4, imp, org
	[anoher library has SATB, -601,
	flugelhorn, bombad, timp;, organ]
Didtersdorf, Karl	1739-1799 Germany	WH 8	310-13
	67 Partitas, 202-02, 201-02.
	222-02, 1201-02, 402-22,
	2202-22, timpi, 2221-02,
	1-02, 2 Eng.hn [one has note that
	fl and violin can substitute for oboes
	1 and 2] as many as 12 mvts, one
	adv. 1799
	Cassatio, 4000-
	Divertimento 222-
	12 kleine Stucke 22-02
	Nottujrno 4000-
Donninge, Ferdinand	1716-1781, Germany	WH 8	313
	Partita 22-02 10 mvts
Doring, Johann Fred.	1766-1840 Germany	WH 8	313
	Das Jahres erste Morgen Lied
	zum Neujahrstag, STAB, -204, org.
	timpani
Drobisch, ?	Classical Period Gemany	WH 8	313
	6 Angloises neuves, 22-22,
	clavicembalo
Droste-Hulshoff, Max	Classical Period Germany	WH 8	313-4
	16 Dances 2020-12 timpani [on
	some flutes double clar oboe,
	and piccolo]
	Das Hallelujah von Pieffel, 4 soloist
	chorus, 22-021
Druot ?	Classical Period Germany	WH 8	314
	Parthia, 22-02, 2 vlas?, st. Bass
Eberwein, Christian	1750-1810 Germany	WH 8	314
	Musique d’harmonie, 4 Pieces
	2112-02
Ebelll, H.	Classical Period Germany	WH 8	314
	Partita 8 winds
Ehmann, ?	Classical Period Germany	WH 8	314
	Marsch, 42-12, 2 piccolos, serp.
Eichner, Ernest	1740-1772 Germanuy	WH 8	314-5
	2 Divertissment 8 winds
	PR 3 Divertimento 8 winds. One
	with subtitle “Delia”
	PR Parthia 8 winds, adv.1783
Eisner, Carl	Classical Period Germany	WH 8	315
	Sextett, Nr. 2, 1111-02, basset hn
Ernst, Ffrancois	fl. 1786 Germany	WH 8	315
	Harmoniemusik [G2]
Eschsrujth,l Hans	1756-1792 Germany	WH 8	315
	PR 12 Marsches Op. 4 212-02,
	bass continuo
Feldmayr, Georg	1757-1818 Germany	WH 8	315-7
	24 Partitas, one is “Partita Concerto
	2-11, with viola? or st. bass
	5 to 11 winds and viola? Dated
	1786-1798 one with 10 mvts
Fiala, Josef	c.1754-1816 Germany	WH 8	317-9
	13 Parita 4 to 7 winds, some with
	2 talie,some with 2 Eng hns.
	15 Divertimentos, 5 to 7 most with
	2 Eng hns. “Nr. 1” is datged 1780
Fischer, Heinrich W.	Classical Period Germany	WH 8	319
	Trauer Masch, Harmoniemusik
Fischer, Johann Ch.	1733-1800 Germany	WH 8	319
	Triumphmarsche, 8 winds,
	Trommel, Trfiangel,Becken
Fischer, J.	Classical Period Germany	WH 8	319
	2 Partita, 21-02
	Partita in Eb c. 1780, 13 mvts
	22-02, 2 violas? St. bass
Fischer, ?	Classical Period Germany	WH 8	319-20
	2 Partita 21-02
Forstmeyer, Ehren	1739-1787 Germany	WH 8	320
	4 Partien, 21-02
Franzl, Ignaz	1739-1811 Germany	WH 8	320
	Partia 8 winds
Frederick II	1712-1786 Germany “the Great”	WH 8	320
	Hohenfriedberger Marsch and
	Mollwitzer Marsch band [cited in V]
Fricke, Elias	Classical P:eriod Germany	WH 8	320
	Fricke is editor, PR Neue Sammlung
	Englisher Tanze 2200-22, timp
Frontzel, ?	Classical Period Germany	WH 8	320
	P:arthia 8 winds
Gleissner, Franz	1759-1818 Germany	WH 8	320-21
	PR Journal de Musique militare
	Harmoniemusik
	Missa, voices and winds
	PR 6 Pieces d’harmonie 1021-02
Gloger, ?	Classical Period Germany	WH 8	321
	Anweisung fur Tamboure und
	wih note “nach Noten zu erlrnen”
Goller, ?	Classical Period Germany	WH 8	321
	Partita, 12 mvts
Gottling ?	Classical Period Germany	WH 8	321
	6 Harmoniesucke 122-02
Graaf, C. E.	Classical Period Germany	WH 8	321
	“Die Schlacht bei Austerlitz”
	Turkische Musik
Grafe,Johann Fried.	1711-1787 Germany	WH 8	321
	Marsch, winds [G VII, 613]
Grenser, Johann, Fr.	1758-1794 Germany	WH 8	321-2
	7 Partita 21-02 a selparate
	score of these by F. Keyper,
	“Contra Bassista Amico sujo”
	found in DK:Kk mus. 650a, 1833
Grersch,Johann Kon.	1710-1777? Germany	WH 8	322
	2 Partita, 21-02
Gross, ?	Classical Period Germany	WH 8	322
	Echo, 5 mvts c. 1770 202-1, with
	echo oboe
Gruner, Nathanel G	1732-1792 Germany	WH 8	322
	Herr, wie du willst, chorus, 22-02
Gunther, Carl Fried.	Classical Period Germnay	WH 8	322
	12 Marsche, ten part mil band
	PR 20 Marsche der Koniglich
	Preussichen Armee piano score
	PR Sammlung von Kriegs-
	Marschen der Churfurstlich
	Sachsischen Armee piano score
Hammer, Carl Anton	Classical Period Germany	WH 8	323
	Partita c. 1800, 121-02
	second mvt note “da Haydn”
Hayhdn	second mvt note “da Haydn” in	WH 8	323
	Hammer, Carl Anton Partita,
	c. 1800
Hardbordd, Gottfried	1768-1837	WH 8	323
	Trauer Marsch 21-02, 2 timpani
	with note “con sordini”
Hasse?,	Classical Period Germany	WH 8	323
	Prussian Army March Nr 68 mil.
	band
	Geschwindmarsche, mil band,
	“Volhynischen Leib-Garde Reg.
	Note: could be Johann Adolph
	Hasse 1699-1783
Hauff, Wilhelm	Classical Period Germany	WH 8	323
	6 Sextuers, c. 1776-7, 22-02
Häusler, Ernst	1761-1837 Germany	WH 8	323=4
	National Marsche e Aria Francois
	Saira 2222-22, piccolo perc.
	2 Kirchsonaten, one for orch, one
	for Harmoniemusik
	PR 6 Noturni 2-02
	Der Tag beginnt, 4 singers, winds
	Fantasie, singer piano, 20-02
	Kirchen-Musik 1799, SATB,
	101-02, cello
Hennig ?	Classical :eriod Geermany	WH 8	324
	3 Marsche fur Gardehautboisten
	“89th Reg” mil band
Hertel, Johann	1727-1789 Germany	WH 8	324
	6 Marsche, winds score {G VIII
	524 and Eitner]
Herzogin von Braun-	schweig, Philippine Charlotte,
	sister go Frederick the Great	WH 8	324
	Regiments-Marsch 222-1
	Marsch 1751 202-1
Hiller, Johann Adam	1728-1804 Germany	WH 8	324
	PR Herr Gott dich loben mir, SATB
	trumpets trombones, timpani
Himmel, Friedich	1765-1814 Germany	WH 8	324
	PR Marsches, Op. 34, 22-2, and
	“sept-flutes,” serpent, tambour
	Marsch vom 2. Batallion Garde,
	221-1
	PR Terzetto, SST, winds and
	harmonika
	PR Trauer Cantata [for funeral
	Frieddrdich Wilhelm II
	PR Quartetto, SSTB, 22-2, 3 timp.
	PR Chorale, 2202-224, timp
Hummel, Johann B.	Classical P:eriod Germany	WH 8	325
	2 Miliarmarsche 222-22
Hoffmeister, Franz A	1754-1812 Germany	WH 8	325–8
	35 Partitas 6 to 8 winds,
	Divertimento 8 winds adv. 1799
	Vaiations, 22-02
	2 Echo Parthia 22-02
	3 Parhia 11-01, with echo ensemble
	of 11-01
	Partita alla a Camera, Nr. 14 8 winds
	P:arhia Concertans 22-02
	PR 2 Harmonie 8 winds
	Parhia Nr. 6, 1-02, 3 basset hns
	Parthia, Nr. 4, -02, 3 basset hns
Holler, Aigistin	1745-1814 Germany	WH 8	328-9
	Divertimento 1-22, 2 piccolo, timp
	Parthia 2020-02, viola? St. bass
	12 Avertissementes [Allemandes]
	2021-02 percussion
Holzbaur, Ignaz	1711-1783 Gemany	WH 8	329
	Divertimeno pro cassatione 2-02
	6 mvts
Hjolzingeer, ?	Classical Period Gemany	WH 8	329
	Missa, voices and winds [may be
	lost]
Jahn, August Wilh.	Classical Period GEermany	WH 8	329
	“Reveillen,Vergatterung,
	Zapfenstreich, 2 pfeiffen and 2
	clarini
Jetschmann, ?	Classical Period Germany	WH 8	329
	Parade and fast marsch 9 winds
Kaffka, Willhelm	1751-1806 Germany	WH 8	329
	Divertimento 22-02, 2 vla? St. bass
Keil, Johann?	Classical Period Germany	WH 8	329
	Partita Nr. 12 222-02, Quart-bsn
Kirchner, Johann	1765-1831 Germany	WH 8	329
	4 Cantatas “an den Rudolstradrer
	Sirrenfesten der Jahre 1795-1800
	Chous and winds [MGG]
Kolb, Sstefan	b. 1743 Germany	WH 8	330
	6 Partita, 21-02 to 22-02, 2 vla?
	st. bass, 22-02, 2vla? St. bass,
	Divertimento 22-24, 2 vlas?, st. bass
	Contradantz, c. 1780
	22-02, 2 vlas?
	Vaudeville, c. 1790 22-24, 2 vla?
	st. bass
Koch, Heinrich Chr.	1749-1818 Germany	WH 8	330
	PR Choralbuch fur die Hofkirche
	Harmoniemusik adv in AMZ . 1816
	PR 3 Pas redoubles par Musique
	militare, Op. 48
Köhler, Gottlieb. Hein.	1765-1833 Germany	WH 8	331
	PR 3 Parhien 22-02
König,M.	Classical Period Gerfmany	WH 8	331
	Marsch, 222-1
	6 Halberstadtische Masche 122-1
Kopprasch, Wilhelm	1750-1832 Germany	WH 8	331
	Sernata Nr. 11 ,222-22, Quart-bsn,
	timpani
	PR 6 Sonates -223
Kospoth, Otto	1753-1817 Germany	WH 8	331
	Parthie, Harmoniemusik
	PR Sernata, Nrf. 19, ob or fl, 2 bsns,
	2 basset hns, piano or harpsichodrd
Kühnau, Johann Chr.	Classical Period Germany	WH 8	331
	Te Deum, c. 1784, Herr Gott! Dich
	loben wir” trumpets or cornets,
	trombones,organ
Kuntzen, Adolph K.	1721-1781 Germany	WH 8	331
	6 Marsche, 301-2
	Marsch, 201-12
Kunzen, Frieddrich	1761-1817 Germany	WH 8	332
	Cholale, “O Jesu Christ,Gujds
	Sallvede” Voice, 222-223
Kunzer, ?	Classical :Period Germany	WH 8	332
	6 Deusche Tanze Harmoniemusik
Kurzweil, Franz	Classical Period Germany	WH 8	332
	7 Partita, 8 winds
Lehman, Frederick	Classical Period, Germany	WH 8	332
	6 Marsches, Op. 4, winds
Liber, Joseph, Anton	1732-1809 Germany	WH 8	332
	Divertimento, 22-24, 2 vla?, st. bass
Loewe, Johann Hein.	b. 1766, Germany	WH 8	333
	PR Noujrno, OP. 5, 2001-02,
	2 “altos,” basse
Loibl, Benedikt A.	1766-1822 Gemany	WH 8	333
	Parthia, 22-02
Ludwig IX	1719-1790 Germany	WH 8	333
	Landgrf. Von Ressen-Darmstadt
	54 Marsche inst. Unknown
	[E] says befoe WWII one coujld find
	90,000 such marches in Geremany
Martinides, Carlo	1731-17y94 Germany	WH 8	333
	Partita, 21-02
Maier,I.	fl. 182 Germany	WH 8	333
	Parthia 222-22, Quargt-bsn, timp
	Partia 8 winds
Maian, ?	Classical Period Gemany	WH 8	333
	PR Sexour, Op. 9 22-02
Maurfer, ?	Classical Period Gerfmany	WH 8	333
	PR Variaions sur un air Russe
	1022-02, st. bass
Mauser, ?	Classical Period Germany	WH 8	334
	2 Parthia 8 winds, adv. 1783
Merder, Johann Gab.	Classical Period Germany	WH 8	334
	PR 6 Marfches 21-02
Molke, Grfaf von	Classical Period Germany	WH 8	334
	Des Grfossen Kurfursten
	Reitermarsch, arr. Lehmann
Lehmann	Classical Period Germany	WH 8	334
	Arr marsch by Graf von Molke
Muller, August Eber.	1767-1817 Germany	WH 8	134
	PR Cantatine zu Familienfesten
	4 singers, chous 8 winds
Naumann, Johann G.	1741-1801 Germany	WH 8	334
	Erster Marsch, ‘des Reg. von
	Kalckstein,” 22-02
	2nd Marsch [von Klckstein]
	121-02
	6 Marsche, wind insts.
	Quartetto, SSTT, 2023-02
Nopitsch, Chisop;h	1758-1824 Germany	WH 8	334
	“Ariette” Augsburg, c. 1790
	7 voices and winds {G XIII, 175]
Pachta, ?	Classical Period Germany	WH 8	335
	Sinfonia, c. 1780 201-02
	Wurzbach’s Biographisches
	Lexiton
Panouitschka, ?	Classical Period Geermany	WH 8	335
	Parthia 22=02
Pfeilstucker, NidholasClassical Period Germany		WH 8	335
	3 Walzer miliary musik
Piticchio, ?	Classical Period Gefmany	WH 8	335
	Quintet, 1779, 201-02
Pirch, G. von	TT Classical Period Germany	WH 8	335
	7 Marsche 222-02 and 222-12
Pokorny, F. X.	1729-1794 Germany	WH 8	335
	Partita 20-03
	Presto Assai, 1770 202-2, timpani
Reicha, Joseph	1746-1795 Germany	WH 8	335-6
	12 Partita, 1780-1784
	2222-02, st bass
	222-02, st. bass
	222-93, st. Bass
	A Partita in D, c. 1780 also marked
	“a fluto solo”
	An auograaph Parita in D, 1782
	also appears under “Feldmayr”
Feldmayr, Georg	1780 Germany	WH 8	336
	an autgraph Partita in D 1782
	also appears under Rreicha, Joseph
Reichardt, Johann	1752–1814 Germany	WH 8	336
	Der May: ein Wettgesang 1780
	2 voices, 2203-02
Reichelt, F. G.	d. 1798 Germany	WH 8	337
	Parthie 22-02
Rellstab, Johann	1759-1813 Germany	WH 8	337
	12 Marsche 222-1 with -02, timp
	ad lib. Alternative veresiojn for piano
Riepel, Josef	1709-1782 Germany	WH 8	337
	Divertimento 22-02, 2 vila? St. bass
Richter, Anton	Classical Period Germany	WH 8	337
	Ouverure 1022-02
	Sextet 1021-02
	Serenade1021-02
Ritteer, George?	1748-1808 Germany	WH 8	337
	4 Parthien 22-02
	12 Kleine Sucke 1122-02
Roetscher Sen.	Classical Period Germany	WH 8	337-8
	Marsch [wih “Gesang”] 4022-22
	peercussion
	2 Marsch 8 winds
	Marsch 1799 222-1
	Leid am Geburtstage Friedrich
	Wilhelm III (1806) “von den
	Waisenkindern gesungen
Roger ?	Classical Period Germany	WH 8	338
	PR 20 Divertissement en Harmonie
	21-02
Rolle, Christian Cardl	Classical Period Germany	WH 8	338
	PR Das Herr Gott dich loben wir
	[brass] 304, timpani, organ
Rong, Wilhelm Ferd.	fl. C. 1720 Germany	WH 8	338
	6 Marsche, 2002-02, 2 basset hns
	Marsch 1789 222-1
Rosetti, Franz Anton	1750-1792 Germany	WH 8	338-42
	36 Partitas mostly 7 and 8 winds,
	2221-02, st. bass; 201-02, 2 basset
	horns, st. bass; nine for 101-02,
	One has transcribed arias of an
	opera for the wedding of Princess
	to Duke of York, Berlin, Sept 29
	1701. One for 2 oboes
	concertante with 22-02 as possible
	alternate for 222-02; One as
	Sinfonia; in Eb for 8 winds; one
	pour la Chasse”; One as solo oboe
	21-02, adv. 1700; One with 9 mvts
	5 as Sextetto 121-02
	Divertimento fo4 9 winds; Tafel
	Music for solo oboe, 21-02
	6 Sonatas 2022-02; a
	Quintet 1111- taille.
Rudolph, Anton	b.1742 Germany	WH 8	342
	6 Partitas 5 or winds mostly., one
	for 1-02, 2 basset hns, 2 violas?,
	st.bass. One has added:
	“Janitscharmusik” One dated 1780
	One called “Nr. 16, in Echo”
Sacher, Josef	Classical P:eriod Germany	WH 8	342
	Feldpartie, c. 1770, 22-02

Schacht Theodor von	1748-1823 Germany	WH 8	342-44
	9 Partitas, multi mvts, as many as
	18. dated 1790-94 one called
	Plartita d’Armonica 222-02, 12
	mvts.
	Allemande & [11] Variations,22-24,
	2 violas? St. bass. 2 Anglaises
	Favorites 1793l for same inst.
	Harmonie, c. 1790, 18 mvts121-02
	6 Notturnii, STTB, 8 winds, cembalo
	Theme and 48 Var,22-22, 2 vlas?
	at. Bass
	Theme and 2 Variations 22-02,
	2 violas? St. bass.
Scheinpflug, Christ.	1722-1770 Germany	WH 8	344
	16 Partiten;
Schmidt, ?	Classical Period Germany	WH 8	344
	Parthia 21-02 [Hellyer]
Schmitt, ?	Classical Period Germany	WH 8	344
	Scherzo 1022-02
Schneider ?	Classical Period Germany	WH 8	344
	12 Harmonien 2022-02 [Hellyer]
	PR 6 Pieces d’harmonie [Hellyer]
Schmittbaur, Joseph	1718-1809 Germany	WH 8	344-5
	6 Divertimenti, one “militaires” and
	one “per usirsi alla Tavola”
	5 to 9 winds, one 2202-02, 2 picc.
	2 Partita, 5 and 6 winds
Schoeps, ?	Classical Period Germany	WH 8	345
	Partiten, 21-02
Schon, ?	Classical Period Germany	WH 8	345
	2 Parthia, 201-02
Schubert, Joseph	1757-1837 Germany	WH 8	345
	Many Partion and Harmonie-Suiten
	9 and 11 parts [cited in G2]
Schwegler, Johann	Classical Period Germany	WH 8	345
	PR 4 Quartuors 2000-02
Sigl, Gerog	Classical P:eriod, Germany	WH 8	345-6
	11 Partitas 5 and 6 winds
	Deutsche Mess in C, 3 voices
	201=-02, organ
Simonetti, ?	Classical Period Germany	WH 8	346
	PR Dresdner Redouten Menuetten e
	Trios, 1767, 2200-02, 2 piccolos,
	basse. BH 1863 catalog [MGG]
Sixt, Johann Abraham	1757-1797 Germany	WH 8	346
	6 Allemandes for 8 winds
Sommer, Johann	Classical Period Germany	WH 8	347
	Pieze, 10 mvts, c. 1780
	22-24, 2 violas? St. bass
Sperger, Johann	Classical Period Germany	WH 8	347-52
	73 partitas,mostly 5 and 6 winds
	Hellyer attributes one to Rosetti
	[title unknown] chorus,1201-02
	Adagio 8 winds
	Cassatio 1201-02
	Divertimento 222-121, serpent
Rosetti	one pafrtita Hellyher attributes to
	Rosetti instead of Sperger	WH 8	347
Spiller, ?	Classical Period Germany	WH 8	352
	Partia 222-22
Stamitz, Kaarl	1745-1801 Germany	WH 8	352
	7 Parties, 2222-02
	12 Serenades Op. 28 2001-02
	March 202-02 2 basset hns
	Sextet, Op. 14 22-02
	Divertimento a 2 chori, inst.
	unknown [score cited by Eitner]
	PR 4 Diveretissements 22-02
	19 Stucke fur 10 Blaser, 1795,
	“fur den Zaren v. Russland”
	[lost cited in MGG, Grove XVIII 65
	16 Stucke fur Blaser und turk.
	Musik, 1801 composed for the
	Prince of Wales [lost, cited in
	MGG and Grove XVIII 65]
	16 Madrsche for 12 Blaser [lost
	cited in MGG and Groves XVIII 65]
Steinfeld Albert Josef	Classical Period Germany	WH 8	353
	PR 6 Quartours, Op. 20 2 clarinets,
	2 horns or trumpets, timpani
Stengel, F. von	Classical Period Germany	WH 8	353
	[title unknown] 21-22
Sranensky, ?	Classical Period Germany	WH 8	353
	6 Parthien c. 1800 8 winds
	[G2 sent he sent a Harmoniemusik
	work to the Kaiser of Russia in
	1800 and received a golden
	“emaillierte Tabatiere” as a gift
Stumpf, Johann	d. 1801 Germany	WH 8	353
	PR 2 Parthia 22-02 [in mss copy as
	Harmonie]
Tag, Christian Goff.	1735-1811 Germany	WH 8	353
	Cantata ” Schaffe in mir Gott ein
	neus Herz” SATB, 200-02, organ
	Cantata “Man singet mit Freuden”
	S, 200-2, organ
	Choral Vorspiel zu Yom Himmelhoch
	122-02 ogan
	Gloria, SATB Blasmusik
	Partita 2223-22 timpani
Tausch, Franz	1762-1817 Germany	WH 8	354
	PR 5 Marsche und 1 Choral fur die
	russische Garde, 13 vocal parts,
	9 wind parts
	PR 6 Marsche for die preussische
	Garde, 10 winds
	PR 6 Quatours, Op. 5, 2-02, 2
	basset hns
	Sernata 22-02
	PR 13 Pieces in Quator, Op. 22
	21-01
Toeschi, Carlo	1724-1788 Germanuy	WH 8	354
	La lChasse Royale 22-02
Touchemoulin Joseph	1727-1801 Germany	WH 8	354
	Divertimento, 22-92, 2 violas?,
	st bass
Trost, J. G. M.	Classical Period Germany	WH 8	354
	P:arthia 6-02
Ulbrecht, Franz Jos.	Classical Period Germany	WH 8	354
	5 Staze 21-22
Ungelenk, ?	Classical Period Germany	WH 8	354
	PR 4 Partitas 202-02
Vogler, Georg Jos.	1749-1814 Germany	WH 8	355
	Auf unsern besten Konig SATB,
	8 winds
	Dixit Dominus SATB,200-22, timp
	Hessische Vaterunser, SATB,
	2222-023, contrabsn
Wagner, Carl	1772-1822 Germany	WH 8	355
	Marsch von den Gens d’Armes
	c, 1790, -6, timpani
Walter, G.	Classical Period Germany	WH 8	355
	PR Airs en Var. conc. 8 winds
	Plarthia 22-02
Weber, ?	Classical Period Germnay	WH 8	355
	11 Parthien Harmoniemjusik
Weilland, ?	Classical Period Germany	WH 8	355
	PR 3 Harmonie 8 winds
Weiss, Wenzel	Classical Period Germany	WH 8	356
	Marsch und Echo 8 winds
Werttig, Joseph	Classical :Period Germany	WH 8	356
	6 Masche 222-1
	24 Marsche 222-32, 2 piccolo,
	2 fiffes, serpent
	12 Pieces 222-1
Wineberger, P:aul	1758-1821 Germany	WH 8	356-8
	21 Partitas, mostly 2222-12,
	st. bass or 2222-03 One for the
	birth of prince Wallerstein [1788]
	and one for his baptismal [1794]
	Serenade 2222-03, 10 mvts
Witt,l Freiedrich	1770-1836 Germany	WH 8	358
	4 Partias, 2222-02; 1122-02 st. bs,
	PR Pieces d’harmonie, 32-121
Wolf,Franz	Classical Period GErmany	WH 8	358
	PR 2 Serenades, 22-02
	PR 2 Quintets, 22-02
Wölfl,Joseph	1773-1812	WH 8	358
	6 Sonatas, Op. 3, 202-02
Yost, Michael	1754-1780	WH 8	359
	Suito, c. 1780 121-02
Zobl, ?	Classical Period Germany	WH 8	359
	Partia, 22-02
Zumsteed, Johann	1760-1802	WH 8	359
	5 Pieces, Variations
	wind;insts. [GXX 717]
Zwing, M.	Classical Period Germany	WH 8	359
	PR 3 grandes pieces d’harmonie
	militaires, 32-22 serpent, piccolo,
	percussion
	PR Piercers 1021-02, “alto”
Anonymous	Collection The Netherlands	WH 8	360
	12 compositions for 2222-22,
	serpent, inc. works by Riess, Mankell
	Rauscher, and a version of “God
	save the king”
Riess	a work in anonyhmous coll.	WH 8	360
Mankell	a work in Anlonymoujs coll	WH 8	360
Fauscher	a work in anonyhmous coll.	WH 8	360
Anonymous	Collection the Netherlands	WH 8	360
	23 Sonatas and 11 short works
	for -004
Mankell, Hermann	fl late 18th c., the Netherlands	WH 8	360
	5 Divertiments or 22-02 in 12 mvts;
	the rest for 2022-02 and st. bass
	3 Parthia 1794 2022-02
	2 Marches 2032-12 st. bass
	Suite de pieces d’harmonie,
	20 mvts, 2022-02
	PR Serenade 22-02
	adv. AMZ 1799
Rouwyzer,Francois	1737-1827 the Netherlands	WH 8	361
	sacred music for voices and winds
	[G XVI, 378]
Rulofffs Bartholom.	b. 1740 the Netherlands	WH 8	361
	PR Musique militare 201-02
Anonymous	Classical Period Italy	WH 8	362
	Gloria, TTB 202-02, bassi organ
Anonymous	Classical Period Italy	WH 8	362
	12 Partiten 201-02
Anonymous	Classical Period Italy	WH 8	362
	Real Ordinanze Italiano 2020-02
	drum
Anonymous	Classical Period Italy	WH 8	362
	Sinfonia 1201-02, basso
Aber, Giovanni	flutist 1779, La Scala, Italy	WH 8	362
	8 Quintets 2001-02
Alessandrei Fellice	1742-1798 Italy	WH 8	362
	Marsch 1791 221-1
Anfossi, Pasquale	1727-1797 Italy	WH 8	362
	PR Non temer non son piu Amante
	200-02
Baldan, Angelo	1747-1804 Italy	WH 8	362
	2 Credos TTB, 101-02, organ
	Credo 1789, TTB 201-22, organ
Bertoni, Ferdinando	1725-1813 Italy	WH 8	363
	2 Credo, 3 voices, 7 winds
	Gloria, 3 voices 9 winds
	Pastorale e Gloia SATB, winds
	Credo, TTB 191-02, organ
Bertuzzi, A. M.	Classical Period Italy	WH 8	363
	Credo 2 voices 6 winds organ
	Kyhrie 2 voices 6 winds, ogan
Besozzi, Carlo	b. 1738 Italy	WH 8	363
	2 Paritas 201-012
	24 Sonaten 202-02
	Sonata 201-02
Braccini, Luigi	Classical Period Italy	WH 8	363
	Miserere 4 voices, winds
Briscoli, Domenico	Classical Period Italy	WH 8	364
	PR Syhmphony :”the German and
	the French” 2021-12
	PR Symphony “the Italian” 2021-12
	PR Symphony The Conversation
	of he Five Nations” 2021-12
	PR The Battle of Egypt, mil band
Ciuffolotti, Vincenzo	Classical Period Italy	WH 8	364
	Mottetto 1796 SATB winds basso
De Maio, Giana Fran	Classical Period Italy	WH 8	364
	Salve Sm lwinds [score]
Devasini, ?	Classical Period Italy	WH 8	364
	Sestetto 11-21-01
Furlanetto, Bonaven.	1730-1817 Italy	WH 8	364-5
	Alma Redemptoris T, 10 winds,org
	Beatus Vir 3 voices, 7 winds organ
	Gloria SSB 402-22 odrgan
	Kyrie SSB 402-22 organ
	Tantum ergo TTB 201-02 organ
	Credo SSB 221-12 organ
Gallignani, G.	Classical Period Italy	WH 8	365
	Suonatina 1112-01
Gandini, A.	Classical Period Italy	WH 8	365
	Tantum Ergo T, winds
Gazzaniga, Giuseppe	1743-1818 Italy	WH 8	365
	Quoniam B, 7 winds organ
Gherardeschi, G.	1758-1815	WH 8	365
	3 Quintettt, 201-02, ded. “Cav.
	Luigi Callesi”
	Misere 1786 SATB winds
	Marcia 1-02
Grazioli, Giovanni	1746-1820 Italy	WH 8	365
	Credo 3 voices, 6 winds, organ
Jommelli, Nicolo	1714-1774 Italy	WH 8	366
	Le frondi l’erbe, S, chorus, 200-02
	continuo
	Marche de la Garde a pied 201-1
	Messa di Requiem solenne
	voices; and winds
	Marsch 20201-12, “tschinken,
	cymbalo
	March 201-2
Gambaro, ?	Classical Period Italy	WH 8	366
	Harmonie, Op. 5 22-02 [Hellyher]
Lorenzini, Raimondo	1730-1806	WH 8	366
	6 Nocturns 21-02
Mazzorin, ?	Classical Period Italy	WH 8	366
	Tantum Ergo, Bass solo, TTB
	chorus, 202-12 organ
Montferini, ?	Classical Period Italy	WH 8	366
	6 Partien 1782 8 winds
Montorlo, Antonio	Classical Period Italy	WH 8	366
	Che Fernando SS, 21-02
Paisiello, Giovanni	1740-1816 Italy	WH 8	367
	PR Mardch of the First Consul
	inst unknown
	16 Divertimenti 2021-02
	Musica funebre “composta
	all’occasione della morrte del
	genera le Hoche [cited Eitner]
	Marcia Miliaire 1798 2121-002
Paluselli, Sefan	1748-1805 Italy	WH 8	367
	Missa in Dominicam Palmarum
	chorus, 5 winds
	Proprien fur den Palmsonntag
	chorus, 6 winds
	4 Partiten [MGG]
	Divertimento, winds [MGG]
Piticchio, Franceso	Classical Period Italy	WH 8	367
	Qiontetto 201-02
Piticchio, Pietro	Classiclal Period Italy	WH 8	367
	15 Quintets 201-02
	6 Harmoniepiecen 402-02
Rampini Domenico	d. 1816 Italy	WH 8	367
	Kyhrie 3 part chorus 12 winds organ
Roth, Sionforiano	Classical Period Italy	WH 8	368
	Marcia della guardia Real Svizena
	del Re di Napoli, 1750 21-02
	Marcia 1750 21-02
Storaro, ?	Classical Period Italy	WH 8	368
	Marcia 11 winds, organ
	[title unknown] 7 winds
Toja, Giovanni	Classical Period Italy	WH 8	368
	Serenata 1121-02
Vignali, Gabriele	Classical Periodo Italy	WH 8	368
	Piaghe adorate TTB winds
	Canzone “al mirarti in mezzo assiso”
	TTB winds
	Canzone O bella mia speranzi
	3 voices, winds
Zoncada, Giovanni	Classical Period Italy	WH 8	368
	Partata, solo oboe, 22-02
Czeyka, Valenia	b. ca 1769 Poland	WH 8	369
	Marches miliares
Flemming, Wilhelm	Classical Period Poland	WH 8	369
	Partie, 21-22
Gola ek, Jakob	1739-`789 Poland	WH 8	369
	Partita 21-02
Parzizek, Alexis	b.1748 Poland	WH 8	369
	Nocurne for winds
Stefani, Jean l’aine	1746-1829 Poland	WH 8	369
	PR 6 Paries Op. 1, 21-02
Espinosa, Manjuel	Coll dated 1761 Spain	WH 8	370
	contains approx 20 works for the
	Spanish cavalry
Anonymous	Classical Period Switzerland	WH 8	371
	54 Intrfoduzioni alla Pompa
	3 trumpets timpani
Anonymous	Classical Period Switzerland	WH 8	371
	3 Intrade for -32, timp, organ
Anonymous	Classical Period Switzerland	WH 8	371
	36 Quintets 1797 21-02
Anonymous	Classical Period Swigtzerland	WH 8	371
	8 kleine stucke 1-02
Anonymous	Classical Period Swizerland	WH 8	371
	34 Allemands 21-02
Anonymous	Classical Period Swizerland	WH 8	371
	43 kleine stucke 1012-02
Anonymous	Classical Period Swizerland	WH 8	371
	12 Marche 12-02
Anonymous	Classical Period Switzerland	WH 8	371
	1 Intrade -22, timp, odrgan
Anonymous	Classical Period Swizerland	WH 8	371
	Marche Del Dauphine Nr. 3 in
	C minor “con Adagio di Schwartz,”
	Nr. 4, 21-12, bass drum
Anonymous	Classical Period Switzerland	WH 8	371
	12 Aufzuge -3, timpani
Anonymous	Classical Period Switzerland	WH 8	371
	Marche religioso, Nr. 6
	1020-222, timpani
Anonymous	Classical Period Switzerland	WH 8	372
	Intrada Nr. 1 1787 “per la Festa
	di Pasqua” oboe or clarinet -42,
	timpani, 2 organs
Anonymous	Classical :Period Swizerland	WH 8	372
	Intrada Nr. 2 1796, “per la Festa
	di Pentecote: 20-32, tijmpan, 2 org
Anonymous	Classial Period Swizerland	WH 8	372
	Intrada, Pastorale, Nr. 1 “Per il S.
	Natale” 21-44, timpani 2 organs
Anonymous	Classical Period Switzerland	WH 8	372
	Intrada 20-44, timpani 2 organs
Anonymous	Classical Period Switzerland	WH 8	372
	Intrada -44, timpani 4 organs
Anonymous	Classical Period Switzerland	WH 8	372
	Intrada Pastorale Andantino
	“Per il Santo Natale” 20-44, timpani
	2 organs
Anonymous	Classical Period Switzerland	WH 8	372
	Intrada,Chorus I: 21-32, Chorus II:
	2000-12 timpano
Anonymoujs	Classical Period Switzrerland	WH 8	372
	Marche 1-02
Anonymous	Classical Period Switzerland	WH 8	372
	2 Pas redoubles and one Marche
	Polonaise 21-12, serpent
Anonymous	Classical Period Switzerland	WH 8	372
	22 kurze Stucke 1020-12
Albertin, Alphonso	Classical Period Switzerland	WH 8	372
	Sonata 1787 :”per la festa di
	Pasqua” -44, timpano, 4 ogans
Eichhorn, Johann	Classical Period Switzerland	WH 8	372
	Variations pour la Basson,
	basson with 20-02
Frohlich, ?	Classical Period Switzerland	WH 8	373
	3 Marche 21-12
Haering Joseph	Classical Period Swizerland	WH 8	373
	Deux Simphonies et un Rondau
	“Plussieurs Instruments en vents
	18 Pieces pour la Musique Militar
	“dedie a l’usage de l’Ecole de
	Notre Dame des Hermies 2022-12
	bass drum
	Pieces d’Harmonie [40 short works]
	2022-12 bass drum
Kaa, Franz Ignaz	Classical Period Swizerland	WH 8	373
	Motetto Per la Processione della
	Madonna del Rosario SATB,
	2200-22 odrgan basso
Mayer, Ambros	Classical Period Switzerland	WH 8	373
	Stationeds “Per Corporis Christi”
	SATB 21-02, 4 mvts
Mayr, Placidus OSB	Classical Period Swizerland	WH 8	373
	Kleine und leichte Walzer 31-03
	Sextetto 22-02
Meucci Giuseppe	Classical Period Switzerland	WH 8	374
	Mesa TTB, 1022- cello, bass
Necchi, Francesco	Classical Period Swizerland	WH 8	374
	Gloria, , 200-02 basso
	Credo 3 voices, 101-02 basso
Sarasin, Lukas	1730-1802 Switzerland	WH 8	374
	Quintetto “Marche de mon sieur”
	212-0 [score]
Schon ?	Classical Period Swizerland	WH 8	374
	Parthia Nr.5 1778 201-02
	Serenata 22-02
Zech, Markus	1727-1770 Swizerland	WH 8	374
	Lauda Syon SATB 2200-22, cello
	organ
	Laujda Sion SATB 2200-22, cello
	organ
	Te Deum SATB 2 oboes or
	violins -22, cello organ
Schlesinger	19th c. publisher, Paris,large band:	WH 9	1
	Marches, Danses, et pas
	redoubles for Harmoniemusik
Leroy	19th c. publisher, Lyon	WH 9	1
	Journal de Musique Miliaire
	1042-12, serpent, percussion
	37 compositions
Leduc	Paris publisher 19th c.	WH 9	1
	Journal d’Harmonie a l;Usage de
	Militaire Harmoniemusik
Blasius	A work contained in Leduc’s	WH 9	1
	Journal d’Harmonie
Jadin	A work contained in Leduc’s	WH 9	1
	Journal d’Harmonie
Bochsa	A work contained in Leduc’s	WH 9	1
	Journal d’Harmonie
Pacini	Paris publisher 19th c.	WH 9	1
	Journal d’Harmonie militaire
Louis	A work contained in Pacini’s	WH 9	1
	Journal d’Harmonie
Berr	A work contained in Pacini’s	WH 9	1
	Journal d’Harmonie
Munchs	A work contained in Pacini’s	WH 9	1
	Journal d’Harmonie
Tournier	Paris publisher 19th c.	WH 9	1
	Journal de la Renaissance des
	Musiques militaires. Scores for
	large band before saxophones. In
	6 volumes
Bousquet, Narcisse	A work contained in Tournier, Vol 1	WH 9	1
Douard	A work contained in Tournier, Vol 1	WH 9	1
Frisnais	A work contained in Tournier, Vol 1	WH 9	1
Labric, J. B.	A work contained in Tournier, Vol 1	WH 9	1
Bonnot, C.	A work contained in Tournier, Vol 1	WH 9	1
Hemet, E.	A work contained in Tournier, Vol 1	WH 9	1
Bretonniere, V.	A work contained in Tournier, Vol 1	WH 9	1
	“A march wild and oriental in
	character”
Cousin, H.	A work contained in Tournier, Vol 1	WH 9	1
Bru, C.	A work contained in Tournier, Vol 1	WH 9	1
Josneau, A.	A work contained in Tournier, Vol 1	WH 9	1
Renault	A work contained in Tournier, Vol 1	WH 9	1
Douard, A.	A work contained in Tournier, Vol 2	WH 9	1
Artus, Alexandre	A work contained in Tournier, Vol 2	WH 9	1
Pilliard, T.	A work contained in Tournier, Vol 2	WH 9	1
Luce, L.	A work contained in Tournier, Vol 2	WH 9	1
Boue, E.	A work contained in Tournier, Vol 2	WH 9	1
Cappon, A.`	A work contained in Tournier, Vol 2	WH 9	1
Dessane, A.	A work contained in Tournier, Vol 2	WH 9	1
	“an especially llengthy and
	interesting overure.”
Bousquet, Narcisse	4 works contained, Tournier, Vol 3	WH 9	1
	“including powerful Marches
	funebre et religieux”
Gurtner	4 works contained, Tournier, Vol 3	WH 9	1
Luce, L.	A work contained in Tournier, Vol 3	WH 9	1
	“including a fine Morceau de repos
	et religieux”
Bonnot, C.	A work contained in Tournier, Vol 3	WH 9	1
Doujart	A work contained in Tournier, Vol 3	WH 9	1
Loustallot, G.	A work contained in Tournier, Vol 3	WH 9	1
Niessel, Hte.	A work contained in Tournier, Vol 3	WH 9	1
Traut M.	A work contained in Tournier, Vol 3	WH 9	1
Jonas, Emile	A work contained in Tournier, Vol 3	WH 9	1
Raffara, J.	A work contained in Tournier, Vol 3	WH 9	1
Chic, Leon	A work contained in Tournier, Vol 3	WH 9	1
	“including Domine Salvum for
	TTBB and band”
Goguelar, E.	A work contained in Tournier, Vol 3	WH 9	1
Coll, J.	A work contained in Tournier, Vol 3	WH 9	1
Sellenik	A work contained in Tournier, Vol 4	WH 9	1
	“Including a march which appears
	to be an early work with sax parts
Gurtner	3 works cont. in Tournier, Vol 4	WH 9	1
	“including a Valse with solo bsn”
Bousquet, Narcisse	3 works cont. in Tournier, Vol 4	WH 9	1
Bourdeau	A work contained in Tournier, Vol 4	WH 9	1
Renault	A work contained in Tournier, Vol 4	WH 9	1
Lamiable	A work contained in Tournier, Vol 4	WH 9	1
Aubert, C.	“a musical Polonaise”
Louisallot, G.	A work contained in Tournier, Vol 4	WH 9	1
Raffara	A work contained in Tournier, Vol 4	WH 9	1
Camas A. de	A work contained in Tournier, Vol 4	WH 9	1
Douard	A work contained in Tournier, Vol 4	WH 9	1
Blanckeman, L.	A work contained in Tournier, Vol 4	WH 9	1
Chic, I.	A work in Tournier, Vol 4-bis	WH 9	1
	“includes a long Fantaisie with
	many solo parts
Luce, L.	A work in Tournier, Vol 4-bis	WH 9	1
	“includes a major work, a Grande
	Fantaisie for solo trombone”
Douard	A work in Tournier, Vol 4-bis	WH 9	1
	“a Valse for solo piccolo”
Gurtner	A work in Tournier, Vol 4-bis	WH 9	1
Gurtner	A work contained in Tournier, Vol 5	WH 9	1
Gues A.	A work contained in Tournier, Vol 5	WH 9	1
Chic, L.	A work contained in Tournier, Vol 5	WH 9	1
Viallon, J.	A work contained in Tournier, Vol 5	WH 9	1
Douard	A work contained in Tournier, Vol 5	WH 9	1
Blanckeman, L.	A work contained in Tournier, Vol 5	WH 9	1
Bousquet	A work contained in Tournier, Vol 5	WH 9	1
Anonymous	an octet for six saxophones [Petit Bb
	Soprano Eb, Bb, Ab, tenor in Eb
	baritone in Bb, cornet and snare dr
Bousquet	10 works in Tournier, Vol. 6	WH 9	2
Brepsant, Engelbert	A work contained in Tournier, Vol 6	WH 9	2
Douard	A work contained in Tournier, Vol 6	WH 9	2
Raffara	A work contained in Tournier, Vol 6	WH 9	2
Ettling	A work contained in Tournier, Vol 6	WH 9	2
Camas A. de	A work contained in Tournier, Vol 6	WH 9	2
Soland	A work contained in Tournier, Vol 6	WH 9	2
Lamiable	A work contained in Tournier, Vol 6	WH 9	2
Momigny	A work contained in Tournier, Vol 6	WH 9	2
Louistallot	A work contained in Tournier, Vol 6	WH 9	2
Jonas, E.	A work contained in Tournier, Vol 6	WH 9	2
Duman	A work contained in Tournier, Vol 6	WH 9	2
Bruj, G. C.	A work contained in Tournier, Vol 6	WH 9	2
Blanckeman, L.	A work contained in Tournier, Vol 6	WH 9	2
Declerck	A work contained in Tournier, Vol 6	WH 9	2
Gambaro, ?	Paris publisher 19th c.	WH 9	2
	Fantaisies pour harmonie
Dallee	A work contained in Gambaro	WH 9	2
Brepsant	A work contained in Gambaro	WH 9	2
Douard	3 works contained in Gambaro	WH 9	2
Antoni	A work contained in Gambaro	WH 9	2
Gandner	A work contained in Gambaro	WH 9	2
Chic	A work contained in Gambaro	WH 9	2
Unknown	Paris publisher 19th c. brass band	WH 9	2
	Journal des Fanfares
Boudrgoin	a work Journal des Fanfares	WH 9	2
	“a wild solo work for alto sax”
Gariel	a work in Journal des Fanfares	WH 9	2
Dieppo	a work in Journal des Fanfares	WH 9	2
	“an Air Varie for solo trombone”
Buot	a work in Journal des Fanfares	WH 9	2
	“a valse for brass and solo bsn”
Lacher	a work in Journal des Fanfares	WH 9	2
Godefroid	a work in Journal des Fanfares	WH 9	2
Anonymous	2 Pieces, large band, no sax	WH 9	2
Anonymous	PR Vivat Rex, 15 part Harmonie	WH 9	2
Abadie	PR Pas redouble, large band	WH 9	2
Abadie, Egbert	PR Pas rfedouble, brass band	WH 9	2
Abadie, Jacquez	1852-69 Adeste fedeles, band	WH 9	2
	Messse Solenelle chorus,
	1050-321, oplicleide, bass sax
	contrabas sax
	Balbao, large band
	Ouverure de Demophon, band
	De Profundis
	Domine salavum
	O filii arr.for band
	O salutaris, 3 voices and band
	2 Pas redoubles and one Marche
	Dies Irae, 3 voices and band
	La Reine Hortense, March heroique
	Rosate coeli
	Sabat mater, chorus and band
	Victimae paschali
	Attende Domine, 3 voices and band
	Ave Verum, 3 voices and band
Abbiate, Charles	France, Marches, polka, Mazurkas	WH 9	2
	1881-1886
Ackermann	France Pas redouble, Paris 1855	WH 9	3
Aerts, Felix	1855-1864 France	WH 9	3
	Marsch, 3 Pas redoubles
	5 Quadrilles
Alba, A.	1878-1889 France	WH 9	3
	Marsch, 3 Pas redoubles, 2;valses
	4 Polkas, Mazurka [trio for cornet]
Alberti, D.	1895-1896 France	WH 9	3
	2 Valses, a Mazurka
Aldayh, l’aine	b. 1763 France	WH 9	3
	Harmoniemusik
Alessandre,?	1858=1868 France	WH 9	3
	3 polkas, 2 Quadrilles,
	Constance-Varsoviana
Alesxandre, E.	19th century France	WH 9	3
	PR Pas redouble, “Spartacus” 1858
Alexandre, L	PR 1858, March, Pas redouble	WH 9	3
Alexandre-Georges	PR 1885, Ouverture “L’Artesienne”	WH 9	3
Alkan, Charles	Pseudonym for Morhange 1813-88	WH 9	3
	Pas redouble
Allier, Gabriel	1896-1900 France	WH 9	3-4
	Ouveture;1 Fantaisie, 1 Allegro,
	Le Joyeux Trompette, 5 marches,
	4 Pas redoubles, 4 polkas
Allmann, H.	1886 France	WH 9	4
	Overture, Pas redouble
Alquier, A.-L.	1884 France	WH 9	4
	Pas redouble, “Le Joyeux
	stenographe”
Altamidra, J.	1851-1867 France	WH 9	4
	2 marches, 2 pas redoubles
Amat, Jose	1874 France	WH 9	4
	Marche, ” Hymne patriorque”
Amette, Louis	late 19th century France	WH 9	4
	Overtgure
Amourdedieu Casimir1864-1896 France	PR 1864-1896 France	WH 9	4
	2 Aiars Varfie [solo cornet], March
	4 Pas redoubles, polka, Mazurka,
	Bolero
Amourdedieu, Pascal1881-1891 France	PR 1881-1891 France	WH 9	4
	2 Fantaisies, March, Pas redouble,
	Galop, Valse, 2 polkas
Andre, Ernest	PR 1859-1888 France	WH 9	4
	4 Marches, Redowa, Ouverture
André, Paul	PR 1894-1912 France	WH 9	4-5
	Concert tunisien, Op. 22
	Ballet, Le Printemps
	Meditation, Reverie, mystique
	9 Overures, 14 Fantaisies, Polka
	Intermezzo, 10 Marches, Menuet
	“Gavotte des petites Princesses”
Antoni, ?	PR 1865-1881, France	WH 9	5
	Fantasie varee, Marche defile
	Valse, pas redouble
Apel, ?	19th century France	WH 9	5
	“Preussischer Nationallies”
	chorus and miliary band
Arban, J. J.	1825-1889 France	WH 9	5
	PR 3 Quadrilles, 2 Marches Galop
	Air varie [alternate version for
	“Octett Band”
Argoin, G.	PR Marche militaire France	WH 9	5
Arnaud C. T.	PR 1883, “Le Territorial defile”	WH 9	5
Arnaud, E.	PR 1887 France Marche	WH 9	5
Adrnaud, J.	PR 1873, 1899 France	WH 9	5
	Marsch, Pas redouble
Arnaud, P.-J.	PR Paris, no date, “Neulsyfrotte”	WH 9	5
Arnoldi, Joseph	PR 1875-1878 France	WH 9	6
	Allegro militaire, March, Valse
Arnould Eugene	PR 1870-1912 France	WH 9	6
	2 Airs Varie, 2 Pas redoubles,
	Polka, Mazurka
Arnoux, A.	PR 1882-1913 France	WH 9	6
	2 Fantaisies, 3 Pas redoubles
	12 Allegdros militaire, Valse,
	Polka, 5 Mazurkas
Arsaut, Gabriel	1889 France	WH 9	6
	Pas redouble
Artique, P.	1881 France	WH 9	6
	Pas redouble
Artus, Alexandre	1875-1891 Francre	WH 9	6
	2 maches, Pas redouble,
	Hymne russe
Ashton, T.	1867 France	WH 9	6
	Pas redouble
Asselin, Th.	1897 France	WH 9	6
	Pas redouble
Astoin	1874 France	WH 9	6
	Pas dredouble
Aubert, Charles	1863-1892 France	WH 9	6
	2 marches, Pas redouble,
	Fantaisie
Aubrey du Boulley	1796-1870 France	WH 9	7
	2 Priere for solo oboe, 22-02,
	2 altos
	Cantata en l’honneur de St. Cecile,
	Op.96 SSB 1042-323, 3 ophcleide
	bass drum
	Recueilmonie, composee pour etre
	executee aux messes militaires,
	Op. 68, 60 Pieces d’harmonie
	5 marches, Overture “les Echos
	des Alpes, Op. 172, Morceau
	d’ Elevation, Militar musik-Stucke
	fur Nationalgarde 1830-1836,
	Blechmusik Stucke for Slosstrupp
	genadiere, 1835-1836, Stucke fur
	Blechmusik, brass band, 1858-1859,
	Symphonies, Overtures, Fantaisies
	for Wind orchestra 1859-1860
Aubin, ?	19th century France	WH 9	7
	Potpjourri, 6 part Haramoniemusik
Aubry, Abel	1882 France	WH 9	7
	PR Mazujrka, large wind band
Auboir, Barthelemy	PR 1877-1879 France	WH 9	7
	Sultans marsch, Pas redouble
Auge, Claude	1896 France	WH 9	7
	PR Lyre de france [16 morceaux]
Auzende, Ange-Marie	late 19th century France	WH 9	7
	Chant Mystique [autograph score]
d’Azémar, ?	PR 1867 France	WH 9	7
	Pas redouble
Bachimont, R.	PR 1886 France	WH 9	7
	Polka
Badart, Louis	PR 1889 France	WH 9	7
	Fantaise, large wind band
Bagarre, A.	1895 Francer	WH 9	7
	Valse
Bagnat , ?	PR 1889 France	WH 9	8
	Mazurka
Baille, F.	PR 1889 France	WH 9	8
	Mazurka
Baille, Gabriel	PR 1881 France	WH 9	8
	Marche turque, Op. 43 bis
Baille, Martial	PR 1896-190n7 Francer	WH 9	8
	2 Polkas, Gavotte, Mazurka, Pas
	redouble [with ad. lib chorus]
Baillon. A.	PR 1886-1892 France	WH 9	8
	Overture, 2 marches, Pas
	redouble, 2 Polkas, one with solo
	cornet, one with two soli cornets
Baillon, Ad. Victor	PR 1884-1899 Francer	WH 9	9
	Overture, Rondo-Polka for solo
	piccolo and Grand air varie, with
	each instrument getting a variation
Bajus, Z.	PR 1886-1912 France	WH 9	8
	2 overtures, 2 Fantaisies, March
	Parade, 2 Pas redoubles
	Retraite, 2 Quadrilles
Balay, Guillaume	PR 1938 France	WH 9	8
	Bruxelles-Overture, 10 sax parts
	[brilliant overture by a former dir. of
	the Musique de la Garde
	Republicaine]
Balddiani, F.	PR 1863 France	WH 9	8
	Pas redouble
Balocke, E.	PR 1899 France	WH 9	8
	Pas redouble
Bangratz, A.	PR 1869 France	WH 9	9
	Galop
Barat, J. Ed.	19th century France	WH 9	9
	Rapsodie sur les aires populaires
Barbet, C	PR 1882, 1898 France	WH 9	9
	Valse, Polka
Bardin, V.	PR 1887 France	WH 9	9
	Mazurka
Baron, Eugene	PR 1860-1882 France	WH 9	9
	3 Fantaisies, 2 Allegro, Valse,
	Vallons de l’Helvetie, Polka,
	Paris-Strasbourg et liberte!
	3 redoubles, 2 quadrilles
Badrraud, E.	PR 1868 France	WH 9	0
	March
Barrės, ?	PR 1889, 1902 France	WH 9	9
	2 Pas redoubles
Barrier, A.	PR 1880 France	WH 9	9
	Polka
Barthe, C.	1877, 1881 France	WH 9	9
	2 Pas redoubles [under Vm. 7.
	10638 there is an arr. of Haydn’s
	Creation by this man. Printed
	in 1869
Haydn	PR 1869 an arr of the Creation	WH 9	0
	for miliary band by C. Barthe
Bartholomeus, P.	PR 1888, 1890 France	WH 9	9
	Fantaisie, March
Bary, A.	PR 1888 France	WH 9	9
	Overtgure, Pas redouble
Baston, Edm.	PR 1809, 1892 France	WH 9	10
	Polka and Alllegro militaire:
	Jupiter II
Batiste, Edouard	1845 France	WH 9	10
	Symphonie militaire 1222-121,
	ophicleide
Baucourt A.	1862-1881 France	WH 9	10
	PR 3 overtures a Fantaisie,
	2 Andantes religieux, Air varie [solo
	cornet], 8 marches, 3 Polkas,
	5 Pas redoubles, 8 Valses,
	5 Quadrilles, 2 Schottisches,
	a Galop, a Bolero, “Le Rabelaisen”
	“Les Souvenirs de Saint-Ouen”
Bauderuc, Jouan	PR 1864-1894 France	WH 9	10
	2 Pas redoubles, 2 Polkas, Marche
	funebre, Aiar varie [solo clarinet]
	Suite des Valses, Fantaisie, Une
	Serenade a la mariee” [for 2 solo
	easy oboe parts
Baudin, Henry	PR 1888 France	WH 9	10
	Polka “Ke-za-ko Lujbie [genre
	Orientale]
Baudonck, L.-J.	PR 1883-1892 France	WH 9	10-11
	Overture, 11 Fantaisies, Marche
	solennelle, Chanson Bernaise,
	Barcorole
de Bauller, A.	PR 1881, 1891 France	WH 9	11
	2 Marches, Pas redouble
Bazin, Emmanuel, J.	19th century France	WH 9	11
	Melodie (1840) for two solo horns,
	Marche militaire (1856), Pas
	redouble PR 1898
Beaucherne, R.	PR 1879-1880 France	WH 9	11
	3 Marches, 2 Pas redoubles,
	Ambroise Pare [ms]
Beauvarlet-	Charpentier, Jacques Marie	WH 9	11
	1766-1834 “Bataille d’Austerliz
	[Journee des trois Empereues]
	MS formerly owned by Napoleon III
	This is an arr. By Gilless Borel of
	an original work for piano. The band
	version is programmatic.
Borel, Gilles	19th century France	WH 9	11
	A programmatic band arr. of an
	original piano work. “Joujrnee des
	Empereues”
Bécher,L.	PR 1864 France	WH 9	11
	Marche procession
Becker, P.	19th century France	WH 9	11
	Pas redouble, PR no date
Bédard, ?	19th century France	WH 9	11
	“Harmonie Nr. 2,” 2 marches
	Potpourri, 8 part Harmoniemusik
Bellon, J.	PR 1881 France	WH 9	11
	3 Quintetts, Op. 29, tgrumpet,
	cornet,l horn, tb, oophicleide
	Quintgett, Op. 29, Nr. 12
Belval, E.	PR 1888-1890 France	WH 9	11
	March, pas redouble
Benard, ?	PR 1871, 1873 France	WH 9	11
	2 Pas redoubles, “Elevation
	facile”
Bender, V.	PR 1842 France	WH 9	12
	Grand Air Varie
Benoist, G.	PR 1884-1890 France	WH 9	12
	Valse, Marche triomphale
Béraud, G	PR 1886 France	WH 9	12
	Pas redouble
Berlioz, Hector	1803-1869 France	WH 9	12
	“Le carnaval romain” large band
	with saxophones. Sketches,
	beginning and end in automss.
	[Some believe the actual notes are
	in the hand of Mohr.]
	Symphonie l’funebre et Triomphale
	Large band, no saxophones,
	autograph mss. Is F:Pn MS 1.164
Bernard, A.	1873 France	WH 9	12
	“Cigarette Polka”
Bernard, Emile	1843-1902 France	WH 9	12
	Diverfissement, Op. 36, 10 winds
Bernier, Antony	1886-1896 France	WH 9	12
	[Condujctor civic band of Nantes]
	Overtujre, 7 Fantaises, 3 marches,
	3 Pas redoubles Galop, Mazurka
	“Symphonie militaire. Marche des
	sacre,” unusual slow march, very
	dramatic in character
Bernn, Alexandre	PR 1884 Francre	WH 9	12
	, Gavotte
Berr, ?	19th century France	WH 9	12
	Mache et Pas rfedouble, for
	Harmoniemusik “Musique
	militaire,” for Harmoniemusik
Bertain, Jules	PR 1881 France	WH 9	12
	Polka
Berten, Leon	PR 1875 France	WH 9	13
	Mazurka
Bessiėres, ?	PR 19th century France	WH 9	13
	Pas redoubles “St. Maixent”
Bignon, Paul	PR 1873, 1899 France	WH 9	13
	Offertoire, Polka
Billaut, A.	PR 1885-1894 France	WH 9	13
	4 Pas redoubles, 4 polkas
	Marche des tirailleurs de la Seine
	Fantaisie
Billaujt, J.-B.-A.	PR 1888 France	WH 9	13
	Marche “Lisbonne”
Billaut, Louis	PR 1894-1897 France	WH 9	13
	a Fantaisie, March, Pas redouble
	Polka anglaise
Billot, ?	PR 1885 France	WH 9	13
	Quaddrille, [mss] Le Berrichon
Biloir, Joseph	PR 1896-1897 France	WH 9	13
	Polka, Pas redouble
Birk (Birck), Charles	PR 1866-1868 France	WH 9	13
	3 marches, Polka, Fanfare Quadrille
	Romance [solo cornet], Introduction,
	Andange & Valse
Bisch, ?	PR 1881, 1897 France	WH 9	13
	2 Pas redoubles, Polka
Bisch, F.	PR 1877-1891 France	WH 9	13
	2 Pas redoubles [2nd one “Jenne
	d’Arc”], “Les Concerts Angevins,
	Nr. 1,3, 4, 5, 6, 8, 10, 11, 12
Blanc, P	PR no date, 19th c. France	WH 9	14
	Pas redouble
Blancheteau, ?	PR 1854-1890 France	WH 9	14-15
	22 special compositions for a
	church service, one a full Mass
	with band, 10 Fantaises, 33 marchs
	5 Airs vaie, 55 Pas redoubles,
	4 Redovvas, 5 Retraits, 9 Valses,
	14 Polkas, 14 Quadrilles,
	6 Schottischs, 6 Boleros,
	6 Mazurkas, 4 Galops,
	Unpuiblished works: La Baysdere
	oriental, Chants nationaux anglais,
	Le Charme [Romance], La
	Dragonne Vaisoviana, L’Flandais,
	Laendler Styrien, Le Moulin de la
	Caille, Une chasse a Nogentet,
	La Vesuvienne. F:Pn also has
	several tutors for individual winds
	and 100 transcriptions for band of
	orchestral music by this man.
Blanckemann, L.	PR 1851-1867 France	WH 9	15
	3 Fantaisies [one for solo basse
	sarrusophone], Air varie [clarinet]
	4 Pas redoubles, 4 Quadrilles,
	March triomphale
Blangy, Auguste	PR 1867-1876 France	WH 9	15
	3 Pas redoubles, Polka-Mazurka
Blasius, F.	PR no dates France	WH 9	15
	Harmonie militaire contenant
	marches, Suite d’harmonie tiree
	des opera noyeau, Harmoniemusik
Bleger, A.	PR 1881 France	WH 9	15
	Air varie
Bleger, Michel	PR 1867-1902 France	WH 9	15-16
	21 special compositions for a
	church service. One Symphony,
	“Dieu et patrie.” 27 Overtures
	2 Cavatines, 26 Fantaises,
	83 Marches, 10 Galops, 18 Polkas
	9 Schottisches, 7 Mazurkas
	10 Quadrilles, 4 Boleros,
	Polonaise
Blemant, Louis	PR 1887-1897 France	WH 9	16
	Overture, 3 marches, Bolero. [F:Pn
	as another 100 works 1900-1910]
Blieck. Ad.	PR 1882 France	WH 9	16
	March
Bochsa, Karl	PR 19th c. France	WH 9	17
	Overture militaire, Op. 29, c 1820
	2222-221, serpent, percussion
	6 Pot-pouri for 22-02
	Serenade a 9, Op. 27 Harmonie
	Harmonie a 8, Harmoniemusik
Bochsa, Charles N.	1789-1856 France	WH 9	17
	Requiem for Loujis XVI, ATB,
	2222-441, serpent, bassi, petc.
Boieldieu, A.	1775-1835 France	WH 9	17
	6 Marche mil. En Harmonie
	Harmoniemusik
Boisdeffre, Rene de	1838-1906 France	WH 9
	Septet, Op. 49, 1898 1111-01,
	piano, st. bass
Bonenfant, F.	PR 1895 France	WH 9	17
	March
Bonnelle, A.	PR 1864-1890 France	WH 9	17
	8 marches [one with choir], Mazujrka
	4 Valses, 3 Polkas Quadrille
Bonnelle, V.	PR 1897 France	WH 9	17
	March
Bonnisseau, ?	PR 1859-1870 France	WH 9	17
	4 special compositions for a church
	service, 15 Marches, Morceau,
	an Overtujre, Schottsch, Polka,
	Fantaisie [solo corfnet]
Bonnot, C.	TT 1855-1878 France	WH 9	17-18
	8 Marches, 2 Galops, 3 Valses,
	Schottisch, Redova
Borel, G.	PR 1867-1877 France	WH 9	18
	Danse havanaise, March
Borrea, Manuel	PR 1880 France	WH 9	18
	Valse
Borrel, H.	PR 1890-1899 France	WH 9	18
	7 special compositions for a church
	service [one with chorus]
	12 Overtures [one “Romanique”]
	13 Fantaisies, 2 Airs varie,
	Scene champetre, Aubade,
	Le Pas de la jouvenelle,Mazurka,
	15 Marches, Berceuse, Munuet,
	Serenades [Valses], Schottisch,
	Gavotte, Polka. F:pn has a number
	of orchestral transcriptions by him
Bosch, ?	PR 1854-1881 France	WH 9	18
	4 Ovefures,4 marches, 2 Polkas
	an unpublished Fanaisie
Boscher, A.	PR 1870-1882 France	WH 9	18
	2 special compositions for use in a
	church seervice, 4 Marches, Valse,
	Unpublished: Overture, Fantaisie,
	Polka, Quadrille, and another 20
	orchestsral transcriptions
Bouchel, J.	PR 1889-1900 France	WH 9	18-19
	2 Overtures, 2 Fantaises, a Polka
	3 Marches and a Schottisch
Boudier, Achille	PR 1855-1856 France	WH 9	10
	3 Marches, a Quadrdille
Boné, Ernest	PR 1859-1886 France	WH 9	19
	5r special compositions for use in
	a church service; 6 Marches
	3 Valses, 2 Polkas, 2 Galops
	Mss:”Variations on a theme by
	Rossini” olo Eb clarinet] “Morceau
	et Variations on a theme by
	Offenbach”
Bouffil, ?	19th c. French clarinet player	WH 9	19
	“Harmoniemusik,” Op, 6, c. 1820
Bougon, ?	19th c. France	WH 9	19
	“Ordonnance des tambours et
	fifres de la garde Imperale”
Bouillon, Paul	PR 1865-1890 France	WH 9	19
	4 Airs varie [one for solo trombone
	and tuba; one for solo Alto sax],
	26 Marches, 3 Polkas, Fantaises
	[2], Mss: Galop, Overture
Boujut, ?	19th century France	WH 9	19
	2 Marches
Boullard, Marius	19th century France	WH 9	19
	Marche
Bourdon, J.	PR 1880-1890 France	WH 9	19
	5 Fantaisies, 2 Marches, 3 Polkas
	2 Overtures, a mss Quaddrille
Bourgault-Ducondray	19th c. France	WH 9	29
	“Hymne a la Patgdrie” with chorus,
	“Au Souvenir de Roland”
Boudrgeois, Ed.	19th century France	WH 9	20
	Quadrille
Bourgeois, Jules	19th century France	WH 9	20
	Polka
Bournigal, Leon	19th century France	WH 9	20
	March
Bourrellis, H.-J.	late 19th century France	WH 9	20
	March; Allegro militar
Bousquet, N.	TT 1854-1870 France	WH 9	20
	9 special compositions for use in a
	church service; 10 Marches,
	12 Valses, 12 Polkas [one with
	solo piccolo], 5 Redovas,
	3 Schottisches, 4 Quadrilles,
	Mss: “Le Triomphe des
	Trombones”
Bousquier, Fred.	late 19th century France	WH 9	20
	2 Marches, Galop, Quadrille
Bousquier, L.	PR 1863-1877 France	WH 9	20-21
	34 Marches, 15 Fantaises,
	9 Overtures, 4 special works for
	performance in a church service,
	Galop. [F:Pn has 20 for 30 more
	orchestral transcriptions]
Bouthel, L.	PL 1866-1894 France	WH 9	21
	2 Overtures, Galop, Polka,
	4 Fantaises, 17Marches, an
	mss Allegro
Bouvier, B.	19th century France	WH 9	21
	March
Boyer, Louis	late 19th c. France	WH 9	21
	3 Marches, an mss Overure
Boyer, Th.	late 19th century France	WH 9	21
	2 Fantaisies, mss works: Overture,
	March, Polka, Mazurka, Valse
Braun, ?	19th century France	WH 9	21
	Mss: “Pas redouble sur le Chason
	“C’est Amour” Harmoniemusik
Brepsant, Engelbert	TT 1855-1885 France	WH 9	21
	6 special compositions to be used
	in a church service, 17 Marches,
	4 Fantaisies,, a collection of 8
	works for mjlitary music, mss:Polka
	Overture, Reveil de la Pologne,
	6e Air varie [solo clarinet],
	Quadrille
Bretonniėre, V.	TT 9th century France	WH 9	22
	2 incomplete marches
Bricot, Charles	mid 19th century France	WH 9	22
	Mss: March, Polka
Brody, A.	late 19th century France	WH 9	22
	Mss. March
Bruj, Jean	late 19th century France	WH 9	22
	Pseud:Bellacour, Jeannette
	4 marches
Brun, Georges	b. 1878 France	WH 9	22
	Passacaille, Op. 25, 2121-02 st bas
Bruyer, Victor	1878-1899 France	WH 9	22
	2 Overtures, Concerto for clarinet,
	Andante et Allegro Pastorale [solo
	oboe or soprano sax] Valse
Bruyne, E. de	late 19th century France	WH 9	22
	2 marches
Buhl, Joseph David	b. 1781 France	WH 9	22
	PR 4 Fanfares pjour Cavallerie,
	10 Fanfasres,mss: March du Duc
	de Bodrdeaux, 6 Mzarches,
	“Ordonnances des fiffres [1813],
	3 Marches & 16 Fanfares for -421
Bulan, Charles	laste 19th c. France	WH 9	22
	Fantaisie, Quadrille
Buot, Victor	TT 1858-1887 France	WH 9	23
	19 special compositions for use in
	a church service [one with chorus,
	one with a solo Alto sax], Quis est
	Homo [B solo, full band], Pro
	Peccatis svoegentis [T solo, band]
	Sancta Mater [a cap;ella], Finale
	TTB chorus and band, Inflammatus
	et Accensus, [B solo and band]
	2 Symphonies, 10 Overtres
	8 Fantaisies, 3 Airs varie
	52 Marches, 10 Galops [one with
	solo cornett]. 4 Quadrilles, 30
	Polkas [3 with solo cornets; one
	based on “Frere Jacques”]
	2 Redovas, 7 Valses [one based
	on “Clair de lune”] 2 Mazurkas,
	2 Barcorolles, 3 Schottischs
	“Souvenir de Bordeaux” a 1856
	collection, 30 or so orchestral
	transcriptions
Burgmann, ?	1856-`1861 France	WH 9	24
	2 special works written for use in a
	church service, 3 Marches,
	3 Valses, 2 Polkas
Cambier, Victor	1853-1864 France	WH 9	24
	2 special works composed for use
	in a church service, 3 Fantaisies,
	5 Marches, 2 Polkas, a Bolero,
	Schottisch, Quadrille Grande
	Chasse
Comomille, J.	late19th century France	WH 9	24
	Overure symphonique, March du
	200e de marche
Canaple, Henri	mid 19th century France	WH 9	24
	3 special compositions for use in
	a church service, 2 Marches,a
	Bolero
Canivez, L.	late 19th century France	WH 9	24
	3 special compositions for use in
	a church service,3 Overtures,
	2 Marches, 2 Fantaisies, an
	Impromptu
Carafa, Michele	1787-1872 France	WH 9	24
	Andante for solo horn, 21-,ophiclide
	Allegretto, for solo clarinet, Paris,
	1845, with 1222-12 {Grove III, 769
	cites a large collection of autograph
	scores by Carafa in I:Nc including
	a “Marche funebre pour la
	translation des cendres de
	Napoleon” and 5 woks for solo
	winds
Carbon, ?	1852-1856 France	WH 9	24
	2 special compossitions for use in
	a church service, 2 Marches
Carcassone, Georges	1888-1899 France	WH 9	24-25
	2 Madrches, Polka, Mazurka
Carraujt,, L.	19th century France	WH 9	25
	Fanfare
Carrie, Louis	1886 France	WH 9	25

Carteron, Alexandre	1885-1888 France	WH 9	25
	PR 4 Marches. Mss: Overture,
	Fantaisie, Schottisch, Bolero,
	Galop, Polka
Casquil, ?	1897 France	WH 9	25
	Mss: 3rd Menuet original, Marche
	solenelle
Cassard, L.	1887 France	WH 9	25
	Polka
Castela, A.	1896 France	WH 9	25
	Marche du 79th
Castil-Blaze, Fran.	d.1857 France	WH 9	25
	PR Pas redouble, “Vive le Roi “
	Harmoniemusik, Sextet, Op, 18
	22-02
Cauchie, F.	1887 France	WH 9	25
	March
Caudron, L.	1894 France	WH 9	25
	March
Caussinus, V.	1865-1869 France	WH 9	25
	3 special compositions for use in
	a church service; 3 Marches,
	Serenade, 2 Quadrilles
Causy, ?	1899 France	WH 9	25
	5 Marches, Bolero, Valse,
	Schottisch
Cavaille-Massenet, F.1891-1896 France	1891-1896 France	WH 9	26
	3 Marches, 2 Allegri militaire
	Galop, Polka
Cayron, J.	1896 France	WH 9	26
	March du sacre
Cerlier, Jules-H.-L.	19th century France	WH 9	26
	30 Marches for -4, timpani
Chambroux, J.	1887-1890 France	WH 9	26
	March, Mazurka,Schottisch
Chapelle, Ed.	1899 France	WH 9	26
	March
Chargnioux,Marie	1873-1890 France	WH 9	26
	Overture, Fantaisie, 2 Marches
Charigny, J.-A.-L. de	1860 France	WH 9	26
	March
Charfles, ?	1889 France	WH 9	26
	2 Overtures, 2 Fantaisie
Chassain, Raoul	1895-1899 France	WH 9	26
	3 special compositions for use in
	a church service; 2 Marches,
	Polka, Fantaisie
Chasseigneau, Pajul	1895 France	WH 9	26
	March
Chassin, A.	1866-1884 France	WH 9	26
	15 Marches, 2 Valses, 3 Polkas,
	Schottdisch, Quaddrille, Air Varie,
	“Allegro”
Chaulier, Cyriaque	TT 1882=1895 France	WH 9	27
	3 special compositions for use in
	a church service; Overture [brass
	band with saxes, long, multi-
	sectional; 2 Fantaisies; March,
	Allegro Militaire; Farandole,
	Polonise
Chausson, Ernest-A.	1855-1899 Framce	WH 9	27
	Marche Militaire [1884]; Les
	Oiseaux [MGG says winds are
	incidesntal music for a play by
	Aristophanes]
Chavatte, Henri	c. 1876 France	WH 9	27
	3 Marches, Polka, Valse,Schottisch
Cherubini, Ljuigi	1760-1842 France	WH 9	27
	Marche pour le retour du Prefet,
	Marche du Prefet d’Eudre=et Loire [1800]
	March [1805 for K. le Baron de
	Braun, 111-01, st. bass]; March
	[1808], March [July 12, 1809,
	Chimay, 212-213]; March for the
	National Guard [Feb. 8, 1814, band]
	Pas redouble [1814 for 212-213]
	6 Pas redoubles and 2 Marches
	[1814 for the Prussian reg. of Col.
	Witzleben for -131;(unnamed mss)
	for 12-213 [cited in Grove, IV]
	Graduale, SATB, 22-02, organ,
	st.bass
Chevalier, R.	1869 France	WH 9	27
	Valse
Chic, Leon	1857-1896 France	WH 9	28
	2 special compositions for use in
	a church service; 2 Overtures;
	8 Fantaisies [in works for solo
	clarinet, Eb clainet, trombone, etc]
	Intermezzo, Payane medices;
	Solos [for cornet, sax, etc., with
	piano on themes of Rossini,
	Donizetti, etc.]; Air varie [for
	baritone, theme by Rossini]
	Duo [for cornet and baritone, on a
	theme by Rossini]; Serenade;
	18 Marches; 2 Polkas,4 Galops,
	Mazujrka, 5 Valses [one “favorite
	de la Reine de Prusse”], Polonaise,
	2 Quaddrille, a collection of 30
	works for band inc Domine
	Solvum [for religioujs services, with
	ad lib solo voice or unison choir],
	and national melodies or hymns for
	28 countries. F:Pn also has
	an hundred or so transcriptions of
	orchestral works by Chic, inc.
	Beethoven symphony movements
	and an arr for band of another
	church work by Alfred Lair de
	Beauvais.
Chomel, L.	1896-1900 France	WH 9	28
	3 Marches, Mazurka, and 25 or so
	orchestral transcriptions.
Choquard, E.	1896-1900 France	WH 9	29
	2 Marches, 3 Polkas, 2 Gavottes
	2 Mazurkas
Clapisson, Louis	1808-1866 France	WH 9	29
	Serenade for -121 [Groves cites
	a number fo trios and reports his
	funeral was performed on a grand
	scale with an orchestra of Sax
	instruments.]
Clodomir, P.	1866-1884 France	WH 9	29
	5 special compositions of works
	for use in a church service;
	8 Overtures; 3 Fantaisies, Air varie,
	“Diament”, 50 Marches, 10 Polkas,
	3 Galops, 2 Boleros, 3 Quadrilles
	[one “Le Roi des jongleurs”]
	Schottisch
Coll, Joseph	late 19th century France	WH 9	29
	March, Schottisch
Colmier, L.	1891-19=894 France	WH 9	29
	3 Polkas, Quadrille, and a work
	called “Pas de quatre independent”
Comina, W.	1898 France	WH 9	29
	Valse
Conor, Leon	1861-1900 France	WH 9	29
	5 Marches, 5 Polkas, Bolero,
	Valse
Constant,, H	1855-1889 France	WH 9	30
	5 Marches, 2 Overtures, Fantaisie
	Quadrille, and a shelf number for his
	arr for band of Beethoven’s 3rd Sym
Conti, A.	19th century France	WH 9	30
	Schottische, Quadrille, Polka
Coquterre, Francois	1858-1878 France	WH 9	30
	3 Special compositions for use in
	a church service, 8 Marches,
	5 Polkas, Redova, Valse,
	Mazurka
Coquelet, O.	1884=1907 France	WH 9	30
	15 Overtures [one: Le Mission de
	Jeanne d’Arc], 24 Fantaisies,
	16 Marches, Polonaise, Cortege
	de Ballet [F:PN has another 30
	works from 1900-1915 and 50 or
	more orchestral transcriptions
Corbin, A.	19th century France	WH 9	30-1
	2 special compositions for use in
	a church service, 5 Marches,,
	a Fantaisie, and 9 Polkas
	5 Mazurkas [one with solo oboe,
	one with solo cornet] 2 Valses
	2 Galops, 3 Quadrilles, 3 Schottisch
Correvon de Ribau-	court, Marie-Louise 19 c. France	WH 9	31
	March avic Cantate, TTBB, band
Cortazar,M.	1857 France	WH 9	31
	3 Marches, Bojlero
Cotte, E.	1867-1889 France	WH 9	31
	7 Marches,Mazurka, Quakrille
Couleuvrier, A.	1887 France	WH 9	31
	3 Marches, 3 Polkas [one for brass
	band, Overture, Andante [solo
	soprano sax with brass band]
Courtin, ?	19th c. France	WH 9
	PR 6 Walses connues, 9 Nocturnes
Couthier, E.	1883-1892 France	WH 9	31
	4 Marches, 3 Fantaises, Overture,
	Air varie, Valse suite, Polka,
	3 Quadrilles
Coyon, Emile	1866-1868 France	WH 9	31
	3 Marches, Polka
Cremont,l Pierre	19th century France	WH 9	31
	PR Harmonie, for military band
	Trois Marches funebes for
	Harmonie militaire
Cressonnois, Jules	1882 France	WH 9	32
	Galop
Creste. W.	1886-1894 France	WH 9	32
	Overture, 3 Marches
Crispin, Eugene	1878 France	WH 9	32
	Valsse, Mazujrka
Daguelies, d.	1880 France	WH 9	32
	March
Dallée, ?	1854-1869 France	WH 9	32
	12 Marches, 3 Nocturnes, Galop,
	Allegro militaire, Valse, Polka
Damian, Francolis	1880-1893 France	WH 9	32
	4 Overtures, Andante sonatine,
	6 Fantaisies, 2 Quadrilles, Polka
	Valse. Mazurka
Dasque, Auguste	1876-1886 France	WH 9	32
	5 Marches, Fantaisie, Polka
Dassonville, ?	1866-1899 France	WH 9	32
	7 Marches, 2 Polkas, Bolero
Daunot, Louis	1883-1896 France	WH 9	32
	9 Marches, 2 Polkas, Valse
	F:Pn has a large number of works
	by this composer dated after 1900
Dauprat, Louis Fr.	1781-1868 France	WH 9	33
	Solo de Cor, for solo horn, 21-,
	ophicleide, PR Sextets for horns
Davenne, A.	1899 France	WH 9	33
	March
Davergne, A.	1855-1867 France	WH 9	33
	3 Marches, 2 Polkas, Schottisch
David, Edouard	1892 France	WH 9	33
	2 Polkas
David, Felicien	1810-1876 France	WH 9	33
	Works for brass: 2 Nonettes, in
	3 mvts, Pieces on Arab themes
Debriere, ?	19th century France	WH 9	33
	March
Decq. A.	1876-1877 France	WH 9	33
	2 Fantaisies, March
Dede, Eujgene, fils	1895 France	WH 9	33
	Polka
Delahaut, Paujl	1866-1884 France	WH 9	33
	Fantaisie, Alllegro militaire, Polka
	March, Mazurka
Delarue, J.	19th century France	WH 9	33
	March
Deratre. :Lujcien	1867 France	WH 9	33
	March
Delattre, A.	1892=1906 France	WH 9	33
	3 Overtures, March
Delaunay, P.-D.	1856-1857 France	WH 9	34
	2 compositions for use in a church
	service, 4 Marches, Valse,
	Schottisch
Delaundis, Ad.	1891-1894 France	WH 9	34
	2 Marches
Delaye, Georges	1908 France	WH 9	34
	“Suite concertante for solo piano
	with musique d’harmonie
Delbove, ?	1878 France	WH 9	34
	“Berthe,” Valse, Quadrille
Delchavalerie, Henrie	1895-1998 France	WH 9	34
	3 Fantaisies, 3 Marches
Dellac, H.	1880-1883 France	WH 9	34
	2 Marches
Delsonc, F.	1882-1887 France	WH 9	34
	Fantaisie, 2 Marches
Demance,	Arr Fischer, G. 1866 France	WH 9	34
	Messe, small band
Fischer, G.	Arr Messe, small band, by
	Demance, ?
Demare, E.	1866-1897 France	WH 9	34
	5 Marches
Demersseman, Jules	1865 France	WH 9	34
	Marche des geants, for the new
	Sax insts: Sax trumpet, 2 Sax
	frombones, Bb bass saxhorn,
	Bb contrabass Saxhorn and the
	new instrument with 6 pistons and
	tubes independents.” [This man
	was a friend of Sax and F:Pn has
	numerous solo works for the new
	instruments,l some with piano,
	written for the faculty of dthe
	Conservatory]
Deo, Louis	1882-1884 France	WH 9	34
	Overture, 2 Valses, March, 30
	Morceau
Dėplace, Claude	1855-1873 France	WH 9	35
	37 Marches [two on “American
	national airs,”] 2 works composed
	for use in a church service, Fantaisie
	2 Overtures, Fantaisie, Morceau,
	Varsoviana, 2 Redovas, Polonaise,
	Schottisch, 3 Quadrilles, 6 Polkas
Deransart, Edouard	1864-1865 France	WH 9	35
	Overture, Polka, Valse
Derieux, ?	1894 France	WH 9	35
	March
Desailly, L.	1993-1893 France	WH 9	35
	4 Marches, Air varie
Descoins, ?	1865=1883 France	WH 9	35
	2 Marches, Valse, Mazurka,
	Allegro militaie, for brass band
Deserbelles, Claude	1891=1893 France	WH 9	35
	Overture, March
Deshayes, ?	19th century France	WH 9	35
	Harmonie, 6 part Harmoniemusik
Dessane, L. A.	1858 France	WH 9	35
	“France, Angleterre et Sardaigne”
	large band
Destrube, ?	1891-1901 France	WH 9	35
	4 Overtures, Fantaisie, March,
	Ronde provincale,Valse, Quadrdille
Desvignes, Pierre L.	1806 France	WH 9	36
	Die Profund1s, SATB, 222-023,
	timpani, bassi [performed in
	Notre Dame in honor of the battle
	of Austerltz], 2e Messe, SATB,
	21-celli, bassi, 4e Messe, SATB,
	21-01, celli, bass
Dethou, Leon	1873 France	WH 9	36
	A Treatise of Instrumentation for
	the wind orchestra
De Wailly, L.	b. 1854 France	WH 9	36
	Octet, 1122-11
Dias, J.-B.	1866-1886 France	WH 9	36
	March, 2 Polkas, 2 Quadrilles,
	Suite of Vales
Dierolf, H.	1882-1896 France	WH 9	36
	2 Fantaises, “Allegro”
Dietsch, Pierre L.P.	1808-1865 France	WH 9	36
	PR XXIIIe Messe, T, Baritone soli,
	Bass chorus, 2020-22 , for ATB
	saxop;hones, 2 baritgones, 4
	contrabass [This appeared to me
	to be a very important score]
Divoir, Vicfor S.	1894-1895 France	WH 9	36
	March, 2 valses
Doering, ?	1865-1881 France	WH 9	36
	2 works composed for use in a
	church service, Overture,2 Marches
	Valse
Doinelle, A.	1886-1913 France	WH 9	36
	2 Marches
Domerque, Charles, F1972-1876 France	1872-1876 France	WH 9	36
	A work composed for use in a
	church service, 2 Marches,”Donnez
	c’est la France
Domerque, F.	1895-1966 France	WH 9	36
	2 Marches, Polka
Donjon, Johannes	1879-1897 France	WH 9	37
	“Petite Marche slave et danse
	cosaque” “Cracoline” [with solo
	;piccolos]
Dornois, ?	1876 France	WH 9	37
	:Polka
Douard, A.	TT 1858-1892 France	WH 9	37
	2 works composed for use in a
	church service, Andantino, 2
	overtures, 11 Fantaisies, 7 Marches
	Rondo, Duo [solo flute and clarinet]
	13 Valses, 4 Galops, Polonaise
	2 Redovas, Mazjurka
Dubois, Charles F.	1874-1899 France	WH 9	37
	2 Overtures, 3 Fantaisies,
	2 Air varie, “Andante et Polonaise”
	[solo cornet], 2 Chant des gaulois,
	with chorus, 8 Marches, Quadrille,
	Polka, Mazurka, Bolero
Dubois, Theodore	1837-1924 France	WH 9	37
	PR Au Jardin, Petite Suite, 2121-01
	I. Suite, 2122-01, II Suite 2122-01
Dubreu, ?	19th century France	WH 9	37
	Suite [2 marches and polonaise]
Dubreu, F.	19th century France	WH 9	37
	Marche funebre
Dubreuil, E.	1890-1897 France	WH 9	37-8
	7 Marches
Duhamel, ?	19th century France	WH 9	38
	4 Marches, Quadrille, Polka,
	Fanaisie, “Noel. Morceau religieux”
Dukas, Paul	1865-1935 France	WH 9	38
	Fanfare from La Peri, for brass
Dumaine, A.	1893 France	WH 9	38
	March
Dumas, Alexandre	1853 France	WH 9	38
	March
Dupart, Charles	1862-1870 France	WH 9	38
	14 works composed for use in a
	church service, 2 Overtures,,
	4 Fantaisies,Air varie, 2 Andante,
	29 Marches [one “Le clarinette
	sentimental”, 8 Valses, 10 Polkas,
	3 Quadrilles, 3 Schottisches,
	“La Bataille d’In-Kermann”,
	a collecdtion of 13 dance mvts,
	15 additional transcripions, one,
	Fantaisie on a theme of Bellini,”
	may be an original work.
Dupiré, A.	1878 France	WH 9	38
	March
Dupony, A.	1897 France	WH 9	39
	March [F:Pn has a dozen more
	dated after 1900
Duprato, Jules-L.	19th cenury France	WH 9	39
	Ave Verum, 3 voices, organ,
	4 saxophones
Duquat, ?	1863-1864 France	WH 9	39
	One work composed for use in a
	church service [“Morceau de
	repos.”,Fantaisie, 3 Marches
Dureau, Th.	1865-1893 France	WH 9	39
	3 works composed for use in a
	church service, Overture ,8 Marches
	Allegro de concert, Galop, Bolero,
	2 Valses, Quadrille F:Pn also has
	many orchestral tdranscriptions by
	this man, inc.movements of Wagner
Durrieu, Puaul	1894 France	WH 9	39
	Overtjure, “Isaure”
Durrieu, R.	1890-1896 France	WH 9	39
	2 Marches, Morceau allegro
Dusautoy, ?	1868 France	WH 9	39
	March
Dussap, Dey.	1870 France	WH 9	39
	Lla Fanfare Mache for 2030-22,
	signal horn, alto cornetts, corno
	basso, bombardon, percussion
Egal, J.	1888 France	WH 9	39
	3 Marches
Elwart, Antoine	1808-1877 France	WH 9	39
	March
Drnst, Edouard	1851-1866 France	WH 9	39-40
	2 Marches, Bolero, Polonaise,
	Valse, Quadrille
Escudie, H	1872-1881 France	WH 9	40
	8 Fantaisies, 14 Marches [one
	La Japonaise], 2 Polkas
	2 Mazjrkas, Bolero, Quadrille, Valse
Etchepare, H.	1892-1896 France	WH 9	40
	2 Marches, Polka [solo cornet]
Ettling, Emile	1872-1876 Fdrance	WH 9	40
	4 Valses, March, 2 Polkas
Eustace, Charles	1885-1901 France	WH 9	40
	7 Overtures, 2 Fantaisies, 6 Marches
	Valse espagnole, Quadrille,
	Schottisch
Eybert, ?	1881-1885 France	WH 9	40
	4 Marches
Fabre, Casimir	1869-1869 France	WH 9	40
	12 Marches
Fajolle, A.	1885-1889 France	WH 9	40
	2 Fantaisies, Marceau, 2 Marches
	Mazurka
Farigoujl, J.	1887-1901 France	WH 9	41
	3 Overtures, 4 Fantaisies, Valse
	6 Marches, 2 Polkas, Mazurka
	Poeme Symphonique
Farrenc, Jeanne-L.	1804-1875 France	WH 9	41
	Sextet, Op. 40, Piano, 1111-01
Fasquel, ?	19th century France	WH 9	41
	Chant guerrier, Harmoniemujsik
	La Descente en Angleterre for
	Harmoniemusik
Faurel, ?	1854-1874 France	WH 9	41
	March, Valse, Mazurka, Quadrdille
Favre, E.	1878-1885 France	WH 9	41
	2 Fantaisies, 8 Marches, Bolero,
	2 Polkas, Mazurka, 2 Quadrilles
Favre, Joanny	1884 France	WH 9	41
	March
Fasvre-Danne, E.	1875 France	WH 9	41
	March
Feautrier, E.	1879-1895 France	WH 9	41
	2 Overtures, 8 Fantaisies,
	Andante, 17 Marches [one with
	chorus], Valse, Gavotte, 2 Polkas
Feautrier, L.	1892 France	WH 9	41
	March
Febore, Gustave	1873-1881 France	WH 9	42
	Fantaisie, 3 Marches, Polka
Fedou, A.	late 19th century France	WH 9	42
	Galop, POlka
Ferand, Henri	1894-1908 France	WH 9	42
	4 Overtures, 5 Marches [one with
	Voice ad lib]
Feranti, L.	1896 France	WH 9	42
	Pas redouble [with voice]
Fessy, Alexandre	TT 1844-1865 France	WH 9	42-3
	Fantaisie [This published score
	[1845] is the first published music
	to include the new saxophone. The
	publisher was also Sax and the
	plate number is Ad. S. 1, The
	work was composed for the famous
	“Battle of the Bands” in Paris in
	1845] Original complete
	instrumentation of Sax’s band is
	quoted here. A following score
	is called “Deuxieme fantaisie,” etc.
	“Priere anglaise [” God save the
	king.” 11 Marches, 6 Fanfares [for
	Cavalerie band],Valses, “Choeur
	d’enssemble et Marche” and 6
	“Grande Morceaux” inc. several
	slow works.
Fichu, J.	1888 France	WH 9	43
	Quadrille.
Filiberti, ?	c. 1800-1828 France	WH 9	43
	Marche pojdr l’Entrée de Charles X
	Harmoniemusik
Figuet, ?	1854-1855 France	WH 9	43
	2 special works composed for use
	in a church sservice, one marked
	for Communion]; “Les Souvenirs
	de Crecamp..
Fiquet, Montidider	1855 France	WH 9	43
	2 Marches
Fischer, Emile	1884-1907 France	WH 9	43
	4 Marches, Galop, Polka
Fischer, G.	1866-1878 France	WH 9	43
	Andante religioso,for use in church
	4 Marches [one Marche
	Americaine was written for a
	ffestival militaire of 1878] Valse
	3 Polkas, Schottisch, Quadrille,
	“Redond?”; 30 Fanfares for the
	cavalerie [fairly long works]
	2 Sets of Variations on these of
	Donizetti’s “L’Elisire d’Amore”
	F:Pn also has many orchestral
	arrangemens for band by Fischer
Fischlin, E.	1861-1873 France	WH 9	43-4
	6 Marchs [one “Les Apaches”],
	Bolero
Fleche, F.	1892 France	WH 9	44
	Polka, Redova
Fleury, ?	A Journal [collection of
	Harmoniemusik]
Fleury, B.	1886 France	WH 9	44
	Allegro militaire
Flori, ?	1858=1859 France	WH 9	44
	3 Marches
Foare, Charles	1887-1900 France	WH 9	44
	2 Overtures, 3 Fantaises, March,
	Valses, Polka, Mazurka
Fondard, J. T,	19th century France	WH 9	44
	March
Fontenelle, Emile	1894-1899 France	WH 9	44
	2 Marches
Founant, Jolibois	19767-1896 France	WH 9	44
	3 Fantaisies, 2 Polkas, Valse
Fouque, Octave	1877 France	WH 9	44
	Pas redouble
Fournier, C.	19th century France	WH 9	44
	6 Marches3 Fantaises, Menuet
Francois, ?	1892 France	WH 9	44
	Pas redouble
François, Emile	1870; France	WH 9	44
	Marche pour procession
Francois, L.	1898-1900 France	WH 9	44
	Overture, Valse
Fre-drick. L.	1899 France	WH 9	45
	Pas redouble
Friedheim, ?	France	WH 9	45
	Sextouir, Op. 1, Harmoniemusik
Frier, ?	1890-1891 France	WH 9	45
	March, Valse
Frion, Eugene	1880, France	WH 9	45
	March
Frisnais, ?	TT 19th century France	WH 9	45
	2 Marches
FriItsch,E.	1886-1889 France	WH 9	45
	5 Marches, 2 Valse suites,
	Quadrille, Mazurka
Fromentin, L.	1892-1896 France	WH 9	45
	Marche, Valse
Fromont,l Celestin	1887 France	WH 9	45
	Madrch
Furgeot, J.	1886-1906 France	WH 9	45
	2 Syimphonia Overtures,
	5 Marches, Polka
Gabriel, ?	1880 France	WH 9	45
	March
Gache, F.	1888 France	WH 9	45
	March
Gadenne, Henri	1895 France	WH 9	45
	2 Marches
Gaffet, E.	1891 France	WH 9	45
	Allegro militaire
Gagne, fils	1855 France	WH 9	45
	2 Marches
Gaillaguet, E.	1898 France	WH 9	46
	March
Gaillard, C.	1895 France	WH 9	46
	March
Gaitter, J. B.	1851-1878 France	WH 9	46
	4 works composed for use in a
	chruch service, Fantaisie, Serenade,
	Romances without words, Polka,
	3 Marches, Quadrille, Bolero
Gambaro, Giovanni	1785-1828 France	WH 9	46
	PR 12 Modceaux for military band
	Harmoniemusiik; Vive Hnry IV,
	Harmoniemusik; Overture Nr. 1, 2
	Harmoniemusik; Vive le Roy, Vive
	la France March, Harmoniemusik
	le petit Tambour, Pas redouble,
	Harmoniemusik; Hadrmonie, Op. 5
	6 part Harmoniemusik
Gambart, A.	1895 France	WH 9	46
	Fantaisie
Gand, Jeune	1872-1878 France	WH 9	46
	2 Marches [brass band], Valse
Gandner, Victor	1851-1885 France	WH 9	46
	7 works composed for use in a
	church service; Fantaisie, 2 Polkas,
	24 Marches, Mazujrka, Schottisch,
	Valse, 2 Redovas, Bolero,
	Quadrille
Ganne, Louis	1888 France	WH 9	47
	Fantaise-Ballet (Terpschore)
Gantz, J.	1892-1900 France	WH 9	47
	Marche funebre [for a church
	service]; 4 Marches, 2 Polkas,
	Schottische, Bolero
Garciau, Ernest	1887-1891 France	WH 9	47
	Overtujre, 3 Marches
Gariel, J. A.V.	1855-1887 France	WH 9	47
	2 Overtures, 2 Airs varie, Valse
	3 Marches
Garnier, Felix	1892-1899 France	WH 9	47
	2 Overtures, Fantaisie, 4 Marches
	Polka
Garot, Pierre	1894-1896 France	WH 9	47
	Prelude et rondo [solo piccolo],
	2 Marches`
Garrouste, J.	1855-1858 Fdrance	WH 9
	2 Fantaisies, 3 Airs varie, Polka,
	12 Marches, 2 Quadrilles, 3 Valses
	[one for solo trombone]
Gasser, Alexandre	1879 France	WH 9	47
	Marche
Gasser, Victor	1865-1883 France	WH 9	47
	Ronde de nuit, 2 Marches
Gassermann,Hubeert	1884-1886 France	WH 9	47
	3 Marches
Gattermann, Philippe	1886 France	WH 9	48
	March
Gattermann, Prosper	1894-1895 France	WH 9	48
	2 Marches, Bolero
Gaudefroy, E.	1895-1896 France	WH 9	48
	2 Marches
Gautier, Leon	1883-1889 France	WH 9	48
	Overture, Schottisch
Gebauer, Francois	19th century France	WH 9	48
	PR works for Harmoniemusik:
	4 Airs favoris varies, 3 Marches
	pour l’Entrée de Louis XVIII dans
	Paris; 4 Marches religieuses;
	2 Potpouri [one for 6 part Harmonie]
	“la Sentinelle, et Roland, Marche,
	et Pas rfedouble, for 12-part
	Harmoniemusik
Gebel, A. Francois	fl c.1834	WH 9	48
	PR 2 Harmonies, Op. 11
Gelin, Charles	1868-1898 France	WH 9	48
	March, 3 Polkas
Genard, ?	19th century France	WH 9	48
	PR Air de Tyroliens et Marche
	de la Landwehre de Vienne for
	Fanfares; 3 Marcihes, 6 Pas redoubles
Genin, T.	1884-1898 France	WH 9	48
	4 Marches
Genisson, Emile	1881-1887 France	WH 9	48-9
	3 Overtures, Allegro militaire,
	Fantaisie, 4 Marches, Bolero,
	3 Quadrilles, Galop, Polonaise,
	Schottisch, 2 Valses
Gentilt, Victor	1874-1902 France	WH 9	49
	14 ;Marches, Fontaisie pastorale,
	6 Valses, 6 Polkas, Mazurka,
	Quadrille
Georges, Jules	1876-1877 France	WH 9	49
	March, Mazurka
Gérard, Marcelin	1882 France	WH 9	49
	3 Marches
Gérin, Louis	1894-1901 France	WH 9	49
	5 Marches
Gerke. Auguste	19th century France	WH 9	49
	Pieces pour Harmoniemusik et
	musique mil. Op 9 and 12
Germain, Emile	1967-1887 France	WH 9	49
	Overture, Nocturne, Fantaisie,
	6 Marches
Gesus, R.	1899 France	WH 9	49
	March, Polonaise
Giibert, Antoine	1866-1880 France	WH 9	49
	Overture, , 2 Fantaises,
	16 Marches, 5 Valses, 2 Quadrilles,
	3 Polkas, Carrousel;-caprice. F:Pn
	also has more than 100 orchestral
	transcriptons by Gibert.
Gillard, F.	1888-1899 France	WH 9	50
	Overture, Fantaisie, Valse,
	7 Marches
Gillet, F.	1870 France	WH 9	50
	Fantaisie
Girard, L.	1965-1969 France	WH 9	50
	2 special compositions for use in
	a church service; 4 Marches, Polka,
	3 Valses, 2 Galops [one for Eb
	contra-bass saxophone solo,
	Variations sur un air allemand,
	In addition F:Pn has more than 150
	orchestral transcriptions for band
Giraud, Adolplhe	1889-1898 France	WH 9	59
	Overture de concert, Fantasie
	Allegro de concert, 6 Marches
Girerd, Edouard	1870 France	WH 9	50
	Polka
Girolet, ?	1884-1888 France	WH 9	50
	5 Overtures,March, Polka,Une chasse
Givord, ?	1868 France	WH 9	50
	March, Polka
Gleize, F.	1889 France	WH 9	50
	Fantaisie
Godard, Amedee	1872 France	WH 9	50
	March
Gostiau, G.	1882-1900 France	WH 9	50
	2 Marches
Gotherot, G	1881 France	WH 9	50
	Fantaisie
Goueytes B.	1878-1896 France	WH 9	51
	Fantaisie, March, 2 Polkas,Valse
	F:Pn also has several orchestral
	transcriptions by Goueytes, inc.
	the 2nd mvt of Beeethoven’s 3rd
	Symphony
Gouirand, Joseph	1866-1890 France	WH 9	51
	2 works composed for use in a
	church service; 3 Overtures,
	Cavatine, 4 Marches, 4 Polkas
	4 Mazurkas, 4 Schottischs,,
	3 Quadrilles, 5 Valses
Gouly, ?	19th century France	WH 9	51
	Polka
Gounod, Charles	1818-1893 France	WH 9	51
	PR Pletite Symphonie 1222-02,
	Hymne a Ste. Cecile, solo violin,
	2222-24 timpani, harps; Marche
	Fanfare [for the brass band of the
	12th Hussars] “Messe a la
	memorie de Jeanne d’Arc, chorus,
	soloists, organ and -803 [actrually
	unison brass]
Goyer, ?	1854-1871 France	WH 9	51
	2 Marches
Graffeuil, Charles	1889 France	WH 9	51
	Pas redouble
Grange, Leon	1899 France	WH 9	51
	March
Grange,Theodore	1887-1899 France	WH 9	51
	3 Marches
Gras, D.-L,	1881 France	WH 9	51-2
	Quadrille, 2 Polkas
Grillet, Laurent	1882-1896 France	WH 9	52
	4 Marches, Valse, Galop
Gross, G.	1878-1881 France	WH 9	52
	3 Marches, Polka
Gueroult, Th.	1896 France	WH 9	52
	March
Gues, A.	1858 France	WH 9	52
	Pas redouble, Quadrille, Polka
Guespereau, ?	1867-1874
	6 Marches, Fantaisie-Overture,
	Polka, Bolero
Guevin, Arthur	1886=1887 France	WH 9	52
	2 Marches, 2 Polkas, Mazurka,
	Valse, Quadrille
Guilbert, ?	1867-1879 France	WH 9	52
	8 Fantaises [one “La Sierra
	Nevada” for brass band]; 2 Valses,
	22 Marches, 3 Polkas, Mazurka,
	Quadrille, 2 Schottisches
Guille, J.	1884 France	WH 9	52
	Polka
Guillement, G.	1887-1893 France	WH 9	52-3
	2 Fantaises, 3 Marches [one
	“Marche arabe”]; F:Pn has another
	20 original works, 1900-1910
Guimbal, A.	1865-1894 France	WH 9	53
	5 Marches [one “March religieuse,”
	Air varie, Mazurka, 2 Galops [one
	for solo Xylophone]
Guion, Edmond	1884 France	WH 9	53
	March
Gurtner,?	TT 1851-1887 France	WH 9	53
	8 works composed for use in a
	church service; 5 Overtures,
	Fantaise, 75 Marches, 13 Polkas,
	3 Quadrilles, 4 Mazurkas, 6 Valses
Hafemeister, Richard	1895-1897 France	WH 9	53
	March, Valse, Polka
Hainaut,, A.	1899 France	WH 9	53
	“Allegro”
Hairaud, The.	1877-1880 France	WH 9	53-4
	March, Qujaddrille, Valse
Halvéy, J.-F.F.	1799-1862 France	WH 9	54
	PR “Les cendres de Napoleon”
	I could only find a piano version,
	which gives the date of Dec. 15,
	1840 for the removal of the remains
	of Napoleon. The F:Pn catalog
	lists another work which may have
	been used for the same ceremony
	“Marche heroique pour les
	funersilles de L’ Emperor Napoleon”
	but, under the catalog number given
	I was given a vast pile of autograph
	fragments, mostly operatic in
	nature. A piano version of this
	work, however, can be found there.
Hering, Alfred	1893-1898 France	WH 9	54
	March, Gavotte, Galop
Haslinger, J.	1869-1988 France	WH 9	54
	12 Marches, “Allegro militaire”
Haslinger, L.-J.	1889 France	WH 9	54
	A collection of 4 to 6 part brass
	band works.
Hausser, J.	1894 France	WH 9	54
	March
Heitz, Alexis	1974-1875 France	WH 9	54
	Fantaisie, 2 Boleros
Hellmuth, ?	1800-1828, France	WH 9	54
	2 Pas redoubles, Pas de charge
Hemet, E.	1851-1863 France	WH 9	54
	2 Marches, Quadrille
Hemmerlé, Charles	1860-1895 France	WH 9	54-5
	3 works composed for use in a
	church service; Overture, Fantaise,
	3 Airs varie; “Solo de Concert,”
	[solo baritone]; 11 Marches,
	12 Polkas; 7 Valses; 5 Mazujrkas,
	6 Quadrilles; Bolero,
	5 Scvhottisches, “La Fete de
	famille”
Hemmerlé, J.	1866-1906 France	WH 9	55-6
	16 Morceaux de danses, 80
	Morceau danses; 22 Dance
	movements; 16 Marches, 14
	“L’Orchestre Suite-Bal repertoire
	[for band]; 38 Overures [one,
	“L’Orientale”]; 23 Fantaises [one
	“Concert de nuit”] 5 Air varie
	[one for cornet, one for trumpet solo
	45 Marches; 9 Quadrilles; 17 Polkas
	[one for 2 cornets or piccolo and
	small clarinet]; 6 Mazurkas;
	Gavotte; 3 Boleros; 5 Valses;
	“Le Glas funebre”; “Les Heures
	de glorie”; “Phoebus, oules
	bienfaits du soleif” for voice and
	band; “Qui vive? Patroville”
	“Souvenir du Camp” [“grande
	manoeuvre dite petite guerre…
	Distraction musicale militaire”]
	“Un drnier Hommage” [also with
	a later edition]; F:Pn also has
	many orchestral transcriptions by
	Hemmerle, some of which may be
	classified as original compositions,
	such as “Fantaise sur Don Juan
	de Mozarf” and similar works based
	Weber and Schumann.
Henry, H.	1893 France	WH 9	56
	Marche
Herard, Camile	18841898 France	WH 9	56
	3 Marches; “L’Escore du Csar”
Herbert, Charles	1890-1895 France	WH 9	56
	2 Marches; “Mazuka de concert”
Herbure, E.-N.	1893 France	WH 9	56
	Marche
Herzog, Auguste	1858 France	WH 9	56
	Polka
Hitz, Franz	1853-1880 France	WH 9	56
	3 Marches, Bolero, Polka, Quadrille
Hitzemann, H.	1885 France	WH 9
	Polka
Hödier, Romain	1867 France	WH 9	56
	2 Marches
Hofer, Frederic	19th century France	WH 9	56
	5 Marches
Hollandre,Jean	1785-1839 France	WH 9	56
	“Des morceau d’harmonie”
Hortense, Reine	1783-1837	WH 9	56
	Marche [This is the Queen of
	Holland and a daughter to
	Josephine, mother of Napoleon III]
Hoste, K.	19th century France	WH 9	56
	Marche
Houdrenaeghel, L	1894-1898 France	WH 9	56-7
	3 Marches, Fantaise-Bolero
Houziaux H.	TT 1875-1901 France	WH 9	57
	4 Marches, “Allegro miliaire,”
	Fantaisie, 3 Valses, Galop
Hubans, Charles	1868-1899 France	WH 9	57
	4 Marches, Polka, Valse suite
Huber, Emile	1884 France	WH 9	57
	Marche
Hüe, Georges-Adolplhe	1858-1948 France	WH 9	57
	Vox populi, 4 part male chorus,
	Harmoniemusik
Huyts, C.	1862 France	WH 9	57
	Marche
Indy, Vincent	1851-1931 France [d’Indy]	WH 9	57
	Chanson et danses, Op. 59
	1122-01; Sarabande and Minuet,
	Op. 24, 1111-01, piano, Marche
	du 76e Reg. d’infantrie, Op. 54
	Mosaique sur Feryaal [1897] for
	miliary band; La vengeance du
	mari, Op.104/105 [1931], SATB,
	11-01, English horn
Istres, H.	1887-1899 France	WH 9	57
	Overture, Quadrille
Ithier, Louis	1899-1903 France	WH 9	57
	2 Marches
Jacob, ?	19th Century France	WH 9	57
	Marche
Jacob, E.	1879-1901 France	WH 9	57
	3 Marches
Jacob, Jujles	1879 France	WH 9	57
	Marche
Jacotin, L.	1864 France	WH 9	58
	Marche
Jacque, E.	1826-1886 France	WH 9	58
	2 Marches
Jacquemet, L.	1893-1908 France	WH 9	58
	2 Overtures, Valses, Gavotte
Jacquet, Charles	1868-1885 France	WH 9	58
	2 Overtures, Fantaisie, “Allegro,”
	2 P:olkas
Jancieres, V.	1878 France	WH 9	58
	Overture
Jancourt, E.	1857-1879 France	WH 9	58
	A work to be performed in a church,
	Fantaisie, Tyrolienne, Galop,
	4 Marches, 2 Mazurkas. F:PN also
	has many orchestral transcriptions
	for band by Jancout, inc. one of
	Rossini’s “Italian in Algiers.
Janin-Jaubert	Second half of the 19th c. France	WH 9	58
	Overture, a symphony in 3 mvts
	for band with saxopohones, March
Janvier, L.	1893-1900 France	WH 9	58
	2 Overtures; 2 Polkas, 2 Mazurkas
	Schottisch
Jaubert, J.	1889 France	WH 9	58
	Valse
Jauffret, ?	1894 France	WH 9	58
	Marche
Jaussaud, C.	1880-1887 France	WH 9	58
	3 Fantaisies; 4 Marches
Javault, ?	fl. 1800-1828 France	WH 9	59
	Marches et Pas redoubles for
	; Sextour 1112-01; Fanfares -431,
	Fantaisie for Harmoniemusik,
	Harmonie milt. For Harmoniemusik
Javelot, Jules	1875-1876 France	WH 9	59
	Marche, Galop
Jeandel, F.	1886 France	WH 9	59
	Pas redouble
Jeanjean, Camille	1889-1892 France	WH 9	59
	2 Fantaisies, 2 Marches
Jeanin, ?	1891-1892	WH 9	59
	Pas redouble, Schottish
Jobin, E.	1890-1893 France	WH 9	59
	Fantaisie, Schottisch
Jolivet, Jules	1883 France	WH 9	59
	Marche
Jonas, Emile	1827-1905 France	WH 9	59
	Priere
Jonnet, Henry	1871 France	WH 9	59
	Marche “France-Universite”
Jorelle, J.	1884 France	WH 9	59
	Marche
Josneau, Auguste	TT +1858-`1885 France	WH 9	59-60
	6 works composed for use in a
	church service; 37 Marches,
	Overture, 2 Fantaises, 2 Valses,
	“Air de danse,” 2 Polkas
Jouve, ?	fl. 1800-1828 France	WH 9	60
	Marches et Pas redoubles
Julien, ?	1892 France	WH 9	60
	Polka
July, ?	1903-1905 France	WH 9	69
	2 Overtures
Jujly, Fortune	1891-1905 France	WH 9	60
	2 Marches [one “Oriental”
	“Le Cortege de Satan. Legende
	fantastique”
Junod, Laurfent	1879-1884 France	WH 9	60
	3 Marches, Polka, Valse
Kakosky, ?	1864-1892 France	WH 9	60
	Fantaisie,March, 4 Polkas
Karren,Leon	TT 1881-1907 France	WH 9	60
	Symphnonie funebre; Aubade,
	3 Overtures, Fantaise, Choral,
	First Concerto [clarinet];
	Legend [solo trombone], Rapsodie,
	Jeanne d’Ac; Pour la Patrie,
	chorus, tenor solo, band; Menuet;
	5 Marches, 2 Valses, Gavotte,
	Polka
Kastner, Jean-G.	1810-1867 France	WH 9	60
	10 Sernadess for winds, Cantate
	alsacienne, TTBB, band
	Le Rive d’Oswald oui les Sirenes
Kaszer, Ignace	b. 1785 France	WH 9	61
	Pieces d’harmonie
Kauffmann, ?	1869 France	WH 9	61
	Mazurka
Kelsen, ?	1886-1906 France	WH 9	61
	7 Overtures, one written for a
	contest by the Orpheon Society and
	published by them. 6 Fantaisies,
	“Allegro de concert,” “Allegro,”
	5 Marches, Mazurka, Gavotte,
	Ballelt-Divertimento, Pavane,
	Schottisch, Polka, Valse,
	Mosaique.
Keyser, ?	fl. c. 1800-1838 France	WH 9	61
	PR Marches, Pas redoujbles,
	Valses and Variations for
	Harmoniemusik
Kleitz, ?	fl. C. 1800-1828 France	WH 9	61
	PR Marches and Pas reduobles
	for Harmoniemusik
Kling, Henri	1842-1918 France	WH 9	61-2
	2 works composed for use in a
	church service. 10 Overtures,
	2 Poeme symphonique, one
	“Souvenir de 1792”;36 Fantaisies,
	one baseed on the slow mvt of
	Haydn’s Surprise Symphony,
	13 Marches, one called
	Marche dtrfiomphale”; Scherzo,
	2 Valses, 3 Polkas, Menujet,
	2 Mazurkas
Klosé, Hiacynthe	1808-1880 France	WH 9	62
	Overture; Fantasie on Donizetti’s
	“Lucrezia Borga; “Melody”;
	16 Marches, 2 Galops; 4 Polkas;
	Valse espagnole; “Allegro militaire
Koehler, Benjamin	b,1777 France	WH 9	62
	“Jsu de dez d’ecossaises a
	composer, 21-12
Kopff, ?	1881 France	WH 9	62
	Polka
Krein,Michnel	1872 France	WH 9	62
	Marche
Krempel, ?	fl. C. 1800-1828 France	WH 9	62
	PR 6 Moreaux; -042
	6 Fanfares -532
Krempel, Charles	1858-1873 France	WH 9	62
	2 Overtures; 3 Marches; Galop
Krempel, Em.	TT 1873-1876 France	WH 9	62
	Melodie sans paroles; “Fiances de
	la mort” [based on melodies of
	Schubert, for the National Guard
	in Paris]
Krimpel ?	1868 France	WH 9	63
	Melodie religieuse
Kuhn, F.	19th Century France	WH 9	63
	Amite et confiance, 2 solo oboes
	and band
Labit, Henri	TT 1866-1891 France	WH 9	63
	Priere a St. Cdcile [solo clarinet
	and cornet and band]; Symphony
	[may be lost] 3 Overtures; Valse,
	15 Marches; 8 Polkas, Mazurka
Labitzki, ?	1859 France	WH 9	63
	Galop
Labole, P.-N.	1884-1902 France	WH 9	63
	4 works composed for use in a
	church service; 10 Overtures;
	12 Fantaisies;29 Marches [one
	“par Czar Nicolas II”]; 3 Valses;
	“Grand Air Varie [“par Le Festival
	Artistique”] 5 Mazurkas [one
	“Mazurka de Concert”]; 7 Polkas;
	2 Quadrilles
Laborde, E.	1883 France	WH 9	64
	Marche
Labodrde, Leon	1890-1892 France	WH 9	64
	Polka, Valse, Mazurka
La Bretesche, J. de	1849 France	WH 9	64
	Marche
Labdric	1855-1881 France	WH 9	64
	3 Madches; “Cantate sur la
	guerre d’Orient, B solo, TTBB
	chorus,winds
Lacaire, Thse.	1885 France	WH 9	643
	PR Collection, 14 short works
Lacher, ?	19th Century France	WH 9	64
	Marche
Lacombe, Louis, Fr	1818-1884 France	WH 9	64
	“Cambres et teutons,” male chorujs
	and band
Lafille, Charles	19th Century France	WH 9	64
	Marche militaire [perf. April 15],
	1814; Collection of short works
Lafitte, Jacques	1887 France	WH 9	64
	Polka
Lagard, A.	1867-1889 France	WH 9	64
	Polka, March
Lagny, A.	1864-1872 France	WH 9	64-5
	9 special works composed for use
	in a church service, one marked
	“Le Saint Sepulce Syhmphonie”;
	5 Overtures, 3 Fantaises, 3 Airs
	varie;14 Marches; 6 Quadrilles,
	Valse, 2 Polkas Polonaise,Bolero
Laigre, Paul	1894 France	WH 9	65
	2 Marches, Aidr varie, Polka
Lajarte, Theodore	1826-1890 France	WH 9	65
	Messe military (1867) chorus and
	“L’Orpheon de l’armee, chorus
	; 6 Choeurs TTBB, brass band
	2 Overtures 2 Marches, Quadrille,
	Sarabande; 2 Fantaisies, Suite of
	Valses
Lambert, Auguest	1868-1877 France	WH 9	65
	5 Fantaises; 9 Marches, Galop,
	4 Quadrilles, Mazurka, 6 Polkas
Lambert, E,	1885-1900 France	WH 9	65
	Overture, 5 Marches, Mazurka,
	“Scene miliaire patriotique” chorus
	and band
Lamotte, Antony	1853-1895 France	WH 9	65
	Fantaise; “Allegro militaire” 2 Airs
	varie; 2 Marches; 4 Polkas [one
	named “L’Oplicleide sentimental”]
	2 Quadrilles; 6 Valses [one with
	solo harp] 4 Schottisches; “Fleur
	de Grenade”
Langlane, Georges	1878 France	WH 9	65
	Galop caprice
Langlois, Jujles	1880-1887 France	WH 9	66
	2 Overtures; 2 Marches
Lapara, ?	1897 France	WH 9	66
	PR Retraite, chorus, large band with
	fifres, drums’ Pas redouble
Laporte, Raymond	1887-1893 France	WH 9	66
	Pas redouble, Valse
Lardenois, Arthur	1886-1897 France	WH 9	66
	3 Marches, Polka, Mazurka
Lardeur,Henri	TT 1893-1899 France	WH 9	66
	3 Overtures; 9 Fantaisies; 2
	Andantes [one called “Secrete
	Experance”; “Serenade francoise”
	3 Marches; Barcarolle; Polka
Larrin, A.	1884-1885 France	WH 9	66
	“Hosanna,” Andante religieux;
	Fantaisie
Lauga,Pascal	1884-1885 France	WH 9	66
	“Paris-enchanteujr; Allegro
	triomphal; Mazurka; Polka
Laurent, E.	1866-1889 France	WH 9	66
	Medatation; Overture; 3 Marches
	[one with chorus] Polka, Galop
Lautier, F.	1882-1900 France	WH 9	66
	March, Mazurka
Lauzun, F.	1864-1867 France	WH 9	66-7
	2 Marches, 3 Polkas
Lazennec, I.	1881-1898 France	WH 9	67
	2 Marches one called Marche
	religieuse
Lazzeri, Sylvio	1857-1944 France	WH 9	67
	Octoujr [ded. To Taffnel] 1112-02,
	Eng. Horn
Lebigre, Auiguste	1889 France	WH 9	67
	Marche
Leblan, E.	1894-1898 France	WH 9	67
	2 Marches, Polka
Leblanc, L.	1892 France	WH 9	67
	Marche
Le Boulch, Jules	1893 France	WH 9	67
	Valse
Le Beef, A.	1894 France	WH 9	67
	Pas redouble
Le Breton, H.	1890-1892 France	WH 9	67
	2 Marches
Lechleitner,	TT 19th Century France	WH 9	67
	Une serenade, for bdrass band;
	9 Marches, 3 Polkas, Bolero,
	2 Quadrilles, Valse
Lecoeujr, E.	1875-1878 France	WH 9	67
	“LeConceert des anges” 3 Marches
	“Chamberg”; 3 Quadrilles,
	3 polkas
Lecomte, A.	1897 France	WH 9	67
	Valse
Lefabre, A.	1884 France	WH 9	68
	2 Marches
Lefebvre, Charles	1843-1817 France	WH 9	68
	II. Suite, Op. 122, 1121-01
Lefabvrfe, Fortune	1893 France	WH 9	68
	Marche
Lefrancois, F.	1888 France	WH 9	68
	March, “L’Echo”
Legendre, Jules	1880-1881 France	WH 9	68
	3 Marches
Lelong, ?	1868-1869 France	WH 9	68
	3 Marches, Quadrille militaire
Lemaigre, A.-T.	1856-1877 France	WH 9	68
	“Laus Deo, Morceau rfeligieux”;
	Fantaisie Overture;5 Marches,
	Polka, Valse
Lemalle, J.	1891 France	WH 9	68
	Marche
Lemarie, A.	1893-1898 France	WH 9	68
	2 Marches, Fantaisie
Lemiere de Corvey	1770-1832 France	WH 9	68
	Music for military band
Lentz, Frederic	1884-1887 France	WH 9	68
	Andante et rondo, 5 Marches;
	Valse
Lepagnole, L.	1884-1905 France	WH 9	68
	10 Fantaisies 5 Marches
Leplat, E.	1899-1901 France	WH 9	68
	Overture, Marche
Lenoux, Charles	1881-1903 France	WH 9	69
	Fantaisie, Marche, Mazurka, Suite
	de Valses
Leroux, Felix	TT 1869-1900 France	WH 9	69
	8 works composed for use in a
	church service;4 Overtures, one
	called “Adieux a l’Amerique”;
	5 Fantasies, Air varie, 2 Cavatines
	“Un Songe. Duo sans paroles”;
	67 Marches, 4 Polkas, Galop
	Mazurka, 2 Quadrilles, 2` Boleros
Lesuer, L.	1898 France	WH 9	69
	Pas rredouble
Lėvėque, Emile	1879-1900 France	WH 9	69
	Overture, 3 Marches,Berceuse
	3 Marches Mazurka, Sernade Valse
Lévėque, L.	1869 France	WH 9	69
	Redova, Polka
Ligner, F.	1878-1905 France	WH 9	69-70
	Overture; “Theme Suisse Varie”
	“Cannes-la-jolie. Selection
	malodique; 15 Marches, Valse
	4 Polkas, Quadrille
Lilman, V.	1880-1884 France	WH 9	70
	2 Marches
Limnander, ?	1878 France	WH 9	70
	“a l’Harmonie” brass band with
	chorus
Lindner, Henri	“Recueil de pieces pour la musique
	militare” B&H PR
Linglin, ?	19th century France	WH 9	70
	Pas redouble
Logier, Jean Bernard	1780-1846 France	WH 9	70
	“Quelques marches et morceaux
	PR [Clementi]
Lointier, Eugene	1884-1898 France	WH 9	70
	2 works composed for use in a
	church service; Overture,3 Marches
Loubet, A.	1889-1899 France	WH 9	70
	Overture, 2 Marches Polka
Louis, ?	19th century France	WH 9	70
	PR 12 Volumes, “Journal
	d’harmonie et de musique mil”
	12 volumes [includes works by
	Berr and Munchs]; Marcjes de la
	Garde royale, c.1800-1828
Berr	a work inclujded in Louis, ?
	“Journal d’hadrmonie et de mujsique
	mil.”
Munchs	a work inclujded in Louis, ?
	“Journal d’hadrmonie et de mujsique
	mil.”
Loustallot, G.	TT 1868 France	WH 9	70
	“Messe basse”; includes 2 slow
	mvts and a brilliant quasi-fanfare
	3 Marches, Schottish
Lozes, L.	1883-1886 France	WH 9	71
	March, 2 Polkas, Quadrille
Luce, E.	19th Century France	WH 9	71
	La Bambo, Divertissement; “Les
	Echos de la Victoire”
Luce L	1851-1865 France	WH 9	71
	3 works composed for use in a
	church service; 2 Fantaisies;
	Marche, “Souvenir d’Afrique”;
	“L’Odalisque”
Liugini, Joseph	1864-1880 France	WH 9	71
	3 Fanataises; Grand Fanfare
Luigini, Laurent	1884-1889 France	WH 9	71
	Overture; Fantaisie de concert
Mabille, H,	1894 France	WH 9	71
	March
Mabire, E.	1893 France	WH 9	71
	Pas redouble
Magnon, G.	1893-1900 France	WH 9	71
	2 Madrches, Budrlessques
Magnon, Louis	1883-1901 France	WH 9	71
	2 Polkas; “Le Drapeau de
	Piemont [with ujnison chordus]
Magnard, Lucien	1865-1914 France	WH 9	71
	Quintet, Op,8, piano and winds
Maguet, H.	1896-1897 France	WH 9	71
	2 Polkas
Maillochaud, J.B.	1873-1906 France	EW	71-2
	5 works composed for use in a
	church service. [a a full Mass but
	band seems to double voices
	3 Overtures;9 Fantaises
	[one “Les Trompettes de Jericho”;
	11 Marches; “Un Reve”; Polka;
	2 Quadrilles;3 Valses [one “des
	triangles”] ;Bolero; Schottisch;
	Gavotte; Danse chinoise
Mailly, A.	1880-1895 France	WH 9	72
	3 works composed for use in a
	church service; 9 Marches, Bolero,
	Fantaise; Grand Air varie;
	9 Marches; Schottisch
Mairetet, E.	1900 France	WH 9	72
	Collection of Danses
Malézieux, L.	1876-1877 France	WH 9	72
	PR Collection of 12 works; ditto
	9 works; ditto 11 works; ditto 20
	works; ditto 12 works
Berth	a work included in Malezieux	WH 9	72
	collection of 20 works
Stager	a work included in Malezieux	WH 9	72
	collection of 20 works
Gor, Adolph	a work included in Malezieux	WH 9	72
	collection of 20 works
Dufayel	a work included in Malezieux	WH 9	72
	collection of 20 works
Berth	a work included in Malezieux	WH 9	72
	collection of 12 works
Stager	a work included in Malezieux	WH 9	72
	collection of 12 works
Gor, Adolph	a work included in Malezieux	WH 9	72
	collection of 12 works
Malezieux, L.	“La Benedicton”	WH 9	72
	in a collection of 12 works
Mancini, A.	1877 France	WH 9	72
	Overture de concert
Mangeant,?	1859 France	WH 9	72
	Pas redouble
Mansion, P.	1828-1890 France	WH 9	73
	4 Marches [one “L’Ami des
	trombones]; Quadrille, Polka
Manison, Horace	1895 France	WH 9	73
	Andange religious
Maarchal, ?	1800 France	WH 9	73
	Harmonie militaire
Marcus, P.	1899 France	WH 9	73
	“Apres la Fete”
Marie E.	1852-1887 France	WH 9	73-4
	17 works composed for use in a
	church service; Symphonie
	pastorale; 6 Overture; 5
	Fantaisies; 3 Airs varie; 64 Marches
	18 Polkas; 23 Quaddrilles;
	11 Valses; 5 Boleros;7 Galops;
	4 Barcarolles; 3 Polonaises;
	4 Schottisches; :La Sapeur
	iptrepide”; “Le Prince imperial
	des Francois I”; “Les Plaines de
	Marathon”
Marin, E.	1885-1907 France	WH 9	74
	8 Marches; 7 Boleros; 2 Valses
	Quadrille; Galop; Mazurka
Marfion, Cladue	1889 France	WH 9	74
	Marche
Maron A.	1866 France	WH 9	74
	Pas redouble
Marsal, E.	1886-1901 France	WH 9	74
	One work composed for use in a
	church service; 4 Overtures;
	6 Fantaisies; 9 Marches;6 Polkas;
	Collection of morceau de danse;
	Schottisch; 2 Valses; 2 Quadrilles
Marchalk, ?	1880 France	WH 9	74
	Valse
Martin, Camille	1881-1897 France	WH 9	74
	8 Fantaises 3 Marches; Polka;
	Valse
Martin, Hte.	1874 France	WH 9	74
	2 Marches
Martin, l.	1800-1828 France	WH 9	75
	Marche et Pas redouble
Martin; de La Moutte	1874 France	WH 9	75
	Marche
Massard, R.	1896-1898 France	WH 9	75
	Fantaise; 5 Marches, Mazurka
Massat, F.	1871-1874 France	WH 9	75
	3 Marches; One work composed
	for use in a church service;
	Mazurka
Masson du Breuil, ?	1887 France	WH 9	75
	Marche
Mastio, E.	1877-1908 France	WH 9	75
	7 Marches; Overture des Noces
	de Figaro
Matha, ?	1891-1899
	One work composed for use in a
	church service; 2 Schottisches;
	2 Mazurkas[ 2 Quadrilles;
	3 Polkas, Valse
Maujchen, W.	1869 France	WH 9	75
	Valse
Mayeur, L.	1863-1893 France	75
	Fantaise; Petit Divertissement [for
	solo Piccolo]; 5 Caprices;
	5 Marches; 2 Galops;6 Polkas [one
	with chorus]; 2 Quadrilles; Gavotte;
	“Amore”; 2 “Bonjour”; Danse;
	Intermezzo
Meister, G.	1887-1894 France	WH 9	75
	3 Overtures; Quaddrille; Polka;
	Mazurka. In addition F:Pn has
	many orchestral transcriptions by
	Meister
Mennesson, A.	1875 France	WH 9	76
	Marche
Mérat, Leon	1875-1892 France	WH 9	76
	8 Marches; 3 Polkas; Quadrille
Merciert, Roger	1893-1998 France	WH 9	76
	Overture; 2 Marches; 2 Valses
Mercier, V.	1862 France	WH 9	76
	One work composed for use in a
	church service
Merigeault, Desire	1893 France	WH 9	76
	Marche
Metra, Oliver	1856-1884 France	WH 9	76
	2 Marches; 2 Quadrilles
Meunier, Armand	1866-1893 France	WH 9	76
	Collection of short works or no
	value; 5 Fantaises [one “Le Deul
	des Trombones and Pistons”]
	Air varee; 13 Marches;7 Polkas;
	3 Quadrilles; 2 Mazurkas; 5 Valses;
	2 Schottisches
Meurer, Maurice	1887 France	WH 9	76
	Valse
Meurgey, L.	TT 1883-1899 France	WH 9	76
	2 Fantaises; 4 Marches, Polka;
	Air varie; Valse site. In addition
	F:Pn also has a large number of
	original band works by this
	composer, 1900-1910.
Meyer, ?	1869 France	WH 9	77
	Marche
Meyer, J.	1879-1899 France	WH 9	77
	Marche; 2 Polkas [one, “toutes
	les clarinettes”
Michnaeli, Jean	1875 France	WH 9	77
	“Le Credo rfepubliain” with chorus;
	“L’Hymne au trauvail” with
	chorus
Michel, ?	1855 France	WH 9	77
	Pas redoujble
Migette, E.	1868-1878 France	WH 9	77
	12 works composed for use in a
	church service; 4 Fantaises;
	11 Marches; Galop; Quadrille;
	Polka; Bolero
Mignon, L.	1888 France	WH 9	77
	Fantaisie-Marache
Milanscoff, Arman	1891-1899 France	WH 9	77
	2 Marches
Miller, ?	1859-1869 France	WH 9	77
	Variations; 2 Marches; Polonaise;
	Valse; Schottish; Polka
Millingre, ?	1800-1828 France	WH 9	77
	PR Marches Nr. 1, 2; Valses
Millescamps Jules	1863-1887 France	WH 9	77-8
	5 works composed for use in a
	church service; 3 Overtures;
	5 Fantaisese;15 Marches; 2 Polkas
	4 Valses; Schottisch; Quadrille;
	F:Pn also has a number of
	trumpet ensemble works, usually
	3-4 parts and a small book
	printed in1869 containing 100
	trumpet calls in one to four jparts
Millet, E.	1883 France	WH 9	78
	Allegro miliaire
Millon, E.	1894 France	WH 9	78
	Allego militaire
Millot, Marius	1896-1908 France	WH 9	78
	Overture;7 Marches; Mazurka
Mimart, Auguste	1859-1876 France	WH 9	78
	Air varie; 16 Marches; Schottisch;
	2 Polkas; “Tyrolienne”;Bolero;
	Galop; 2 Quadrilles; Valse. In
	addition F:Pn has a number of
	orchestral transcriptions by Mimart,
	including what seems to be most
	of Beethoven’s 6th Shymphony.
Mirambeau, E.	1895 France	WH 9	78
	Marche
Mohr, ?	1858 France	WH 9	78
	Marche
Mohr, J.	1851-1885 France	WH 9	78
	Collection of 8 Morceau; Air varie;
	6 Marches; 2 Galops;2 Polkas;
	2 Polnaise; . In addition F:Pn has
	a great deal of solo horn music.
Momigny, Lysias de	TT 1854-1858 France	WH 9	79
	3 works composed for use in a
	in a church service; One is a 95
	page full score for band without
	saxophones, a “Messe solennelle,
	dedicated to Napoleon III in part
	“In the thoujght which inspired this
	work, Sir, you will find the echo of
	one of the greatest thoughts,
	the consecration of military glory
	by religious sentiment,”;
	3 Marches; “Chant National
	danois [arr. In a “nouvelle
	ordonnaise”; “Chant National
	hollondais [arranged in a “nouvelle
	ordonnaise”
Monbarin, E.	1899 France	WH 9	78
	Marche
Moncel, A.	1858 France	WH 9	79
	2 Marches; 2 Vale
Monge, Fernandez de	1887-1895 France	WH 9	79
	One work composed for use in a
	a church service; 2 Marches
Monicard, G.	1898-1899 France	WH 9	79
	“Messieurs. Mentiors! Morceau de
	lecture a une Andantge”
	“Vive le Czar” Allegro de Concert;
	2 Marches
Monier, F.	1884 France	WH 9	79
	Schoittisch
Monnereau, J.	1894 France	WH 9	79
	Marche
Montalent, R. de	1892-1901 France	WH 9	79
	Marche
Moornay, A.	1881-1905 France	WH 9	79
	Overture symphnonique; Polka
Morand, G.	1885-1900 France	WH 9	79-80
	2 works composed for use in a
	church service; Overture;
	2 Airs varie; Fantaisie; 8 Marches;
	4 Valses [one wih chorus];
	2Quadrilles; 2 Polkas;Mazurka.
	In additions F:Pn has a number of
	original band works by this man.
Moreau, Charles	1864-1869 France	WH 9	80
	3 Marhes, Polka, Valse suite
Moret, Victor	1861-1881	WH 9	80
	3 Marches
Morhange Emile	1861-1881 France	WH 9	80
	Mazurka
Morillon, F. de	1860-1870	WH 9	80
	Overture;Andante & Polonaise;
	L’Hjmmage
Mosner, ?	1850-1860 France	WH 9	80
	3 Marches; Polka
Mongeot , C.	1882-1900 France	WH 9	80
	6 Fantanises ;22 Marches
	3 Quadrilles; 3 Polkas; 3 Valses;
	Schottisch; Mazurka
Mouquet, Jules	b. 1867 France	WH 9	80
	Suite (1910) 1122-01
Mourque, F.	1899 France	WH 9	80
	Fantaise
Moussard, A.	1897-1898 France	WH 9	80-1
	2 Marches, Polka
Mulder, ?	1894 France	WH 9	81
	Bagatelle
Muller, ?	1879 France	WH 9	81
	Polka
Muller, J.	1880-1881 France	WH 9	81
	3 Marches
Mullot, E.	1870-1898 France	WH 9	81-2
	9 works composed for use in a
	church service; 8 Overtures;
	45 Fantaises; 7 Airs varie;
	77 Mlarches; 5 Mazurkas; 20 Polkas
	6 Quadrilles; 9 Valses; 4 Boleros;
	7 Schottisches; 2 Galops; Serenade
	Gavotte; Cavaine; “Faussina, Solo
	de Cornet”
Münchs, Conrad	c. 1684	WH 9	82
	2 Overtures; “Journal de Musique
	(1re Annee]; “C’est l’Amour , en
	Pas redouble”
Naudin, T.	1889 France	WH 9	82
	Marche
Nehr, Emile	1860-1872 France	WH 9	82
	8 Marches; 5 Polkas; Quadrille
Neven, Alban	1890 France	WH 9	82
	Polka Artisque
Nicaise, E.	1891-1905 France	WH 9	82
	Fantasie de concert; Pas redouble;
	Marche
Nicolas, ?	1870-1871 France	WH 9	82
	Fantaise; Marche
Nicosias, Charles	1869-1885 France	WH 9	82
	2 Marches
Nicou, G.	1859-1865 France	WH 9	82
	2 Marches; Polka
Niverd, M.	1888 France	WH 9	82
	Polka
Niverd, R.	1870 France	WH 9	82
	Marche
Niverd, V.	1873-1874 France	WH 9	83
	2 Marches
Noel, Le Mire, A.	1870-1892 France	WH 9	83
	2 Fantaises; 14 Marches;2 Valses;
	2 Polkas
Norroy, H.	1898-1900 France	WH 9	83
	Fantaisie choregrahique;
	Pas redouble; Polka; 2 Mazurkas
Omer, Fort	TT 1865-1890 France	WH 9	83
	4 works composed for use in a
	church service [one of these is for
	brass band, SATB sarrusophones;
	3 Fantaises for brass band;
	8 Marches one marked “sur un
	motif arabe de la tribe des Ouled,
	Amour”; 3 Valses; 2 Polkas;
	Quadrille; Scvhodttdisch; Galop
Onslow, Georges	1784-1853 France	WH 9	83
	Nonet, Op, 77
Orelly, J. de	1889-1900 France	WH 9	83
	Fantaaise; 3 Marches
Paer, Ferdinand	1771-1816 France	WH 9	83
	Offertorium, TTBB, 2222-02 [an
	Opional version is given as 2 vlns
	and bass; “Trio (Nr. 6 sind im
	theater” STB, 2222-02; Six pieces
	d’harmone 22-02; Fantasia for
	2 pianos, 2001-02; 4 Grand
	Miliary Marches
Pages, Paul	1900 France	WH 9	84
	Pas redouble

Paimpare, ?	1879-1908 France	WH 9	84
	2 Overtures; 2 Fantaisises;
	2 Marches [manyh original works
	after 1900
Palausi, ?	1875-1887 France	WH 9	84
	Allegro militaire; Quadrille; Valse
Paliard, Leon	1888 France	WH 9	84
	Marche
Parės,Gabriel	TT 1884-1913 France	WH 9	84
	11 Overtures; Pastorale; Danse;
	Serenade; “Petites scenes
	romatiques; Divertissement;
	2 Fantaises; 23 Marches; Polka
	Tarentelle; Rogodon; Polonaise
	de Concert; Gavotte; Menjuet-
	Caprice; 3 Mazurkas;”Le Voltigeurj”
	In additonF:Pn has about 100
	orchestral transcriptions for band
	Pares was the chief conductor of
	the Garde Republicine Band
Paris,The.	1869-1872 France	WH 9	84
	5 Marches; Overture; 5 Polkas;
	3 Quadrilles; Bolero
Paris-Kerjullou, Ch.	1858-1878 France	WH 9	84
	3 Marches; Fantaise; 2 Quadrilles;
	Polka
Pariser, E.	1886 France	WH 9	85
	Pas redouble; Polka
Patrie, J.	19th century France	WH 9	85
	Overture
Pautrat, Pierre	1885-1900 France	WH 9	85
	Overture; 2 Fantaises; 13 Marches;
	2 Polkas; 2 Schottisches;3 Valses;
	Quadrille
Payer, Jerome	1787-1845 France	WH 9	85
	PR [Mechetti] Sujies de pieces
	d’harmonie pour inst. A vent
Peirot, J.	1867-1876 France	WH 9	85
	Fantaise; 4 Marches; Quadrille
Perilhouj Armand	d. 1936 France	WH 9	85
	Divertissement; Bouree
Perin, L.	1825 France	WH 9	85
	Valse
Perlat, Lucien	1898 France	WH 9	85
	Overture
Perron, Ed.	1903 France	WH 9	85
	a work composed for use in a
	church service [solo Trombone]
Pessard, Emile	1882-1896 France	WH 9	85
	Valse; Galop
Pessiéere,, Emile	1859-1883 France	WH 9	85-6
	Overture; 3 Fantaises, 12 Marches
	2 Quadrilles; 2 Polkas; Galop;
	Schottisch
Peter, Sylvestre	1889-1892 France	WH 9	86
	Pas redoule; Polka
Petit, Alexandre	1888-1904 France	WH 9	86
	2 Fantaises; 2 Marches 4 Polkas;
	2 Mazurkas; Valse
Petit I.	1883 France	WH 9	86
	Retraite
Petit, Oscar	1885 France	WH 9	86
	Pas redouble
Philiberti, ?	1855 France	WH 9	86
	Marche
Philippe, Edouard	1879 France	WH 9	86
	Polka
Pierne, Gabrfiel	1863-1937 France	WH 9	86
	PPR Prelude and Fughetta, Op. 40
	2112-01; Pastorale, Op. 14, Nr. 1
	1111-01; Pastorale Variee
	1112-11
Pillevestre, J.	1887-1900 France	Wh 9	86-7
	Oveture;7 Fantaises; Reverie;
	Trio comique “Monsieur,Madame
	et Bebe; “Idylle bretonne:
	Scene Bretonne; 4 Duo
	concertantes; Duo de concert; Petit
	poeme pastorale; Nocturne;
	9 Marches [one with chorus];
	10 Polkas [one de concert, solo
	cornet]; Pot-pourri; Rondo; Chanson
	Tarentelle; Gavotte; Caprice;
	Mazurka; Petits Fanfares; Valse;
	Villanelle
Pinault, V.	1866-1876 France	WH 9	87
	3 Marches; Mazurka
Pipelart, Maurice	1893 France	WH 9	87
	Souvenidr de Condove
Pique, Adolphe	1872-1888 France	WH 9	87
	10 Marches; 2 Polkas; Valse
Pironelle,?	1859-1887 France	WH 9	87
	Oveture; Fantaise; Ronde; Caprice
	Cupidon; 21 Marches;4 Polkas;
	5 Valses; 2 Mazurkas; 2 Galops;
	Bolero
Pitot, ?	19th century France	WH 9	87
	Polka; Schottisch
Pivet, L.	1877-1900 France	WH 9	87-8
	Overture; 7 Fantaises;4 Airs varie;
	“Nissa Carnaval”;11 Marches
	7 Polkas;3 Valses; Mazurka
Plouvier, ?	1800-1829 France	WH 9	88
	La Chasse, Harmoniemusik
Pluchart, H.	1875-1877 France	WH 9	88
	3 Marches; Polka
Pontet, E.	1891-1902 France	WH 9	88
	3 works composed for use in a
	church service; 2 Ouvertures
	3 Fantaises; “Idylle-Gavotte;
	15 Marches; Mazurka; 3 Polkas;
	Schottisch
Preau,?	1856-1868 France	WH 9	88
	2 works composed fo use in a
	church service; 2 Ouvertures
	Marche, Valse, Quadrille, Polka
	Schottisch
Preisser, M. A.	1800-1928 France	WH 9	88
	Marche funebre pour Mus. Mil.
	pour l’Anniversaire des 27, 28, 29
	JUJillet,Harmoniemusik
Prevost, Charles	1874 France	WH 9	88
	Pas redouble
Princiaux, J.	1894-1897 France	WH 9	88
	Fantaisie; Marche
Princiaux, fils	1862-1891 France	WH 9	88
	4 Fantaises; 6 Marches; Polka;
	Schottisch; Mazurka
Prost, Jujles	1857-1873 France	WH 9	89
	Overtujre, Quadrille
Provent, C.	1887-1898 France	WH 9	89
	3 Marches
Provent, ?	1893 France	WH 9	89
	Polka arabe
Prudhomme, Marius	1866-1884 France	WH 9	89
	Mazurka;
Prunier, Edoward	1866-1884 France	WH 9	89
	Fantaise; 6 Marfches; Schottisch
Puchot, L.	1867-1887 France	WH 9	89
	one work composed for use in a
	church service;2 Marches, Polka
	Quadrille
Putz, Pierre	1890-1900 France	WH 9	89
	Ouverture; 4 Marches; Polka;
	Valse
Puyau, G.	1898 France	WH 9	89
	Marche
Quentin, Alfred	1868=1883 France	WH 9	89
	“Les guides au Carrosel”; Polka
	3 Marches;Quadrille; Galop;
	Schottisch
Raffara, J.	1850 France	WH 9	89
	2 Marches; Radova
Ramin, ?	1800-1828 France	WH 9	89
	PR Harmonie mil. de Cavallerie
Rauchenecker, Geo.1867 France	1867 France	WH 9	89-90
	Grand Overture,composed for the
	l’exhibition universelle de 1867 in
	Paris
Rauski, Joseph	1878-1889 France	WH 9	90
	Festival-Fantaisie Scene
	champetre; Madrigal de Francis Ier
	[arr. Rauski]
Raux, Jules	1887 France	WH 9	90
	Galop
Ravizza, F.	1899 France	WH 9	9i0
	2 Galops
Raynaud, ?	1883 France	WH 9	90
	Marche chinoise
Recoux, Charfles	1888-1896 France	Wh 9	90
	Andantino;Diveertisement; Valse;
	2 Marches
Reicha, Antoine	early 19th century France	Wh 9	90
	Commemoration Symphony 1815
	666-66, 3 piccolos, 3 conrabsns,
	percussion 4 canons; Cheour
	dialoguje par les instruments a vent
	chorus, 1111-01, cello, st. bass;
	PR 24 Quintets, Op. 88, 91,99, 100
	1111-01
Renard, Pierre	1891-1902 France	WH 9	90
	Fantaise-Overture;Polka
Requin, L.	1859-1878 France	WH 9	90-1
	Elegie [for his mother and father]
	Fantasie; 4 Marches; Quadrille
Reuland, H.	1890 France	WH 9	91
	Marche
Reynaud J.	1876-1888 France	WH 9	91
	one work composed for use in a
	church service; 3 Overtures;.
	2 Fantaises; “Jeanne Maillotte” a
	long Mazurka and Galop, for solo
	flute or violin; 9 Marches;4 Polkas;
	Valse; Quadrille
Reynaud, Louis	TT 1893-1907 France	WH 9	91
	8 Overtures; 5 Fantaises; 3 Marches
	3 Airs varie; 2 Polka [ one a wildly
	difficult flute part ded. To Leon
	Fontbonne, principal flute of the
	Gard Repblicaine Band]; 2 Valses
	“Suites episodiques 1st Temps
	heriques”; “Ciclia. Composition
	Symphonique” [one marsch is
	titled “Marche cortege des toreadors
	Rhapsodie par harmonie”]
Richard, Charles	1872-1886 France	WH 9	91
	one work composed for use in a
	church service;4 Overtujrfes;Polka;
	6 Fantaises; 3 Airs varie;3 Marches
	Quadrille.
Richard, J.	1861 France	WH 9	91
	Marche
Richart, Alfred	1897-1900 France	WH 9	92
	3 Marches; 2 Overtures; Polka,
	Fantaise
Richer, H.	1889=1903 France	WH 9	92
	2 works composed fo use in a
	church service; 4 Marches;Fantaise+
	2 Mazurkas; “Fete au camp”
Richoux, L.	1883-1894 France	WH 9	92
	Valse; Mazurka
Riedel, A.	1863-1868 France	WH 9	92
	2 Marches; Polka
Riėl, Leon	1893 France	WH 9	92
	Marche
Rillė, Laurent de	1882-1888 France	WH 9	92
	2 Marches; “Marriage du Roi de
	Boheme”
Ritiez, B.	1870-1881 France	WH 9	92
	3 Marhes; Polka
Ritz, Jean	1889 France	WH 9	92
	PR Hymne a la Patrie, band with
	chorus
Rival, L.	1881-1885 France	WH 9	92
	2 Overtures; Fantaisie-Overture;
	Marche; Polka
Rivet, H.	1876-1903 France	WH 9	92
	Fantaisie, 7 Marches; Polka
Rivetti, Giovanni	1868 France	WH 9	92
	Quadrille
Riviere, J.	1852-1880 France	WH 9	92-3
	3 Marches [one “Souvenir a New
	York”] Polka; Quadrille; Valse
Robert, E.	1864-1897 France	WH 9	93
	Overture; 4 Fantaises; Mazurka;
	2 Polkas;; Qudrilles
Roche, Gustave	1886 France	WH 9	93
	Marche
Rodes, Oscar	1883 France	WH 9	93
	Pas redouble
Rodet, Auguste	1881-1888 France	WH 9	93
	Marche; Polkas; Mazurka
Rogers, ?	1800-1828 France	WH 9	93
	PR [Pleyel] 24 Divertissement
Rollé, Emile	1874-1891 France	WH 9	93
	4 works composed for use in a
	church service; 2 Overtures; Galop;
	4 Fantaises; 15 Marches;
	Schottisch; Quadrille
Romain, F.	1880-1908 France	WH 9	93-4
	5 Marches;3 Polkas; Quadrille;
	Schottich; Valse; F:Pn also has
	additional works after 1900 and his
	arr. for solo clarinet and mil. band
	of 3me Solo pour Clarinete by
	Klose.
Klose	Romain arr. Of 3me Solo pour	WH 9	94
	Clarinet and band
Rossini, Gioacchino	1792-1868	WH 9	94
	PR Leipzig 1837] Marches for the
	Duc d’Orleans; Mss Passo doppio,
	1822; Pas redouble (1853 PR La
	cona d’Italia [Rome, 1878]
	Quartetto da Camera SATB, piano
	[Townsend says this work was
	originally for band]; Harmonie
	201-02
Rouquet, Felix	1894 France	WH 9	94
	Marche
Roussel, Albert	1869-1937 France	WH 9	94
	A Glorious Day, for band
	Divertissement, Op. 6, pf and winds
Roussel, C.	1890-1903 France	WH 9	94
	Overture;Suite chinoise; 2 Valses;
	Madrigal; Trombone Concerto;
	Polka
Routier, L.	1888-1889 France	WH 9	94
	Overture; 3 Pas redoubles
Rouveirol, F.	1882 France	WH 9	94
	Pas redouble
Raveirolis, H.	1884-1906 France	WH 9	94
	Overture’ 4 Marches; Valse; Polka
	F:Pn has many transcriptions of
	orchestral works by this man,
	inc “Selection sur ;le Walkure”
Roux, Emile	1891-1900 France	WH 9	95
	Ouverture; 3 Fantaises; 7 Marches;
	Andante; Polka; “Chaise a porteurs.
	Morceau dans le genre ancien”
Roux, Jacques	1894-1899 France	WH 9	95
	4 Overtures; Aubade; Fantaise;
	5 Marches; Mazurka;2 Valses;
	2 Polkas
Roy, Charles de	1893 France	WH 9	95
	Marche
Rozan, Charles de	1893-1894 France	WH 9	95
	one work composed for use in a
	church service; 3 Marches,
	Fantaise
Rumler, Jean	fl. C, 1780 France	WH 9	95
	Qujintet, Op, 6 21-02
Ryembault, ?	1866-1893 France	WH 9	95
	2 works composed fo use in a
	church service; Overture; Bolero;
	4 Fantaises; 27 Marches; 2 Valses
	3 Polkas; 3 Quadrilles
Saint-Andrfe, A.	1883-1897 France	WH 9	95
	2 Fantaisese;4 Marches; Galop
Saint-Saens, C.-M.	1835-1921 France	WH 9	95-6
	Orient & Occident grande marsche
	PR “Caprice sur le air dupois et
	russes” 1110-, Piano
	“Fouillet d’Album” 4-hand piano,
	arr Paul Taffanel for 1122-02
	Pas redouble [1890]; Marche
	interalliee [1918];”Vers la Victoire,”
	Pas redouble
Salis, E.	1894 France	WH 9	96
	Marche
Taffanel, Paul	French flutist	WH 9	96
	Arr, Fouillet d’Album by Saint-
	Saens for 1122-02
Salomez Charles	1892-1897 France	WH 9	96
	Marche; Polka
Sambia, V.	1868-1896 France	WH 9	96
	Ouerture; Air varie;13 Marches;
	Allegro; 3 Polkas; 2 Quadrilles;
	Polonaise; 2 Valses; 2 Boleros
Sandra, P. A.	1878-1881 France	WH 9	96
	3 Fanataises; Valse
Sarrė, Francois	1884-1887 France	WH 9	96
	4 Fantaises
Sarrus, A.	1886-1893 France	WH 9	96
	2 Marches
Sauvagniac, H.	1876-1888 France	WH 9	96
	5 Fantaises; 3 Marches; 2 Polkas;
	2 Bol;eros
Sauvan, F., fils	1870-1874 France	WH 9	96
	Overture; 3 Marches; 3 Polkas;
	2 Quadrilles
Savari, ?	TT 1861-1870 France	WH 9	97
	Octet for saxophonses [Published
	by Sax, Plate43]; 4 Marches
Schaffner, ?	1863-1875 France	WH 9	97
	PR Divertissement Militaires,
	Hardmoniemusik; Boleros Sur un
	Air de Berton, fils, Harmoniemujsik
Schaller, ?	1863-1875 France	WH 9	97
	8 Marches; Galop; 2 Polkas; Valse
Schaller, J.	1867 France	WH 9	97
	Overture; Marche
Schiltz, ?	1858 France	WH 9	97
	4 Marches
Schmidt, Henri	1897 France	WH 9	97
	Marche
Schmitt, N.	1800-1828 France	WH 9	97
	Airs italiens, Harmoniemusik;
	Marches et Pas redoubles; 12-part
	Harmoniemusik [Pub:Pleyel]
Schneider, Louis	1862-1867 France	WH 9	97
	2 Cavatines; Air varie; 7 Marches
	2 Polkas; Valse
Schneklud, Ad.	1893 France	WH 9	97
	Gavotte
Schrammel, J.	1895 France	WH 9	97
	Marche
Schubert, Raoul	1885-1892 France	WH 9	98
	2 Marches
Schultz, Th.	1875-1898 France	WH 9	98
	5 Dance movements; 4 Marches;
	Galop; Polka
Schwarer, Ph.	1872 France	WH 9	98
	Marche
Schwartz, ?	1885 France	WH 9	98
	Marche
Schwartz, Ad.	1877-1895 France	WH 9	98
	2 Marches; Mazurka; Fandango
Schwartz, K.	1868 France	WH 9	98
	Schottisch
Schweska, H.	1881 France	WH 9	98
	Polka
Sciers,Dominique	1882–1884 France	WH 9	98
	Fantaisie; 2 Marches; Schottisch;
	Polka; Mazurka
Screpel, Carlos	1862 France	WH 9	98
	Marche
Sega, A.	1890-1906 France	WH 9	98
	“Telegraphe et telephone”. Allegro
	de concert; Polka
Seghers, Fredeic	1878-1890 France	WH 9	98
	4 Marches; 2 Polkas
Sellenik,Ad.	TT 1858-1890 France	WH 9	98-9
	6 works composed for use in a
	church service;2 Symphonies,
	one a very long, programmatic
	work; “Scene de chasse”;
	4 Fantaises; 42 Marches; 8 Valses;
	4 Mazurkas;13 Polkas, Galop;
	Bolero [solo horn]
Selter, H.	1882 France	WH 9	99
	Pas redouble
Senee, Henri	1885-1888 France	WH 9	99
	2 Fantasises; Diverissement;
	Introducion [Act IV “Le Fils de
	Porthos”]; “Les Glories de Lyon;
	“Coast d’Alsec”; Toccata-Polka-
	Caprice;7 Marches; Polka, Valse,
	Schottsisch
Serfert, A.	1879 France	WH 9	99
	Polka
Serpette, Gaston	1879 France	WH 9	99
	Marche
Sévérény, H.-A.	1889=1898 France	WH 9	99
	Marche; Polka
Sibillot, Charles	1884 France	WH 9	100
	5 Marches; Polka; Mazurka;
	Quadrille
Siegrist, ?	1883-1885 France	WH 9	100
	Fantasie;2 Marches; PolkA
Signard, ?	1873-1896 France	WH 9	100
	Album-Omnibus [15 short works]
	4 works composed for use in a
	Church service; Air varie; Cavafine
	Fantaise;38 Marchs;6 Polkas [one
	for solo musette] 2 Quadrilles;
	2 Mazurkas; 2 Valses; Boleo
Signard, P.	1900 France	WH 9	100
	Marche
Simiot, Andre	1868-1882 France	WH 9	100
	2 Overtures; 2 Marches
Sinoquet, E.	1861-1885 France	WH 9	100-101
	2 works composed for use in a
	church service; 5 Overtures;
	4 Fantaises; 2 Airs varie; “Les
	Clarions de la liberte”; “Le Concert
	dans les Bois”; “Le Depart. Chant
	National”;16 Marches;26 Quadrilles;
	9 Polkas; 3 Mazurkas; 4 Valses;
	3 Schottisches
Sinsoilliez, Adolphe	1861 France	WH 9	101
	10 Morcesau faciles
Sohier, ?	1865-1872 France	WH 9	101
	4 Marches; Valse
Sohier, Henry	1863-1889 France	WH 9	101
	2 Fantaises; 5 Marches; Polka;
	“Il y avait une fois”
Solere, ?	19th century France	WH 9	101
	PR “Chant de la Bataille d’Austerlitz
	13-part Harmoniemusik; Marche
	militaire, 10-part Harmoniemusik;
	Pas redouble, 12-part Harmonie
	9 Marches [one with chorus];
Sombrun, Alexis	1892 France	WH 9	101
	Marche; Polka
Souyeux, E.	1889 France	WH 9	101
	Marche
Soyer, Adolphe	TT 1885-1900 France	WH 9	101-2
	Symphonie breve; Overture;
	Fantaise; 14 Marches; 2 Polkas;
	Valse; Bolero
Stappen, A.	1869-1874 France	WH 9	102
	Marsch; Galop; Polka
Stenosse, Ed.	1883-1892 France	WH 9	102
	Marsch, 2 Polkas
Stoupan, F.	1895-1899 Frfance	WH 9	102
	Overture; 7 Marches;2 Polkas;
	3 Valses; Galop; In F:Pn there are
	a number of transcriptions by this
	man, including the Beethoven
	Quintet for piano and winds for a
	full band
Stupfler, Ph.	1870 France	WH 9	102
	Polka
Sudessi, P.	1894 France	WH 9	102
	Marche; “Nujit chantante
	mandolinata”
Sudre, ?	1883-1885 France	WH 9	102
	Fantanise; Pas redouble
Suzanne, Marius	1883-1893 France	WH 9	102
	2 Fantaaises; 7 Marches; 5 Polkas
Trissier,A.	1893-1894 France	WH 9	102
	2 Fantaises; 4 Marches; Polka;
	2 Quadrilles; Schottisch; Valse,
	Mazurka
Théret, G.	1892-1897 France	WH 9	102
	Marsche, 2 Valses
Thiabot, Victor	1892-1898 France	WH 9	102
	2 Marches
Thomas, J.	1876 France	WH 9	103
	Polka
Thomas, P.	19th century France	WH 9	103
	Marche
Tilliard, Georges	1862-1900 France	WH 9	103-4
	10 works composed for use in a
	church service; 18 Overtures;
	53 Fantaises; 159 Marches
	21 Quadrissles;36 Polkas; 9
	Schottisches; 19 Valses ;
	3 Boleros;5 Galops; 2 Polonaises;
	Mazurka;Tyrolieme; “Une Reunion
	des soloistes”; “La Plage d’Ostende
	F:Pn also has about 350 orfchestra
	transcriptions by Tilliard.
Tinet, Charles	1892-1895 France	WH 9	104
	4 Marches, one a March Oriental
	performed at the Exibition of 1894
Tollet, A.-e.	1884-1885 France	WH 9	104
	3 Marches
Tollet, Edouard	1852-1889 France	WH 9	194
	2 Fantaisese; Air varie, Mazurka;
	16 Marches;2 Polkas; Valse;
	Quadrille
Tourey, Charles	1867-1900 France	WH 9	105
	1 work composed for use in a
	church service; 7 Marches; 2
	Grande Fantatsies dramatique
Tourneur, L.	1878-1899 France	WH 9	105
	Overture;3 Fantaises; 3 Marches
	4 Polkas [one with chorus]; Galop
Trave,D.	1894-1900 France	WH 9	105
	4 Marches
Trefouel, E.	1896 France	WH 9	105
	Marche
Trefz, V.	1895 France	WH 9	105
	Polka
Tgrottier, A.	1884 France	WH 9	105
	Marche
Trousseau, Charles	1869 France	WH 9	106
	Varioviana; Valse
Truelove, J.	1863 France	WH 9	105
	Marche
Trusson, A.	1880-1882 France	WH 9	105
	Marche, ; Valse
Tual, Thsophile	1894 France	WH 9	105
	Marche
Tulon, ?	1800-1828 France	WH 9	105
	Fantaisie
Turine, V.	1891-1900 France	WH 9	105
	2 Overtures; Fantaisie; Marche;
	Bluette
Unrath, ?	1865 France	WH 9	105
	Polka
Vailant, ?	1800-1828 Fdrance	WH 9	196
	Air Suedois avec Variations,
	8-part Harmomoniemusik;; Pas
	redoujble en Canon sur 3
	Morceau d’Aline, for Mil. Band
Valenti, A.	1875 France	WH 9	106
	Marche
Valentin, Leon	1867-1895 France	WH 9	106
	4 Marches; 3 Polkas; Mazudrka;
	Galop
Van Berghe, Carl	1898-1899 France	WH 9	106
	Andante religieux; March
Van Buggenhout, Ed,	late 19th century France	WH 9	196
	Galop
Van Campenhout, F.	1878 France	WH 9	106
	Marche
Vanremoortel, ?	1881-1894 France	WH 9	106
	Air varie; 4 Marches
Vanremoortel, A.	1887 France	WH 9	106
	Polka
Van Wedingen, J.	19th centujryh France	WH 9	106
	Overture
Varlet, A.	1868 France	WH 9	106
	Marche
Vasseilliere, fils	1859-1867 France	WH 9	106
	4 works composed for use in a
	church service; 5 Marches; Vase;
	Quadrille;2 Polkas
Verbregge, Ausujste	1894-1899 France	WH 9	107
	Overture; 3 Marches
Verdier, J.	1877-1893 France	WH 9	107
	Marche; 3 Polkas
Verleye, ?	1880 France	WH 9	107
	Marche
Vern, ?	1800-1828 France	WH 9	107
	Nocturne en Harmonie
Vernazobres, C. Z.	1884 France	WH 9	107
	Hymne
Vernet, H.	1878 France	WH 9	107
	Polka
Viallon, Justinien	TT 1856-1870 France	WH 9	107
	“Choeur facile a trois voix, TTB [with
	ad lib S] chorus. [political text];
	Fantaise; Marche; Valse;
	Vaudevilles; Quadrille
Videl, H.	1891-1896 France	WH 9	107
	4 Marches
Vidal, Paul	1885-1894 France	WH 9	107
	2 Marches; 12 Danse works;
	Va;se; Polka; Polonaise de Concert
Vié, L.	1864-1868 France	WH 9	107-8
	8 Marches; Gda;op; 2 Polkas
	Valse; Le Courounment;; Hymn
	russe;; Le Manteau imperial;
	Rule Britania
Villebichot, P. de	1890 France	WH 9	108
	Marche
Vineux, P.-E.	1887-1891 France	WH 9	108
	Fantaise; 2 Marches
Vincent, Henri	1860-1868 France	WH 9	108
	5 Marches; Quadrille; Polka
Vincent,, R.	1895 France	WH 9	108
	Tarentelle
Viney, Victor	1890-1898 France	WH 9	108
	4 Fantaises; 3 Marches
Violetta, Gregorio	1873-1884 France	WH 9	108
	3 Overtures; 12 Marches; Polka;
	3 Fantaises; Air varie; 2 Mazurkas;
	2 Schottisches; “Un Souvenir
	d’Amour’; “Un Souvenir de
	Piacenza”
Violot, Antony	1892-1894 France	WH 9	108
	2 Fantaises
Virenque, ?	1868 France	WH 9	108
	Overture; Valse
Vivier, ?	1897 France	WH 9	108
	Allego Miliaire
Vivier, A.	1894-1898 France	WH 9	108
	4 Marches; Galop
Vobaron, ?	1800-1828 France	WH 9	109
	“Marches ou Fanfares pour les
	Troupes d’Cheval,” Op. 3
Voigt, Marie	1876 France	WH 9	109
	Fantaise
Vogt, Gustave	1781-1870 France	WH 9	109
	“Airs du Ballet de Nina et
	l’Espreuve villageoise” Harmonie
	“1ere Serenade sur un Choix
	d’Airs d’Opera” Harmoniemusik
	“La Bordelaise grand Marche
	Militare” Miliary band
Vos, Camille de	1873-1884 France	WH 9	109
	2 Overtures; 2 Fantaises; Cantabile
	“Ceclia Hymne”
Vulder, J. de	1862 France	WH 9	109
	Bolero
Wacker, Charles	1867 France	WH 9	109
	Morceaux religieux; Marche
Waele, Ed. de	1897-1902 France	WH 9	109
	Andante pour offertoire; Mazurka
Wallerstein, F.	1863 France	WH 9	109
	Marche
Walrand, J.	1899 France	WH 9	109
	Marche
Walter, Albert	d. 1860 France	WH 9	1009
	Valse
Waterson, James	1876-1881 France	WH 9	109
	Marche; Andante & Polonaise
Watier, ?	1851-1881 France	WH 9	109-110
	4 works composed for use in a
	church service [one a Messe for
	TTBB chorus,dedicated to Auber]
	7 Overtures;2 Fantaises; 5 Marches
	2 Valses; Ai varie [dedicated to
	Prof. Eugene Gaubert,
	Conservatoire de Lille]
Auber	Messe dedicated to by Walter	WH 9	109
Welter, Louis	1888-1898 France	WH 9	110
	9 works composed for use in a
	church service; one a Messe
	solennele with 5 movements:
	Entrée, Offertoire, Elevation,
	Communion and Sortie; 2 Marches
	Fantaisie; “Le Souvenir francais
Wettge, Gustave	TT 1876-1895 France	WH 9	110
	10 Overtures; 3 Fantaises; Air varie
	Divertissement; Fete;16 Marches;
	6 Polkas; Mazurka; 2 Govettas
	“Hymne Nationale Japonais”;
	“Air Nationale Roumain”;
	“Hymne Nationale Ssimois”
Wettge, Leon	TT 1868-1890 France	WH 9	110
	7 Overtures; Air varie; 2 Marches;
	3 Polkas; 3 Quadrilles
Widor, Charles-M.	1845-1937 France	WH 9	110
	PR Salvum Fac Populum Tuum.
	Op. 84 for -303, organ, timpani
Wittmann, ?	1868-1872 France	WH 9	111
	8 works composed for use in a
	church service; 9 Marches; Galop;
	Fantaise; Bolero; Mazurka; 2
	Polkas; 2 Valses; Quadrille
Wittmann, G. [fils]	1865-1900 France	WH 9	111
	3 Ouvertures; 2 Fantaises; Gigue;
	Air varie; 17 Marches; 2 Gavottes;
	7 Valses; Schottisch; 5 Quadrilles;
	12 Polkas; 5 Galops; 4 Mazurkas;
	Bolero; Menuet; Tarentelle;
	Farandole; arrangements for
	3, 4,5, 6, 7, 8 saxophones
Wittmann J.-B.	1863-1891 France	WH 9	111
	Overture; Fantaise; 12 Marches;
	Valse
Wormser, Andrie	1851-1926 France	WH 9	111
	PR “Les Lupercaes” a symphonic
	poem, for brass ensemble
Ziegler, ?	TT 1853-1887 France	WH 9	111-12
	17 works composed for use in a
	church service; 15 Overtures;19
	Fantaises; 2 Air varies; 82 Marches
	3 Barcorlles; 5 Galops; 9 Valses;
	15 Quadrilles; 10 Polkas;
	3 Schottisches; 5 Boleros; Morcaux
	carnavalesque; “Episode
	Symphonique (Ujn joour de Bataille);
	Symmphonie Heroique
Zimmermann, ?	1800-1828 France	WH 9	112
	Walses, Harmoniemjsik
Adam, H.C.	1852 France	WH 9	113
	Klose,H. arr of Messe de St. Cecile
Klose, H.	Arr of Adam, Messe de St. Cecile	WH 9	113
Beauplan	1800-1828 France	WH 9	113
	Arr Louis, Chansonette, “l’Enfant
	du Regimentg” Harmoniemusik
Louis, ?	19th century France	WH 9	113
	Arr of Beauplan, “Chansonelle
	“l’Enfant du Regiment” for
	Harmoniemusik
Fischer, ?	19 th century	WH 9	113
	Arr of Beethoven: Marsch from
	Egmont; Lenore Overture, Marche
	Turque from Ruines d’Athenes;
	Adagio from Sonata Pathetique,
	Allegro from Symphono Nr 6
	Alegretto from Symphony Nr. 8
Beethoven	19th ;century	WH 9	113
	Various movements of works arr.
	by Fischer, ?
Beffroy de Reigny, L.	[first name is Louis 19th century	WH 9	113
	“Le Club des honnes gens” arr. By
	F. Devienne for 2 flutes or oboes,
	22-22 serpent, percussion
Devienne, F.	19th century	WH 9	113
	Arr. of Louis Abel Billroy de
	Reigny’s “Le Club des honnes gens”
	for 2 flutes or oboes, 22-22,
	serpent, percussion
Gaveaux, Pierre	19th century	WH 9	113
	Overture and 6 mvts from “Amour”
	Filial” Arr. F. Devienne for 2 flutes or
	2 oboes, 22-22, serpent,, perc.
Devienne, F.	19th century	WH 9	113
	Arr. of Gaveaux’s “Amour Filial”
	for 2 flutes or oboes, 22-22,
	serpent, percussion
Handel	Baroquje composer	WH 9	113
	“Alleluia” du Messe” arr. By
	Fischer, ? For brass band
Fischer, ?	19th century	WH 9	113
	Arr Handel’s “Alleluia du Messe”
	for brass band
Haydn, Josef	Works arr. by Gilbert, ? For band:
	“Adagio” from Surprise Symphony
	Symphony , “la Reine”;
	Symphonie; Symphonie Militaire;
	“Die Schopfung” 10 mvts fpr
	2042-221, serpent
Gilbert, ?	19th century	WH 9	113
	Arr. of several works by Haydn
Le Sueur.Jean-Fran.	19th century	WH 9	113
	“Paul et Virginia” arr. Byh Louis, ?
	for 12-part military band
Louis, ?	19th century	WH 9	113
	Arr. Of Le Sueur, Jean-Francois’s
	“Paujl et Virginia” for 12 part
	military band
Mozart	18th century	WH 9	113
	Ave verum, arr. Fischer, ? For
	brass -3232, baritone
Fischer, ?	19th century	WH 9	113
	Arr. Mozart’s Ave verum for
	brass -3232, baritone
Rossini, Gioacchino	19th century	WH 9	113
	Various arrangemens by Fischer
	and Bleyle
Fischer, ?	19th century	WH 9	113
	Arr of Rossini’s Introduction to
	Barbier of Seville and the Overture
	to “La Cenerentola”
Rossini, Gioacchino	19th century	WH 9	113
	“Preghiera from Il Mose in Egito”
	arr. by Bleyle, in Vienna, 1850
Bleyle, ?	19th century	WH 9	113
	Arr., Vienna, 1850 of Rossini’s
	“Preghiera from Il Mose in Egito”
Schubert, Franz	19th century	WH 9	113
	“La Serenade” for solo cornetl arr.
	by Fischer, ?
Fischer, ?	19th century	WH 9	113
	Arr. Schubert’s “La Serenade”
Wagner, Richard	19th century	WH 9	113
	Various arr.for winds by Fsicher, ?
	and Ligner, ?
Fischer, ?	19th century	WH 9	113
	Arr. Of “March de Rienzi
Ligner,?	19th cenury	WH 9	113
	Arr. Of Wagner’s Prelude to
	Lohengrin and a “Fantaise sur
	Lohengrin
Weber, Carl Maria	19th century	WH 9	114
	PR arr.of “Melange ou Choix de
	Morceaujx de l’Opera de Freischutz
	for Grand Harmonie militaire
	arr by Brod, ?
Brod, ?	19th century	WH 9	114
	Morceaujx de l’Opera de Freischutz
	for Grand Harmonie militaire
	arr by Brod, ?
Anonymous	Collection of 20 Italian Marches	WH 9	115
Anonymous	Credo in Bb 3-voice choir, winds	WH 9	115
	[Italy]
Anonymous	4 Gloria for 3 voice choir winds,	WH 9	115
	organ [Italy]
Anonymous	Kyrie & Gloria,3 voice choir, 6 winds	WH 9	115
Anonymous	Gloria, TTB, 201-02, organ [Italy]]	WH 9	115
Anonymous	Qui Tollis, Baritone voice, 201-02,,	WH 9	115
	organ [Italy]
Anonymous	Tantum ergo for Barione voice,	WH 9	115
	21-02, organ [Italy]
Acerbi, Domenico	1859-1871 Italy	WH 9	115
	Gloria, Laudate pueri and 2
	Tantum Ergos for 3 voice chorrus
	and winds
Altafulla, Ubaldo	19th century Italy	WH 9	115
	Messe, TTB and winds
Amadei, Amedeo	1866-1935 Italy	WH 9	115
	lMilitary music in Alba [MGG]
;Antonio,, Grotto	1753-1831 Italy	WH 9	115
	Kyrie & Gloria [1803], SATB,
	101-021 , 2 organs, st. bass
Asioli, Bonifazio	1769-1812 Italy	WH 9	115
	Sextet, winds [MGG];;Untitled work
	winds [MGG]; Gloria 3 voice choir,
	8 winds, organ
Bellli, Sandre	19th century Italy	WH 9	115
	Tantum ergp. Op. 22, T, 3 voice
	choir. 7 winds. orgam
Bernini, Fdrediano	1880-1890 Italy	WH 9	115
	Gloria in excelsis [1880], SATB,
	1000-42, organ; Kyhrie [1899]
	SATB, 1111-4, organ
Bimboni, Gioacchino gioacch	TT b. c. 1810 in Florance, Italy	WH 9	115
	Sinfonia della Muta di Portici
	Banda
Boara, Giovanni	19th century Italy	WH 9	116
	Credo, 2 voices, 6 winds, organ
	Credo, 3 voices 10 widns, organ
	Domine Deus, Baritone solo,
	6 widns, organ
	Gloria,3 voices, 9 winds, organ
	Gloria, 2 voices, 8 winds, organ
	Hace tus Virgo [Inno di S. Caterina
	da Siena, 3 voices, 8 winds, organ
	Kyre [1835] 3 voices, 13 winds, org
	Marcia [1857] 7-part wind band
	Marcia, winds, organ
Bolzoni, Giovanni	1841-1919 Italy	WH 9	116
	Sextet 122-02 [MGG]
Brambilla, ?	19th century Italy	WH 9	116
	Tantum ergo, B solo, 3 voice choir
	7 winds, organ
Buzzolla, Antonio	1815-1871 Italyh	WH 9	116
	Marcia, winds, organ
Cagliero, Giovanni	1838-1926 Italy	WH 9	116
	Credo, 3 voices, 8 winds, organ
	Dixit, 3 voices, 6 winds, organ
	Domine ad adjuvandum, 3 voices,
	8 winds, organ
	Gloria, 3 voices, 8 winds, odrgan
	Kyhrie, 3 voices, 8 winds, organ
Califf, ?	19th century Italy	WH 9	116
	Sanctus e Agnus Dei, 3 voices,
	8 winds, organ
Carulli, Benedetto	1797-1877 Italy	WH 9	116
	Divertimento, solo trombone, winds
Cianchi, Emilo	19th century Italy	WH 9	116
	Nonetto, 222-02, contrabsn
Cimoso, Domenico	1780-1850 Italy	WH 9	116
	Tantum ergo, 2 voices, 6 winds,org
Coccon, Nicolo	Venice, 1826-1903 Italy	WH 9	116-7
	Credo, 2 voices, 15 winds, organ
	Glorias [1847] 2 voices, 9 winds,
	organ [Italy]
	Gloria [1850] 2 voices, 8 winds,
	organ
	Kyire, 3 voices, 10 wids, organ
	Laetatus sum, 2 voices, 8 winds
	organ
	Laudate, 2 voices, 9 winds, organ
Codivilla, Filippo	b. 1841 Italy	WH 9	117
	Orretto 1111-121
Constantini, France..	1789-1854 Italy	WH 9	117
	O lingua benedicta TTBB, 200-221
	[bsn given as an option for trombone
Dal Vasco, Agostino	19th century Idtalyh	WH 9	117
	Tantum ergo [1855] 2 voices,
	9 windsk organ
Deola, Paolo	19th century Italy	WH 9	117
	Beatus Vir [1845] 3 voices, 8 winds
	organ
	Confitebor [1851], 2 voices,
	7 winds, organ
	Gloria [1847] 3 voices, 8 winds, org
	Kyrie [1847], 3 voices, 6t winds
	organ
	Laudate Domimum omnes
	gentes [1845], 3 voices, 7 winds
	organ
	Marcia, winds, organ
	Regina Coeli [1852] 3 voices, -44
	organ
	Regina sine labe [1855] 3 voices,
	8 winds, organ
	Salve Regina, 3 voices, 6 winds
	organ
	Salve Regina, [1845] 3 voices,
	8 winds, organ
	Sanctus & Agnus Dei [1851],
	2 voices, 9 winds,organ
Desiro, ?	19th century	WH 9	1178
	Gloria & Kyrie, 3 voices, 7 winds
	organ
Devasini,Giuseppe	1822-1878 Italy	WH 9	117
	Sextet 1121-01
Donizetti, Gaetano	1797-1838 Italy	WH 9	117-8
	Kyrie, STB, 200-02, organ
	Salve regina, STB, winds, cello,
	st. bass
	Tantum ergo, winds, string bass
	Sinfonia in G minor 1222-02
	Luge Qui Legis, winds
	Domine ad adjuvandum STB,
	winds
	3 marches for the Sultan Abdul
	Medjid, wind band [one is by
	Donizetti, two are by his brother,
	Giuseppe Donizetti]
Fanucchi, Domenico	19th century Italy	WH 9	118
	Cantata, “Se dell’or la wete avara”
	[1839] for AATB, 1021-221,
	contrabsn
	Aria con cori, AAB, 110-02
	Il figlio reconoscito [1822] Voices,
	2121-02, contrabsn
Ferri, Angelo	19th century Italy	WH 9	118
	Gloria, 3 voices, 11 winds, organ
	Tantum ergo, 3 voices, 7 winds, org
Fontebasso, Pietro	19th century Italy	WH 9	118
	3 voices, 9 winds organ
Galli, Amintore	1845-1919 Italy	WH 9	118
	Fantaisien, Miliary band [MGG]
Gasparini, Giovanni	19th century Italy	WH 9	118
	Marcia, 12 winds, st. bass
	Salve Regina [1850] 3 voices,
	winds, organ
Generali, Pietro	1773-1832 Italy	WH 9	118
	Litane, 3 voices, 7 winds, organ
	Tantum ergo, 3 voices, 7 winds
	organ
Giorza, Paul	19th century Italy	WH 9	118
	PR 3 Mardches for winds
Lamperini, ?	19th century Italy	WH 9	118
	Kyhrie, 3 voices, 7 winds, organ
Lipawsky, Giuseppe	19th century Italy	WH 9	118
	Cantata, “La liberazione d’Italia”
	wind instrumens
Mabellini, Teodulo	1817-1997 Italy	WH 9	118
	6 Walzes, winds [G XI,409]
	Sinfonia 1222-02, contrabsn
Manfrin, Giuseppe	19th century Italy	WH 9	118
	Tantum ergo, 3 voices, 7 winds, org
Mandanici, Placido	1798-1852 Italy	WH 9	119
	Gloria, 3 voices, 8 winds, organ
	Credo, 3 voices, 7 winds, organ
Manina, Fortunato	19th century Italy	WH 9	119
	Tantum ergo, 3 voices, 7 winds, organ
Marchesi, Tommaso`1773-1852 Italy		WH 9	119
	Sinfonia, wind instruments [MGG]
Marra, Vincenzo	19th century Italy [Naples bd cond]	WH 9	119
	Passo doppio, band
Marsano, Luigi	1769-1841 Italy	WH 9	119
	Inno per la Festivida della Reliquie
	3 voices, 6 winds, organ
Marulli, Angelo	19th century Italy	WH 9	119
	Sabat Mater, 3 voices, 15 winds,
	organ
Mayr, Simone	1763-1845 Italy	WH 9	119
	12 Bagatellen, 1011-basset horn
	Sonata 21-02, 2 basset hns, viola?
	Sexetto, Op. 9, Nr 2 202-02
	Motet, “O salutaris hostia” SSSS,
	with –243, serpent, organ
Mazzorin, Michele	19th century Italy	WH 9	119
	Credo [1848] 3 voices, 10 winds,
	organ
	Gloria, 3 voices, 10 winds, organ
	Kyrie,3 voices, 10 winds, organ
	Lauda Jerusalem, 3 voices, 8 winds
	organ
	Salve Regina, 3 voices, 6 winds
	organ
Mercadante, Saverio	1795-1870 Italy	WH 9	119-20
	Sinfonia marcia, military bands
	[performed by 12 reg. bands for
	the birth of the Prince of Naples in
	1869]
	Gloria, 3 voices, 30 winds, organ
	Tantum ergo, 3 voices, 7 winds,
	organ
Morandi, Giovanni	1777-1856 Italy	WH 9	120
	32;mil. Marches [1852], organ
Moretti,Niccolo	18th century Italy	WH 9	120
	Quoniam, 2 bass vocies, 2201-02
	organ
	Credo, 3 voices, 8 winds, organ
	Gloria, 3 voices, 9 winds, organ
	Kyrie, [1832] 3 voices, 8 winds,
	organ
Nava, Gaetano	Milan, 1802-1875	WH 9	120
	Tantum ergo, Bass solo, 3 voices,
	8 winds, organ
Nocentino, Domenico	1848-1924 Italy	WH 9	120
	Symphonia ihn Bb 1222-, st. bass
Pacini, Giiovanni	1796-1867 Italy	WH 9	120
	Gran concertino ridotto per Banda
Pellaria, Giuseppe	Venice 1815-1865 Italy	WH 9	120
	Beatus vir, 3 voices, 10 winds, org.
	Dexit, 3 voices, 9 winds, organ
	Kyrie, 3 voices, 7 winds, organ
	Laudate Pueri, 3 voices, 9 winds,
	organ
	Requiem, 3 voices, 11 winds, organ
Petrali, Giujliano	190th century Italy	WH 9	120
	Quoniam, Bass solo, 8 winds, organ
Poli, Giovanni Batta	19th century Italy	WH 9	120
	Kyhrie [1861], 2 voices, 6 winds,
	organ
Ponchielli, Amilcare	1834-1886 Italy	WH 9	120-1
	Fantasia miliare, band
	March, “Principa Umberto” band
	Divertimento “Il convegno” 2 solo
	clarinets, band
	Marcia funebre [1869] band [for
	the funeral of F.Lucca]
	March, “Funerali di Alessandro
	Manzoni [1874] band
	Elegia funebre [1873] for Manzoni
	Banda
	Marcia funebre [1874] band
	Elegia funebre [1881] band
	Eleia “Sulla ojmba di Garibaldi”
	[1886] band
	Quintet, piano, 1110-, Eb clarinet
Puccini, Giacomo	1858-1924 Italy	WH 9	121
	Marchj Scossa elettrica [1896t]
	Banda
Quilici, Domenico	19th century` Italy	WH 9	121
	Miserere, TTB, 1111-o2
	Sabat Mater, TTB, 1111-09
	O Lingua, SATB,-12, bassi
	Senquenza a 4 voci Di S.Antonio
	de Padova, SATB, -22, bassi
	Stabat Mater [1805], TTB,1111-01
Quicici, Giovanni	19th century Italy	WH 9	121
	Credo, 3 voices, 8 winds, organ
	Kyrie, 3 voices, 8 winds, organ
Rova, Giovanni	19th century Italy	WH 9	121
	Credo [1830] 3 voices, 6 winds,
	organ
	Kyrie [1832] 3 voices, 6 winds,
	Organ
	Messa, 3 voices, 7 winds, organ
	Tantum ergo [1832] T solo, 3-part
	chorus, 11 winds, organ
	Veni Creator, 3 voices, 6 winds,
	organ
Scontrino, Antonio	1850-1922 Italy	WH 9	121
	Adagio, violin and winds
Setaccioli, Giacomo	1868-1925 Italy
	Nonett for winds [MGG]
Strepponi, Fe;ociano	1767-1832 Italy	WH 9	121
	Gloria in Excelsis, SATB 1221-22
	organ, percussion
	Dixit, Introduzione e Finale, SATB
	1221-22, percussion, bassi
Tebaldini, Giovoanni	1864-1952 Italy	WH 9	121
	Vixilla TB, -6441, 2 alto horns
Wachs, Paujl	19th century Italy	WH 9	121
	Madrilena, band
Zifra, Antonio	19th centuryh Italy	WH 9	121-2
	Marcia, Nr. 2 [1827] 6 winds, organ
	lMarcia, Nr.IV [1835], winds, organ
	Mardcia funebre -122, organ
	Suonaa, Nr. 9 [1855] 10 winds, org
Anonymous	19th century Italy	WH 9	122
	Passo doppo nel ballet “Catarina
	Cornaro” arr. Agostino Belloli
Bellolii, Agostino	19th century Italy	WH 9	122
	Arr. Anonymous Passo doppio
Bellini, ?	19th century Italy	WH 9	122,
	Aria from La Sonnambula, arr.
	Agostino Belloli, maestro
	Conservatorio Milano
Belloli, Agustino	19th centuryh, Italy	WH 9	122
	Arr. Aria from La Sonnambula
	for band
Viagno, Salvatore	19th century Italy	WH 9	122
	one mvt from a ballet arr. For band
	by Belloli, Agustino
Belloli, Agustino	19th centuryh Italy	WH 9	122
	Arr. Of one mvt from ballet by
	Salvatore Viagno

Anonymous	19th century Italy	WH 9	122
	Armonia on thesmes of Cimarosa
	[1825] arr for band
Cimarosa, ??	10th century Italy	WH 9	122
	Armonia on thesmes of Cimarosa
	Arr Anonymous
Fioravanti,. ?	1764-1837 Italy	WH 9	122
	Duetto arr. Gennaro Cozzo for
	42-02, percussion
Cozzo, Gennardo	19th Century Italy	WH 9	122
	Arr. Of Dujetto by Fioravanti, ? For
	42-02, percussion
Wagner,Richard	19th century Italy	WH 9	122
	Anon. arr, March from Tannhauser
Anonyhmous	19th century Italy	WH 9	122
	Arr.March from Tannhaser, Wagner
Sibelius, Jan	b, 1865 Finland	WH 9	123
	Song of the Athenians ;1899]
	Boys and male chorus, -02, perc.
	Tiera, brass band
Berlyn, Aron Wolff	1817-1870 NL	WH 9	125
	Nonett 8 windsk, st. bass
Braudts, Buys	b.1850 NL	WH 9	125
	Serenade [1879] Op. 6, male
	chorus, brass
	Marche, band
	Quintet, piano, winds
Bekker, Johannes	b. 1820 NL	WH 9	125
	Fesstonen, band
Dunklesr, Franz	1779-1861 NL	WH 9	125
	Elegie et march funebre, Mil. Band
Hol, Richard	b.1825 NL	WH 9	125
	Holland’s Glorie, Op, 24
	male chorus, band
	Concert-Overture, Op. 110, band
	De Oranjevaan, male chodrus,
	brass
Hutschenruyter, Wou.	1859-193 NL	WH 9	125
	Festmarche
Nicolai, Willem	b.1829-1896 NL	WH 9	125
	Prinses Wilhelmina Cantata
	children’s chodrus, band
Rontgen,JUJliujs	b. 1829 NL	WH 9	125
	Serenade, Op. 14, 7 winds
Sylvani van	19th c., student of Mozart NL	WH 9	125
	PR Harmonie, Op. 5, 22-02
V erhulst, Johannes	1816-1891 NL	WH 9	125
	Requiem, Op, 51, male chorus,
	brass
	Vlagglied, Op. 35, male chorus,
	brass
Grieg,l Edvard	1843-1907 Norway	WH 9	127
	Funeral march, brass band
Olsen, Ole	1850-1927 Norway	WH 9	127
	Marches on folk tunes [G XIII, 537
Selmer, Johan	1844-1910 Norway	WH 9	127
	Hilsen tilNidardos [1883] T solo
	male chorus, band
Anonymous	19th century PL	WH 9	129
	Harmonie c.1800-1868 22-02
Anonymous	19th century PL	WH 9	129
	Collection 71 wo rdks without
	titlesl for 222-02
Anonymous	19th century PL	WH 9	129
	Collection 9 works, aria arr.
	222-02
Anonymous	1800-1869 PL	WH 9	129
	Aria in Bb 222-02
Anonymous	1800-1868 PL	WH 9	129
	Aria Calmica & Ballo
	222-02
Anonymous	19th century PL	WH 9	129
	Ariette in C minor
Anonymous	19th century PL	WH 9	129
	Ballo & Menjuetto 222-02
Anonymous	19th century PL	WH 9	129
	La Chasse 222-02
Anonymoujs	19th centuryh PL	WH 9	129
	Ciacone 222-02
Anonymous	19th century`	WH 9`	129
	2 Duetto in Bb 222-02
Anonymous	19th century PL	WH 9	129
	Finale in Bb 222-02
Anonymous	19th Century	WH 9	129
	2 Kantatas, 222-02
Anonymous	19th centgury PL	WH 9	129
	March in Bb 222-02
Anonymous	19th century PL	WH 9	129
	[2] Menuetto in Eb 222-02
Anonymous	19th century PL	WH 9`	129
	Menuetto in Bb 222-02
Anonymoujs	19th century PL	WH 9	129
	Opera comic in C minor 222-02
Anonymous	19th century PL	WH 9	129
	[3] Overtures in Eb 222-02
Anonymous	19th century PL	WH 9	129-30
	Ouverture in Bb 222-02
Anonymoujs	19th century- PL	WH 9	129
	Overure in F minor
Anonymoujs	19th century PL	WH 9	130
	Polonaises, 222-02
Anunymous	19th century PL	WH 9	130
	5 Qurartets 222-02
Anonymous	19h century PL	WH 9	130
	2 Romances 222-02
Anonymous	19h century PL	WH 9	130
	5 Rondos 222-02	\
Anonymous	19th century PL	WH 9	130
	Sinfonia Opeaa Fivei 222-02
Anonymous	19th century PL	WH 9	130
	Sinfonia in Bb 222-02
Anonymous	19th century PL	WH 9	130
	Suita [4 dance mvts] 222-02
Anonymous	19th century PL	WH 9	130
	Zingara Russa 222-02
Kleczinskyh, Jan	d,1828 PL	WH 9	130
	Parie, 7 part Harmoniemusik
Kozlowski, Jozef	1757-1831 PL	WH 9	130
	Adagio & Largo; Polonoises;
	Terzetto, 222-02
Karlowicz, Mieczys,	1876-1909 PL	WH 9	130
	Largo, marcia funebre [1899],
	winds
Lessel, Franciszek	1780-1835 PL	WH 9	130
	Parthia in Eb 22-02
	Parthias Nr. 3 and 4 22-02
	Partita 22-02
Dawid, Josef,	1856 PL	WH 9	130
	Arr. Of Meyerbeer, “Die
	Hougenotten & Robert der
	Teufel for miliary band
Meyerbeer	“Die Hugenotten & Robert der	WH 9	130
	Tufel, arr. For band by Josef
	Dawid
Carnicer, Romon	1789-1855 Spain	WH 0	131
	Military marches [G III, 801]
Gavalda, Jose	1818-1890 Spain	WH 9	131
	Mass 6-part chorus, band		\
Soler, Fdrancisco	19th century Spain	WH 9	131
	Marcha Real Religiosa for both or
	either band and ordhestra
Sor, Joseph	1778-1839 Spain	WH 9	131
	March for band
Berwald, Franz	1796-1868 Sweden	WH 9	133
	Soldatenlied [1845] for chorus,
	Wind Orchestra
	Kantata [1845] SATB wind orch.
	Nordiska fantasbilder [1846] male
	chorus,winds, organ
	Tongmalde [1549] male chorus,
	winds, odrgan
	Musik till indrfustrieerpositionens
	[1866] male chodrus, winds, organ
	Allegro con Spirito, SATB, winds
Henneberg, Richard	1853-1925 Sweden	WH 9	133
	Serenade 1122-02
Liadov, ?	1855-1914 Russia	WH 9	135
	Valse Badinago, Op. 32, harp,
	2030- piccolo, bells
	The Music Box, , Op. 32
	2939- piccolo, Bells
Heinrfich IV	19th century Russia	WH 9	135
	Geschwind-March
Tanejew, Alerxande	1850-1893 Russia	WH 9	135
	Andante, 2222-02
Tschaikowsky, Pet.	1840-1893 Russia	WH 9	135
	Adagio, 2222-02
	Marche military band
	Overture to Yolande, winds
Anonymous	19th century US	WH 9	137
	24 works for 12-part brass band
	PR Brfass Band Journal 1854
	24 works for 12-part brass band
Anonymous	19th century US	WH 9	137
	25th Mass. Reg. band books
	c. 70 works for 18-part band
	2nd NH Infantry Band Books [1861]
	c. 136 works for military band
	Coll. Dances, Marches c. 1862
	65 for 10- or 12part mil. Band, perc.
	Coll. 11th US Infantry, 1862
	50 works for band, inc. Gilmore,
	Dodwoth, Halloway,Downing, Baton
Gilmore	Works inc. in 11th infantry coll. US	WH 9	137
Dodworh	Works inc. in 11th infantry coll. US	WH 9	137
Halloway	Works inc. in 11th infantry coll. US	WH 9	137
Downing	Works inc. in 11th infantry coll. US	WH 9	137
Baton	Works inc. in 11th infantry coll. US	WH 9	137
Anonymous	26th Reg Band, NC CSA US	WH 9
	brass band
Anonymous	Srattonl Military Band Journal US	WH 9	137
	Brass band with Eb clar., perc.
	150 works
Bechler, Johann	1784-1852 US	WH 9	137
	Parthia 21-12
Collauff ?	19th century US	WH 9	137
	Parthia 2222-02
Dignam, Walter	1849-1864 165 US	WH 9	137
	165 works for brass band
Dodworth, Allen	1853 US	WH 9	137
	Dodworh Brass Band School, IV
Eaton, E. K.	1846-1852 US	WH 9	137
	12 Pieces of Harmony, brass band
	17-part brass band
	[2] Eaton’s Series of National and
	Popujlar Songs, 12 works for 5 to
	11 part brass
Fanciulli, Franccesco	1870-1895 US	WH 9	138
	Collection for miliary band
Gilmore, Patrick S.	1859 US	WH 9	138
	P. S. Gilmore’s Brass Band Music
	12 works,
Goodale, Ezekiel	1829 US	WH 9	138
	The Instrumental Director, large
	military band
Heinrich, Anthony	1781-1861 US	WH 9	138
	Marcia funebre for the Heros
	brass band, percussion, 1854
	Marciaa funebre, after 1850
	brass band, percussion, 1854
Herbert, Vicor	1859-1924 US	WH 9	138
	PR McKinley Inaugration March,
	band
	PR The President’s March, band
	March of the 22th Reg. band
Hitchcock, E. A.	1825 US	WH 9	138
	Collection, band works
Howe, Elias,Jr.	1870 US	WH 9	138
	Musician’s Companion, 6 to 8 part
	band, c. 300 works
Kyle, Alexander	1820-1843 US	WH 9	138
	Collection for 2020-12, bass
Michael, David M.	19th century US	WH 9	138
	Parthie I, 21-02
	Parthia II, 21-02
	14 Partitas 21-02; 1021-o1
	Parthia [Wasserfahrt] 22-02
	Parthia 21-02
Missud, Jean	1840 US	WH 9	138
	Coll. 65 wodrks for mil. Band
Morse, Samujel	c, 1811 US	WH 9	139
	21-02 “arr. for King George’s band
Peters [publisher]	1859 US	WH 9	139
	Peter’s Saxhorn Journal,
	13 works for brass band
Phile, ?	19th century US	WH 9	139
	Harmoniemujsik, 122-02
Reeves, D. S.	19th century US	WH 9	139
	Rienzi March
Prendiville, Hayyr	1881 US	WH 9	139
	Pirates of the Savate, Mil. Band
Scala, Francis	1855-1871 US	WH 9	139
	Coll. 600 works for band [he was
	cond. of the Marine band 1855-1871
Shipman, W. H.	1885-1890 US	WH 9	139
	Coll. 158 works for band
Sousa,J. P.	19th-20th c. US	WH 9	139
	Collections held by the Marine Band
	Univ. Iilinois Band; Morton HS
Webb, William	1816-1820 US	WH 9	139
	24 Grand Military Divertimentos
Schlesinger [pub]	12 Vol. collection Paris, 1821ff	WH 9	141
	Vol. 1:Sazenhofer, Klopow,
	Boieldieu, Stackelberg, Cavos
Sazenhofer, ?	A work in Schlesinger, Vol. 1	WH 9	141
Klopow, ?	A work in Schlesinger, Vol. 1	WH 9	141
Boieldieu, ?	A work in Schlesinger, Vol. 1	WH 9	141
Sazenhofer,?	A work in Schlesinger, Vol. 1	WH 9	141
Cavos, >	A work in Schlesinger, Vol. 1	WH 9	141
Schlesinger [pub]	12 Vol.collection, Paris, Vol. 2	WH 9	141
	Vol. 2: Dorffeld, Vogel, Herzog von
	Braunschweig, Prince August,
	G. A. Schneider
Dorfffeld, ?	A work in Schlesisnger, Vol. 2	WH 9	141
Vogel, ?	A work in Schlesinger, Vol. 2	WH 9	141
H. Braunschweig	A work in Schlesinger, Vol. 2	WH 9	141
August, Prince	A work in Schlesinger, Vol. 2	WH 9	141
Schneider, G./ A.	A work in Schlesinger, Vol. 2	WH 9	141
Schlesinger [pub]	`12 Vol. collectdion, Paris, Vol. 3
	Cavos, Dorffeld, aus Cherubini,;
	Nicolo	WH 9	141
Cavos, ?	A work in Schlesinger, Vol. 3	WH 9	141
Dorffeld, ?	A work in Schlesinger, Vol. 3	WH 9	141
Nicolo, ?	A work in Schlesinger, Vol. 3	WH 9
Cherubini	Arrangements in Schlesinger,
	Vol. 3
Schlesinger [pub]	12 Vol. collection, Paris, Vol. 4	WH 9
	Dorfffeld, Boieldieu, Devienne,
	Steibelt, Paer, aus Spontini
Dorffeld, ?	A work in Schlessinger, Vol. 4	WH 9	141
Boiedieu, ?	A work in Schlesinger, Vol. 4	WH 9	141
Devienne, ?	A work in Schlesinger, Vol. 4	WH 9	141
Steibelt, ?	A work in Schlesisnger, Vol. 4	WH 9	141
Paer, ?	A work in Schlesinger, Vol. 4	WH 9	141
Spontini	An arr. In Schlesinger, Vol. 4c	WH 9	141
Schlesinger [pub]	12 Collecdtion, Paris,Vol 5	WH 9	141
	Koslowsky, Titoff, aus Mozart,
	Cavos, Friedrich II, aus Gluck
Koslowsky, ?	A work in Schlesinger, Vol. 5	WH 9	141
Titoff, ?	A work in Schlesinger, Vol. 5	WH 9	141
Mozart	An arr. Titus Schlesinger, Vol. 5	WH 9	141
Cavos, ?	A work in Schlesinger, Vol. 5	WH 9`	141
Friedrich II	A work in Schlesinger Vol. 5	WH 9	141
Gluck, ?	An arr in Schlesinger, Vol. 5	WH 9	141
Schlesinger [pub]	12 Vol. collection, Paris, Vol. 6	WH 9	141
	Prinzen von Colburg, Dorffeld,
	aus Mozart, Zauberflote and Figaro,
	Zingarelli, aus Spontini,
Colburg, Prinzen	A work in Schlesinger, Vol. 6	WH 9	141
Dorffeld, ?	A work in Schlesinger, Vol. 6	WH 9	141
Mozart	Arrs from Figaro and Zaauberflotte	WH 9	141
	in Schlesinger,Vol. 6
Zingareli, ?	A work in Schlesinger Vol. 6	WH 9	141
Spontini	An arr. In Schlesinger, Vol. 6	WH 9	141
Schlesinger [pub]	12 Vol. collection, Paris, Vol. 7	WH 9	141
	Glover, von; aus Spontini
Glover, von, ?	A work inj Schlesinger Vol 7	WH 9
Spontini	Several works arr in Schlessinger
	Vol. 7	WH 9	141
Schlesinger [pub]	12 Vol. collection, Paris, Vol. 8	WH 9	141-2
	Beethoven, Spontini, Collardo
Beethoven	An arr in Schlessinger Vol. 8	WH 9	141
Spontini	Several works arr in Schlessinger
	Vol. 8	WH 9	141
Collardo, ?	A work in Schlesinger,Vol. 8	WH 9	142
Schlesinger [pub]	12 Vol. collection, Paris, Vol. 9	WH 9	142
	Nicolaus, Grossfursten; Neapel,
	Schweden, aus Spontini,
	aus Rossini, Seelicke, von
Nicolaus, Grossfurst.	A work in Schlesinger, Vol.9	WH 9	142
Neapel, ?	A work in Schlesinger, Vol. 9	WH 9	142
Schweden, ?	A work in Schlesinger,Vol. 9	WH 9	142
Spontini	a work arr. In Schlesdinger,Vol. 9	WH 9	142
Schlesinger [pub]	12 Vol. collection, Paris, Vol. 10	WH 9	142
	Naue C. Eckard
Naue, ?	A work in Schlesinger, Vol. 10	WH 9	142
Eckard,C.	A work in Schlesinger,Vol. 10	WH 9	142
Schlesinger [pub]	12 Vol. collection, Paris, Vol. 11	WH 9	142
	aus Spontini; Naue, Neithardt;
	Posen, Boieldieu
Sponini	Works arr. In Schlesinger, Vol. 11	WH 9	142
Naue, ?	A work in Schlesinger, Vol. 11	WH 9	142
Neithardt, ?	A work in Schlesinger, Vol,=. 11	WH 9	142
Posen, ?	A work in Schlesinger,Vol. 11	WH 9	142
Boieldieu, ?	A work in Schlesinger, Vol.. 11	WH 9	142
Schlesinger [pub]	12 Vol. collection, Paris, Vol. 12	WH 9	142
	S. A. R. Prince de l’Italie [1829];
	;Neithardt, A.; Slick,Frederic de
	Prusse; Mers, C.; aus Rossini;
	Neithardt,N.;Engelhardt; Weller;
	aus Meyerbeer; Herzog Wellington
	Prince Wasa;
Prince d’Italie	A work in Scjhlesinger, Vol. 12	WH 9	142
Neithardt, A.	A work in Schlesinger,Vol. 12	WH 9	142
Slick,?	A work in Schlesinger, Vol. 1	WH 9	142
Frederic de Prusse	A work in Schlesinger, Vol,. 12	WH 9	142
Mers, C.	A work in Schlesinger Vol. 12	WH 9	142
Herzog Wellington	A work in Schlesinger, Vol. 12	WH 9	142
Rossini	A work arr. In Schlesinger, Vol. 12	WH 9	142
Neithardt, N.	A work in Schlesinger, Vol. 12	WH 9	142
Engelhardt ?	A work in Schleinger, Vol. 12	WH 9	142
Weller, ?	A work in Schlesinger, Vol. 12	WH 9	142
Meyerbeer	A work arr. In Schlesdinger,Vol.12	WH 9	142
Wasa, Prince	A work in Schlesinger, Vol.12	WH 9	142
Schlesinger, Berlin	Marches and Fanfares, Vol. 1	WH 9	142-3
	Krause, Hayn, Magner, aus
	Spontini, Dorrfeld, Wintzler,
	Aline, Kiaking
Krause, ?	Schlessinger, Berlin, Vol. 1	WH 9	142
Hayn, ?	Schlessinger, Berlin, Vol. 1	WH 9	142
Magner, ?	Schlessinger, Berlin, Vol. 1	WH 9	142
Spontini, aus	Schlessinger, Berlin, Vol. 1	WH 9	142
Dorffeld, ?	Schlessinger, Berlin, Vol. 1	WH 9	142
Wintzler, ?	Schlessinger, Berlin, Vol. 1	WH 9	142
Schlesinger, Berlin	Marches and Fanfares, Vol. 2	WH 9	143
	Neithardt, Krause, Redowatschka
Neithardt,?	Schlessinger, Berlin, Vol. 2	WH 9	143
Krause, ?	Schlessinger, Berlin, Vol. 2	WH 9	143
Redowatschka	Schlessinger, Berlin, Vol. 2	WH 9	143
Hofmeister [Pub]	Journal fur Mil. Music 1800-1828	WH 9	143
	Hummel, Marschner, Rothe,Theuss
Hummel, ?	In Hofmeister, Journal 1800-1828	WH 9	143
Marschner, ?	In Hofmeister, Journal 1800-1828	WH 9	143
Rothe, ?	In Hofmeister, Journal 1800-1828	WH 9	143
Theuss, ?	In Hofmeister, Journal 1800-1828	WH 9	143
Offenbach, Andre	Marsche, 3 vol., 1800-1828	WH 9	143
Anonymous	6 Marche Coll. 121-22	WH 9	132
Anonymous	Tanze und Marsche, no inst. BDR	WH 9	143
Anonymous	100 Marsche [melodyh only] BDR	WH 9	143
Anonymous	6 Quick Marsche 221-112 BDR	WH 9	143
Anonymous	4 Marsche for Reg. Nr. 60 BDR	WH 9	143
	wind orchestra
Anonymous	5 Marsche [one is for SATB 2-22
Anonymous	BDR	WH 9	143
Anonymous	12 Russian marsches 223-02 BDR	WH 9	143
Anonymous	20 Stucke, 1800-1828 BDR	WH 9	143
Anonymous	Pas redouble, big coll. BDR	WH 9	143
Anonymous	6 Pieces pour Bugle-music	WH 9	143
Anonymous	Echo & Landler, c. 1820 BDR	WH 9	143
Anonymous	35 Sticke 41-02 BDR	WH 9	143
Anonymoujs	225 Stucke. C. 1810 1-01,	WH 9	143
	basset horn, , viola? BDR
Anonymous	9 Harmonien zufr Trauer Musik	WH 9	143
	2021-12 BDR
Anonymous	5 Marches, early 19th c. -24 BDR	WH 9	143
Anonymoujs	12 Stucke, early 19th century BDR	WH 9	144
	Harmoniemusik
Anonymous	2 Stucke, early 19th century BDR	WH 9	144
	for -261
Anonymous	70 Sucke, early 19th century BDR	WH 9	144
	242-22. serpent, tamburo
Anonyhmous	12 Harmonie stucke, early 19th c.	WH 9	144
	BDR fir 3032-22, percussion
Anonymous	4 dances, early 19th c. BDR
	1-14, post horn
Anonyhmous	7 Masche und Danses, early 19th	WH 9	144
	for 1-4 BDR
Anonymous	43 Marsches und Danses BDR	WH 9	144
	early 19th cent. For -04
Anonymous	6 Marsches and Dances BDR	WH 9	144
	early 19th century, -532
Anonymous	19th cent. No title 21-02 BDR	WH 9	144
Anonymous	Adagio, early 19th c. BDR	WH 9	144
	1222-032, piano
Anonymous	Andantino, early 19th c. BDR	WH 9	144
	1222-02, 2 viola?, st. bass
Anonymous	Echo-Waltzer, 1810 BDR 122-02	WH 9	144
Anonyhmous	General Bertrand’s Abschied BDR	WH 9	144
	early 19th c. 21-02
Annymojus	Kriegslied “Krieger auf!” BRD	WH 9	144
	large band
Anonymoujs	Hoch Mecklenburg Parademarsch	WH 9`	144
	band BRD
Anonymous	Miliar-Marsch 19th C. band BRD	WH 9	144
Anonymoujs	Marsch, 19th c. BRD 1043-432	WH 9	144
Anonymous	Marsche der Kais, Russian	WH 9	145
	Chevalie-Garde 1232-343,
	serpent, 2 basset hns, perc. BRD
Anonymous	Parademar., 13 winds, perc BRD	WH 9	145
Anonymous	Dubel Marsch -14 BRD	WH 9	145
Anonymous	Marsche, Der Rheinstrohmer BRD	WH 9	145
	c. 1820 122-1
Anonymous	Marsch 1000-7, 2 tenor horns	WH 9	145
	Baritone, bassi, Timp. BRD
Anonymous	Marsche, c, 1830 2929-26,	WH 9	145
	timpani, bass BRD
Anonymous	Marsche 2062-221, serpent. timp.
	BRD [library of Ludwig I]
Anonymous	Kunstreiter-Tanze 1999-4222,
	2 tenorhorns BRD [fof Grossherzog
	friedrich Franz I Jager-Bataillon
	Nr. 14]
Anonymous	Mujsic for the Riding School 1831	WH 9	145
	9 mvts, 1052-641, serpent, 2 vlns,
	basso, perc. Contrabsn BRD
Anonymous	Music Zur Toden-Feyer du Frau	WH 9	145
	Herzogin Amalia April 20, 1807
	1222-022, contrabsn BRD
Anonymous	2 Polonaise early 19th c. BRD	WH 9	145
	1032-12, sepent, bass drum
Anonymous	3 Polonaise early 19th c. BRD	WH 0	145
	32-02
Anonymous	Pottpouri, 19th c. 10 winds BRD	WH 9	145
Anonymous	Septett, solo horn, -141 BRD	WH 9	145
Anonymous	Stilll und Heilig [funeral music] BRD	WH 9	145
	July 1 1824 SATB, 1020-021 for
	Fraulein Josepha von Menz,
	konig. Landridhters Tochter in
	Wasserburg
Anonymous	Tanz Mujsik c, 1825 20-02 stg bass	WH 9	145
	BRD
Abt, Franz	1819-1885 Pas redouble “Chant	WH 9	145
	de la Garde mobile” mil. Band
Albert, Johann	1832-1915 100th Psalm [1881]	WH 9	146
	male chorus, wind orchestra BRD
Almenraeder,Karl	1786-1843 Fantaisie BRD	WH 9	146
	111-01, basset horn
Ambroz, Anton	TT 19th century BRD	WH 9	146
	Verlobungs-Fest-Marsch
	1000-02, 2 Fllugelhorn, bassi
Amon, Johann	1763-1825 PR 6 Pieces pour	WH 0	146
	Musique turque, Op. 40 and 7
	Pieces pour musique turque, Op.
	57 BRD
	Musik fur Harmonie, c. 1820
	1122-02
	De profondis, SATB, 20-32 BRD
	organ
Andre,Johann	1775-1842 BRD	WH 9	146
	PR Overture militaire, Op.24
Anschuz, G.	19th century Marsche de Franes-	WH 9	146
	Macons, 13-part Harmoniemusik
Anton, C.	19th century, band BRD	WH 9	146
	The Royal Lancers Galopp
	Polka [1857]
	Geshwind Marsch & Parade
	Marsch [1853]
Apel, ?	Kronprinz Marsch, Op. 27 BRD	WH 9	146
Apell, David	1754-1832 BRD	WH 9	146
	Notturni,for winds
	Marsche fur hes-garde, band
Appel, K.	19th century band BRD	WH 9	146
	Marsch [mit der Melodie das
	Liedes von “Anhalt”
Arndt,C.	19th century band BRD	WH 9	147
	PR Berliner Pferde-Eisenbalm
	Galop, Op, 13
Arnold, F.W.	TT 19th century BRD	WH 9	147
	“Sie sollen ihn nicht haben
	malel chorus and mil. Band
Asche, W.	1870 BRD	WH 9`	147
	Deuschland Hoch! Marsch BRD
	1242-5232, 2 Tenorl horns,
	euphonium, contrabsn perc.
Anufsess, B. von	19th century BRD	WH 9	147
	Sie sollen ihn nicht haben, brass
Azereta, ?	1800-1828 BRD	WH 9	147
	Variations pour petite Clarinet et
	Musique turque,
Bach, Chr.	19th century? BDR	WH 9	147
	Jubel-Overture, Op.66, mil band
Bach, Pierre	1800-1828 BRD	WH 9	147
	PR Variations pour Musique mil,
	Nr. 2, band
Bach, Wilhelm F. E.	1759-1845 BRD	WH 9	147
	[grandson of J. S. Bach]
	Parthia in Bb 222-02
	Parthia, 2 flutes or 2 oboes, 22-02
	2 Marche 222-1
	5 Konzertstucke 22-02
Bagge, Selmar	1823-1896 BRD	WH 9	147
	Weitegeschenk [1896] SATB,
	winds
Ballmuller, E.	19th century BRD	WH 9	147
	Groseer Siegesmarsch
	3262-5432, euphonkum, contrabsn,
	Percussion [an auto. 50 pg score
Barth, Friederick	b.1813 BRD	WH 9	147
	Cantate “Sey gessegnet stille
	Morgensone,” Op. 4 [1839] B solo,
	3-part mixed chorusk wind orch,
Barthel, K.	5 Altpreussische Armee-Marsche	WH 9	148
	und drei Trio with tgext [lost] BRD
Bassus,Jean	early 18th century BRD	WH 9	148
	Sextet, 22-02, vioila?
	Sextet, 22-02, vioila?
Beck, Peter	19th century BRD	WH 9	148
	12 Marche [1872] miliary band
	Schweriner-Parade Marsch [1874]
	military band
Becker, Heinrich	19th century BRD	WH 9	148
	Mecklenburgische Volkshymn Op 16
	TTBB -2431, Flugelhorn, ophiclide
	ded. to Grossherzog Friedrich
	Franz II
Becker, Vincenz E.	19th century BRD	WH 9	148
	Tauermarsch [1896] wind orch
	Trauermarsch, wind orchestra
	Demandenken Kaiser Friedrich’s
	Trauer-Marsch, Op, 136 mil. Band
	Das Deutsche Lied, male chorus
	brass, percusson, or piano
Behr, Franz	1837-1898 BDR	WH 9	148
	Andantino, “La Legere, Op.406
	band
	Kaiser-Fanfare, large mil. Band
Belcke, Friedrich A.	1795-1874 BRD	WH 9	148
	6 Marsche, military band
Berger, Ludwig	1777-1839 BRD	WH 9	148
	Marcoa omEb, winds
	Marche pour-les armees anglaise-
	espanoles dan les Pyrenees
	Triumphal Marfsch of the Prussian
	Army [1814] Harmonie-orchestra
	3 Marches military Op. 16
	3 Marches fur der Infantrie Mil.
	musik, Op. 21
Berner, Friedrich W.	1780-1827 BRD	WH 9	148
	PR Der Herr ist Gott, TTBB, winds
Berr, Frieddrich	TT 1794-1838 BRD	WH 9	148-9
	PR 5eme Air varie, solo clar. and
	Harmoniemujsik [famous Clar.
	player from Mannheim]
	PR Grande Harmonie, 12 winds
	PR Muusque militaire 12-part winds
	March, inst. unknown
	March du couronement de
	Charles X, inst. Unknown
	PR Pas redouble [based on the
	“Barcadrole” from Rossini]
	PR 3 Pieces, military band
	PR La Reunion, mil. band [6 mvts
	inc a march by Rossini; La
	Clochette by Paganini; a Pas
	Redouble [Le Sabbat] by
	Niedermeyer; “Le petit Porteur
	d’Eau” bu Panseron]
	PR “Valse et Pas redouble sur la
	derniere Pensee de C/M. Weber”
	mil band
Rossini	Marche, quoted [?] in Berr	WH 9	149
Paganini	“La Clochette” quoted [?] by Berr	WH 9	149
Niedermeyer	Quoted by Berr	WH 9	149
Panseron	“le petet Blanc” quoted by Berr	WH 9	149
Weber, Carl Maria	Valse based on by Berr	WH 9	149
Rossini	“Barcarole” from Marino Falieri	WH 9	149
	arr. Berr
Berthold, ?	P:arade Marsch, Kavaliermusik	WH 9	149
Billert, Karl	1821-1875 BRD	WH 9	149
	Marcia funebre [c. 1850] for
	Cavallerie musik [here: small cornet,
	cornets, 2 tenorhorn, baritone,
	4 gumpets; bass, percussion
	Kronplugen March [Berlin,1856]
	TTBB, band

Bilse, Benjamin	1811-1902 BRD	WH 9	149
	Jubel-Fest Marsch [1880]
	2252-6431, 2 alto cl;arinets.alto
	horn, tenor horn, baritone, perc.
Birnbach, ?	19th century BRD	WH 9	149
	Volkslied am Geburtsfeste des
	Konigs, militaryh band
Bitterman, Carl F.	19th century BRD	WH 9	150
	Marsche pour corps de
	Janitchare, ;band [ded to Prince
	Eugene Napoleon] band
Blon von, Franz	1861-1945 BRD	WH 9	150
	Marsche Unterm Siegshanner
	mil. band
	Masche Der Freundschafts Flagge
	mil. band
Blumenfeldt, Aron	b.c. 1825 BRD	WH 9	150
	Deutscher Triumph Marsch, brass
	band and timpani
	Der heimkekrenden Sieger, brass
	and and timpani
Blummer, Martin	1827-1901 BRD	WH 9	150
	Hymn [zur Enthullung des Lessing-
	Denkmals”] chorus and brass band
Boh, Alb. Ludwig	19th century BRD	WH 9	159
	PR Die Jagd Tongemalde, wind
	orchestra
Bohner, Johann L.	Motetta, “Preise Jersulem den “
	Herrn,” SATB 120-223, timpani
Bonasegla, Carl P.	b. 1779 BRD	WH 9	150
	Walzer et Eccor [c.1810] 2022-2
	Gesang, “Recois de notre amour”
	1121-12, contrabassoon
	Walzer, 2022-12
Bonvin, Ludwig	1850-1939 BRD	WH 9	150
	RP Romance, Op. 19a, 1122-02
	PR Melodie, 1222-02
Bost [Rost ?] ?	19th century BRD	WH 9	150
	Adagio, 32-12
Bothe, Gustav	late 19th century BRD	WH 9	150
	Deutscher Kaiser-Marsch [c.1900]
	large band
Brahms, Johannes	1833-1897 BRD	WH 9	151
	PR Begrabnisgesang, Op. 13
	SATB 2222-243, timpani
	PR Ellens Zweite Gesang, S solo,
	SS chorus, 2-04
Bratfisch, A.	1865 BRD	WH 9	151
	Jubel-Marsch band
Braun, C.	19th century BRD	WH 9	151
	Heilig ist der Herr, Op. 31 SATB,
	brass instrumens or organ
Buchler, Ferd.	1817-1891 BRD	WH 9	151
	Marcia funebre [1846] 1122-021
Buchholz, ?	19th century BRD	WH 9	151
	Prelude & Fuge mil. Band [for the
	100th birthday of Queen Louise of
	Prussia, March 10, 1876
Bulow, Hans von	1830-1894 BRD	WH 9	151
	Bayrische Volkshymne 9-part winds
Burg, R.	“Hat den schon” large band [in
	memory of the battle of Worh for
	Crown Prince Frred. Wilh. Von
	Prussia
Burmeister, Paul	19th century BRD	WH 9	151
	Der Gratulant Geschwind Marsch
	mil. band
	Soldatenlust Marsche, band
Buskies, Rudolph	19th century BRD	WH 9	151
	Augusta Marsch [1862] band
	Wilhelms Marsch, band
Carl, Carl	1830-1898 BRD	WH 9	151-2
	March, Die Hochlander, band
	Miliary band collection, a huge
	collecdtion of some 3,172 titles
	for brass band
Carl, Gustav Adolf	19th century BRD	WH 9	152
	Kaiser Wilhelm Siegsmarsch [
	[c. 1875] for large mil. Band
Charlotte v. Preussen	19th century BRD	WH 9	152
	Marsch [March 22, 1848] mil. Band
Chelard, Hippolyte	1789-1861 BRD	WH 9	152
	36 Marches & Danses [c. 1830]
	wind orchestra
	Cycle Symphonique Nr.6 “Elegie”
	1000-303, ophicleide, 2 harps,
	percussion, 4 celli, st. bass

Cohen, Kafl Hubert	18541-1938 BRD	WH 9	152
	PR Requiem, Op. 2, 4 part chorus,
	winds
	PR Te Deum, 5 part chorus, winds,
	organ
Commer,Franz	1813-1887 BRD	WH 9	152
	Abendlied and Die drei Sterne
	TTBB, 22-02
Conradi-Carlshall, W.	19th century BRD	WH 9	152
	Grand Marcia funebre, large band
	for Wilhelm I, June 19, 1864
Cossart, Leland	b. 1877 BRD	WH 9	152
	Suite, Op. 19 2222-02, harp
Curschmann, Karl	1805-1841 BRD	WH 9	153
	Messe “Barmherzig jund gnadig
	4 part chorus, brass
Czibulka, Alphons`	1842-1894 BRD	WH 9	153
	Kronprinz Friedrich Wilhelm Defile
	Marsch, large band
Dickhut, ?	1800-1828 BRD	WH 9	153
	PR 6 Sgujcke -543, 2 bass trumpets
	2 Klappenflugelhorner, posthorn
Donderer, Benedick	second half, 19th century BRD	WH 9	153
	Plaenkler Marsch
Dornaus, Jr.	1800-1828 BRD	WH 9	153
	6 Petites piecesk Op. 2 21-02
Dornheckter, Robert	1839-1890 BRD	WH 9	153
	Jubel-Marsch 1000-6, Flugelhorn,
	2 tenorhorns, baritone [for Wilhelm
	I, June 8 1865
Dunkler, Franz	1816-1878 BRD	WH 9	153
	Une l’arme sur sa Tombe.Elegie
	et Marsche funebre, large band
	[Performed at the Solennel du sa
	Majesty la Reine Mere des Pays-
	Bas]
Dreher, Jos Anton	early 19th century BRD	WH 9	153
	Harmonie 1021-021
Drobisch, Karl L.	1803-1854 BRD	WH 9	153
	Erntefest, Op. 47 SATB -023, cello
	bass
Ebers, Charfles Fred.	1770-1836 BRD	WH 9	153
	PR 12 Petites pieces, Op. 3
	2-02, 2 basset horns
	PR 6 Marches, Op. 18 11-part
	Harmoniemusk
Eberwein, Traugott`	1775-1831 BRD	WH 9	153
	Musiquje d’harmonie 2112-02
Egwolf,Joseph	19th century BRD	WH 9	153
	Marsch der Orleans, 1870, for
	Stabshoboists K. Bayer, 6 Inf. Reg.
	large mil.band
Eichhorn,A.	19th century BRD	WH 9	154
	Kronprinze Friedrich Wilhelm
	Marsch
Eilhardt, Friedrich	19th century BRD	WH 9	154
	Sieges Triumph Festmarsch, 1866
	Band I: 1242-4432, Eb piccolo,
	2 Eb clar., 2 tenorhorns, contrabsn,
	small and large drum
	Band 2: Eb piccolo, 2 Eb conets,
	2 Bb cornets, Flugelhorn, 2
	tenorhorns, 4 Eb trumpets,
	barione, 2 tubas
Emmerig, Joseph	early 19th cdentury BRD	WH 9	154
	Theodolindens Tlraumgeschicht
	TTBB1021-22 for the birthday
	of the Queen of Bavaria, 1827
Enckhausen, ?	1800-1828 BRD	WH 9	154
	PR Militarmjusik, Op. 1
Endres, Franz, A.	1805 BRD	WH 9	154
	Serenade in C 1805
	200-112, tijmpani, st bass
	2 Marches and a Waltz, c. 1810
	21-02, st. bass
Enziknger, Ludwig	19th century BRD	WH 9	154
	Die Abend-Glocke Marsch
Esterl, ?	early 19th century BRD	WH 9	154
	Melodin-Chronick Potpourrii 1898
	brass and percussion
Ett, Casper	early 19th century BRD	WH 9	154
	Lied, “Singt Bruder in Jauthzensen
	Tone,” 2 singers, -331, timpani
	“Hymn windet Rosenketten,
	, 4 singers, 1122-02
Fackler, M.	19th century BRD	WH 9	154
	Huldigungsmarsch [1840] band
Faisst, Immanuel G.	1823-1895 BRD	WH 9	154
	PR “Den Herrn mit Willkurl” voices,
	Brass, timpani
	4 Kriegs-und Siegelieder, Op. 28
	voices and brass
	Siegesp., Op. 29 voices and brass
	PR
	Op. 30, voces and brass
	PR Schillerkantate,Op.31 voices and
	brass
Febvre, F.	19th century BRD	WH 9	154
	Grande Marche militaire [1867]
Fesca, Alexander E.	1820-1849 19th century BRD	WH 9	154
	Serenade, large band
Fiedler, ?	March in C, 22-112	WH 9	155

Fischer, C.	1800-1828 alll PR BRD	WH 9	155
	Recueil de Musique Militare
	Potpourri brillant a grande
	Harmonie mil., Op. 5
	Harmonie, 9-part brass ensemble
	Musique mil. pour Cavallerie, Op.11
	for 2 “Cors de Signal a Clefs,”
	2 Eb trumpets, 2 Bb trumpets,
	1 Ab trumpet,2 “Principals,” and
	3 rombones
	Introducdtion et Polonaise l’apres
	des Themes de Kalkbrenner et
	Kalliyoda, Op. 13, large band
Kalkbrenner	Theme arr by C. Fischer	WH 9	155
Kallyoda, ?	Theme arr. By C. Fischer	WH 9	155
Fischer, Heinrich W.	fl. 1815, Braunschweig, BRD	WH 9	155
	Trauer-Marsch, Dec. 14, 1815
	222-02
Fischer, Hermann	19th century BRD	WH 9	155
	Hymnas, TTBB wind orchestra
Fischer, J.G. C.	1800-1828 BRD	WH 9	155
	Miliarmusik
Florschutz, Eucharius	b. 1757 BRD	WH 9	155
	Ave Maria 1829 SATB 1022-,
	continuo
Frank, Ernst	1847-1889 BRD	WH 9	155
	Fanfare 12- trumpets, 2 timpani
	based on a subject from Handel’s
	Alexander;s Feast
Handel	A subject from arr Ernst Frank	WH 9	155
Franke, F. C.	late 19th century BRD	WH 9	155
	Defilir-Marsch, large band
Franzel [Frantzl], ?	Echo, for Harmonie, 2 mvts 22-02
	Concerto for Vln, with “Turkischer
	musiik acc. [performance in Munich
	reviewed in AMZ Jan. 26, 1803]
Frese. C.	19th century BRD	WH 9	155-6
	PR Altpreussiche militar-Marsche
Friedemann, F.	Die 2. Compagnie Defilir-Marsch
Friedrich II [king]	Overture, large mil band
Friedich Wilh. III [king]	4 Preussische Armee-Marsche
	[lost]
	Marsch [fragment]
	Alte Pfeifenmarsche
Friedrich Wilh IV	19th century BRD	WH 9	156
	Geschwind-Marsch, large band
Frohlich, ?	First half 19th century BRD	WH 9	156
	Harmonie 1022-01
Fuchsk Julius	19th century BRD	WH 9	156
	Hymne [1867] TTBB, large mil. Band
Gabrielli, Graf Nich.	1814-1891 BRD	WH 9	156
	PR Marsch, brass, perc, “Kanonen-
	schlage” [ded. General Blanco of
	Venezuela]
Gebaur Franz X.	1784-1822 BRD	WH 9	`156
	Overture Pastorale, c.1803-1816
	1222-02
Gentish, E.	TT 19th century BRD	WH 9	156
	Fest-Overture [1863], band
	Prince-Frederich Marsch [1863]
Gerke, A.	19th cenury BRD	WH 9	156
	PR 2 Pieces pour Mus. Turque [for
	the requiem of Rzewuski] O-. 9
	6 Pieces, Op. 12, Mus. Turque
Gopfert, Carl A.	1800-1828 BRD	WH 9	156
	12 Pieces, Op. 26 21-02
	18 Pieces, oboe or flute, 21-02,
	serpent
	Allegrinoalla Turca [c. 1820]
	2222-221, serpent, perc.
	4 Grosse-Parthien 1222-22,
	contrabsn
Golde, J.	1813-1815 BRD	WH 9	156
	4 Marche uber Kriegslieder
	band
Gouvy, Louis Theo.	1819-1898 BRD	WH 9	156
	PR Octet, Op. 71 1122-02
	Petite Suite Gauloise, Op. 90
	1222-02
Grawert, E..	19th century BRD	WH 9	157
	Letzlinger-Ruden-Signal-Marsch
	large band
Grell, Eduard	1800-1886 BRD	WH 9	157
	Cantata “Labet ihr Volker [1830]
	SATB, winds
	2 /chore [Herr Gott, dich loben wir
	and Komm heiliger Geist]
	SATB, winds
	Chore, Saepins yentis agitator
	[1832] TTBB, wind orchestra
	Lateinische Festgesang [1830]
	TTBB, wind orchestra
	Chofre, Hic dies vere miki festus
	TTBB, wind orchestra
	Chore, Gesang bei der Epthullung
	von Hegels Denkmal Oct, 17,1870
	TTBB, brass
	Chore, Non sie excubiae non
	circumstantial [1831] TTBB, wind
	orchestra
	Cantata Hyhmnus, Ich rede von
	deinen Zeugnissen vor Konigen.
	SATB, winds, organ
Grimm, ?	19th century BRD	WH 9	157
	19 Harmonie stucke [c.1810] -12
Grimm, Julius Otto	1827-1903 BRD	WH 9	157
	Zum Gebudrstag des Kaisers,
	Op. 27, male chous, wind ochestra
	An Kaiser Wilhelm II, Op. 28
	male chodus, wind orchestra
Grote, A. R.	19th century BRD	WH 9	157
	Militar-Marsch und Hymne [1886]
Grund, Eduard	1802-1871 BRD	WH 9	157
	Oktett, piano and winds
Guerra, E.	19th century BRD	WH 9	157
	Deutsch-italienisher Marsch [1888]
Gunther,Karl Fried	early 19th century BRD	WH 9	157
	12 Marsche, 222-22, serpent [for
	the “K. Prussia & Elector” of the
	Saxony army]
Habert, Johannes	1833-1895 BRD	WH 9	157
	Scherzo, Op. 107 1112-02
Hacker, Benedikt	1769-1829 BRD	WH 9	157
	“Juvajiens Gruss bei der…Ankunf..
	Furst- Erzbischofs Augusin Gruber
	[1824] TTBB 22-02
Hagmann, ?	1800-1828 BRD	WH 9	157
	Harmonie 9-part Harmoniemusik
	with Klappentgrompete
Hallager, A.	19th century BRD	WH 9	157
	Reminiscenzen aus den letzten
	Tagen auf St. Helena [Tone poem
	in three parts] large band
Hamm, Johann Val.	1811-1875 BRD	WH 9	158
	2 Polkas, Marsch and Trompeten
	Polonaise, large band
Hammer, August	19th century BRD	WH 9	158
	Fantaise, solo oboe, 1042-243,
	serpent, perc. [first Hatbois, 7th
	Reg. s. Hollande]
Hammerl, Cornelius	TT 1769-1839 BRD	WH 9	158
	3 Parties 232-12, serpent
	[contains his original music and arr.
	of works by Haydn, Winer. First
	clarinet, Hofkapelle, Schwerin]
	Suite, 222-12 [Dec/ 25, 1802]	WH 9	158
`	Pollonaise, 222-12, serpent
	Andante & Polka 222-12, serpent
Haydn	a work arr. By Hammeerl	WH 9	158
Wintger	a work arr. By Hammeerl	WH 9	159
Hansel, A.	1800-1828 BRD	WH 9	158
	PR Militar-Musik, Op. 31
	[Reveille, Parade, Ordinar
	Geschwindmarsch, Retraite] 7 or
	15 part Harmoniemusik
	Divertissement, Introduction,
	Variation und Polonaise br;.Opern-
	Motiven, 15 or 17 part Harmoniemusik
	6 Marsche fur Militar Musik, 6 or 13
	part Harmoniemusik
Hasse, A.G.	19th century BRD	WH 9	158
	Serenade, Op. 6 2000-02, harp,
	bass
Hassloch, Carl	1769-1829 BRD	WH 9	158
	3 Marsche [c.1810 or earlier]
	2222-22, percussion [March de
	Sauvages, Trauermarsch, Quick
	Marsch [fragment]
	Marche to Ubal. Pastorale &
	Andantino, 2222-02, bass [last
	mvtl has also SATB jchorus]
Hannreiter, Peter	19th century BRD	WH 9	158
	Feldschritt fur Mil. Musik [1877]
Hauptmann, Moritz	1792-1868 BRD	WH 9	158
	Motet,”Ehrfe sei Gott in der Hohel
	c. 1873, male chorus and winds
Hause, Carl	19th century BRD	WH 9	158
	Concert Overture, Mil. Band
Heine, Gotthelf Sig.	TT 1800-1828 BRD	WH 9	159
	Tve Deum voices, 22-223, timpani
Heine, Samuel Fr.	TT 1800-1828 BRD	WH 9	159
	Auferstehn, ja Auferstehn [1804]
	SSATB 22-04, serpent, 2 violas?,
	bass
	Salve Regina, S solo, 22-02, bassi
Hennig, Kal	1819-1873 BRD	WH 9	159
	Der Kionigspalm [1849], chorus,
	brass,l flute, 4 harps
Hennig, T.	TT 19th century BRD	WH 9	159
	3 Marsche fur das Gardehautboisten
	Corps des 89 Reg. [a civic music
	dirfector in Gustrow]
Hepworth, George	19th century BRD	WH 9	159
	3 Marches [for Friedrich Franz II]
	large band
Herfurth, R.	19th century BRD	WH 9	159
	Fantasia, Auf den Alpen, band
Herold, A.	19th century BRD	WH 9	159
	Krieger’s Heimkehr, Defilirmarsch
Herweg, Georg	19th century BRD	WH 9	159
	Rheinland als Feldschfiffl one vocal
	par and Harmonie for soldiers
Heuschkel, Johann	1773-1853 BRD	WH 9	159
	Pieces d’harmonie 1022-02
Heyn, Catharina	19th century BRD	WH 9	159
	Der Steben-Bruder-Marsch
	band inst unknown
Hiebesch, Johann	1766-1820 BRD	WH 9	159
	Partita in D [183] 1222-12, st. bass
	2 Partitas in F, 2222-03, st. bass
	Partita in D [183] 1222-12, st. bass
Hiller, Ferdinand	1811-1885 BRD	WH 9	159
	Bunddeslied, Op. `174 male chorus
	winds
Hoffmann, Ernst	1776-1822 BRD	WH 9	160
	Turkische Marsch babd [an
	important German lierary figure]
Hofmann, Heinrich K.	1842-1902 BRD	WH 9	160
	PR Hymnus an Kaiser Wilhelm II
	male chorus, large band [perf at
	the Berliner International
	Kunstausstellung, 1891]
Horn,Karl Friedrich	1762-1830 BRD	WH 9	160
	12 Divertiments, wind band
Hubschmann, J.	1803-1816 BRD	WH 9	160
	Hdarmonie 222-02
Jadassohn, Saloman	1831-1902 BRD	WH 9	160
	PR Serenade, Op. 104 [1890]
	2222-02
Jager, Will.	19th century BRD	WH 9	160
	Kfeigsmarsch, wind ochestra
Jannojpulos, Anastas119th century BRD	19th century BRD	WH 9	160
	Gebel, for King Otto I of Greece,
	1847, military band
Jenette, Adolf	19th century BRD	WH 9	160
	Judeleums [1870] for the 25th year
	Reign of he King of Bavaria
Jochum, Otto	19th century BRD	WH 9	160
	Liebesspiegel, Op. 38 2022-
Joerg, N.	1800-1828 BRD	WH 9	160
	12 Pieces fur Harmoniemusik
Kalliwoda,Johann	1801-1866 BRD	WH 9	160
	PR 6 Pieces d’Harmonie, Op.202,
	large mil. Band [two pieces with
	chorus
	Galopp, Eb, 1022-02
	Harmonie 1022-02
	Harmoniemusik fur Heil
	Comunion 22-02
Kanka, Johann	1772-1865 BRD	WH 9	160
	4 Marsche, woodwinds and 2 horns
	Marcia, winds, serpentg
Kattne, Otoo	19th century BRD	WH 9	169
	Hyrrah! Duke Fried. Franz III, band
Katzer, Ignaz1	19th century BRD	WH 9	161
	12 Veranderungen [French dances
	c.1820 for Fursten Eujgenzu
	Bentheim-Bentheim] 1022-12,
	conrabsn
Kfempter, Friedrfich	b. 1810 BRD	WH 9`	161
	Miliitar-Msse [1898] 5 mvts
	large mil band
Kempter, Karfl	1819-1871 BRD	WH 9	161
	Il Tantum ergo [c. 1860] SATB,
	1020-521, bombard,timpani
Kern, Max Josef	19th century BRD	WH 9	161
	Prfinzregent Luitpold-Hymne
	singer and winds
Kessels, Joseph	19th century BRD	WH 9	161
	Jujngfrau v.. Orleans, mil. band
Kewitsch, Th.	19th century BRD	WH 9	161
	Volks-Festgesang, military band
Kistler, Cyrill	1848-1907 BRD	WH 9	161
	Festmarsch [Augsburg, 1886
	ded, to Wagner
Klee, L.	19th century BRD	WH 9	161
	Marsch
Kleiber, Leonhard	b.1863 BRD	WH 9	161
	Wittelsbacher Ruhm Marsch
	c. 1900
Klein (?), Bernhard	1793-1832 BRD	WH 9	161
	2 Divertimenti, solo clar,, 222-02
Kleinheinz, Franz Z.	1765-1632 BRD	WH 9	161
	Der Huldigungsfeier, 8 winds
	Okett, winds
	Quintet, winds
Klughardt, August	1847-1902 BRD	WH 9	161
	Nonett, Op. 36 [1876]
Kniess, Fr.	b. c. 1800 BRD	WH 9	161
	Der Landknecht im Freiden]
	[c. 1850] wind ochestsra
Knipfer, F.	19th century BRD	WH 9	161
	Volkslied, large mil. band
Koch, A.	19th century BRD	WH 9	161
	Vogesenwach, large mil. band
Kohler, Ernst	19th century BRD	WH 9	162
	Chor 1831, Chorus and
	Harmoniemusik
Kornlein, Justus	d. 1866 BRD	WH 9	162
	Introduction, Waltz, Galopp
	1011-121
Kosleck, ?	19th century BRD	WH 9	162
	Deusche Kaiser-Hymne[1889]
	trumpets and timpani
	Erinnerung an Peterhof Marsch
	Kvalleriemusik
Kosporer, Johann	;second half 19th century BRD	WH 9	162
	Saengers Gebet, voice and brass
	or piano
Kraknest, Herrmann	19th century BRD	WH 9	162
	Bei der Heimkekr 1871 Triump-
	Marsch uind Finale [39 pg full score
Kraus,, Joseph	19th century BRD	WH 0	162
	Hogtidsmarsch, wind orchestra
Krause,J. H.	19th century BRD	WH 9	162
	Armeemarsche fur Trompenmusik
	[foujnd in Berlin, Schlesinger
	Nr.1, 14
	6 Galanteriesucke, Trumpeten-
	musik
	Baierischer Galoppwalzer
	Trumpeten-musik
	2 Geschwindmarsche
	Miliary-Horn-Mujsik
	Fackeltanz [Nov. 29, 1823]
	Trumpeten-musik
Kreutzer, Konradin	1780-1849 BRD	WH 9	162
	Baiersche Volkslied, Mil. Band
Krug, Diederich	1821-1856 BRD	WH 9	162
	Hymne an Germania, Op. 79
	versions for brass or band
Küffner, Jos.	1776-1856 BRD	WH 9	162-4
	[most works were published]
	Pieces d’Hamonie, Op. 40 1021-01
	3 Duplier-Marsche, Op. 51
	large military band
	6 Dupliermarsche, Op. 60
	large mil. Band
	Harmonie, Op.92 1021-01
	3eme Potpouri, Op. 101
	Musique militaire
	4eme Potpouri, Op. 102
	Musique militaire
	Ouverure, Op. 108 Musique turque
	2 Potpouri, Op. 109 Musique
	turque
	5eme Potpouri, Op. 110
	Musique militaire
	6stes Potpouri & Jagerchor
	Turkische Musik [from Freischutz]
Weber	excerpt from Der Freischuz in	WH 9	163
	Kuffner, 6th Potpouri & 8th Potpouri
Kuffner, Jos.	Turkische Musik, Op, 115 and 116
	7eme Potpouri, Op. 126
	Musique miliaire
	8eme Potpouri Op. 132 [from
	Der Frfeischutz of Weber
	0eme Potpouri Op. 134
	[on Frieischutz] Musique miliaire
Weber	excerpts frm Der Freitschutz, in	WH 9	163
	Kuffner Potpouri 9
Kuffner, Jos.	Pieces d’Harmonie Op.138 [based
	on Ogello and Preciosa] 1022-02
	Musique Turfque, Op. 146 March
	and Dance collecdtion
	10eme Potpouri Op. 153 [based on
	Euryanthe of Weber Mil band
Weber	excerpts from Euryanthe in	WH 9	163
	Kuffner,Op. 153
Kuffner, Jos.	Ouverure in F, Op. 160 mil. Band
	Overture in Eb Op. 161 band
	Sinfonie, Op. 163 mil. Band
	11th Potpouri, Op. 169 band
	Walses et Danses bavaroises
	Op. 170 52-542, serpent, perc.
	Potpourri Op. 182 on Auber’s
	“le concerta la Cour”1022-02
Auber	excerpts from “le concerts a la	WH 9	163
	Cour in Kuffner Op. 182
Kuffner, Jos.	Potpouri Op. 183 on Rossini
	“Corradino et Moise” 1022-02
Rossini	Excerpt of “Corradino et Moise”	WH 9	163
	in Kufner, Op. 183
Kuffner, Jos.	3 Marches and 4 Pas redoubles
	52-542, serpent, percussion
	6 Pieces d’Harmonie, Op. 205 1922-02
	3 Grande Marsches, Op. 207 band
	2 Parade & 2 Geschwindmarsche
	Turfkische Musik
	Overture & Airs d’Fiorella of Auber
	Op. 208 1022-02
Auber	Arr. Overture and airs d’Fiorella
	in Kuffner Op.208
Kuffner, Jos.	Bolero, Op. 219 from Auber’s
	Portici miliary band
Auber	Arr. Boero from Portici in	WH 9	164
	Kuffner Op, 219
Kuffner, Jos.	Grande Valse Op. 232
	[Quotes La Maseillaise and La
	Parisienne] military band
	3 Polonaises, Op. 237 iincluding
	one by General Uminsky, Valse
	and 5 Galopades
	3 Polonaises, Op, 235
	1052-322. serpent, percussion
	Musique turque
	[Offenbacb, Ande Vols. 1-8 11, 12,
	14, 15 and Mainz, Schott Vols 9, 10
	13
	Musique turque Par recouble
	21-1, piccolo, serpent
	10 Trumpettenaufzuge 12 trumpets
	Harmonie, 7 or 10 part
	Harmoniemusik
	Fantaise, Turkische Musik
	12 Marsche 4 trumpets or
	Halbemondhorner with trombone
	Ouverture aus Johann von
	Wiselburg, Turkische Musik
	Quintet 1011-1, basset horn
	[untitled] 11 mvts 1042-221,
	serpent, percussion
	[In addition MGG gives 20 volumes
	of 6,8. 9 and 12 part
	Harmoniemjusik
Kunerth, Johann	19th century BRD	WH 9	164
	Die 4 Evangelien Zur
	Fronleichnamsfeier, SATB 20-3,
	Flujgelhorn, bombard [1854]
Kunheim, W. L.	19th century BRD	WH 9	164
	Andante. Lied ohne Worte, Op. 8
	Kavalleriemusik
Kuntze, Carl	19th century BRD	WH 9	164
	Vom Fels zum Meer, T solo, male
	chorus, milidtary band
	Herr. Bleib ‘bei uns…Op, 300
	male chorus1020-2211,
	2 tenorhorns, piano
Kunz, Kondrad	1812-1875 BRD	WH 9	164
	Reiterlied [1868] unison male
	chorus 9-part wind band, perc.
Kupler, ?	19th century BRD	WH 9	165
	Galop, “All Heil! Deutscher
	Radfahrer, band
Lachner, Franz	1803-1890 BRD	WH 9	165
	Auf Gruner [1836] male chorus,
	brass,
	Bruder auf! [fragment 1844]
	male chorus, brass
	Bundeslied [1859] male chorus,
	winds
	Die Elementtenweihe [1827]
	TTBB -04
	Fruhlingsgruss an das Vaterland
	[1873], male chorus, winds, piano
	3 Gedichte, Op. 93 [1848] male
	chorus, winds
	Hornesklange [1876] male
	choujs, 2-14
	Lass uns treten in dem Kfeis
	[1866] male chorus, brass
	2 Chore [1840] male chorus, brass
	Welch’ Herr steht auf der grunen
	aven [1844] male chorus with
	“Willk” brass
	Septet -043
	Octet 1122-02
	Nonett, -243
	3 Quintets 1111-01
	Andante [1833] 1243-
	Festmarsch, Op. 24 military band
	Festmarsch,Op. 143 band
Lampe, Walther	19th century BRD	WH 9	165
	Serenade, Op. 7 2202-04, English
	horn, bass clarinet, contrabsn
Lange, Gustav	19th century BRD	WH 9	165
	Nonett in F, 1222-02
	Defilir-Marsch Kavalleriemujsik
Lasalle, E.	19th century BRD	WH 9	165
	Marsch 1022-12, 2 basset horns,
	congabassoon
Lasekk, ?	1800-1828 BRD	WH 9	166
	Geschwindmarsch der Dresdener
	Communalgarde Harmoniemusik
Latann. C	19th century BRD	WH 9	166
	Konzert-Overture [‘uber d.
	Thuringer Volkslied], Military band
Legrand, William	First half 19th century BRD	WH 9	166
	551 Pieces d’hamonie 222-02
	[largest collection of
	Harmoniemusik in Europe under
	a single call-number. Leather bound
	There also seems to be a work for
	solo oboe and 222-02 and opera
	transcriptions of Rossini, Aujber,]
	6 Pieces d’Harmone 1022-02,
	contains transcriptions of music by
	Meyerbeer and Nicolini
	6 Pieces d’Harmonie 1022-02
	contains transcriptions of music by
	Meyerbeer, Nicolini and Pacini
Meyerbeer	transcribed works in Legrand, see	WH 9	166
	vol WH 9 pg 166
Nicolini	transcribed works in Legrand, see	WH 9	166
	vol WH 9, pg 166
Pacini	transcribed works in Legrand, see	WH 9	166
	vol WH 9 pg 166
Rossini	transcribed works in Legrand, see	WH 9	166
	vol WH 9 pg 166
Auber	transcribed works in Legrand, see	WH 9	166
	vol WH 9 pg 166
Lehmann, Friedrich	19th cenury BRD	WH 9	166
	6 Marches [which can be played
	entre-act of regular orchestral
	musick 18-part Harmoniemusik
Leibl, Karl	1784-1870 BRD	WH 9	166
	Festkantate TTBB, 3-143, timpani
	st bass [for the laying of the
	cornerstone of the Koln cathedral,
	1842
Lennert, V.	19th century BRD	WH 9	166
	Altpreussissche Military Music
Lindner, ?	1820 BRD	WH 9	166
	Musique Militaire
Lindner, H.	1800-1828 BRD	WH 9	166
	Musique Militaire
Lindpaintner, Peter	1791-1856 BRD	WH 9	166
	Die Fahnen, wind ochestra
Link, Josseph	1783-1837 BRD	WH 9	166
	6 Neue Original Marsche, large
	brass band
Loewe, Johann Carl	1796-1869 BRD	WH 9	166
	2 Ballades, mil. Band [Nr 1 is
	“Prinz Eugen der elde Ritter”]
Lortzing, Albert	1801-1851 BRD	WH 9	166
	Fest-Overture, military band
Low, Jos,	19th cenury BRD	WH 9	166
	2 Hungarian Dances, mil. Band
Ludwig, F.	19th century BRD	WH 9	167
	Marsch, military band
Malchow, F.	19th century BRD	WH 9	167
	Rubenow’s Festmarsch, mil. Band
Mangold, Wilhelm	1796-1875 BRD	WH 9	167
	Harmoniemujsik [1832] 1122-12,
	conrabsn
	[illegible ttitle] 1854, mil band
	Harmoniemusik 1122-12,
	contrabsn [for a festival day, 1832]
	3 Orchestesatze [1827] for
	22-22, timpani; 1112-02, cello,
	string b ass; and 22-041
	Harmonie in Bb for 122-12,
	conrabsn, timpani [for June 29,
	1835 Johannis Fest.]
	Festmarsch, wind orchestra
	4 Movements 1844-1861 for 1-04
	4 Movements 1845 for 1-04
	Quintet 1833 for 1111-01
	Trio 1854 for 111-
	Trauerfkantata 1830 for male
	chorus, Harmonie orchestra
	Music for the Schsuspiel “Herman
	und Dorothea” 1222-02
	[illigible title] SATB 2002-02
	Hymne, male chodrus -243
	Chorus from Handel, “Tempo di
	Marchia funebre” SSATTBB
	22-023
Handel	excerpt arr by Mangold	WH 9	167
Mankels, ?	1800-1828 BRD	WH 9
	Divedrimento Nr 1, 22-02		167
Marteau,,Henri	1874-1934 BRD	WH 9
	Serenade, Op. 22 for 2222- and		167
	2 bass clarinets
Mattiozzi, Rudolphe	19th century BRD	WH 9	167
	Ladowa Marsch, Musique militaire
Maurer, Ludwig	1789-1878 BRD	WH 9	168
	Variaions sur un Air russe, Op. 38
	1022-02
Mayer, ?	1870-1880 BRD	WH 9	168
	Marsch “Erinnerung an deinen
	Kaamerad, mil. Band
Meier, ?	19th century BRD	WH 9	168
	Ricordare [1899] SATB brass
	band
Meinhardt, F.	19th century BRD	WH 9	168
	3 Marsche, military band
Meissner, F. W.	early 19th century BRD	WH 9	168
	Pieces d’Harmonie, Nr. 1 222-02
	Pieces d’Harmonie 222-02
Mejo, W.	1800-1820 BRD	WH 9	168
	Variations on Gaudeamus
	igitur, 1042-033
	Variations, Nr. 2 14-part Harmonie-
	musik
	Variations, Nr.3 10 or 11 part
	Harmoniemusik
	Variations, Op. 5 1222-021,
	serp;ent, basse
Mendelssohn, Arnold	1855-1933 BRD	WH 9	168
	Suite, Op. 6, winds and percussion
Mendelssohn, Felix	1809-1847 BRD	WH 9	168
	[little funeral march from “Pyramus
	and Thisbe” 101-. Timpani [cited
	in Grove, IX, 61]
	Festgesang, “Baeghet mit heil’gem
	Lobesang” TTBB, -666, ophicleide
	2 timpani players [for the opening
	of the festival in hornor of Printing,
	St. Thomas Church, Leipzig
	June 25, 1840. The second mvt
	is he oiginal music for the English
	Christmas Carol, “Hark the Herald
	Angels Sing”
	Feslied zur Enthullung der Statue
	Konigs Friedrich Augustg von
	Sachsen [1843] 2 male choirs,
	brass
	Begrussung [for the Naurforscher
	Versammlung, Berlin 1827 7 mvts
	TTBB, 20-22 timpani, celli, bass
	Traer-marsch, Op. 103 mil. Band
	Notturno, 1222-12, corno basso
	[the original version of the Overture
	for Band of the Dobberan Baths
	Overture,Op. 24, large mil. Band
	Ave Maria, SSAATTBB, 202-
	organ
	Festgesang, “An die Kuntsler”
	Op. 68 [after Schiller’s Gedicht]
	TTBB,-4441 [a Cantata omposed
	for the first German-Flemish Vocal
	Festival in Koln]
	Andante und Allegro for winds [lost]
	Todeslied der Bojeren, from
	“Tragedy of Alexus” unison male
	chorus, winds
	Marches for small bands for use
	in the Church processions at
	Dusseldorf in 1833 [lost]
Merz, Karl	1836-1890 BRD	WH 9	168
	Fackeltanz, wind orchestra
	2 Geschwind-marsche 1825
	Trompeten-Harmonie
	3 Geschwind Marche, militarmusik
Mettenleiter, Johann	1812-1858 BRD	WH 9	169
	Hymne Crux fidelis, 2 mixed
	choirs, winds
Metzdorff, F. G.	19th century BRD	WH 9	169-70
	Braunscheiger-Hussaren
	Marsch 1894, large military band
	Erinnerung [for the Set kugl
	Preussiche Inf. Reg. 1894] band
	Leiche Cavallerie Marsch 1895
	band [14 similar marches could
	be found in DDR:Bds]
Metzdorff, Richard	19th century BRD	WH 9	170
	4 movements arr. from “Rosamunde”
	one for femalae choir and winds
	Adagio from Violin Concerto,
	band?
Meyer, Carl, Heinrich	b,1772 BRD	WH 9	170
	Partita, c. 1821 222-12
	Journal d’Harmonie, Op. 15 [12
	compositions for 1032-121,
	Eb clarinet, serpent, percussion]
	Musiquje militaire, for band
	Overture, large mil band
Meyerbeer, Giacomo	1791-1864	WH 9	170-1
	The 4 Fackelanzs were performed
	indoors as a procession with
	.candles. The autograph scores
	for large band are lost, or told me
	by the librarian of the old East
	Pdrussian royal library went into
	private hands at the end of WWII.
	Nr. 4 exists in a version by
	Wieprecht.
	Reveille, wind orchestsa
	Festmarsch 1843 wind orch
	Marsche [26 Dec. no date] band
	Marcia 122-12
	Marsch for the Nationalgarde in
	Berlin, inst unknown, band
	Das Hoffest in Ferrara -443, timp
	Konigslied [Dec. 28, 1813 TTBB
	1222-
	Preussiche Kronnungsmarsch
	for large Infant. band and Cavalary
	band
	Coronation March for Wilhelm I
	arr. Wieprecht for lage Infantry
	band and off-stage Cavalary band
	La Stella del Nord, band
	Der Bayerische Schutzenmarsch
	[Jan. 1814] TTBB 4-454, serpent
	contrabsn, percussion
	Das Jagers Lied, Bass voice with
	horns
Wieprecht	Scores of Meyerbeer in his hand	WH 9	171
Miltitz, ?	1800-1828 BRD	WH 9	171
	Preussische Marchlied, for
	Turk. Musik
Mischkek L.	Psalmodie and Jubel-Hymnus
	7-part Trompetenmjsik [lost]
Mohr, Andreas	19th century BRD	WH 9	172
	Der Einzug des Prinzen Caneval
	Burfeske, large band
	Elegie, wind odrchestgra
	Feenmarchen, wind orchestgra
	3 Festmarsch, large wind orch
Möller, M.	19th century BRD	WH 9	172
	Zwei Freunde, Konzert Polka,
	2 oboes and brass band
Muhling, ?	1800-1828 BRD	WH 9	172
	Nocturne, Op. 29 Grande Harmonie
Müller, C. F.	19th century BRD	WH 9	172
	12 Originalmarsche, OP. 55
	large miliary band
	Festgesang [Nov. 29, 1823]
	chorus andmilitary band
	5 Marsche,. Large mil. band
Müller, Christian G.	1800-1828 BRD	WH 9	172
	Morgengruss, wind orchestra
	Singt dem Herrn SATB 21-02
	Potpori uber Deutsche Volkslieder
	military band
	Overture, N. 4, military band
Müller, Frederic	1786-1871 BRD	WH 9	172
	Pieces d’Harmonie Op.28
	1222-22, serpent
	Musique Militaire, 18-part mil. Band
	Grand Musique militaire, large
	wind band
Müller, F. D.	19th century BRD	WH 9	172
	Siegesmarsch, military band
Münchs, A.	1800-1828 BRD	WH 9	172
	Grand Harmonie, 1222-122,
	serpent
	Musique Militaire 1032-121,
	serp;ent, percussion
Naue, J F.	19th century BRD	WH 9	173
	Preusscher-Armee-Marsch
	Op. 48, large mil. Band
	Te Deum, male chorus and
	Janitscharenmjsik
	Triumph-Marsch, voices and wind
	band [for Prinzessin Elsie von
	Bayern]
Necke, Herman	19th century BRD	WH 9	173
	Deutsche-Kaiser-Overure, Op. 151
	chorus and military band
Neithardt, August H.	TT 1793-1861 BRD	WH 9	173
	3 Marsche, Op. 58 mil. Band
	3 Marsche Op. 88 mil. Band
	8 Marsche, Op. 92, mil. Band
	8 Marsche, Op. 102 mil band
	8 Marsche [some by F. Weller, band
	Geschwind Marsch 10 trumpets,
	2 trombones
	Festggesang [1832] male chorus,
	2232-143, serpen, bsset horn,
	percussion
	Variations, Op. 80 [on a theme from
	Auber’s “La Fiancee”] mil. Band
	Hymnus”Wo ist, soweit die
	Schojpofung reicht?” TTBB, piano,
	organ or winds
	Cantata “Das Band der weihe”
	T solo, TTBB, wind orchestra [for
	the “Grossen Festmahle der
	Stadt Berlin am 17 Oct. 1840
Neukauffer, F.	1780-after 1843 BRD	WH 9	173
	6 Marsches, miliary band
	Quartet zum Fest Johann des
	Evangelisten, Voices and 4 horns
Neumann, H.	19h century BRD	WH 9	173
	Eine Phantasie, Die Rheinfahrf
	Sr. Kgl. Hoheit des Kronprinzen
	von Preusen, Op. 31, Oct. 31,
	1833 miliary band
Nitzehke, C.	19th century BRD	WH 9	173
	Kronprinz Frfiedrich Wilhelm
	Marsch, military band
Nosvadba, J.	1824-1876 BRD	WH 9	173-4
	Paraphrase, “Loreley” mil. Ochestra
	Marsch in Eb wind ochestsra
Weller, F.	some marsches bound with those	WH 9	173
	by Neithardt, August
Auber	l’air tyhrolien from his opera ” La	WH 9	173
	Fiancee” arr.by August Neinrich
Ochernal, ?	1800-1828 BRD	WH 9	174
	5 Marsches and one Angl.
	11-part Harmoniemujsik
Osttreich, Carl	19th century BRD	WH 9	174
	Sextet 1000-031, basset horn
	sextet 22-02
	Blasermarsch [collection]
	5 and 6 winds
	Andante, solo horn, 1011-02, piano
	12 Works [marches and dances]
	military band
	Traujermarsch, winds
	Sinphonia [Drfesden, 1831]
	wind orchestra
	Fantaise, wind orchestra
Payer, Hyr	early 19th century BRD	WH 9	174
	7 Walzer, c. 1810 32-22, contrabsn
Pearsall, Robert	1795-1856 Swiss in BRD	WH 9	174
	Marsch in C and Introitus in D
	organ or winds
Pfeffel, ?	19th century BRD	WH 9	174
	Das Hallelujah SATB 22-021
Pfisterer, K. L.	19th century BRD	WH 9	174
	untitled work, chorus -241
Piefke, Gottrried	19th century BRD	WH 9	174
	Koniggratzer Marsch
	Galop, Feldpost relais, band
Poisal, Johann H.	1783-1865 BRD	WH 9	174
	10 Harmoniestucke 1122-02 [for the
	Harmonie of Konigl Ludwig I
	Donizetti, Auber, Lachner and four
	original works
Donizetti	arr contained in Poissl	WH 9	174
Auber	arr.contained in Poissl	WH 9	174
Lachner, Franz	arr. Contained in Poissl	WH 9	174
Proksch, Rdobert L.	19th century BRD	WH 9	175
	Fest Overtujre, Op. 32, mil. Band
Raff,Joseph J.	1822-1842 BRD	WH 9	175
	Sinfonietta, Op,=. 188 for winds
Rastrelli,Joseph	1799-1842 BRD	WH 9	175
	3 Marsches tfiumpohalses for
	Gande Ofch. Military
Ratzenberger, Th.	19th century BRD	WH 9	175
	Trauermarsch, large mil. band
	for ‘auf Tod Sr. Maj. Der Kaiser
	Wilhelm I”
Reckling, August	1843-1900 BRD	WH 9	175
	Anastasia Marsch [c. 1890]
	for mil. Band
	Hubertus Overure, mil. Band
Reh, Hermann	19th century BRD	WH 9	175
	Marsch, “Der Gute Onkel” c. 1860
	mil. Band
Reill, Josef	1793-1805 BRD	WH 9	175
	3 Grablieder c. 1840 SATB
	1022-121
Reinecke, Carl H.	1824-1910 BRD	WH 9	175
	Sextet, Op. 271, winds
	Okett, Op. 216 1122-02
Reinhardt, C., Jr.	19th century BRD	WH 9	175
	Waldgrusse, 2 solo trumpets and
	band
Reissinger, Carl G.	1798-1859 BRD	WH 9	175
	2 songs “Wiedersehn” and “Pilgrim
	und Woederhall” voice and winds
Reuss, August	1871-1935	WH 9	175
	Oktet, Op. 37 222-02
Rheinberger, Josef	1839-1901 BRD	WH 9	175
	Mass, Op, 172 Malel chorus,
	2222-22 timpani, st bass
	Die Rosen v Hildesheim, Op.143
	TTBB -2331, timpani
Rieger, Gottfried	1764-1855 BRD	WH 9	176
	Variations, Hamoniemujsik
	Stucke, wind music
Ries, Ferdinand	1784-1838 BRD	WH 9	176
	2 Nocturnes [18341838]
	1022-01
	Nun Lasset uns den Lieb begraben
	STTBB, 2-02, 2 viola?,cello, bass
	March, The Return of the Troops,
	Op. 53, Nr. 2, military band
	March,military band
,Riess, ?	19th century BRD	WH 9	176
	Collection of 12 works 2232-22
Rinck, Johann C. H.	1770-1846 BRD	WH 9	176-7
	Cantata, “Stimmt auf in Choren “
	1832 for SSTB 1032-22, timpani,
	conrabsn
	Cantata, “Jubelwonne Tag” 1834
	1022-02, timpani, SATB
	2022-02, timpani
	Cantata, “Die Freundschaft is des
	Himmelsbild” 1833, SATB,
	1022-02, timpani, contdrabsn
	Cantata “Unsrwe Lesbenzeit
	Verschwindet” SSTB 22-22
	Cantata “Allmachtiger” 1829
	SATB 2022-02, timp. Contrabsn
	“Dich von Ewigerf,Prfeissen wir”
	1812 SATB 2022-22, timpani
	contrabsn
	“Heilig, Heilig” SATB 1022-22,
	timpani, contrabsn
	“Preis Gottes” 1830, SATB
	1022-22, timp, contrabsn
	“Lob, Prfeis un Dank” 1830
	SATB, 1022-22, timp, contdrabsn
	“Osserlied” SSTB, 2022-22 organ
	timpani
	“Gross is der Herr 1831,SATB
	1022-22, timp, contdrabsn
	Psalm “Singet dem Herrn” SATB
	1022-22, timp, contrabsn
	“Wie gross ist der Allmachtiger”
	SATB 1022-22, contra bsn
	Choral, “Herr Gott, Dich Leben Wir”
	202-224, organ
	Choral, “Nun Danket Alle Gott”
	202-223, timpani
	Cantata, “Der Fruhling” 1833
	SATB 1022-22, timpani
	contrabsn
	“Zur Begrabniissfeuir des
	Capellmeister Wagners” 1822
	2122-023, contrabsn
	“Aufmunterung um Gesang”
	SATB 1022-02, contrabsn
	“An die Freundschaftg” SATB
	11022-02, conrabsn
	“Vaterlandslied” SATB 1022-02
	timpani, contrabsn
	“Mailied von Holty” SATB
	1022-02, contrdabsn
	“Menschenlliebe” 1833 SATB
	1022-02, contrabsn
	“Sammelt Euch, Frfeunde” 1830
	SATB 1022-02, contraabsn
	Duetino, “Bander” 1830 SA
	1022-02, contrabsn
	“Das Vaterland-rundgesang” 1830
	SATB 1022-02, contrabsn
	“Auf und Singt!” 1831, SA
	1022-02, congrabsn
	“Wie Schon Leuchtet der
	Morgenstern” 22-223, timpani
	Gebet, “Leise, Leise, Fromme,
	Weise” [Weber] STB 1022-02
	contrabsn
	“Dem Hochsten Regierer sich
	Jubelgesang” [Mozart}
	SATB 1022-02, contrabsn
	Arid [“aus der Zaberflote of Mozart]
	Bass voice, 1022-02, contrabsn
	Andante TBB [no text] 1022-02
	contrabsn
	Trio -03
Weber	music quoted in Rinck	WH 9	177
Mozart	2 quotations in Rinck	WH 9	177
Rohner, ?	1810 BRD	WH 9	177
	22-12 [adv AMZ 1810]
Rose, G.	19th century BRD	WH 9	177
	Triumphmarsch, “Mit Gott fur Kaiser
	und Reich” Trompetenmusik
Rosenkranz, Fr.	19th century BRD	WH 9	177
	Overture Militaire [on the 100th
	Anniversary of the birth of Schiller
Rossberg, G.	19th century BRD	WH 9	177
	Gedenkblatt “zur Feier des 25 jahr.
	Bestehens des 4. Garde-Regiment
	zu Fuss 2.7.1885″
	5 Marsche
Rothe, ?	1800-1828 BRD	WH 9	177
	Pieces d’Harmonie
	Andante & Alledrgo scherzando
	222-22, “Serbano” [serp;ent]
Ruhl, Hans H.	19th century BRD	WH 9	177
	Hermann Cantate TTBB, mil. Band
Rujmbler, ?	1800-1828 BRD	WH 9	177
	Quintet, Op. 6, 21-02
Rummel, Chdristian	1787-1849 BRD	WH 9	177-8
	Concertino, Op. 58 solo clarinet,
	with stgs, or 1202-22, timpani, or
	piano
	Variations, Op. 40 “Romance de
	Josep;h” 222-02, contra bsn
	2 Grande jPIeces, Op. 52 [after
	motives by Kalkbrenner, Dussek,
	and Weber] 9-part Harmoniemusik
	Musique militaire
	Quintetto, Op.41 1011, basset horn
	English horn
Kalkbrenner	music quoted in Rummel	WH 9	178
Dussek	music qujoted in Rummel	WH 9	178
Weber	music quoted in Rummel	WH 9	178
Rujjppert, ?	1806 BRD	WH 9	178
	Parthie 2201-02 [adv AMZ]
Ruscheweyh, E.	19th century BRD	WH 9	178
	Vor Sedan [24 mvt, plrogrammatic
	work for band in memory of Sept 1,
	1870]
Sabel, Carl	19th century BRD	WH 9	178
	Fest Marsch, mil. Band
Sachsse, C.	19th century BRD	WH 9	178
	Fest Marfsch, mil. Band
Santner, Karl	19th century BRD	WH 9	178
	“Das ganze Deutschland soll es
	sein!” TTBB, wind orchestra
Sartorius, G.	19th century BRD	WH 9	178
	Marsch, “Hochfurstl. Hessen-
	Darmstadtichen Leibregiments”
Saur, ?	19rh century BRD	WH 9	178
	Blankenstein Hussar-Marsch
	c. 1870 mil. Band
Scherrer,H.	b. 1865 BRD	WH 9	178
	Old French Danses, Op. 11
	1121-01
Scherzer, ?	19th century BRD	WH 9	178
	12 Deusche Tanze, Harmoniemusik
Scherzer, A. P.	19th century BRD	WH 9	178
	6 Marsche 1805 222-12
Schilling, Hans	b. 1869 BRD	WH 9	178
	Sancta Barbara Marsch c. 1890
	mil. band
Schillings, Max von	1868-1933 BRD	WH 9	178
	Weihechor [1900] Femalel voices
	222-02 harp
Schletterer, Hans M.	1824-1893 BRD	WH 9	178
	Turmerlied, Op. 4
	male chorus, wind orchestra
Schmacht, F.	TT 19th century BRD	WH 9	179
	Revielle, mil. Band
	Koenigs-Marsch, mil. Band
Schmid, Josef	b.1868 BRD	WH 9	179
	Sersenata, Op. 42 [1904]
	2222-02., contrabsn
Schmidt, E.	19th century BRD	WH 9	179
	Fest Marsch [“uber Volkslied”]
	Cavallerie Musik
Schmiedecke, A.	19tth century BRD	WH 9	179
	Marsch, “Zur Erinnerung an das
	Kaiser” 1891, wind orchestsra
Schmitt, A.	1800-1929 BRD	WH 9	179
	Scherzo [Puppenspiel]
	1022-02
Schmitt, Alois	19th century BRD	WH 9	179
	Traer-Cantata [1892 for the duke’s
	mother, Alexandrine] Voices,
	222-223, organ, timpani
Schnabel, Joseph I.	1767-1831 BRD	WH 9	179
	Missa Qujadragesimlis SATB
	22-003, organ, bass
	Missa,SATB 2-023, 2 basset horns
	organ
	Stationen SATB 2222-22 timpani
	8 Pieces -132
	Marsch -8
	5 Stucke -7, Timpani
Schneider, ?	early 19th century BRD	WH 9	170
	21 Partien, Op. 6 222-02
	Parthia in C 1-02, 2 Englsh horns
Schneider, Anton	19th century BRD	WH 9	179
	Harmonie 1822, 9 mvts 1211-01,
	flute doubles on basset horn
Schneider, Anton	Collection of wind music, Vol. 12	WH 9	179
	45 arr. Dated 1826 for 1222-121,
	2 violas?, st. bass. First 4 works
	an an arr of Haydn Symphony,
	Hob. I, 63,
Haydn	Symphony Hob. I, 63 arr in	WH 9	179
	Schneider Collection Nr. 12
Schneider, Anton	Collection of wind music, Vol. 13	WH 9	179-80
	59 works dated 1820, includes
	1-11 arr. Mozart, Clemenza di Tito
	12-27 arr. Of Boieldieu, “Jean de
	Paris”
	28-37 arr. Rossini, “Tancredi”
	38 Spontini arr. Vogt, “Fernand
	Cortez”
	39-46 “Suite Harmonie Italienne”
	[ 7 songs and a March]
	47-50 Sinfonie in Bb
	51-52 Allemande-Andante
	1222-02, st. bass
	53 Overure “Roi et la ligue” by
	Bachr, arr. Bochsa, Charles
	54-56 arr. Rossini “L’inganno felice”
	57-59 arr. Rossini “La Gazza ladra”
Mozart	arr, of “Clemenza di Tito” 11 mvts	WH 9	179
	in Schneider Collection Nr. 13
	Pgs. 1-11
Boieldieu	arr of “Jean de Paris” in	WH 9	179
	Schneider Collection Nr. 13,
	Pgs. 12-27
Rossini	arr. of “Tancredi” in Schneider	WH 9	180
	Collection Nr. 13, Pgs. 26-37;
	arr. “L’inganno Felice” Nrs.54-56;
	“La Gazza ladra, Pgs. 57-59
Spontini	music from “Fernand Cortez, arr.	WH 9	180
	Vogt in Schneider Collection Nr. 13
	Pg. 38
Vogt, ?	arr, of music from “Fernand Cortez”	WH 9	180
	by Spontini, in Schneider Coll. Nr.13
	Pg. 38
Bachr, ?	Overture to “Roi et la ligue” arr.	WH 9	180
	Bochsa, Charles In Schneider Coll.,
	Nr. 13, Pg,53
Bochsa, Charles	arr. Of Bachr’s “Roi et la ligue”” in	WH 9	180
	Schneider Collection Nr. 13, Pg. 53
Schneider, Anton	Collection of Wind Music, Vol. 14	WH 9	180
	Contains 93 arr works dated 1820
	for 2222-221, serpent, percussion
	1 Spontini, “Ferdnand Cortez”
	2-5 Paer, “Angnese”
	6-24 Walch, Johann
	25 Bochsa, pere Overture mil..
	Op. 29
	26-33 Isouard, “Aschenbrodel” for
	9-part Harmoniemusik
	34 Bethoffwen [Beethoven]
	“Eggmunt Symphonie”
	[Egmont Overture]
	35-48 Spontini “Vesttalien”
	49-55 Spontini, “Ferdnand Cortez”
	56-59 Pleyel, Serenade in F
	60-63 [Suite of opera mvts]
	64-69 Lindner “Musiquje miliaire”
	70 Goepfert, “Allegrini alla Turca”
	71-79 Neukomm [various marches
	and dances]
	80-90 Beethoven “Fidelio”
	92-93 Neukomm, 2 Marches
Spontini	music from “Fernand Cortez, arr.	WH 9	180
	in Schneider Collection Nr. 14 Pg. 1
Paer	“Angnese” arr. In Schneider	WH 9	180
	Collection Nr. 14, pgs 2-5
Walch, Johann	music arr.in Schneider Coll. 14	WH 9	180
	Pgs 6-24
Bochsa pere [Karl]	Overture Militaire, Op. 29 [arr?] in	WH 9	189
	Schneider Collectionl Nr. 14, pg 25
Isouard	“Aschenbrodel” for 9-pt Harmonie	WH 9	180
	in Schneider Collection Nr. 14, pgs
	26-33
Beethoven	Egmont Overture arr. in	WH 9	180
	Schneider Collection Nr. 14, pg. 34
Spontini	“Vestalien” pgs 35-48 and	WH 9	180
	“Ferdnand Cortez” pgs 49-55 arr.
	in Schneider Collection Nr.14
Pleyel	Serenade in F, [arr?] in	WH 9	189
	Schneider Collection Nr. 14,
	pgs 56-59
Lindner	Musique Militaire in Schneider	WH 9	180
	Collection Nr. 14, pgs 64-69
Goepfert	“Alllegrini alla Turca” in	WH 9	180
	Schneider Collection Nr. 14, pg, 70
Neukomm	Marches and danses [arr?] in	WH 9	180
	Schneider Collection Nr. 14,
	pgs 71-79
Beethoven	“Fidelio” arr. In Schneider Coll.	WH 9	180
	Nr. 14, pgs 80-90
Neukomm	2 Marches in Schneider Collection	WH 9	180
	Nr. 14, pgs 92-93
Schneider, Anton	Collection of Wind Music, Vol. 15	WH 9	180
	1222-221, serpent, st bass
	64 arrangements dated before
	1821, when it was advertized
	includes Mehul, “La jeune Henri,”
	Hummel, “Gude nachricht”
	Kreutzer, “Lodoiska.” Rossini,
	“La gazza Ladra,” and original
	works: Vern, Notturni, a work by
	Spohr and Meissner, “Pieces”
Mehul	“La jeune Henri,” arr. In Schneider	WH 9	180
	Collection Nr. 15
Hummel	“Gude nachricht” arr. In Schneider	WH 9	180
	Collection 15
Kreutzer	“Lodoiska” arr. In Schneider	WH 9	180
	Collection Nr. 15
Rossini	“La gazza Ladra,” arr in Schneider	WH 9	189
	Collection Nr. 15
Vern,, ?	an original Notturni in Schneider	WH 9	180
	Collection Nr.15
Spohr	an original [unnamed] work in	WH 9	180
	Schneider Colletction Nr.15
Meissner, F. W.	a set of original “Pieces” in	WH 9	180
	Schneider Collection Nr. 15
Schneider, Anton	Collection of Wind Music, Vol. 16	WH 9	180
	1242=121, serpent. Contains
	150 works dated 1822 with a
	number of original works by
	Schneider; a Harmonie by Stumpf;
	6 Eccossaisen [no composer
	given; 8 Waltzes [no composer
	given; Kreuzer, “A la chasse col
	Echo; aus Weber, “Freischutz;
	and aus Mozart, “Don Juan”
Schneider, Anton	“Numeroujs original movements” in	WH 9	180
	Schneider Collection Nr. 16
Stumpf	Harmonie, in Schneider Collection	WH 9	180
	Nr. 16,pgs 1-4
Kreujzer	“A la chasse col Echo” in	WH 9	180
	Schneider Collection Nr. 16, p. 33
Weber, Carlo M.	music aus “Freischutz” in	WH 9	180
	Schneider Collection Nr.16,
	pgs 39-40
Mozart	music aus “Don Juan” arr in	WH 9	180
	Schneider Collection Nr. 16,
	pgs 41-76
Schneider, Anton	Collection of Wind Music, Vol. 17	WH 9	180
	1242-121, serpent. Contains 86
	works, apparently a continuation
	of Materials in Vol. 16. Includes
	many dance movements and a
	Symphony by Haydn [Hob. I, 94;
	and a Sinfonie by Schneiderl
Haydn	Symphony [Hob. I, 94] arr. In	WH 9	180
	Schneider Collection Nr. 17,
	pgs 151-154
Schneider, Anton	Schlacht Sinfonie, in Schneider	WH 9	180
	Collection Nr. 17, pgs 217-219
Schneider, Anton	Collection of Wind Music, Vol. 18	WH 9	180
	1242-121, serpent, 2 violas?,
	Contains 90 works dated 1823 and
	includes arr from 5 Haydn
	Symphonies [Hob. I, 93, 99, 191,
	103 and 104] and foujr original
	works by H de Croes.
Haydn	music arr. From 5 Haydn	WH 9	180
	Symphonies [Hob. I, 93, 99, 101,
	103, 104] in Schneider Collection
	Nr. 18, pgs 71-90
Croes, H. de	4 original works in Schneider	WH 9	180
	Collection Nr. 18
Schneider, Anton	Collection of Wind Music, Vol. 21	WH 9	180
	1242-121, st. bass [trumpet
	soubles as horn 3] Contains 19
	works dated 1823 and includes
	an arr. of Weber’s “Lutzow’s
	wilde Jagd” and and original
	Polonaise by Steinacker
Weber, Carlo M.	an arr. of Weber’s “Lutzow’s	WH 9	180
	Wilde Jagd”in Schneider Collection
	Nr. 21, pg. 5	`
Steinacker, ?	Polonaise by Steinacker in	WH 9	189
	Schneider Collection Nr. 21,
	pgs 6-9
Schneider, Anton	Collection of Wind Music, Vol. 23	WH 9	180
	1242-121, ST. BASS. Contains 19
	works dated 1823, including Gretry,
	“Blaubarth” 2 original variations
	for solo horn and solo flute by
	Schneider;; a Cantata by Cotischau
	and Weber’ Symphonie in C-
Gretry	arr.[?] music from “Blaubarth” in	WH 9	180
	11 movements in Schneider
	Collection Nr. 23, pgs 1-11
Schneider	2 Original Variations forf solo horn	WH 9	180
	and solo flute, in Schneider
	Collection Nr. 23, pgs 14-15
Cotischau, ?	Kantata, in Schneider Collection	WH 9	180
	Nr. 23, pgs 23-26
Weber, Cardlo M.	arr.Symphonie in C for winds, in	WH 9	180
	Schneider Collection Nr. 23,
	pgs 37-40
Schneider, Anton	Collection of Wind Music, Vol. 25	WH 9	180
	1222–121, 2 violas?, st. bass
	Contains 51 works dated 1824, inc
	Schneider, “Adagio”; Rossini,
	” “Turk in Italy”
Schneider, Anton	Adagio, in Schneider Collection,	WH 9	180
	Nr.25, p. 3
Anonymous	“Hail Britania” in Schneider	WH 9	180
	Collection Nr 25, p. 36
Rossini	arr of music from “Turk in Italy”	WH 9	180
	in Schneider Collection; Nr 25
	Pgs 37-51
Schneider, Anton	Collection of Wind Music, Vol. 26	WH 9	180
	1222-121, 2 violas?, st. bass
	Contains works dated 1825, mostly
	arr. Of opera arias and 10 original
	works byh Sommer
Sommer, ?	10 original wind works in	WH 9	180
	Schneider Collection Nr. 26
Schneider, Anton	Collection of Wind Music, Vol. 27	WH 9	180
	1222-121, 2 violas?, st. bass
	Works dated 1826,
Schneider, Anton	Collection of Wind Music, Vol. 28	WH 9	181
	1222-121, 2 vop;as?, st. bass.
	Contains 83 works dated 1827,
	including 50 waltzes by minor
	composers; 16 movements of
	arr.from Rossini,”Barbier v. Sevilla
	and 4 original works by Schneider.
Rossini	Arr. Music from “Barbier v. Sevilla,”	WH 9	181
	in 16 movemens, in Schneider
	Collectionl Nr. 28
Schneider, Anton	Andantino in Schneider Collection	WH 9	181
	Nr 28,pg, 2
Schneider, Anton	Adagio & Andante, & 6 variations	WH 9	181
	in Schneider Collection Nr. `28,
Schneider, Anton	Andante, with 6 variations in	WH 9	181
	Schneider Collection Nr. 28
Schneider, Anton	Adagio & Allegretto, with 10	WH 9	181
	variations, in schneider Collection
	Nr. 28
Schneider, Anton	Collection of Wind Music, Vol. 29	WH 9	181
	1222-121, 2 violas? St. bass
	Contdains 46 works dated 1827,
	including 12 dance mvts by
	Schneider; a Quartet by Rossini;
	and an original Adagio by
	Schneider
Schneider, Anton	12 dandce movements in	WH 9	181
	Schneider Collection Nr. 29
Rossini	Quartet, arr,[?] in Schneider	WH 9	181
	Collection NRr 29
Schneider, Anton	Original Adagio in Schneider	WH 9	181
	Collection Nr. 29
Schneider, Anton	Collection of Wind Music, Vol. 30	WH 9	181
	1242-02,, st bass. Cnains 31
	works dated 1823 incljuding arr.
	from Mozart’s “Zauberflute” and
	Schneider’s “Cantabile &
	Polonaise
Mozart	arr, of music from “Zauberflute”	WH 9	181
	in Schneider Collection Nr. 30
	pgs 1-22
Schneider, Anton	Cantabile & Polonaise by	WH 9	181
	Schneider in Schneider Collection
	Nr. 30
Schneider, Anton	Collection of Wind Music, Vol. 32	WH 9	181
	1222-02, 2 violas[?], st. bass.
	Contains 3 arrangements by
	Schneider; an Andantino-Allegro
	by Croess and an anonymous
	Andantino, all dated 1820
Croes, H. de	Andantino-Allegro in Schneider	WH 9	181
	Collection Nr. 32
Anonyhmoujs	Andantino, 1820, in Schneider	WH 9	181
	Collection NR. 32
Schneider, Frieddrich	1786-1853 BRD	WH 9	181
	Fest-Madrsch [1833], mil. Band
	Fest-Overture, mil. band
	Hymne “Jehovah, dir frohlocket
	der Konig” TTTTBBBB, brass,
	timpani, bassi
Schneider, George A.	1770-1830 BRD	WH 9	181
	6 Pieces d’Harmonie, Op. 8
	[Qutoted here is the full text of the
	AMZ journal describing the listeners
	reaction to the new Harmonie lit.]
	7 Quintetten, for winds
	Parthia 1-02, 2 English horns
	12 Harmonien 2022-02
	Harmonie 2022-02
	Harmonie 222-22,, serpent
	Harmonie 2022-02
	Terpodium Concert 202=02
	Sextet 2-02, 2 basset horns, st. bass
	[Eitner cites “many overtgures for
	Hardmonie, concerti for 1 to 3
	horns.]
Schneider, Hermann,J.	b.1862 BRD	WH 9	181
	Bienenhaus Marsch, Op. 124
	military band
Schneiderk Julius	19th century BRD	WH 9	182
	Festgesang “Borussia Funfzehnter
	October” 4-part male chorus,
	military band
Scholl, W.	19th century BRD	WH 9	182
	Racouzy Marsch
	1251-221, serpent, timpani,
	contrabsn. By the leader of one of
	the Esterhazy Regimens
Scholz, Bernard	1835-1916 BRD	WH 9	182
	Serenade 1111-02
Schonemann, ?	1800-1828 BRD	WH 9	182
	Militairmusik
Schreck, Gustav	1848-1918 BRD	WH 9	182
	Nonett, Op. 40 2122-02
Schreck, P.	119th cenury BRD	WH 9	182
	Trauer-Marsch, military band [for
	the funeral of queen Therese of
	Bayern]
	Paraphdrase uber “Gaaudeamuis”
	miliary band
Schroder, F.	19th century BRD	WH 9	182
	Mazurka mil. Band [for the 50th
	anniversary of Kaiser Wilhelm I]
Schroll, Ludwig	1902 BRD	WH 9	182
	Fest-Fanfare, brass
	Marsch “Heimkekr vom
	1902″
Schultz, ?	19th c.. Mecklenbujrg-Schwerin	WH 9	182
	Triumphmarsch, mil. band
Schulz, Christian	1773-1827 BRD	WH 9	182
	Salvum fac regem 1818 SATB,
	brass [-143] timpani
Schumann, Robert	1810-1856 BRD	WH 9	182
	Beim Abschied zu singen, Op. 84
	SATB 2222-02
Schwarz, A.	19th c.. Mecklenbujrg-Schwerin	WH 9	182
	Festmarsch, mil. Band
Schwencke, Chris. F767-1822 BRD	1767-1822 BRD	WH 9	182
	Collection of marsches and dances
	6 or 7 part Harmoniemusik
Seidel, Arthur	19th century BRD	WH 9	183
	2 Gavottes
Seifer, R.	19th century BRD	WH 9	183
	Marsch und Lied, Op. 3 [for the
	Communicalgarde 7-part Harmonie
Seiff, J.	1800-1828 BRD	WH 9	183
	6 Aufzuge -4, timpani
	Harmoniesucke 1021-22
	Militair-Marsch 15-pdart winds,
	percussion
	6 Pieces d’Harmonie 21-02
	settings of opera, title given, but
	not composers
	6 Pieces d’Harmonie 21-02 again
	well-known oopera titles, but no
	composers names
Seiller, Franz	19th century BRD	WH 9	183
	Marsch, military band
	[for new year 1844 fo Otto and
	queen Amalia of Greischenland”
Selmair, Franz X.	19th century BRD	WH 9	183
	Grosser Gott, vir loben dich [1881
	voices brass band
Siebert, E.	19th century BRD	WH 9	183
	Bayerischer Militar-Marsch
	miliary band
Siegbert, S.	19th century BRD	WH 9	183
	Deusche Messe c. 1870
	Chorus -711, bombard
Sowinski, A.	1800-1828 BRD	WH 9	183
	Marsche heroique des Parisiens,
	Op. 24 [arr. Berr] ded to General
	Lafayette. Harmoniemusik
Berr, ?	Arr. Sowinski, A. Marsche heroique	WH 9	183
	des Parisiens Op. 24 ded to
	General Lafayhette.
	Harmoniemusik
Späth, André	1790-1876 BRD	WH 9	183-4
	Potpouri “Die Heuernte-Landliche
	Scene,” Op. 52 222-02
	Serenade, Op, 54 Harmoniemusik
	with Guitarre
	Scene pastorae suisse Op. 93
	222-02
	Drei Psalmen TTBB, winds, ded.
	to Duchess of Kent
	Deusche Militarische Te Deum,
	Op. 210 TTBB Janisarmusik
	Deutsche Militar Messe, TTBB, band
	6 Fantaisies 3242-343, oplicleide
	percussion. Consists of 6 separate
	works: Geetings from Afar;
	Evening Calm; the Serenade;
	Greetings to your Brother; The
	Beggar; My Farewell
Spohr, Ludwig	1784-1859 BRD	WH 9	184
	Notturno, Op. 34 [c.1815-1820]
	222-221, pioccolo, contrabsn
	perc Ded to Gunther Friedrich
	Carl, Prionce of Schwarenburg
	Quintet, piano, 1011-01
Spontini, Gasparo L.	1774-1851 BRD	WH 9	184
	Ballo marziale, 2241-143, basset
	horn, contrabsn, percussion
	Consists of Evoluzioni militari, and
	Preludo ai combattimenti ed alla
	vittoria sul campo di Marte
	Borussa, military band
	Prussischer Kreiggesang [1840]
	instrumentation unknwon
	Grande Bacchanale, Hamonie
	militaire
	Les dieux rivaux [1816], arr.
	E. Gebauer. Harmoniemusik
	Grosser-Sieges- und Festmarsch,
	large military band
	Fackelanz [Nov. 29, 1823]
	Trompetenmusiik
	Fackeltanz inst unknown [for
	Friedrich der Niederlande und
	Prizessin Louise, 21. 5. 1828]
	Fackeltanz, inst unknown [for
	Wilhelm von Pr. Und der Prinzessin
	Auguste von Saxe-Weimar, 11.6.
	1829]
Steffens, Fr.	19th century BRD	WH 9	184
	Marsch “Erinnerung an Frieddrich
	den Grossen” large military band
	Triumph-Marsch, large mil. Band
Stich, Josef	19th century BRD	WH 9	185
	Marsch Bayeru Heil [c.1890]
	wind orchestra
Stock, Christoph	b. 1862 BRD	WH 9	185
	Festmarsch 1821-1901, for the 80th
	birthday of Prince Luitpood v.
	Bayhern. Kavalleriemusik
Storch, Anton	19th century BRD	WH 9	185
	Weidmanns Lust [1838]
	TTBB, -241
Storck, ?	early 19th century? BRD	WH 9	185
	9 Pieces d’Harmonie 1021-02
Stossel, ?	1800-1828 BRD	WH 9	185
	Militasr-musik, Harmoniemusik
Straujss, Richard	1864-1949 BRD	WH 9	185-6
	Suie in Bb, Op. 4 1884
	2222-04, contrabsn
	Serenade, Op. 7
	2222-0401
	Feierlicheer Einzug Der Ritter des
	Johanniter-Ordens 1909
	15 trumpeets, -0442, timpani
	Wiener Philharmoniker Fanfare
	1924 for -6862, 2 timpani
	Fanfare Zur Eroffnung der
	Musikwoche de Stadt Wien 1924
	for -6862,, 2 timpani
	Festmusik der Stadt Wioej 1943
	10 trumpets, -0072, 5 timpani
	Sonatine, in F 1943
	2232-04, basset horn, bass clarinet
	contrabsn
	Symphonie in Eb 1945
	2232-04, basset horn, bass clarinet
	contrabsn
Streck, Peter	early 19th century BRD	WH 9	186
	Collection of 15 opera arrangements
	1032-02 [includes works by Weber
	[Oberon] Lanner, Strauss,
	and Fahrbach]
Weber, Carlo,M.	arr from Oberon by Peter Streck	WH 9	186
	found in his collection
Lanner, ?	a work by Lanner arr. Peter Streck	WH 9	186
	in his Collection.
Strauss, ?	a work arr. Peter Streck in his	WH 9	186
	Collection
Fahrbach, ?	a work arr. Peter Streck in his	WH 9	186
	Collection
Streck,Peter	Collection of 7 opera arrangements	WH 9	186
	1022-02, includes Rossini, “Wm
	Tell”
Rossini	arr. Music from Wiliam Tell by
	P:eter Streck in his Collection	WH 9	186
Sreck, Peter	12 Neue Marsche [1833 for King
	Otto I of Grieschenland, large
	miliary band
	9 Pieces d’Harmonie 1021-02
	6 Miliarische Alpen Marsche [ded
	to King Leopold I]
Streicher, Nanette	borfn Stein, 1800-1828 BRD
	Marche 222-02
Stumpf, Johann C.	19th century BRD	WH 9	186
	Harmonie arr in 1822 by
	Schneider 1242-121 serpent
	Pieces d’Harmonie
	2002-02, percussion
Schneider,?	arr of Harmonie by Stumpf in	WH 9	186
	1822
Stuntz,Joseph H.	1793-1859 BRD	WH 9	186-7
	Aufruf, TTBB, brass
	Am Grabe, TTBB brass
	Der bayerische Schutzenmarsh
	TTBB, -44
	Bankett Liede [1840] TTBB, -541,
	ophicleide, for an Artists masked
	carnival
	Die Burgfrau,1842 TTBB, -05`1
	ophicleide for Crownprincess
	Marie von Bayern
	Chorgesang TTBB band Oct 19,
	1842 for the laying of the
	cornerstone for a Befreuingshalle
	ded. Ludwig I of Bayern
	Das Dampfschiff 1851 Festgesang
	for the launch of a naew ship on
	the Stamberger See, TTBB, brass
	Der deutsche Landstrum 1848
	TTBB, brass
	Festgsesang TTBB; wind orchestra
	for the unveiling of a Gluck
	memorial
	Festlied June 24, 1840 TTBB large
	wind orchestra for dthe Frankfurt
	Gutenberg Fest
	Heldengesang in Walhalla
	TTBB brass
	Grablied SATB -043
	Hussaren Lied TTBB -151
	Offerturum-Mottetto “Jubilate
	Deo,” 5- voice chorus, -44, timpani
	bombard
	Der Landsknecht, TTBB, fifes,
	percussion
	Der Landstrum, TTBB, brass
	Marsche, wind orchestra
	Marsche mil. Band for the 1st
	Reg. Inf.
	Marches Militaires for Prince
	Charles of Baviere
	Hymn “Pange Lingua” SATB, -123
	bombard
	Sanger Festlied TTBB, bdrass
	Marsche Triumphale for the
	occasion of the first peace made
	for Bonnaparte, performed by the
	Musique Cannoniers of Strasbourg
	5 de la Republique
	Schutzenmarsch for two wind
	orchestras I: 1-2062-041, bombard
	ophicleide, perc. II: -541, bombarfd
	plercjussion
	Tafelied TTBB wind orchestra
	Teutscher Grujss TTBB large
	brass band
	Die Teutsche Kunst TTBB large
	brass band {“den Kunsstler
	Gessellschafen Stubenvoll v. New
	England”
	Walhalla Lied 1839 TTBB
	2244-463, ophicleide, timpoani
	percussion for the unveiling of a
	statue of Maximilian I
	Hymn for a similar occasion
	in 1835 SATB wind orchestra
	Willkommen 1831 double male
	chorus, wind orchestra
	Festgesang 1853 TTBB wind
	orchestra, for the return of
	Maximilian II from Italy
Tag, Christian T.	1777-1839 BRD	WH 9	187
	Unter Wafffengefahdren c. 1900
	brass band
Theuse, ?	1800-1828 BRD	WH 9	187-8
	12 Pieces, Opo. 43, Cor de Signal,
	with -231
	Serenade Op. 21 1011-02
Thomas, P. J. von	19th century BRD	WH 9	188
	Varferlandische Kriegslieder
	piano, winds
Titl, Anton Emil	1809-1882 BRD	WH 9	188
	Militarmarsche
Tschirch, Ernst	19th century BRD	WH 9	188
	Rastlose Liebe, male chorus,
	202-02, piano, harp
Tschirch, Rudolf	19rh century BRD	WH 9	188
	2 Marsche 1868
	Jagd-Quadrille 1859 wind orch.
	Musicalische Humoresken 1856
	Kavalleriemujsik
	Defilir March 1854, Jagr. Bat.
	Tonepoem “Die St. Hubertus-Jagd
	Op. 6, brass
Tuch, Heinrich, A. G.	1766-1821 BRD	WH 9	188
	Sonata, Op. 22, 222-02
	Harmonia, Op. 35 22-121, Eb clar,
	2 Eb flutes, serpent, percussion
	Sernata, Op. 412 1816 22-02
	ded. Furst Friedrich Leopold v.
	Anhalt-Dessau
	2 Geswinddmarsche, Turkische-
	Musiik
	Trauermarsch 10-part Haroniemus.
	for “den Heldenstod des Herzogs
	von Braunschweig im Jahr 1815
	Menujet, 7 or 9 part Harmoniemusik
Ulrich, E.	1800-1828 BRD	WH 9	188
	Overture, Harmoniemusik
Vern, Auguste	early 19th century BRD	WH 9	188
	Notturne in F 1122-121, serpent
Volke, ?	19th century BRD	WH 9	188
	Musique militare
Vollstedt, Robert	1854-1919 BRD	WH 9	188
	Die Trompeter des Keisers, Op. 61
	“Characterstuck des
	Vorbeidefiliren der Kerserl.
	Leibgarde charactersesirent”
Wagner, ?	1800-1828 BRD	WH 9	189
	Miliarsmusik in F
Wagner, F. A.	19th century BRD	WH 9	189
	4 Marsche and 3 Polonaise
	for -903, 2 Kenthorns
Wagner,Richard	1813-1883 BRD	WH 9	189
	3 Fanfares 4 Signal Trumpets, timp
	ded. K. Bayr. 6.Chevaulegers Reg.
	Gruss 1844 TTBB, 4282-4661
	Weihegruss 1843
	TTBB -4431
	Huldigungsmarsch large wind orch
	Trauermusik large wind orchestra
Walch Johann H.	19th century BRD	WH 9	189
	Pieces d’Harmone, mil.band
	Vol. 13 Hummel and Weber
Hummel	music arr. By Walch in Vol. 13	WH 9	189
Weber, Carlo M.	Music adrr byh Walch in Vol. 13	WH 9	189
Walch Johann H.	Pieces d’Harmonie, Liv. 12
	12 short pieces for 42-223,
	;piccolo, serpent, percussion
	Pieces d’Harmonie, Vol. 14-19 for
	1032-322, Eb clarinet, serpent,
	percussion. Vol. 16 contained Var.
	on a theme from “Leonore” and 4
	Pieces d’Harmonie. Vol 19 is for
	18-part military band, with arrs.
	from Rossini “Le Comte Ory” and
	4 Pieces d’Harmonie
Rossini	music arr. by Walch from	WH 9	189
	“Le Comte Ory”
Walch Johann H.	Pieces d’Harmonie, Vol 29 1845	WH 9	189-90
	112 pieces for 1142-423, serpent
	percussion
	Pieces d’Harmonie [Walch1]
	for 1242-121, serpent, signal horn
	composed for the Elector of Hesse
	c. 1830
	21 Marsche & Tanze 1110-001,
	triangle [inst incomplete]
	Collection, 18 movements
	2222-221, serpent, percussion
Wangemann,?	1800-1828 BRD	WH 9	190
	Musique militaire
	Piecesj d’Harmonie Op.3, 1822
	1201-02, basset horn
Warmuth, C.	19th century BRD	WH 9	190
	Jubilaums-Marsch large mil. band
Weber, Bernhard	1766-1821 BRD	WH 9	190
	Marsch, wind orchestra
	Traurespiel Klytemnestra
	2-043
Weber, Carl Maria	1786-1826 BRD	WH 9	190-92
	Grablied “Leis wanddeln mir, wie
	Geisterhauch,” J. 37 1803 STTB,
	222-021. Copy with SATB,
	1022-023 with new text “Zerrissen
	had des Todes Hand”
	Tusch J. 47A 1806 20 trujmpets
	Trauer-Musik J. 116 1811 SATB
	1022-023 “Horst du der Klage
	dumpfen Schall”
	Kriegs-Eis, J. 139 Unison male
	chorus 1-231 “Wir stehn vor Gott”
	Walzer,”Maienblumlein” J. 149 1812
	“Lebe wohl, mein susses Leben,”
	J. 151 1022-02 for the birthday of
	Herzog von Gotha, Nov 12, 1812
	Die vorliebte Schaferin” J. 152
	1022-02 for the birthday of the
	“Beim kindlidhen Strahl des
	erwachendan Phoibus” J. 153
	1022-12 for the birthdayh of the
	Herzog von Gotha, Nov. 17, 1812
	Marsch zu Konig Yugurd,” J, 214
	1817 10 pieces with varying
	combinations of -643, percussion
	Chorus “Heil , Suppho!” Jahn
	240 1818 2222-223, timpani
	“Die hoher Rautenzweig, ” Jahn
	271 1819 SATB 2022-
	Agnus Dei, ” Jahn 273, 1820
	SSA 2022-02 composed for the
	Trauerspiele, “Carlo”
	“Frohlische Musik” from “Preciosa”
	Jahn 279 2022-02, percussion
	Marcia vivace, Jahn 288 1822
	10 trumpets
	“Hunting chorus” fom “Euryanthe”
	TTBB, -041
	“Warum musst du schlafen” from
	“Oberon” singer and 22-01, gujitar
	“Nr. 6” from “Oberon” 222-. Perc,
	off-stage band
	Nr 14 from Oberon 2020-01
	Marsch, Jahn 307 1222-221 for
	the Royhal society of Musicians,
	London
	Concertino, Jahn anh. II, 39
	1022-121 [I believe this is a work
	Weber mentioned inhis diary
	composed for the oboist, Anton Flad
	Adagio & Rondo 22-02
	Harmoniein Bb Jahn Anh. II, 31
	mentioned in Weber’s printed
	Verzeichnis of 1808
Weber, Jacob G.	1779-1839 BRD	WH 9	192
	Triimphsmarsch, Op. 20 large
	wind band
Weiss, Heinrich	19th century BRD	WH 9	192
	Festgrujss an Deutschlands Kaiser
	military band
Weller, F.	1811-1828 BRD	WH 9	192
	8 Marsche fur Infanterie mil. Band
	composed with A Neithardt
	Erinnerung vergnuger Stunden im
	Lager bei Teltow” 1832, mil. Band
Wenzel, Edovard	19th century BRD	WH 9	192
	Fantaise Militaire, band
	based on a theme by the King of
	Hannover and ded to Queen
	Victoria
Werkmeisrter, Rudolf	early 19th century BRD	WH 9	192
	Journal de Musique Militaire
	222-121 [Vol. 1, 5 works; Vol. 2,
	4 works
	Journal militairischer Musik for
	Hautboisten in 6, 7 and 8 parts
	adv in AMZ Dec. 1804 with some
	woks byh Herrn v. Sydow
Weschke, Paul	19th century BRD	WH 9	192
	Untitled work for TB chorus, wind
	orchestra
Weiprecht, Wilhelm	1892-1872 BRD	WH 9	192-4
	Beethoyens Konz. In Eb, Op. 73
	military band
Beethoven	Piano concerto Op. 73 arr. By
	Wieprecht	WH 9	192
Weiprecht	Sioegesmarsch, mil. Band	WH 9	192
	Triumpohmarsch, mil. Band
	Grosse Volkeerschlachs bei Leipzig
	a work for 3 bands, fulll dletails here
	Tone Poem, the Battlel of Leipzig
	for 3 bands and 3 conductors.
	details given here
	Masch, Vorwarts,June 22, 1862
	14 pg band score
	Notturno, Op. 8 Harmonic Orch.
	Die Konigskugel “War einst ein
	alter konig” unison male chorus,+
	121-1131, percussion
	Postillion Marsch and Grande=
	Pas redouble, 46 pg score
	6 Marsche, Kavallerie-Musik
	Marsche sinfonique for 3 bands
	[Infantry, Cavalry, Jager]
	Trompeten Mujsik 1860
	Trauermarsch [Berlioz heard this
	and called it a very fine and well
	performed work”
	Die Schlacht, for piano, probably
	intended for band
	Friedrich Wilhelm & Victoria
	for piano, probably intended for
	band
	3 Marsches, for piano, intended
	for band [WH 5 contains a
	complete list of works by
	Wieprecht]
Wilk, von, ?	19th century BRD	WH 9	194
	Trompeters Signals [for the
	Magdeburgische Cavallerie
	Inspection 3.3.1803]
Winkelmayher, ?	1800-1828 BRD	WH 9	194
	Serenade -221
Witt, ?	1800-1828 BRD	WH 9	194
	Pieces d’Harmonie
	Harmoniemusik
	2 Parthien, 10 winds
Witzleben von, ?	19th century BRD	WH 9	195
	2 Festmarsche, trumpets
	for the Vermahlung of Kronprince
	von Preussen [Friedrich Wilhelm IV
Wohlmuth, Andreas	1809-1884 BRD	WH 9	195
	Festgesang zur Printz-Peter
	TTBB, winds
Wohning, S. C.	1800-1828 BRD	WH 9	195
	Harrmonie, Op. 3 Davallerie-Mujsik
Wullner, Franz	1832-1902 BRD	WH 9	195
	2 Serenades TTBB wind orchestra
Wurst, M. L. F.	19th century BRD	WH 9	195
	Tone Poem, Die Schlacht 1824
	Chorus, mil. Band
Zaininger, Benedikt	19th century BRD	WH 9	195
	2 Libra c. 1840
	SATB large brass ensemble
	Libra SATB -321
	Libra SATB, woodwinds
Zimmermann, Carl	19th century BRD	WH 9	195
	Geistliche Gesange for the
	militargottsdenst
Zetterquist, L. J.	19th century BRD	WH 9	195
	Festmarsch, mil band
Zicht, Graf Geza	1849-1924 BRD	WH 9	195
	Liszt-Marsche, mil. Band
Zulehner, George C.	19th century BRD	WH 9	195
	Freimaurercantate, male chorujs
	winds
Zweckstett, Christoph	1772-1836 BRD	WH 9	195
	Salve Regina c. 1810 for SSA,
	1021-02
	Venil Sancte Spiritus, SATB,
	for -801, timpani [eigens fur die
	Secondiz Eeyer des Herrn Phillip
	Blum am 10 June, 1820
Anonyhmous	19th century BRD	WH 9	196
	Scke fur Harmoniemusik c. 1850
	Contains originala works, 6
	Viennese Walzes by Ph. Fahrbach
	[the elder] and arr. Of Rossini
	[“Tancredi” and “L’Italiana in
	Algiers,” Weber’s “Preziosa”
	Lindpainer and Nocolini
Fahrbach,, the elder	6 Vienesse Walzes	WH 9	196
Rossini	music arr from “Tancredi” and	WH 9	196
	L’Italiana in Algiers” in Anonymous
Weber, Carl M.	arr. of music from “Pfeziosa” in	WH 9	186
	Anonymous
Lindpainter	arr. of music in Anonymoujs	WH 9	196
Nicolini	arr of music in Anonymous	WH 9	196
Chelard, H. A.	arr of Anonymous Die	WH 9	196
	Hermannschlacht c. 1850
Anonymous	Die Hermanschlacht c. 1850	WH 9	196
	arr. By H. A. Chelard
Handel	“Bacchus” Blessings Chorus from	WH 9	196
	Alexander’s Feast,arr.by Anon.		196
Anonymous	arr. Oo Handel;s “Bacchus”	WH 9	196
	Blessings Chorjus from
	Alsexander’s Feast
Anonymous	Hymne a Orphee, arr. H. A. Chelard	WH 9	196
	for 2222-04, ophilclide
Chelard, H. A.	Arr of Hymne a Orphee by Anon	WH 9	196
	for 2222-04, ophicleide
Auber	19th century BRD	WH 9	196
	“La Guarache” from “Muette de
	Portici” by Kuffner for mil. Band
Kuffner	19th century BRD	WH 9	196
	Arr. Of “La Guarache” from “Muette
	de Portici” by Auber for band
Beethoven	Arrangements for Band	WH 9	196
	“Egmont” arr. by Starke
	Harmonie und turkische Musik
Starke	Arr. of “Egmont” by Beethoven	WH 9	196
	for Harmonie und turkische Musik
Beethoven	“Eggsmunt Symphonie c. 1820	WH 9	196
	arr for band by Schneider
	2222-221, serpent, percussion
Schneider, ?	Arr. Of Beethoven;s “Eggsmunt”	WH 9	196
	Symphony for 2222-221, serpent,
	percussion
Beethoven	Fidelio arr. By Schneider for	WH 9	196
	2222-221, serpent, percussion
Schneider, ?	Music from Fidelio by Beethoven	WH 9	196
	arr. By Schneider for 2222-221
	serpent,percussion
Beethoven	Adagio-cantabile from Septet,	WH 9	196
	Op. 20 arr. by Anonymous for large
	mil. Band
Anonymous	Arr. Adagio cantabile from Septet	WH 9	196
	Op. 20 by Beethoven for band
Beethoven	Potpouri by anonymous for	WH 9	196
	1042-243, percussion
Anonymous	Potpourii based on ‘Beethoven	WH 9	196v
	arr. For 1042-243, percussion
Auber	Potpouri by anonymous for
	1042-243, percussion
Anonymous	Potpourii based on Auber	WH 9	196
	arr. for 1042-243, percussion
Benda, ?	19th century BRD	WH 9	196
	Marsch aus Medea c. 1810
	arr. Anonymous for 1132-021
Anonymous	Arr. Marsch aus Medea, c. 1810
	by Benda for 1132-021
Berlioz	19th century BRD	WH 9	196
	Overture Roman Carnival, arr.
	by R. Lehmann for band
Lehmann, R.	19th century BRD	WH 9	196
	Arr of Berlioz Roman Carnival for
	band
Boieldieu, ?	19th century BRD	WH 9	196
	16 mvts from “Hean de Pais”
	arr. For band by Schneider
	2222-121, serpent, st. bass
Schneider, ?	Arr of Boieldieu “Jean in Paris”	WH 9	196
	for band 2222-121, serpent,
	st. bass, in 16 movemengs
Catel, ?	19th century BRD	WH 9	196
	Air from “Africains” by Schmitt
	2232-24, serpent, timpani
Schmitt, ?	19th century BDR	WH 9	196
	Air from “Africains” by Catel
	arr. For 2232-24, serpent, Timp
Cherubini	19th century BRD	WH 9	196
	Overture from “Der Wassertager”
	arr by Geoj Schmitt for
	2262-231, serpent, timpani
Schmitt, Geo.	19th century BRD	WH 9	196
	Overture from “Der Wassertager”
	arr by Cherubini for
	2262-231, serpent, timpani
Cherubini	19th century BRD	WH 9	197
	Overture from “Demophon”
	arr by S. J. Weber for
	2262-231, serpent, timpani
Weber, S. J.	19th century BRD	WH 9	197
	Overture from “Demophon”
	by Cherubini arr. for
	2262-231, serpent, timpani
Cherubini	19th century BRD	WH 9	197
	Overture from “Lodoiska”
	arr Schmitt for
	2232-24, serpent, timpani
Shmitt, ?	19th century BRD	WH 9	197
	Overture from “Lodoiska”
	by Cherubini for
	2232-24, serpent, timpani
Dalayrac, ?	19th century BRD	WH 9	197
	Overture from “Adolphe et Clara”
	by Cherubini for
	2232-24, serpent, timpani
Cherubini	19th century BRD	WH 9	197
	Overture from “Adolphe et Clara”
	arr. by Schmitt, c. 1810 for
	2242-221, serpent, i
Schmitt, ?	19th century BRD	WH 9	197
	“Nacht im Walde”
	by Dalayrac, arr, for
	2232-24, 2 basset horns,
	contrabsn, percussion
Dalayrac, ?	19th century BRD	WH 9	197
	“Nacht im Walde”
	arr. By Schmitt, ? for
	2232-24, 2 basset horns,
	contrabsn, percussion
Schmitt, ?	19th century BRD	WH 9	197
	“Maisona Vendre”
	by Dalayrac,i arr, for
	2242-021, serpent
Dalayrac,	19th century BRD	WH 9	197
	“Maisona Vendre”
	by Schmitt, ? arr, for
	2242-021, serpent
Deschalumeaux, ?	19th century BRD	WH 9	197
	Overture from “Monsieur des”
	Chalumeaux” arr Schmitt, ? for
	1222-201, sepent, percussion
Schmitt, ?	19th century BRD	WH 9	197
	Overture from “Monsieur des”
	Chalumeaux” by Deschalumeaux
	1222-201, sepent, percussion
	arr. Schmitt, ?
Fahrfbach, Philipp	1825-1885 BRD	WH 9	197
	[title unknown] arr.Krkokowitsch
	for large mil. Band
Krokowitsch ?	19th century BRD	WH 9	197
	[title unknown] by Philipp Fahrbach
	for large mil. Band
Gretry	19th century BRD	WH 9	197
	“Blaubarth” arr. By Schneider
	c. 1823 for 1242-121, st. bass
Schneider, ?	“Blaubarth” by Gretry
	c. 1823 for 1242-121, st. bass
Haydn	19th century arrangements BRD	WH 9	197
	Six Symphonies arr. Schneider
	c. 1813-1826 for 1242-121
	2 viiolas{?}, serpent
	[I, 93, 94, 99, 191, 103, 104]
Schneider, ?	19th century arrangements BRD	WH 9	197
	Six Symphonies by Haydn
	c. 1813-1826 for 1242-121
	2 viiolas{?}, serpent
	[I, 93, 94, 99, 191, 103, 104]
Haydn	19th century arrangements BRD	WH 9	197
	“Lichlings Symphony’ arr.
	Schneider, c. 1826, for
	1222-121, 2 violas[?] st. bass
Schneider	19th century arrangements BRD	WH 9	197
	“Lichlings Symphony’ by Haydn arr.
	Schneider, c. 1826, for
	1222-121, 2 violas[?] st. bass
Hummel	19th century BRD	WH 9	197
	Notturno, Op. 99, arr. J. D. Rose
	for 1042-121
Rose, J. D.	19th century BRD	WH 9	197
	Notturno, Op. 99, by Hummel
	for 1042-121
Isouard	19th century BRD	WH 9	197
	Overture “Medecin Turc,”
	, arr. Schmitt [in “Furstlich
	Leiningische Musik,” Nr. 6 for
	3242-24, serpent
Schmitt, ?	19th century BRD	WH 9	197
	Overture “Medecin Turc,” by
	Isouard,[ in Furstlich
	Leiningische Musik,” Nr. 6 for
	3242-24, serpent
Isouard	19th century BRD	WH 9	198
	Overture “Aschenbroedel”,”
	arr. Schneider, c, 1820 for 9-part
	Harmoniemusik
Schneider	19th century BRD	WH 9	198
	Overture “Aschenbroedel”,” by
	Isouard arr Schneider for 9-part
	Harmoniemusik
Kornlein, ?	19th century BRD	WH 9	198
	Kegeltanz, arr. Pirnsler, 1847
	for 1211-121
Pirnsler, ?	19th century BRD	WH 9	198
	Kegeltanz, by Kornlein, arr.
	for 1211-121
Kreutzer, ?	19th century arrangements BRD	WH 9	198
	14 Lieder, arr. Schneider, c. 1822
	for 1242-121, serpent, signal horn
	[Schneider Sammelband 16, Nr.35,
	83-95]
Schneider, ?	19th century BRD	WH 9	198
	14 Lieder, by Kreutzer, ?
	for 1242-121, serpent, signal horn
	[Schneider Sammelband 16, Nr.35,
	83-95]
Kreutzer, ?	19th century BRD	WH 9	198
	Overture from “Paul et Virginia”
	arr., Schmitt for 1242=242, serpent
Schmitt, ?	19th century BRD	WH 9	198
	Overture from “Paul et Virginia”
	by Kreutzer for 1242=242, serpent
Kreutzer, ?	19th century BRD	WH 9	198
	Finale from “Paul et Virginia”
	arr., Schmitt for 1242=242, serpent
Schmitt, ?	19th century BRD	WH 9	198
	Finale from “Paul et Virginia” by
	Kreutzer for 1242=242, serpent
Kreutzer, ?	19th century BRD	WH 9	198
	Finale from “Paul et Virginia” arr
	Schmitt for 1242=242, serpent
Schmitt, ?	19th century BRD”Chor der	WH 9	198
	Negres” from “Paul et Virginia” by
	Kreutzer for 2242=02, contrabsn
Kreutzer, ?	19th century BRD”Chor der	WH 9	198
	Negres” from “Paul et Virginia” arr
	Schmitt for 2242=02, contrabsn
Schmitt, ?	19th century BRD	WH 9	198
	Untitled excerpt from “Paul and
	Viginia”, by Kreutzer, arr. for
	3242-221, contrabsn, Perc.
Kreutzer,?	19th century BRD	WH 9	198
	Untitled excerpt from “Paul and
	Viginia”, arr.Schmitt for
	3242-221, contrabsn, Perc.
Leoncavallo	19th century BRD	WH 9	198
	“Der Bajazzo [Finale] arr. By
	Seidel,? For mil. Band
Seidel, ?	19th century BRD	WH 9	198
	Arr “Der Bajazzo [Finale] by
	Leoncavaalo, for mil. Band
Lobe, J. C.	19th century BRD	WH 9	198
	Overure from “Les Flibustiers”
	arr. Hinkel,? For mil band
Hinkel,?	19th century BRD	WH 9	198
	Overure from “Les Flibustiers”
	by J. C. Lobe for mil band
Mendelssohn	19th century BRD	WH 9	198
	“Ein Sommernachtstraum”
	arr. F. L. Schubert for
	Harmoniemusik [brother of Schbert
Schubert, F. L.	19th century BRD	WH 9	198
	arr Mendelssohn for Harmonie”Ein
	Sommernachtstraujm”
	[brother of Schubert]
Mendelssohn	19th century BRD	WH 9	198
	“Wedding Marsch” from Ein
	Sommersnachtsraum” arr for winds
	by Nosvadba
Nosvadba	19th century BRD	WH 9	198
	Arr “Wedding Marsch” from Ein
	Sommersnachtsraum” for winds
	of Mendelssohn
Meyerbeer	19th century BRD	WH 9	198
	“Meyerbeeriana” arr by Seidel
	for large mil. Band
Seidel, ?	19th century BRD	WH 9	198
	“Meyerbeeriana” arr
	for large mil. Band
Mozart	19th century BRD	WH 9	198
	36 mvts from “Don Juan” arr by
	Schneider 1242-121, serpent
Schneider, Anton	19th century BRD	WH 9	198
	36 mvts from Mozart Don Juan” arr
	Schneider 1242-121, serpent
Mozart	19th century BRD	WH 9	198
	Overture “Idomeneo” arr by
	Schmitt 4242-221, serpent
Schmitt, ?	19th century BRD	WH 9	198
	Mozart Overture “Idomeneo” arr
	Schmitt 4242-221, serpent
Mozart	19th century BRD	WH 9	198
	Finale “Idomeneo” arr by
	Schmitt 4242-221, serpent
Schmitt, ?	19th century BRD	WH 9	198
	Mozart Finale “Idomeneo” arr
	Schmitt 4242-221, serpent
Mozart	19th century BRD	WH 9	198
	“Libera” from the Requiem arr. By
	Seyfried for male chorus, 1-103,
	basset horns, st. bass, timpani
	[performed a the funeral of
	Beethoven in Vienna]
Seyfried	19th century BRD	WH 9	198
	“Libera” from the Mozart Requiem
	arr. Seyfried for male chorus, 1-103,
	basset horns, st. bass, timpani
	[performed a the funeral of
	Beethoven in Vienna]
Mozart	19th century BRD	WH 9	199
	Overture,Clemenza di Tito arr
	Schmitt for 2232-24, serpent, timp
Schmitt, ?	19th century BRD	WH 9	199
	Overture,Mozart Clemenza di Tito
	arr Schmitt for 2232-24, serpent,
	timpani
Mozart	19th century BRD	WH 9	199
	Overture,Clemenza di Tito arr
	anonymous, for 22-12, piccolo,
	Eb clarinet, serpent, percussion]
Anonymous	19th century BRD	WH 9	199
	Overture,Mozart Clemenza di Tito
	arr. anonymous, for 22-12, piccolo,
	Eb clarinet, serpent, percussion]
Mozart	19th century BRD	WH 9	199
	Overture,Clemenza di Tito arr in
	11 mvts by Schneider for 2222-121
	serpent,st. bass
Schneider, Anton	19th century BRD	WH 9	199
	Overture Mozart ,Clemenza di Tito arr
	11 mvts by Schneider for 2222-121
	[in Sammelband 13, Nr. 1-11]
Mozart	19th century BRD	WH 9	199
	“Zauberflote” arr. Satorus for
	2111-11, serpent, perc
Saorius,?	19th century BRD	WH 9	199
	Mozart “Zauberflote” arr. for
	2111-11, serpent, perc
Mozart	19th century BRD	WH 9	199
	“Zauberflote” 22 mvts arr Schneiderr
	1242-121, st. bass
Schneider, Anton	19th century BRD	WH 9	199
	Mozart “Zauberflote” 22 mvts arr
	1242-121, st. bass
	[in Sammelband 30, Nr. 1, 1-22]
Müller, ?	19th century BRD	WH 9	199
	“Der neue Sonntagskind” arr
	Schmitt, ? for 2242-42, serpent
	percussion
Schmitt, ?	19th century BRD	WH 9	199
	Muller, ? “Der neue Sonntagskind”
	arr Schmitt, ? for 2242-42, serpent
Paer	19th century BRD	WH 9	199
	Overure, “Der Lustige Schuster”
	arr. Schmitt, ?for 2232-24, serpent
	percussion
Schmitt, ?	19th century BRD	WH 9	199
	Paer Over., “Der Lustige Schuster”
	arr. Schmitt, ? for 2232-24, serpent
Paer	19th century BRD	WH 9	199
	Overture to Achilles, arr. Schmitt
	2242-221, serpent,
Schmitt, ?	19th century BRD	WH 9	199
	Paer Overture to Achilles, arr.
	Schmitt for 2242-221, serpent,
Paer	19th century BRD	WH 9	199
	March from Achilles, arr anonymous
	2242-221, serpent,
Anonymous	19th century BRD	WH 9	199
	Paer March from Achilles, arr.
	anonymous for 2242-221, serpent,
Paer	19th century BRD	WH 9	199
	March from “Sargino” arr anon.
	for 222-22, piccolo, serpent, prc
Anonymous	19th century BRD	WH 9	199
	Paer March, “Sargino” arr anon.
	for 222-22, piccolo, serpent, prc
Paer	19th century BRD	WH 9	199
	“Angnese” arr Schneider c. 1820
	2222-221, serpent, perc
Schneider, Anton	19th century BRD	WH 9	199
	Paer “Angnese” arr Schneider
	c, 1820 for 2222-221, serpent,
	perc. [in Sammelband 14, Nrs 2-5]
Ries, F.	19th century BRD	WH 9	199
	Gande Overture et Marsche
	triomphale, Op. 172 arr. Kuffner
	for band [for the Fete Musicale de
	Cologne]
Kuffner, ?	19th century BRD	WH 9	199
	Ries, F.Gande Overture et Marsche
	triomphale, Op. 172 arr. Kuffner
	for band [for the Fete Musicale de
	Cologne]
Righini	19th century BRD	WH 9	199
	Overture Ariadne arr F. Weller
	for military band
Weller, F.	19th century BRD	WH 9	199
	Righini, Overture Ariadne arr
	F. jWeller for military band
Rossini	(th cerntury BRD	WH 9	199
	“Airs” from “cenerentola” arr. by
	Berr, ? For band
Berr, ?	(th cerntury BRD	WH 9	199
	“Airs” from “cenerentola” arr. by
	Rossini for band
Rossini	!9th centurfy BRD	WH 9	199
	Overture from “Guillume Telll”
	arr. by Berr for band
Berr, ?	!9th centurfy BRD	WH 9	199
	Overture from “Guillume Telll” by
	Rossini, arr for band
Rossini	!9th centurfy BRD	WH 9	199
	Overture from “Guillume Telll”
	arr. by Kufner for band
Kuffner, ?	!9th centurfy BRD	WH 9	199
	Overture from “Guillume Telll” by
	Rossini, arr for band
Rossini	19th century BRD	WH 9	199
	3 mvts from L’inganno felice” arr.
	by Schneider for 2222-121, serrpent
	St. bass
Schneider, Anton	19th century BRD	WH 9	199
	arr. 3 mvts from L’inganno felice”
	by Rossini for 2222-121, serrpent
	St. bass [Sammelband 13, Nr. 54-
	56]
Rossini	19th century BRD	WH 9	199
	3 mvts from “La Gazza ladra” arr.
	by Schneider for 2222-121, serrpent
	St. bass
Schneider, Anton	19th century BRD	WH 9	199
	arr. 3 mvts from “a Gazza ladra”
	by Rossini for 2222-121, serrpent
	St. bass [Sammelband 13, Nr. 57-
	59]
Rossini	19th century BRD	WH 9	199
	Aus “La Gazza ladra” arr.
	arr. Anonymous, instrumentation
	ujnknown
Anonymous	19th century BRD	WH 9	199
	arr. Aus “La Gazza ladra”
	by Rossini, instrumentation
	unknown
Rossini	19th century BRD	WH 9	199
	Sinfonia from “La Gazza laddra”
	arr. Unknown for Grosse harmonie
Anonymous	19th century BRD	WH 9	199
	arr. Sinfonia from “La Gazza ladra”
	unknown for Grosse harmonie
Rossini	19th century BRD	WH 9	199
	“Tancredi” 10 mvts arr
	Schneider for 2222-121, serpent,
	St. bass
Schneider, Anton	19th century BRD	WH 9	199
	“Tancredi” 10 mvts arr
	Schneider for 2222-121, serpent,
	st. bass [Sammelband 13, Nrs 28-
	37
Rossini	19th century BRD	WH 9	200
	“Turrk in Italy” 15 mvts arr. by
	Schneider, c, 1824 for 1222-121,
	2 viiolas{?}, st bass [Sammelband
	25, Nrs. 37-51
Schneider, Anton	19th century BRD	WH 9	200
	“Turrk in Italy” 15 mvts by
	Rossini, arr. Schneiderc, 1824 for,
	1222-121, 2 viiolas{?}, st bass
	[Sammelband 25, Nrs 37-51
Salieri	19th century BRD	WH 9	200
	Overture to “Palmyra” arr.
	Schmitt for 2232-24, serpent, timp
Schmitt	19th century BRD	WH 9	200
	Overture to “Palmra” Rossini, arr.
	Schmitt for 2232-24, serpent, timp
Schmitt [as arr.]	19th century BRD	WH 9	200
	Collection arr. for 2232-121,
	serpent, timpani [12 arrangements
	of music by Winter, Mozart, Paer,
	Muller, Catel, Cherubini, Weigl,
	and Fioravanti]
Winter	19th centudry BRD	WH 9	200
	music by in a collection by Schmitt
	for 2232-121, serpent, st. bass
Mozart	19th centudry BRD	WH 9	200
	music by in a collection by Schmitt
	for 2232-121, serpent, st. bass
Paer	19th centudry BRD	WH 9	200
	music by in a collection by Schmitt
	for 2232-121, serpent, st. bass
Muller, ?	19th centudry BRD	WH 9	200
	music by in a collection by Schmitt
	for 2232-121, serpent, st. bass
Catel, ?	19th centudry BRD	WH 9	200
	music by in a collection by Schmitt
	for 2232-121, serpent, st. bass
Cherubini	19th centudry BRD	WH 9	200
	music by in a collection by Schmitt
	for 2232-121, serpent, st. bass
Weigl, ?	19th centudry BRD	WH 9	200
	music by in a collection by Schmitt
	for 2232-121, serpent, st. bass
Fioravanti, ?	19th centudry BRD	WH 9	200
	music by in a collection by Schmitt
	for 2232-121, serpent, st. bass
Spontini	19th century BRD	WH 9	200
	“Cortez” arr. by Schneider c.1820
	for 2222-221, serpent, perc.
Schneider, Anton	19th century BRD	WH 9	200
	“Cortez” arr. by Schneider c.1820
	for 2222-221, serpent, perc.
	orig by Spontini
Spomtini	19th century BRD	WH 9	200
	Marcia aus “La Vestale” arr
	unknown for 2222-22, basso
Anonymous	19th century BRD	WH 9	200
	Arr. Marcia aus “La Vestale” for
	2222-22, basso
Spontini	19th century BRD	WH 9	200
	Vesttalien, arr Schneider, c. 1820
	for 2222-221, serpent, perc.
Schneiderk Anton	19th century BRD	WH 9	200
	Vesttalien, arr Schneider, c. 1820
	for 2222-221, serpent, perc.
	oig. by Spontini
Wagner, Richard	19th century BRD	WH 9	200
	Faust Overture, arr. Godfrey
Godfrey	19th century	WH 9	200
	arr. Wagner, Faust Overture
Wagner, Richard	19th centuryh BRD	WH 9	200
	Der Fliegende Hollander,arr.
	Seidel, ? For band
Seidel, ?	19th century BRD	WH 9	200
	Der Fliegende Hollander,arr.
	for large wind band
Wagner, Richard	19th century BRD	WH 9	200
	“Grand Fantaisie uber
	Gotterdammerung” arr Seidel
Seidel, ?	19th century BRD	WH 9	200
	Wagner “Grand Fantaisie uber
	Gotterdammerung” arr Seidel
Wagner, Richard	19th century BRD	WH 9	200
	Siegfried’s funeral music from
	Gotterdammerung arr. Godfrey
Godfrey	19th century BRD	WH 9	200
	Siegfried’s funeral music from
	Gotterdammerung by Wagner
Wagner, Richard	19th century BRD	WH 9	200
	Inroducdtion Act III, “Lohengrin”
	arr. Nosvadba for large wind band
Nosvadba	19th century BRD	WH 9	200
	arr. Inroducdtion Act III, “Lohengrin”
	arr.Wagner for large wind band
Wagner, Richard	19th century BRD	WH 9	200
	Overture “Der Meistersinger” arr
	Th. Grawert for wind orchestra
Grawert, Th.	19th century BRD	WH 9	200
	Overture “Der Meistersinger” by
	Wagner, arr for wind orchestra
Wagner, Richard	19th century BRD	WH 9	200
	Overture “Der Meistersinger” arr
	A. Abbas for wind orchestra
Abbas, A.	19th century BRD	WH 9	200
	Overture “Der Meistersinger” by
	Wagner, arr for wind orchestra
Wagner, Richard	19th century BRD	WH 9	200
	Good Friday Music from “Parsifal”
	arr. Godfrey
Godfrey	19th century BRD	WH 9	200
	Good Friday Music from “Parsifal”
	by Wagner
Wagner, Richard	19th century BRD	WH 9	200
	“Rheingold” arr. G. F.Schmidt-
	Kothen for mil. Band
Schmidt-Kothen	19th century BRD	WH 9	200
	Wagner, “Rheingold” arr for band
Wagner, Richard	19th century BRD	WH 9	200
	Fantasie ujber Sigfried, arr Seidel
	c. 1880 for band
Seidel, ?	19th century BRD	WH 9	200
	Fantasie ujber Sigfried, arr Seidel
	c. 1880 for band. Orig Wagner
Wagner, Richard	19th century BRD	WH 9	200
	“Brunhilden Ervachen from
	Siedfried,for large wind band [arr.
	by Seidel [“uber Wagner’s
	Aufsicht]
Seidel, ?	19th century BRD	WH 9	200
	“Brunhilden Ervachen from
	Siedfried,for large wind band [arr.
	by Seidel [“uber Wagner’s
	Aufsicht]
Wagner, Richard	19th century	WH 9	200
	Overture to “Tannhauser” arr. By
	Nosvadba for large wind band
Nosvadba	19th century	WH 9	200
	Overture to “Tannhauser” arr. By
	Nosvadba for large wind band
	orig Wagner
Wagner, Richard	19th century BRD	WH 9	200
	Fantasie uber Walkure arr Seidel
	for large wind band
Seidel, ?	19th century BRD	WH 9
	Fantasie uber Walkure arr Seidel
	for large wind band. Oig Wagner
	[Seidel’ arrangement was arr.
	for brass band by V. Leibert
	c. 1900]
Weber, Carlo Maria	19th century BRD	WH 9	201
	Fantasie, Nachauf an Weber, arr
	E. Bach, large wind orchestra
Bach, E.	19th century BRD	WH 9	201
	Fantasie, Nachauf an Weber, arr
	E. Bach, large wind orchestra
	Oig C M. Weber
Weber, Carlo Maria	19th cemtury	WH 9	201
	“Euryanthe” arr. Anon. for band
Anonymous	19th century BRD	WH 9	201
	Weber, “Euryanthe” arr for band
Weber, Carlo Maria	19th century BRD	WH 9	201
	Overture from “Der Frfeischutz”
	arr. Weller for band
Weller, ?	19th century BRD	WH 9	201
	Overture from “Der Frfeischutz”
	arr. Weller for band. Orig Weber
Weber, Carlo Maria	19th century BRD	WH 9	201
	Arias from “Der Freischutgz” arr
	Weller for band
Weller, ?	19th century BRD	WH 9	201
	Arias from “Der Freischutgz” arr
	Weller for band. Orig Weber
Weber, Carlo Maria	19th century BRD	WH 9	201
	“Jubel-Overture” by Weber, arr.
	Rummel, for 9-part mil. Band
Rummel, ?	19th century BRD	WH 9	201
	“Jubel-Overture” by Weber, arr.
	Rummel, for 9-part mil. Band
Weber, Carlo Maria	19th century BRD	WH 9	201
	“Jubel-Overture” by Weber, arr.
	V.Bousquet for large band
Bousquet, V.	19th century BRD	WH 9	201
	“Jubel-Overture” by Weber, arr.
	,for large Band bysquet
Weber, Carlo Maria	19th century BRD	WH 9	201
	“Oberon” multi-mvts arr Weller
	for large band
Weller, ?	19th century BRD	WH 9	201
	“Oberon” bu Weber, multi-mvts arr
	Weller for large band
Weber, Carlo Maria	19th century BRD	WH 9	201
	Overture from “Preciosa” arr.
	Weller for laage band
Welller, ?	19th century BRD	WH 9	201
	Overture from “Preciosa” arr.
	Weller for laage band. Org. Weber
Weber, Carlo Maria	19th century BRD	WH 9	201
	Arias from “Preciosa” arr.
	Weller for large band
Welller, ?	19th century BRD	WH 9	201
	Arias from “Preciosa” arr.
	Weller for large band. Org. Weber
Weigl, Josef	19th century BRD	WH 9	201
	Overfure to “Schweitzer Familie”
	arr. Schmitt for 2242-24, serpent
	timpani
Schmitt, ?	19th century BRD	WH 9	201
	Overfure to “Schweitzer Familie”
	by Weber, arr for 2242-24, serpent
	timpani
Weigl,Josef	19th century BRD	WH 9	201
	Overture to”Vestlaz”, arr Schmitt
	for 4242-221, serpent, perc
Schmitt, ?	19th century BRD	WH 9	201
	Overture to”Vestlaz”, arr Schmitt
	for 4242-221, serpent, perc
Anonmous	19th century A	WH 9	203
	3 Adagios &a Polones c. 1817
	222-02
Anonymous	19TH century A	WH 9	203-7
	250 works for Harmonie, band and
	some with voices
Achleitner, Rudoldf	19th century A	WH 9	207
	Marsch, for milditdary band
	Roschaff Marsch, military band
Albrechtsberger, H.	19th century A	WH 9	207
	Serenata a 5 in Bb 1806
	211-01
Anacker, M.	19th century A	WH 9	207
	8 Marsch composed for the
	Russian horn band
Anonymous	10th century A	WH 9	207
	Official government army trumpet,
	horn signals and “Trommelsrfeiche”
Bach, Otto	19th century	WH 9	207-8
	Trauer Marsch 1861, mil. Band
	Nachtwachter Kued TTBB,
	2222-04
Bachmayer, ?	1800-1828 century A	WH 9	208
	36 Landler for 6-part Haroniemusik
Batka, Edvard	19th century A	WH 9	208
	2 Marsche [for Franz Josef I]
	mil band+
Beethoven	19th century A	WH 9	208-9
	Bundeslied, SSS, 22-02
	Ecossaise in D [Wo022 [Baden,
	1819 222-12, piccolo, contrabsn,
	Perc
	Ecossaise in G [Wo0, c. 1810
	[autograph lost]
	March in F, Nr.1 [Wo0 18, c 1809]
	2032-22, piccolo, contrabsn, perc.
	March in F,Nr. 2 [
	Wo0 19, c. 1810] 2022-22 piccolo,
	contrabsn, perc.
	March in C [Wo0 20, c. 1809-1810]
	222-22, piccolo, contrabsn perc
	March in D [Wo0 24, 1816]
	252-862, 2 piccolos, serpent,
	contrabsn, perc
	March in C [Wo0 29] 22-02
	Octet, Op. 103 222-02
	Polonaise in D [Wo0 21, Baden,
	1810, 222-12, piccolo contrabsn
	perc.
	Andante [known as Rondo] 222-02
	Siegessinfonie 4452-223, piccolo,
	orgalbass, perc. [Presentation
	copy with autograph cover and
	corrections
	Sextet, 22-021
	Sextetto 1111-02
Benz, D	19th century A	WH 9	209
	Offerofrium SATB, 20-02, organ
Berka, Frantilek	19th century A	WH 9	209
	Arie, for brass band
Beseda, ?	19th century A	WH 9	209
	[untitled] 1020-22, bass horn
	bombard
Bibl, Rudolf	1832-1902 A	WH 9	209
	Gloria et Honofre, chorus,
	woodwinds, timpani for the 50th
	year of the reign of Franz Joseph I]
Bláha, Filip	19th century A	WH 9	209
	Klagenfujdrster Lieder Marsch
	mil. band
Blumenthal C.	early 19th century A	WH 9	209
	Harmonie, c 1819 222-02
Blumenthal Leopoold	19th century A	WH 9	209
	2 Marsches 232-22
Bocchorone, R.	19th century A	WH 9	209
	Overture [1839] 222-22, contrabsn
Bohm,?	early 19th century A	WH 9	209
	12 Deusche Tanze
Bolardt, Thomas	19th century A	WH 9	209
	Trauermarsch [1846] 20-221,
	Flugelhorn
Borovansky, ?	19th century A	WH 9	210
	Polka Mazur, mil. Band
Bruckner, Anton	1824-1896 A	WH 9	210
	Germanenzug, male chorus,
	large wind band
	Mass in E minor [1865] SSAATTBB
	222-243
	Kantata, “Auf Bruderf auf”
	soli male quartet, male chorus,
	SATB 202-233 [Anoher vesion was
	published for SATTBB, -231]
	Kantata “Preiset den Harrn”
	male chorus, 2242-2431
	“Lasst Jubeltone laut erklingen”
	male chorus, -224
	“Das deutsche Lied” male chorus,
	and -3431
	Apollo Marsch [piano only extant]
	Marsch in Eb [inst. Unknown]
	Aequale, -003
Dolezalek, Jan	1780-1858 A	WH 9	210
	12 Ecossaisen for Haroniemusik
Dorfner, Feline	19th century A	WH 9	210-11
	Frohlich-Marsch,, mil band
	Lieschen Polka, mil. Band
	Oberst Latschen-Masch, mil. Band
Doubravsky, Frantisck	19th century A	WH 9	211
	Stationes [1860] SATB, 1020-221,
	Flujgelhorn, timpani
	“Pisen” SATB 1021-23
	Stabat Mater [1834] SATB, 21-2,
	timpani
Dubez, ?	19th century A	WH 9	211
	Marsch`, mil. b\and [from Franz
	Josef I to the King of Hungary,
	1867
Dvorak, Anonin	1841-1904 A	WH 9	211
	Seremade. Op. 44 222-03, celli,
	st. bass, contrabsn
Dwurzek, Josef	19th century A	WH 9	211
	Offertorfium “Lauda Jerusalem”
	for the cathedral at Bruno 1852
	TTTBBB, small brass band
Eckhardt, Josef	19th century A	WH 9	211
	Ungarischer Jarsch [1861]
	mil. band
Eckschlager, R.	19th centurfy A	WH 9	211
	2 Walzes and e Polkas [1868]
	mil. band
Eder, Philipp	19th centujry A	WH 9	211
	Leichengesang, SATB, 22-02
Eitzenberger, Joseph	19th century A	WH 9	211
	Fest Cantata 1845 TTBB 1000-221
	keyboard. For the Schwarzenberg
	courtt
Emmert, Adam	19th centuyr A [Salzburg comp]	WH 9	211
	Kirchenlied SATB, winds
	Harmonieen 22-02
	Harmonieen 2002-02
	Harmonieen 21-12
Eppinger, ?	1800-1828 A	WH 9	211
	Marsch, Harmoniemujsik
	Marsch 222-02, contrabsn
	Marsch der Wiener Burger
	10-part Harmoniemusik
Erkel, Ferenc	1810-1893 A	WH 9	212
	Hunyady Mardch, brass band
Ernst, Heinrich	1814-1865 A	WH 9	212
	Polka, mil band
Ernesti, Titus	19th entury A	WH 9	212
	Defilier Marsch c. `1850 mil band
Eybler, Joseph	179-1846 A	WH 9	212
	Variations,22-02
	Ecce quomodo 1830 SATB 201-2
	Libra, SSAATTBB, 222-,
	contrabsn
Fahrbach, Anton	19th century A	WH 9	212
	Marsch, Nr. 6 mil band
Fahrbach, J.	19th cenury A	WH 9	212
	Erinnerung an Baden, c. 1840
	1222-02
Fahnrbach, Philipp, Sr19th century A	woodwinds, timpani for the 50th	212
	Militar-Conzertstucke 1856
	mil band
	Dobrau-Polka mil band
	2 marches
	Quadrille
	Kartner Volkslieder
Fahrbach, Phil. Jr.	19th century A	WH 9	212-3
	Zum Kaiser-Jujblaum 1889 mil. Bnd
	Wiener Corso 1894 mil. Band
	Miniatur-Ball 1895 mil band
	Musikalisxhes Panorama mil band
	Retraite &Sapfenmarsch 1880
	mil band
	Bruder lustig Marsch mil band
	Im Mondenlicht Walzer, Op. 260
	mil band
	Sturmangriff Marsch, Op. 161
	mil band
	Die nachtliche Herrschau, mil band
	Grazer Marsch mil band
	Militarpaade Marsch mil band
	18 Valses pub in London 1890
	1900
	12 Polkas, pub in London 1890-
	1900
	5 Galops, pub in London
	Qjuadrille
	Gavotte
	Marsch
	arr. J. Strauss Overture Prinz
	Methusalem and some music of
	Mendelssohn
Strauss, J.	Overture Prinz Methusalem, arr.	WH 9	213
	Philipp Fahrbach, Jr.
Mendelssohn	some arr. by Philipp Fahrbach, Jr	WH 9	213
	not identified
Faltis, Josef	19th century A	WH 9	213
	4 Stationes SATB 21-22, timpani
	Stationen fur das hohe
	Frohenleichnams-Fest SATB
	2022-32, timpani
Fanst, Karl	19th century A	WH 9	213
	2 Marsche 1872 mil band, one
	for Stadt Polten
Fendt, A.	1812 A	WH 9	213
	Harmonie-Stucke 1032-221
	for the Kaiser’s Guard
	Turkische-Marsch c. 1812
	Harmoniestucke c. 1812
	2042-02, contrabassoon
Fiala, Alois	19th century A	WH 9	213
	Libra, SATB -201, bass flugelhorn
Fiala,Anton	19th century A	WH 9	213
	Grussusscht fur Constantin von
	Russland 1867 mil band
Fibiger, Jan	19th century A	WH 9	213
	Salva Regina SATB 2q1-02
Fraulich, Joseph	19th centuyry A	WH 9	214
	Giselle Marsch, Op.72,mil band
Fried, Gotther	1800-1828 A	WH 9	214
	4 Marsch 1022-42, congtra bsn
	percussion
Frohmann, C.	19th century A	WH 9	214
	Adastra Traermarsch, Op. 25
	Prag 1894 mil band
Fucik, Julius	19th century A	WH 9	214
	The Mississipopi March, piano
Fuhrer, Robert	19th century A	WH 9	214
	Graduale, Offertorium, Tantum
	ergo SATB mil band Op. 188
	Te Deum TTBB 20-221, timpani
	2 Veni Sancte Spiritus SATB,
	1020-22, timpanik ogan
	Choral Requiem, SATB 1021-01, organ
	6 O Salutaris hostia, SAB, 20-021
	organ
	4 Stationes Frohnleichnamsmusik
	Op. 263 SATB 20-211
	Harmonie Messe in Eb, SATB
	mil band
Gansbacher, Johann	1777-1844 A	WH 9	214
	Jagl-Marsch, 50 trumpets for the
	k. k. Jager Regiment Kaiser
	Marsch 1819 [for the Burgerl.
	Schutzen Corps Innsbruck
	Alpenlied, SSAATTBB 2022-02
	contrabsn
Gebel, ?	1800-1828 A	WH 9	214
	2 Harmonies, Op. 11 for 6-part
	Harmoniemusik
Geisler, Victor	19th century A	WH 9	214
	Ecce quo modo morituir justus
	SATB 1022-22
Gellert, ?	19th century A	WH 9	214
	Deutsche Messe c. 1835
	SSAATTBB 2021-02 2 organs
Godard, Charles	19th century A	WH 9	214
	Pioa-Pioa-Marsch Joyeuse
	mil. band
Goldmark, Carl	1830-1915 A	WH 9	215
	Frulingsnetz, male chorus, -04,
	piano
	Meersstille & gluckliche Fahrt
	malel voices, horns
Gotz, Franacersco	19th century A	WH 9	215
	Collection of 9 Marches and
	dances 2022-42, percussion
Grimm, Anton	19th century A	WH 9	215
	2 Pastorale-Graduale, STB,
	1001-02, organ, st. bass
Groh, A.	19th century A	WH 9	215
	Maian Masch & Polka mil band
Groh, Josef	19th century A	WH 9	215
	Veni sancte TTBB -03, basso
	[untitled] SATTTTBBBB, -022
	De Sante Caecilia, TTBB,-022
Gruber, Felix	19th century A	WH 9	215
	Prozeesionshymus 1878 SATB
	wind ochestra
Gruber, Johann G.	19th century ? A	WH 9	215
	Marsch 21-121
	Deutscher -5
Gruber,l Josef	19th centgury A	WH 9	215
	Fronleichnamsange, Op. 178
	SATB, bdrass band, ogan
Gueringe, ?	19th century A	WH 9	215
	Serenade 1818 1222-02
Gung’l, Jozsef	1810-1990 A	WH 9	215-6
	[works printed in London 1866-1893
	9 Marsches
	63 Valses
	8 Polkas
	2 Galops
	Polonaise
	Mazurka
	Sammlung con darsrchen fur
	Militar Musik, for band
	Sammlung von Marschen fur Militair
	Musik,for band+
Hajek, Josef	19th century A	WH 9	216
	Andante -522
Haller, Michael	19th century A	WH 9	216
	Das Deutsche Amt, SSATB
	2200=02, organ
Hallmayr, Victorin	19th century A	WH 9	216
	Overture Nr2 mil band
	Overture Nr.3 mil band
Handl, Johann	19th century? A	WH 9	216
	13 Polonaises 222-02
Haslinger, ?	19th century A	WH 9	216
	Ejurope’s Siegefeier, Turk. Musik
Hausser, Josef	19th century A	WH 9	216
	Waltz, Heimveh 1867 mil band
Havel ?	19th century A	WH 9	216
	Echo 201-02
Weigl	19th century A	WH 9	216
	4 mvts of an opera by Weigl arr
	Havel, ?
Heidenreich, ?	19th century A	WH 9	216
	Tantum ergo SATB, 22-, contrabsn
Heinrfich, Carl	19th century A	WH 9	216
	Carnawall, mil band
Hejtmanek, ?	19th century A	WH 9	216
	Salve Regina, SATB 21-02
Henneberg, Johann	1768-1822 A	WH 9	216
	Ujne grande p iece per musique
	militaire
Herbeck, Johann	[Riter von] 1831-1877 A	WH 9	217
	Zum Walde, Op. 8
	voices -04
	Zur Emthullung des Erzherzog
	Karl-Monuments 1860
	voices an wind orchestsra
	Fesgesang zur Enthulllung des
	Maia-Theresien monuments 1862
	voices and wind orchestra
	Festgesang zur Enthulllung des
	Schwarzenberg-Monujmens 1867
	voices and wind orchestra
	Festgesang zur Grundsteinlrgung
	der neuen Univ. in Wien 1868
	voices and wind orchestra
	Messe in F 1863 voices and winds
	Libra 1854 voices and winds
	Te Deum 1856 male chorus, winds
	Psalm 26, “Der Herr is smein
	Licht” 1856, male chodrus,winds
	Hallelujah 1859 mixed chorus,
	winds
	Welcher Mensch wird da nicht
	weinen, Mixed chorus, 11-
Herzogenberg, Hein.	1843-1900 A	WH 9	217
	Begrabnisgesang, “Der Herr gab
	dirf den Schmerz zu tragen, Op. 88
	1896 chorus, -0431
Huojil, J.	19th century A	WH 9	217
	6 Deutsche c, 1820 Turk, musik
	4 Deutsche, Turk Musik
	Proba Marsch c,=. 1820 Turk Mus
Hoch, ?	Erinnerung an Prag, Fanasic
	Hongtiose 2122-223
Hois, Jan	19th century? A	WH 9	217
	Salvel Regina SATB 21-02
Hoppler, ?	19th century A	WH 9	217
	4 Sationes SATB, 2022-32, timp,
	st. bass
Hottisch, ?	19th century A	WH 9	217
	Cantate mit Tjurkische musik
	2031-22
Hradecky, ?	19th century A	WH 9	217
	VI Vafiations & Coda, 22-02
Hummel, Johann N.	19th century A	WH 9	217-8
	3 Grande Marches Mil. [for Grand
	Duc Nicolas de Russia
	2221-02, basset horns, poerc
	Parthia in Eb 1803 222-02
	Leichen Gesang, SATTB 22-22,
	timpani
	Overture, “Johann von Finland”
	Harmoniemujsik and sym. Orch.
Hummel, Joseph F.	19th century A	WH 9	218
	Hymne [“von Richard Ritter von
	Stele-Barwangen” 1901 SATB,
	wind orchestra
Jedluczka, ?	19th century A	WH 9	218
	Osterreicher Brigade Marsch 1860
	mil band
Jell, J	19th century A	WH 9	218
	Variationen, winds
Kanne, ?	19th century? A	WH 9	218
	Marsch fur die k.k. Osterreich
	Armee 222-02, condrabsn
	Masch, Harmoniemusik
Kathaliery, ?	early 19th century A	WH 9	218
	Parthia, 5 mvgts 22-02
	Parthia, 5 mvts 22-02
Katschthaler,Philipp	19th century A	WH 9	218
	Masch 1863` mil band
Kaul ich, Josef	19th century A	WH 9	216
	Grosse Motette 1896 TTBB
	and -204, timpani
Keler, Bela	1820-1882, Hungarian A	WH 9	218
	26 Marsches 1858-1880 mil band
	“Prussens Aar” Jubellmarsch [for
	the Silver Anniversry of the Prince
	and Princess of Preussen 1854
	mil band
	Prinz Friecrich Karfl-Marsch for the
	celebration of the wedding of
	Prince Friedrich Karl von Preussen
	large mil. Band
	Valse
	2 Overtures
Kittl, Jan Bedrich	1809-1868 A	WH 9	218
	Grand septour in Eb Op. 2 piano
	and winds
Klaus, Josef	19th century A	WH 9	218
	3 Cantatas SATB 22-02
Knoff,G.	19th century A	WH 9	219
	Retraite.mil band
Kodrin, ?	Conzert-Vafiationen 1886
	solo Eb clarinetg, and band
Kolb ? von	19th century A	WH 9	219
	Marsch, 1835 1030-63, st. bass
Kolovratek, Tmas	19th century A	WH 9	219
	Cantus funebre, SATB 222-02,
	timpani
	Parthia pasoralis, solo flute, 22-02
	Pjsen SATB 22-02
	Stationes Theophorices 1812
	SATB 22-02
Komzak, Karl	19th century A	WH 9	219
	Neues Leben Valse, Op. 210,
	band
Koubek, ?	19th century A	WH 9	219
	4 Rastaveni SATB 1022-22, timp
Kovacs, Josef	19th century A	WH 9	219
	Polka, mil band
	4 Marsche, mil band
	2 Marsche, mil band
Kral, Johann Nep.	19th century A	WH 9	219
	2 Marsches mil band [for k.k.
	Infr. Reg v. Hess, Nr,=. 49]
Krasa, ?	19th century A	WH 9	219
	Missa in Bb SATB 222-22, timp
Krenn, Franz	1839-1890 A	WH 9	219
	Marsch 1021-22
Kreutzer, ?	19th century? A	WH 9	219
	6 Walzer und trio 22-02
Krickel, ?	19th century A	WH 9	219
	Missa Bohemica SATB 22-021,
	organ
Kroh, ?	19th century A	WH 9	219
	Grosse Retraite 1859 mil band
Krommer, Franz	1759-1831 A	WH 9	220-225
	13 pujblished works for 222-12,
	contrabsn represent the most
	importdant achievement in the
	musical and techncal in the HM
	rfepertoire.
	45 additional mss Partitas for
	and 45 marches for
	6t or 9 winds and one work for
	large mil band, “Volkslied “Gott
	erhalte Fanz den Kaise”
Kubicek, V.	19th c. Austrian comp	WH 9	225
	17 short works19th c. Austrian co
	for Turkish band
Kunerth, J. Leopold	TT 19th c Austrian	WH 9	225-6
	50 Quartellien for -3, bass
	flujgelhorn
	Gloria in excelsis for Tenor solo,
	SATB chorus, 20-022, 2 flug.hns
	cello, organ
	4 Sationen SATB 21-22
Kussy, Franz	3 marches c. 1848 mil band	WH 9	226
Kwiatkowsiki, ?	19th c Austrian one wk mil bandf	WH 9	226
Labler, Frederick	19th Austrian compo	WH 9	226
	4; chuch works SATB, 22-22, timp
Laforest, Thiard	19th c Austrian a contata for
	SATB 222-02
Landa, W	19th century Austsria	WH 9	226
	1 march for mil band
Lanner, Joseph	1801-1843 Ajustrian comp	WH 9	226
	14 marches for Tūrkish band
Lanz, Engelbert	19th c. Austrian comp	WH 9	226
	2 works fof voices and winds, one
	a birthday song for Franz Josef Lied
Lattenberg, Felix	19th century Austria comp	WH 9	226
	1 march 1815 for Harmoniemjsik
Leidersdorf, Franz	19th cent Austrian comp	WH 9	226
	Fest Overture 222-02 for the
	celebration of the crowning of
	her Majesty Carolina Kaiserin of
	Austria as Queen of Hungarfy 1837
	arr. Oscar Kolbe?
Kolbe, Oscar	Fest Overture 222-02 for the	WH 9	226
	celebration of the crowning of
	her Majesty Carolina Kaiserin of
	Austria as Queen of Hungarfy 1837
	arr. Oscar Kolbe?
Leonhardt, Andreas	10 marches for mil band and	WH 9	226
	a setting of “Heil unseren König
	Heil! In the sthyle of England,
	Prussia and Saxony
Lickl, Johann	1800-1828 Austria comp	WH 9	227
	6 works for 6-pa Harfmoniemusik
Linck, Yiri	19th c. Austrian comp	WH 9	227
	Vidi aquam for SATB, 2020-3,timp
Liszt, Franz	1811-1886 Hungarian comp	WH 9	227-8
	complete listing of 13 works for
	voices and wind orchestra
Livorka,?	a waltz c. 1818 arr fof 222-22,
	contrabsn by Honig
Honig, ?	arr of a waltz by Livorka for
	222-22, condtrabsn
Maschek, Albin	1804-1926 Czeck comp	WH 9	228
	Salve Regina, mixed chorus 3 tbs
	2 Jagdstücken for 4 horns
	son of Vincenz Maschek
Maschek, Paul	1761-1826 Czech comp	WH 9	228-9
	Die Schlacht bei Leipzig. Epic
	band programmaic work of 29
	works with descriptive titles for
	Harmoniemujsik tracing the story
	of the campaigin of 1813-1814
	with the Austrian troops fighting
	the famous battle in Part I, the
	troops chasing ghe French back to
	Paris in Part II and their return and
	celebration in Vienna in Part III
	Veryh high quality chamber music
	for 3232-121, cerpent, contrabsn
	percussion. Composer was a
	brother to the more famous
	Vincenc Maschei in Pfague
Maschek, Vincenc	1755-1831 Czech comp	WH 9	229-233
	Many fine works by this well-
	known composer, inc. some 39
	Partitas; 2 works with singers; and
	a work for three clavicembalos and
	221-02; a Concertino for four-hand
	piano and 2022-02 and a
	Concertino for 2 soli Piano Forti
	and 22-02
Massak, Frfanz	19th c. Aust comp	WH 9	233
	4 Masche for mil band
Matous, ?	early 19th c Ajust comp	WH 9	233
	a afrtita for 21-02
Melusin, Rujdolf	19thc. Aust comp	WH 9	233
	2 Marches for mil band
Michalicka, ?	early 19th comp Aust	WH 9	233
	6 works for voices and winds
Moser, Franz	1880-1939 Aus comp	WH 9	233
	Serenade Op. 35 for 2333-03
Mrkvicka,Josef	early 19h c Austrian comp	WH 9	233
	a Trauer Marsch for 22-22, timp
Muck, Beda	19h c Aust comp	WH 9	233
	2 works for voices and winds
Müller, ?	19th c. Aust comp	WH 9	233
	Offerdtorfium for STBB 22-02, organ
Nagiller,Mathaus	19th Austg comp	WH 9	233
	Missa in F, SATB 1020-221, timp
Nanke, Sr, ?	Czech composer 19th c	WH 9	234
	Offertorium, TT, 21-02
Navratil, Fran.	19th c. Cezch comp in “Vienna	WH 9	234
	Parthia, 5 mvts, 21-02
Neukomm, Sigism.	Sigismund 1778-1838 Aust comp[	WH 9	234-238
	Polific Salzburg composer, works
	include 39 marhes [some written in
	Riode Janeiro, together with a
	“Collection” of marches and dances
	c. 1820 for 2222-221, serpent,
	percujssion Also 13 woks for
	voices and winds and 7 Requiems
	fo chorus and band, one he says
	in his auobiography was performed
	bin1845 with 500 voices a band
	of “a proportional size.” One Mass
	he rfecalled was performed in
	Mainz with 2,000 singefs and
	mil bands. A Te Deum of 1833
	he recalls being performed in
	Friberg in 1837 byh 1,300 singers
	200 band members, inc 40 tambour
	and 3 cannons fifred dudring the
	Sanctus.
Nicola, Georg	19th c Aust comp	WH 9	238-9
	4 works for mil bands including
	one “nach einer amerikanischen
	melodie
Novacek, Rudolf	1860-1929 Czech comp. in Aust	WH 9	239
	Composer of a Symphonietta,
	Op. 40 for 1122-02, 2 marches and
	a polka.
Novotni, ?	19th c. Austriana comp	WH 9	239
	4 church wodrfks for SATB and
	20-32, 2 flugelhorns, timpani
Obersteiner, Johann	19th c. Aust comp	WH 9	239
	two church chodral works with winds
Oswald, A.	earlyh 19th c. Ausst comp	WH 9	239
	5 Allegmannes and 5 Deutsche
	for 222-22, contrabsn
Pacak, Frantisek	19th Aust comp	WH 9	239
	4 church works for SATB and winds
Panizza, Giacomo	19th c. Aust comp	WH 9	239
	Sestetto for 1021-02
Parizek, Alexius	early 19th c. Aust comp	WH 9	239
	a mil march [1808]; aNoturno for
	222-02 and a Pater noster for
	SATB 22-02, organ
Parlow,Albert	19th Aust comp	WH 9	239
	a “Napoleon Marsch” for mil band
Paulmann, S. A.	19th c. Aust comp	WH 9	240
	one parade marsch
Pawlikowski, Frfanz	19rth c. Aujst compo	WH 9	240
	5r Fanfares for brass
Payer, Hieronymus	c. 1819 Aujst comp	WH 9	240
	works for 24-part mil band
Pechacek, Franz	1793-1840Aus comp	WH 9	240
	12 Ländler for 21-02 and 6 mil band
	marsches
Pejrinovsky, Martin	19th Czech comp	WH 9	240
	A Cantata for SATB, winds
Pertl, Vincez	19th Aust comp	WH 9	240
	a Waltz for mil band
Proch,Heinrich	1809-1878 Auist compo	WH 9	240
	2 works for voices and winds
Purebl, Joseph	1768-1838 Auts comp[	WH 9	240-1
	66 works for mil band
Rafael, Fr.	19th c. Aust compoo	WH 9	241
	a “Noctjurne sans paroles” for
	mil band
Randhartinger,l Bene.`	1802-1893 Aust comp	WH 9	241
	a Messe 1858 for TTBB 1222-023
Richter, Pius	19th c. Austrian composer	WH 9	241
	an celebration work for SATB
	1022-22, bombard,timpani 4 mvts
Rieger, Gottfried	early 19th c? Austs comp	WH 9	241
	Harmonie,6 mvts 222-02, contrabsn
Rikl, Vaclav	early 19tjh c. Czech comp	WH 9	241
	Requiem for SATB 22-02
Röder, Georg V.	early 19th c Aust comp	WH 9	242
	2 church wodrks for SATB , winds
Rosenkranz, Anton	19th c. Aujst comp	WH 9	242
	a march formil band
Rosulek, Antonin	19th c. Aujst comp	WH 9	242
	4 church works for SATB and winds
Ruzitska, Georg	mid-19th x. Aust comp	WH 9	242
	a Paster noster SATB 6 winds
Riuzni, ?	earlyh 19th c. Ausst comp	WH 9	242
	4 works for 222-22
Santner, Karl	19th c Aust comp	WH 9	242
	a drinking song before the battle
	male chous, -341
Schandl, Fanz	19th Aust comp	WH 9	242
	6 fanfares for -601, timp
Sauer, Ignaz	early 19th Auist comp	WH 9	242
	5 wodrks for chodrus and 12 or 14-
	part Harmoniemusik
Scheibl, Johann	19th c. Aust comp	WH 9	242
	2 Missa, one for SATB, -002,
	cornetto
Schenk, Johann B.	1753-1836 Aust comp	WH 9	242
	9 works for voices and winds
Schiedermayr, Joh	early 19th Aust comp	WH 9	243
	15 works for voices and winds
	9 works for Harmoniemusik
schindlocker, M.	1800-1828 Aust comp	WH 9	243
	12 fanfares for 5 trumpets, timpani
Schlier, Johann	19th c. Aust comp	WH 9	243
	Libra 1835 SATB 22-222, conrabsn
Schubert, Franz	1797-1828 famous Aust composer	WH 9	243-4
	10 works for voices and winds and
	8 for winds, inc. 6 Minues 222-12
Schubert, Ferdinand	1794-1859	WH 9	244
	4 w orks for SATB winds and
	a Salve Regina of his brother
	Franz Schubert which he scored for
	winds
Schwarz, M.	1800-1828 Ausst comp	WH 9	244
	6 marches for 232-22 contabsn,
	perec
Seidel, ?	19th c. Aust ? Comp	WH 9	244
	Salve Regina for B voice, 1-02
Seiffert, ?	19th Aus comp	WH 9	244
	6 Walzes 1830 for 31-23, conrabsn
Sellner, Josef	19th c. Aust comp	WH 9	244
	5 works for Harmoniemusik, one
	for solo horn and 2 for solo clar
Seyfied, Ignaz von	19th Ausgt nobleman and comp	WH 9	245
	an Equale for 3 TBs; 3 works for
	voices and winds and an
	extraordinary 5 compositions,, inc
	an Echo divertimento and 2 mvt
	Quodlibet and 2 marches for double
	Harmoniemusik, composed and
	perf for the Emperor’s birthday
	Oct, 1805 the day before the nobles
	left Vienna as Napoleon was in the
	suburbs. Seyhfied was once
	briefly a roommae of Beethoven
	add above [and ending with a beaut
	arr of the national hymn [Haydn’s]
	for double Harmoniemusik
Beethoven	Ignaz von Seyfied once briefly a	WH 9	245
	roomate
Seyler, Josef	19th c. Ausgt comp	WH 9	245
	Missa Solemnis SATB 202-22
	ogan timp;
Skrihyom Han	1811-1892 Aus comp	WH 9	245
	5 religious choral woriks SATB
	and brass
Sonneleiter, Antonius	early19th Aus compo	WH 9	245
	Parthia 21-02, r mvts
Splichal, Jan	18th Czech compo	WH 9	245-6
	14 church choral works SATB winds
Springer, ?	Wachpadrade Marsch for Türkische
	musik
Ssadler, Maximilian	Abbe 1748-1835 Aus comp	WH 9	246
	one pariotic chodral work for voices
	and winds 1818
Sstadler, J.	1800-1828 Austria comp	WH 9	246
	12 deutsche Tänze 6-part
	Harmoniemusik
Starke, Friedrich	1774-1835 Aust comp	WH 9	246
	24 marches, 3 Variadtions j222-02
	[one on Mozart’s :”O dolce
	Concertgo” and one on Paisiello’s
	“Nel cor piu non mi sento” and
	a Serenasta fodr 222-02
Ssteiner, Ernst	19th C Aust comp	WH 9	246
	one patriotic dowrk for male chorus
	and brass
Streck, P.	19th c. Aust comp	WH 9	246
	6 neue Defilir-Marsche large mil. Bd
Mozart	Var of “O dolce Concerto” for
	222-02 by Friedrich Starke
Paisiello	“dNel cor piu non me sento” arr
	Friedrich Starke for 222-02
Stechi, Antonius	19th c Aus comp	WH 9	247
	march [for the cornation of the Sa
	Majesti Apostolique Comme as-
	king of Hungary
Strauss, E.	19th c . Aust comp	WH 9	247
	Valse and wedding songs Op. 200
	band
Srauss Johann, Sr	1804-1848 Aust comp	WH 9	247
	marches for Harmoniemusik
Strauss, Josef	son of above 1827-1870 Aust comp[	WH 9	247
	2 marches ladrge band
Strobe, Heinrich	19th Aust comp	WH 9	247
	one Tänz 1870
Suppé, Franz von	1819-1895 Aust comp	WH 9	247
	2 Trauer Chor, voices and winds
	and a marsch “Boccaccio band
Swoboda, ?	18th Aust comp	WH 9	247
	one Imiliary marsch
Theny. Jan	19th Czech comp	WH 9	247
	Missa in Eb SAB 20-02 odrgan
Thiele, Edward	19th c. Aust comp	WH 9	247
	Festgdrfuss male chodrus, winds
	for the wedding of Prince Wilhelm,
	Schaumburg-Lippe
Tomásek, Vaclav	1774-1850 Czech comp	WH 9	247
	3 marsches for mil mjus
Tosti, Frantisek	earlyh 19th c. Czech comp	WH 9	247
	6 Partitas
Trautzl, Jacob	19th Czech comp	WH 9	247-8
	, 2 funeral Cantatas for SATB,
	winds. One Pathia
Triebensee, Joseph	19th c. Aust comp	WH 9	248-50
	great number of transcriptions of
	opera arias [lised in vol WH 8].
	Here hsioriginal music 61 works
	inc. A Traer-Marsch for the funeral
	of Prince Alois Liechtenstein and
	veryh mjusical variations on themes
	of Mozart,, 2 by Haydn and one on
	“Ach!du Lieber Augenstein. Also
	a Concerto for Clavicebalo and
	and a Grand Quintet; for piano,
	11-, Eng. Horn,basset horn.
	Triebensee was oen of the great
	composers for Harmoniemusik of
	the 18th c. and also a perfect
	model of the court mujsician of that
	era, going where the job was. He
	was first the principal oboe in the
	Vienesse emperor’s original
	court Harmoniemusik, then became
	the leader/conductor of an
	important Vienesse Prince
	Liechtenstein, when he produced
	his great volume of Harmoniemusik
	arrangements and finally as the
	principal conductor of the Prague
	Opera.
Tucek,Vincenc	19h Czech comp	WH 9	250-1
	2 church choral works fosr voices
	and wins
Valenta,Bedrich	19th Aust comp	WH 9	251
	a work for pinao and wind orch
Veselý, Thad	19th c. Czech comp	WH 9	251
	[germanized name Wessely
	on choral wok for SATB, 1022-02
Vitisek, Jan	1770-1839 Czechl comp	WH 9	251
	[Ger name Witasek]
	5 works for chodrus and widns,
	4 marsches and a Partita
Vojacek, H.	19th Czech comp	WH 9	251
	3 woks for Türkische musik
Volkert, Frantisek	19h Czech comp	WH 9	251
	onel choral work for “Corporfis
	Christgi”; 3 Harmoniemjusik works
	one an “Echo and Rujssische Aire”
	fof 22-02
Wagner, Franz Josef	late 19th c. Aust comp	WH 9	252
	73 works for mil band and a
	“Nachtlicher Grjuss” for 4 flug.hns
	and a bombardon
Waldeck,Karl	19th c. Ausst comp	WH 9	252
	Chistmas Oratorio for SATB,
	1022-02
Wanisek, Otto	19th c. Aust comp	WH 9	252
	one “Wien Tänzmarsch for mil band
Weber. Friedrdich D.	1766-1842 Aust comp	WH 9	252
	6 marches, 3 sextets, 3 Quartets
	marches: 1202-12, piccolo,
	contrabsn
Weber, Wilhelm	earlyh 19th c? Aust comp	WH 9	252
	2 works for male voices, 21-02
Weigl, J.	19th c. Aust	WH 9	252
	a Variations for Türkish musik
	and a Journal for 222-02,
	contrabsn
Wenusch, Stanislaus	19th Czech comp	WH 9	252
	18 woks fo 5 tpts, timp; and 13
	Leichen Arias for SATB, winds
Wiedemann, Josef	19h Aust comp	WH 9	252
	“La vie parisieune” for mil band
Winkler, Johann	19th c Aust comp	WH 9	252
	8 Trauer Arias for SATB, winds
Winkler, Martin	19th Austg comp	WH 9	252
	11 Ländler 22-22
Wittassek, Augustg	19tgh c. Aust comp	WH 9	252
	Ave Maria 1842, SATTBB 22-02
Witte, Johann	1872 Aust comp	WH 9	253
	One work for mil band
Wolf, Josef`	19th c. Aust comp	W253
	A Hymn for SATB, brass, organ
	and a Jubel-Marsch [for Franz
	Josef I]
Wolf, Cyrill	19th c. Aust comp	WH 9	253
	Tantum ergo 1848 for SATB, 22-02
Wöltl, Joseph	1773-1812 Auss comp	WH 9`	253
	6 sonatas 202-02
Wranitzky, Anton, Jr.	19th Aust comp	WH 9	253
	12 deugsche Tänze for piano and
	Türkischer Musik
Zangl, Josef Gregor	19th Aust comp	WH 9	253
	“Bethstunde” for Harmoniemujsik
Zavertgal,Josef	1819-1893 Aust com[p	WH 9	253
	manyh works for band [cited in
	Grove XX, 654
Zavertdal, Laadislao	1849-1942 Austg comp	WH 9	253
	a work for SATBk mil band
Zavertal, Vaclav	19th Czech cojmp	WH 9	253
	“God Save the King” for band
Ziehrer, Carl M.	19TH Aust comp	WH 9	253
	14 works fo r mil band
Zitek, ?	19th c Czech comp	WH 9`	253
	SAB 2020-32. timp
	organ
Zumsteeg, Jan	19th c. Czech comp	WH 9	253
	a work for voice, 1111-02
Anonyhmous	19th c. Aust coll c. 1830	WH 9	253
	anon arr for Türkischer band
	arr works by Kubicek, Birnbaum
Kubicek, V.	anon arr of one of his workis	WH 9	253
Birnbaum	anon arr of one of his workis	WH 9	253
Anonymoujs	19th c. Austg Coll c. 1831
	anon arr for Türkischer mjusik
	works by Kubicek and J. Strauss
Kubicek, V.	anon arr of one of his workis	WH 9	253
Strauss, J.	ann arr of one of his works	WH 9	253
Anonymous	19th c. Ausgt coll. C, 1844
	anon arr for Türkischer mjusik
	works by Adam and Conizetti
Donizetti	anon arr of one of his workis	WH 0	253
Adam	anon arr of one of his workis	WH 9	253
Anonymous	19th c. Aust Coll c. 1800	WH 9	253
	anon arr of works for Türk band
	byh Walter Haydn, Blasius
Walter, ?	anon arr of one of his workis	WH 9	253
Haydn	anon arr of one of his workis	WH 9
Blasius,?	anon arr of one of his workis	WH 9	253
Anonymous	19th c. Aust Coll c. 1852	WH 9	253
	arr.49 opera arias by Bellini,
	Bujsek, Donizetti, Gabetti for
	large mil band
Bellini	anon arr of one of his workis	WH 9	253
Donizetti	anon arr of one of his workis	WH 9	253
Gabetti	anon arr of one of his workis	WH 9	253
Adam, Charlefs A.	1803-1856 comp, arranged work	WH 9	254
Anonymous	work of Charles Adam arr for
	Türkische musik
Auber	19th c composer work arr.	WH 9	254
Anonymous	a work of Auber arr for Türkish mu	WH 9	254
Beethoven	19th c. works arr for band	WH 9	254
Starke, Friedrich	Beethoven’s Egmongt overture	WH 9	254
	arr for 20-part mil band
Seyfried	Beethoven Equale arr for	WH 9	254
	Beethoven’s funeral for TTBB,-004
Wagner, J. F.	arr Beethoven overture to Fidelio	WH 9	254
	for mil band
Anonymous	arr of Beethoven’s Türkischer	WH 9	254
	Masch [?] for Türk. Musich
Hulbe, Franze	arr Beethoven Sonata Op. 27,	WH 9	254
	fist mvt for mil band
Anonymous	arr Beethoven’s Wellingtons-	WH 9	254
	Sieg oder: die Schlacht bey
	Victoria, Op. 91 for 27-part band
Bellini	19th c. 7 works arr for band	WH 9	254
Berlioz	Branders Lied, from Faust arr band	WH 9	254
Boieldieu	anon arr 5 mvts from “Juan de	WH 9	254
	Paris for band
Diabelli	Overture arr Vojacek for band	WH 9	254
Vojacek, H.	Diabelli Overture arr 1844, band	WH 9	254
Dalayrac	ann arr March from Der Dichter	WH 9	255
	[Dalayhrac is composer]
Donizetti	13 19th arr of his mujsic for band	WH 9	255
Gomez, Carlos	arr balletg music from his Il Guarany	WH 9	255
	for band byh Johann Witte 1866
Witte, Johann	arr of Gomez’a ballet music from	WH 9	255
	Il Gurarny
Gounod	Music from Faust arrf for mil band	WH 9	255
	by Johann Paulis Dir, Mil Musi
	club of Pague
Paulis, Johann	Dir. Mil Mus Club of Pague, arr	WH 9	255
	music from Gouno’s Faus
Herold	Overture to Zampa arr anon band	WH 9	255
Marschner	anon arr of Marcia from Der	WH 9	255
	Templer und die Judin for band
Meyerbeer	19th c arr of his music for band	WH 9	256
Mozart	19 c arr of 5 works for band	WH 9	256
Buresch, Adalbert	19th c. arr of Mozart Symphonies	WH 9	256
	11, 12 [actual by Leopole M] 14,15
	for band
Müller, W.	Works from Schlagfest and	WH 9	256
	Trvoli arr fo band
Pacini, G.	2 pieces from Alexander von Indien	WH 9	256
	forband, annon
Paer	anon arr Duetto for band	WH 9	256
Purebl, Jos.	1768-1838 3 mvts from his ballet	WH 9	256
	Figaro arr band. “Mjsicien de la
	cour”
Rossini	2 anon arr from Armida, 7 mvts,	WH 9	256
	and Elisabeth Königin von England
Schiedermaher	“Deutsche” arr Osswald for band	WH 9	256
Osswald	arr Schiedermaher’s Deutche for	WH 9	256
	band
Strrauss ?	10 works arr for band, by	WH 9	256
	Weinlich [1845], Hladky [1830],
	Beyerbach [after 1850] and others
Weinlich, ?	arr work by Strauss	WH 9	256
Hladky, ?	arr work by Strauss	WH 9	257
Beyerbach	arr work by Strauss	WH 9	257
Strauss, Johann	Blaue Donau arr for band by	WH 9	257
	Franz Kaschte
Kaschte, Franz	arr Strauss Blaue Donau for band	WH 9	257
Suppé, Franz von	Poet and Peasant arr for band by	WH 9	257
	Kinast [1874]
Kinast, ?	arr Suppé Poet and Peasant for	WH 9	257
	band [1874]
Sykora, Franz	Jagd-Marach 1816 arr for band by	WH 9	257
	Gänsbacher
Gänsbacher, ?	arr Syhkora’s Jagd-Marsch for band	WH 9	257
Titl, A. E.	2 works for band arr Vojacek	WH 9	257
Vojacek, H.	arr 2 works by Titl for band	WH 9	257
Verdi	6 works arr for band by Buesch,	WH 9	257-8
	Rasche [1864], Weyr, F.W. [1857],
	Belloli [1840-50], Török [1858]
	and W. Landa
Buesch	arr of a work by Verdi [1865]	WH 9	258
Rasche	arr of a work byh Verdi [1864]	WH 9	258
Weyr, F. W.	arr of a work by Verdi [1857]	WH 9	258
Belloli	arr of a work by Verdi [1840-540]	WH 9	258
Török, ?	arr of a work by Verdi [1858]	WH 9	258
Wagner, Richard	3 19th c. works arr for band	WH 0	258
	by C. Riefenstahl [1856-58]	WH 9	258
Riefenstahl,C.	arr 3 works of Wagner for band	WH 9	258
Winter, ?	anon arr 8 mvts of Le sacrifice	WH 9	258
	interompu for band
Zincarelli	anon arr of “Quinto Fabio” for band	WH 9	258
Ancot, Jean	1779-1848 Belgium comp	WH 9	259
	14 works for winds
Ansiaux, Herbert	18th Belgium comp	WH 9	259
	one Bolero for 222-02
Benoit, Petrujs	1834-1901 Belgium comp	WH 9	259
	one work for chorus and band
Burbure de Wesem	Wesesmbeck, Chevalier, Belg	WH 9	259
	1812-1889
	15 works for wind orch
Campenhaut, Franç	François Van 1779-1848 Belgium	WH 9	259
	29 Modrceaus for Harmoniemusic
Fauconier, B. C.`	19th Belgium comp	WB 9	259
	4 marches mil band
Fétis, François J.	1784-1875 Belgium comp	WH 9	259
	Messe de Requiem [1850]
	[for the queen of Belgium]
	SATB, large brass band, org, perc
	Walses for Harmoniemusik
Gilson, Paul	1865-1942 Bellgium comp	WH 9	259
	3 works for brass, one for mll mus
Hanssens, Charles	1803-1871 Belgium	WH 9	259
	band mjusic [Gfoves XIII, 154
Henchenne, Laurent	19th Belg`comp[	WH 9	259
	one madrch formil band
Lekeu, Guillaume	1870-1894 Belgium	WH 9	259
	Introduction and Adagio 1894 for
	wind orchestra
Mees, Joseph-Henri	1777-1858 Belgium	WH 9	260
	Chant National, TTB, band
Mengal, Martin J.	1784-1851 Belgium	WH 9	260
	14 works for Harmoniemusik
Samuell, Adolphe	1824-1898 Belgium	WH 9	260
	3 works for chorus and winds
Snel, Joseph F.	1793-1861 Belgium	WH 9	260
	3 workss for band [conductor of the
	Sociėtė Royhale de la Grande-
	harmonie in 1831]
Tuerlincks, Corneille	1783-1850 Belgium	WH 9	260-
	many wodks for band [Grove XIX,
	250] founded and directed
	several band societes in Mechlin
Zerezo, Isidore	19th c. Belgium	WH 9	260
	one march for mil band
Hartmann, Emil	1836-1898 Denmark	WH 9	261
	Serenade, Op.43 1122-02, cello,
	st bass
Hartmann,Johann	1895-1900 Denmark	WH 9	261
	3 works for wind orchestsra
Anonymous	Coll for mil band England	WH 9	263
	inc woks by Voight and Miguel
	all ded to Queen victoria
Voight, ?	In a Collecion of band mus England	WH 9	263
Miguel, ?	In a Collecion of band mus England	WH 9	263
Anonymous	19th c.England	WH 9	263
	Grand Neapolitan March, band
Ackermann, ?	1883-1893 Eng	WH 9	263
	Divertimento on Scotch mel. Band
	3 marches
Adams, Thomas	1785-1858 Eng	WH 9	263
	Grand madrch 1808
Aigette, [Pseud.]	19th Eng	WH 9	263
	Polka
Allem, William	19th Eng	WH 9	263
	Polka for “Octet band”
Amillon, Edouard	1886-1888 Eng	WH 9	263
	4 wodrkis for band
Andreozzi, Gaetano	Ital in Eng 17754-1826	WH 9	263
	one march
Andrew, Enos	19th Eng	WH 9	263
	one Valse for band
Aniebas, J.	1897-1898 Eng	WH 9	283
	Polka and mazurka
Ansel, M.	19th Eng	WH 9	263
	one march
Applin, W. T.	19th Eng	WH 9	263
	Pas sewul, Claire for band
Arbuckle, John	19th Eng	WH 9	264
	march and a polka
Archambeau, ?	19th Eng	WH 9	264
	“The Emchantress for band
Arscott, Julius	19th Eng	WH 9	264
	one march
Asch, Georg	19th Eng	WH 9	264
	3 light works for band
Archer, Joseph	Dutch in Eng 1829-1869	WH 9	264
	2 light works for band
Balafe, Michael W.	Iriish in Eng 19th	WH 9	264
	march 1232-443, perc, bassi
Ball. S.	19th Eng	WH 9	264
	marches for band
Banner, John	19th Eng	WH 9	264
	one march
Banta, Frank P.	19 19th Eng	WH 9	264
	one march for mil band
Barrett, Emmeline	19th Eng	WH 9	264
	one gavotte
Barrett, R.	19th Eng	WH 9	264
	2 marches, a polka
Barthmann, Charles	1883-1893 Eng	WH 9	264
	3 marches
Bartholomeus, ?	19th Eng	WH 9	264
	one march
Basquit, Heinrich	1868-1879 Eng	WH 9	264
	6 popular wordks for band
Beer, Alfrfed	19th Eng	WH 9	265
	one march
Belville, Edwad	19th Eng	WH 9	265
	one mafch
Becker, ?	19th Eng	WH 9	265
	one Mdafche aux flambeaux
Benedict, Sir Julius	1877-1883 Eng	WH 9	265
	one Overture and 5r popu lar works
Bennet, C. W.	1894-1900 Eng	WH 9	265
	Overure and 7 marches [with
	solo cornet]
Bergmann, Eduarfd	1854 Eng	WH 0	26r5
	2 pop works
Bergson, M.	19th Eng	WH 9	265
	Air de concert for band
Bidgood, Thomas	19th c. Eng	WH 9	265
	one Pas redouble
Billema, ?	19h Eng	WH 9	265
	one polka
Bishop, Henry	1786-1855 Eng	WH 9	265
	several marches, one for the funeral
	of the Djuke of Wellinggon 1852
	2242-443, bass saxophone,
	serpent, ophicleide, percussion
Blake, lCharles	19th c. Eng	WH 9	256
	one march
Blancheteau, ?	1873=1881 Eng	WH 9	265-6
	3 works for fife and drum
Bogaerde, F. L. van	van den 1885-1887 Eng	WH 9	266
	q2 p op woks and a Concertino
	for clar on themes from Bellini
	“Norma” for band
Bellini	solo work by Bogaerde, F. L.on
	themes of Bellini “Norma” band
Boggetti, Edwin	1889-1895 Eng	WH 9	266
	5 pop works for band
Bonnisseau, ?	1873-1881 Eng	WH 0	266
	Overture for “Octet band”
	Cambria, Welsh medley, octet bandFuneral Andante for s
	Funeral Andane, for brass
	c 35 marches for brass, or octet
	band, or fife and drum. Many polkas
	valses, Quadrilles, Schottisches,
	galop, etc
Bosisio, ?	19th Eng	WH 9	266
	march, fife and drum
Boulcourt, Alfred	19 Eng	WH 9	266
	Trombone polka
Bousquet, Narcisse	1873-1881 Eng	WH 9	266-7
	7 marches, 10 polkas, valses,
	Boilero, 3 Varsovianas, Quadrille,
	2 Schodttisches, 2 Redovas,
	and 2 Fandangos with variations
Brewer. Josiah	19 Eng	WH 0	267
	a polka with piccolo solo
Brewer Mark A.	19th Eng	WH 9	267
	a Concert P:olka wih piccolo solo
Bridge, Sir John F.	19th Eng	WH 9	267
	a Jubilee Anthem for band
Briffaux, J. B.	1885-1887 Eng	WH 9	267
	2 pop works
Briggs, E. C.	19th Eng	WH 9	267
	one Pas redouble
Brooks, C.	19th c Eng	WH 9	267
	an “American Quick Sep” march
Brooks, E.	1881-1884 Eng	WH 9	267
	7 marches
Brunet, L.	c, 1877 Eng	WH 9	267
	5 marches
Brunette, ?	19th Eng	WH 9	267
	one waltz
Bucalossi, Ernest	1886-1898 Eng	WH 9	267-8
	6 Valses, 4 polkas and a march
Bucalossi, Procida	1883-1898 Eng	WH 9	268
	5 light works
Bujrfald, ?	19h Eng	WH 9	268
	one gavote
Burckhardt, ?	1863-1864 Eng	WH 9	268
	3 light works for band
Burns, Felix, Sen.	19 ?Eng	WH 9	268
	one polka
Calcott, J.W.	19TH Eng	WH 9	268
	“Queen of the valey” for band
Cambier, Victor	1873-1877 Eng	WH 9	268
	2 light works for band
Capati, R.D.	19th Eng	WH 9	268
	one Valse for brass band
Carbon, ?	19th Eng	WH 9	268
	Redowa for fife and drum band
Cardew, Phil	19th Eng	WH 9	268
	one polka
Carter, Henry	19TH Eng	WH 9	268
	one march
Cavallini, P.	19th Eng	WH 9	268
	a Scotch Medley for band
Cellier, Alfred	19th Eng	WH 9	268
	Valse, A Summer Night in Munich
Clement, J.	19TH Eng	WH 9	268
	a polka
Clendon, Hugh	1883-1895 Eng	WH 9	268
	3 light numbers
Colline, Victor	19th Eng	WH 9	269
	a Quaddrille
Conradi, A.	1860-1874 Eng	WH 9	269
	2 minor pop works
Conterno, G. E.	19th Eng	WH 9	269
	Aia e coro for band
Cook, H. J.	1892 Eng	WH 9	269
	one march for band
Cooke, Grattan	1854 Eng	WH 9	269
	Russian Carriage Song for band
Coote, Charfles, Sr.	1877-1880 Eng	WH 9	269
	2 Qujaddfrilles; 17 works for fife
	and drum 1544
Coote, Charles, Jr	1876-1894 Eng	WH 9	269
	10 Quadrilles; 15 Valses [for band,
	brass band, fife and drum; 6 polkas
	[same 3 inss]; 2 Galops and a
	“Echoes of London” for band
Couldery, Claudius	1899 Eng	WH 9	269
	Famtasias for trumpet, for band
Cowen, Sir Frederic	1871-1896 Eng	WH 9	269
	2 minor pop works
Croft, Frederick	1886 Eng	WH 9	269
	one march
Croisez, ?	1871 Eng	WH 9	269
	one Quadrille
Crowe, Alfred	19 th c. Eng	WH 9	270
	one valse
Czibulka, ?	19th c Eng	WH 9	270
	a lQujadrille
Czibulka, Alphons	1874-1894 Eng	WH 9	270
	galop and a govotte
Deacon Charles	1885-1892 Eng	WH 9	270
	a valse
Desblins, A.	1877 Eng	WH 9	270
	valse and polka
Dodwell, Samuell	1884-1885 Eng	WH 9	270
	gavotte and Schotdtische
Dust, Charles	1873-1885 Eng	WH 9	270
	3 marches and a galop
Dyke, Robert	1877-1892 Eng	WH 9	270-1
	3 polkas; 44 marches [many for
	fife and drum] 4 Schottisches;
	3 valses, a Fantasia and a Galop
	most of all for fife and drum
Eaton, William G.	1885 Eng	WH 9	271
	Quadrilole, fife and drum
Eilenberg, richard	19th c. Eng	WH 9	271
	Idhylle, “The Foesgt Ranger’s
	Courtship” band
Elliot, Sanislaus	19th Eng	WH 9	271
	Intermezzo for band
Elrington, Willaim	19th Eng	WH 9	271
	The Austrian Retreat, for band
Embury, ?	19th Eng	WH 9	271
	Miliary Overture
Ercilla, B. de	19th Eng	WH 9	271
	one Schottsdische
Evans, Charles	Earlhy 19th Eng	WH 9	271
	one march
Fare, Florence	pseud. fof Rawlings, Wm Eng	WH 9	271
	3 valses and a Schottische
Rawlings, Wm	[wroe unde name Flofrence Fare	WH 9	271
	3 valses and a Schottische
Farrell, James	1889-1896 Eng	WH 9	271
	;4 polkas
Faust. C.	1864-1883 Eng	WH 9	271
	5 galops; 2 polkas; 2 Mazudrkas
	a Quadrille
Fechner, A.M.	1894 Eng	WH 9	271
	2 marches for fife and drum
Fetras,Oscar	1896-1899 Eng	WH 9	271-2
	10 valses; 2 marches, 21 polkas
	a Qjuadrille and a gavotte
Fiehrer, ?	19th c. Eng	WH 9	272
	one march
Field, Alfred	1883-1892 Eng	WH 9	272
	8 marches for fife and drum; one
	Galoop;forfifeand drum
Foster, D.	1881 Eng	WH 9	272
	Marsch “New York” for band
Franke, Theodor	1896-1899 Eng	WH 9	272
	polka and an Intermezzo
Fredhe, ?	1880 Eng	WH 9	272
	a polka
Frewin, Edward	1878 Eng	WH 9	272
	a polka and a Quadrille
Fricke, C.	1880 Eng	WH 9	272
	one Galop
Gassner, G.	1880-1887 Eng	WH 9	272
	Overture; 2 marches [one for brass
	band]; a Fantaisiek a Valse and a
	Cavaina [solo clar]
Glover, CharlesW.	1897 Eng	WH 9	272
	Divertimento on chinese melodies
Godfrey, Adolphus	1861-1881 Eng	WH 9	272
	10 marches; 3 Gaalops 3 Walzes,
	a polka, Quadrille,Russian dance;
	Bassoon solo, “Lucyh Long”; and
	Reminiscences of all Nations
	Reminiscences of Ireland
	Reminiscences of Scotland
	Reminiscences of Wales
Godfrey, Arthur	1892-1893 Eng	WH 9	273
	polka, March, Wedding hymn [God
	bless the royhalpair] band
Godfrey, Charles, Sr	1856 Eng	WH 9	273
	Sardinian national Aires band
Godfrey Charles, Jr	1870-1887 Eng	WH 9	273
	20;marches; 16 Valses; 6 Galops;
	3 Polkas; 5 Quadrilles;
	a Schottische; 2Fantaises;a
	“popular selection; and a “Grand
	all of above are for band, many
	with alternative versions for brass
	band and fiffe and drum
Godfrey, Daniel	1854-1865 Eng	WH 9	273
	4 Waltzes; 6 marches;2 Quadrilles
	;2 polkas; “National Airs”
	all of above are for band, many
	with alternative versions for brass
	band and fiffe and drum
Godfrey, Sir Daniel	1888-1897 Eng	WH 9	273
	a polka; Six Hymn Tunes for the
	Commemorations of the Queen’s
	Reign
Graves, W.T.	1873-1877 Eng	WH 9	274
	2 polkas, one for octet band, one
	for brass band
Gurtner, Jean	1876-1880 Eng	WH 9	274
	12 marches
Guest, George	1771-1831 Eng	WH 9	274
	5 Troop marches
Hare, Edwin, C.F.	1873-1887 Eng	WH 9	274-5
	54 marches [one basded on
	“Onward Christian Soldiers” all for
	varying ints of band, bass band,
	fife and drum] 4 Schottisches;
	3 Country Dances;
	;3 Galops; 2 Mazujdrkas [with
	settings for brass band and fife and
	drum; a Christmas Carol for brass
	; a Quadrille;2 Fantaises; Grand
	selection, Sea-Side; National
	melodies [for fife and drum!] and a
	“2nd Series of Qujntets
	for wind instruments
Harper, ?	1875 ENG	WH 9	275
	a Galop
Hartner, H.	1968 Eng	WH 9	275
	3 marchs and a Galop
Hawkes, W.	1863 Eng	WH 9	275
	2 P:as redoubles for mil band
Heinsdorff, ?	1867-1880 Eng	WH 9	275
	2 polkas and a galop
Hinchliff, W.S.	1899 Eng	WH 9	275
	Ave Maria, for bnd
Hoby, C.	1890 Eng	WH 9	275
	Intermezzo, “Phryne” for band
Holden, A., Jr	1896 Eng	WH 9	275
	one gavotte
Jones, J. G.	1852 Eng	WH 9	276
	a waltz and a “Good Nigh Polka”
	for 1040-443, alto horn tenor horn,
	“Clavicor,” ophicleide
Jones, Sidney	18th Eng	WH 9	276
	onel march
Jouve, J,	1815 Eng	WH 9	276
	The Austrian Retrait [1815]
	2022-12, serpent, perc
Jullien, ?	19th Eng	WH 9	276
	2 polkas [in Jullien’s Journal 1850]
Kappey, Jacob .	1877-1887 Eng	WH 9	276
	a serenade, gavotte and 3 marches
Koenig, H. L.	1854 Eng	WH 9	276
	one polka
Kuecken, F. W.	1880 Eng	WH 9	276
	Arie, “Der Pratendent,” band
Kühner, ?	1863-1864 Eng	WH 9	276
	3 polkas, 2 Galops Redowa,
	march
Laurent, H	1856 Eng	WH 9	276
	Valse, Galop, Polka 1252-443,
	alto horn, basssi, perc
Lange, G	1878-1882 Eng	WH 9	276
	3 Songs without Words
Leslie, Steward	late 19th Eng	WH 9	276
	Danse des Zauyes, band, solo picc
Liddell,l John	1886 Eng	WH 9	276
	one Valse
Lincke, P.	late 19th Eng	WH 9	276
	one valse
Loetz, Paul de	late19th Eng	WH 9	277
	Indtermezzo “On the Road gto
	Moscow” band
Lortzing, G. A.	late 19th Eng	WH 9	277
	Fest-Overure
Lucas, Charles	1808-1869 Eng	WH 9	277
	Septet, 1122-01
Luchwitz, H.	late 19th Eng	WH 9	277
	one march
Lutz, Meyer	late 19th Eng	WH 9	277
	one polka
Maanen, J. C. van	1865-1875 Eng	WH 9	277
	2 Valses
Mackenzie, Alex	1847-1935t Eng	WH 9	277
	one funeral march
Maillart, L. A.	1879 Eng	WH 9	277
	Overeture “Les Dragons de
	Villars”
Marliani,M. A,	1863 Eng	WH 9	277
	Aria,”Stanca di piu p combattere”
Mazzinghi, Joseph	1765-1844 Eng	WH 9	277
	67 Military Airs or Divertiment
	[Grove XI, 868]
Meissler, J.	late 19th Eng	WH 9	277
	Belle amie, for band [name is
	Pseud for ?]
Michaelis, ?	19th Eng	WH 9	277
	one Galop
Molloy, J. L.	late 19th Eng	WH 9	277
	Song, “Love’s old sweet song”
Morten F.	19TH Eng	WH 9	277
	one Valse, ” Wiener Chic”
Moths, ?	late 19th Eng	WH 9	277
	one work “Nachfalter”
Muth A.	late 19th Eng	WH 9	277
	one polka
Napravnik ?	late 19th Eng	WH 9	277
	one march
Neumann, ?	19th Eng	WH 9	278
	one Galop
Ochschlegel, Alfred	1900 Eng	WH 9	278
	one march
Oldenburg, P. G.	mid 19tgh Eng	WH 9	278
	one Polonaise
Parry, C. H. H.	1848-1918 Eng	WH 9	278
	Nonet, 1122-02, Eng horn
Peplow, ?	19th Eng	WH 9	278
	one Galop
Pick, Henry	TT 19th Eng	WH 9	278
	20 works for Harmonie 2042, 12,
	serpent
	Collection of Part-books:
	202-02, serpent, 2 basset horns
	contains an Andantino by Sir
	Wm Herschel and 2 chorles
	Collection of 11 works, 4 marches
	and a Divertimento, c. 1800
	2042-221, serpent, perc
	37 Military Divertimentos
	22-12, serpent
Posse, ?	19th c. Eng	WH 9	278
	one galop
Herschel, Wm Sir	early 19th Eng	WH 9	278
	an Andantino in Pick, Coll.
Potter, Samjel	c. 1800 Eng	WH 9	278
	new slow marches
Pritchard, ?	19th Eng	WH 9	278
	one Galop
Prout, Edwin H.	1881-1895 Eng	WH 9	278
	4 Valses
Reissigler, G. G.	19th Eng	WH 9	278
	“Velva” for band
Relle, H.	19th Eng	WH 9	278
	one Quadrille
Reyloff,Ed.	19th c. Eng	WH 9	278
	an unnamed slow mv for band with
	solo cornet or euphonium
Riche, J. B.	19th Eng	WH 9	279
	one Galop
Robertson, G. P.	late 19th Eng	WH 9	279
	“Reveil d’amour” for band wirh
	solo cornet
Roedeberk, ?	19th Eng	WH 9	279
	one Galop
Roeder, O.	late 19th Eng	WH 9	279
	a polka and “The Sultan of Mocha”
Rosenstein, T.	late 19th Eng	WH 9	279
	a Romance for band
Royle, Thomas P.	late 19th Eng	WH 9	279
	one Valse
Schallehn, ?	19th Eng	WH 9	279
	Galop “Death or Glory
Schmidt, G.	19h Eng	WH 9	279
	Qujartet, Chorus, band “Der
	Weibertreue”
Seifert, Anton	19th Eng	WH 9	279
	one Quadrille
Seydel, Oscar	19th Eng	WH 9	279
	one march
St. Leger W. N.	19th Eng	WH 9	279
	Balaclava March 1252=443,
	alto horn, bassi, perc
Standhaft, R. F.	19TH Eng	WH 9	279
	one Galop
Stanford, Charles	1852-1924 Eng	WH 9	279
	3 mil marches; and Installation
	March for the Chancellor of
	Cambridge Univ 1892
Stasny, ?	19h Eng	WH 9	279
	one polka
Thomas, C. S.	19dth Eng	WH 9	279
	“Funeral March, in memoriam” for
	the funeral of Friedrich III, mil band
Tinney, F. G.	mid 19th Eng	WH 9	280
	Avalance Galop 2252-453, perc
Vasseur, J.	1885 Eng	WH 9	280
	“Conti” for band
Vivian, L.	19h Eng	WH 9	280
	Hampton Court Quick-Step march
Vogler, C.	mid 19th Eng	WH 9	280
	one polka
Waddell, James	19th Eng	WH 9	280
	Fackeltanz, 4252-443, tenor clar,
	2 tenor horns, bassi, perc
	[rare tenor clar]
Waldteufel, E.	19th Eng	WH 9	280
	5 Valses, , and [?] La Plus belle
	Gouttes de rosee
	Declaration
	La Source
	Recits d’amour
Waley, Simon W.	19th Eng	WH 9	280
	Marche des guides
Watson, William H.	19th Eng	WH 9	280
	March, and Morris Dance
Webb, William	1810 Eng	WH 9	280
	Isle of Wight Slow March 42-12
Weilland, ?	1800 Eng	WH 9	280
	Harmonie 222-02
Weill, Karl	TT 19th Eng	WH 9	280
	8 marches 1052-641, perc
West Alfred H.	19th Eng	WH 9	280
	one march
Williams, Warwick	19th Eng	WH 9	280
	Overure and 7 light workd
Wood, James	1890 Eng	WH 9	281
	one march
Ziehrer, ?	19th Eng	WH 9	281
	one Galop
Zikoff, ?	19th Eng	WH 9	281
	one Mazurka
Anonymous	15th century “Mon cuor”	WH 10	1
Holborne, Angtony	d.1602	WH 10	1
	Dance forms of wind ensemble
Merulo, Claudio	1533-1604 5 Canzoni a4	WH 10	1
Anonymous	6 works from the German Baroque	WH 105
	inc a Sinfonia in D 302-1
Bausteder, ?	German Baroque	WH 10	5
	Sonata 201-
Bigaglia, Diogento	1676-1745	WH 10	6
	Concerto for 401-
Califano, ?	German Baroque	WH 10	6
	5 Sonatas for 202-
Fasch, Johann	1688-1758 German Baroque	WH 10	6-7
	5 Sonatas 201- and 202-
Förster, Christ.	Christoph 1693-1745 German
	Concerto 501-
	Conceto 302-
Graupner, Chistoph	1683-1760 German	WH 10	7
	Ouverture in F for 3 chalumeaux
	7 mvts
Heinichen, Johann	1683-1729 German	WH 10	7
	3 solo sonatas, oboe, basso
Bach, J. S.	1685-1750 German	WH 10	5
	Sonata, flute and basso
Hendel,?	German Baroque	WH 10	7
	Sonata for102- and 2 solo sonatas
	for flute and bass
Linicke,Johann	b.c.1680 German	WH 10	7-8
	Sonata 102- and 2 duets for flutes
Molter, Johann	1696-1765 German	WH 10	9
	Sinfonia Concertante in D 201-12
	Concereto in D 201-12
	3 Concerti 2001-2
	Quartet -22
	Quartet 4 winds and bass
	8 Marsche 212-02
	Sontata 21-02
	Sonata 202-02
	Symphonia 201-1, 4 mvts
	Symphonia 201-02 3mvts incomplte
	2 Symphoniae in D 201-1
	2 Symphoniae in D 201-1
	2 Symphoniae in D 2001-02
	Symphoniae -04 4 mvts
Praeoriujs, Michael	1571-1621 German	WH 10	9
	Collection, title in Latin
Quantz, Johann	1697-1773 German	WH 10	9
	Sonata 201-
	Sonata 2001-
	Sonata 2-
Stübl, ?	Baroquje German	WH 10	9-10
	Sonata 2-
	solo sonata 1-
Telemann, George	1681-1767 German	WH 10	10
	Sonate 2001-
	Sonata 1101-
	Sonata 100-, bc
Werner, Gregor	1695-1766 German	WH 10	10
	Sonata 202-02
Anonymous	TT Eng Baroque	WH 10	11
	3 marches
Tutors	Eng Baroque	WH 10	11
	for Horn, German flute,Hautboy
Anonymous	Italian Baroque	WH 10	13
	Credo in G 17412, voices, flues,
	horns, viole{?}, organ
Albinoni, Tommaso	1671-1750 Italy	WH 10	13
	Concerto 302-, “alto”
	Sonata ob and bsn
Feo, Francesco	1691-1761 Italy	WH 10	13
	Dixit SSTB 200-02
Lotti, Antonio	1667-1740 Italy	WH 10	13
	Echo 202-
Porpora, Nicola	1686-1776 Italy, Haydn’s eacher	WH 10	13
	Ouverture Roiale 1763
	202-22, timpani
Sammartini, Giov.	1698-1775 Italy	WH 10	14
	Concertino in G 202-02 2 mvts
	Concertino in G 2201-22 one mvt
Vivaldi, Antoniuo	1675-1741	WH 10	14
	Concerto Nr.47 200-02, ‘viol’
	Concerto Nr. 48 200-02 ‘viol’
	Sonata 1102-
Bruzzeh, Joseph	Aujstria 18th c.	WH 10	17
	Salve regina SAT, 222-02
Haydn, Franz J.	Ausria 1732-1809	WH 10	17
	duets for horns and oboes
Kreith, Karl	1746-1809 Aujstria	WH 1-	17
	Partita in C 222-02
Mozart	1756-1791	WH 10	17
	Tito 222-02
	Sei Marce per amonia, inst unknow
	Partita in c minor K. 384a 222-02
	PR 1811
	Partita in Eb K. 375 PR 1792
	Gran Partita in Bb K. 370a
	arr for orchestra by F. Gleissner
	1801
	Jjupiter Symphony arr large band
	in 19th c. _PR 1903
Pleyel, Ignaz	1757-1831 Austrian	WH 10	18
	2 Quintets 21-02
Weigl, Joseph	1766-1846	WH 10	18
	Nachtigall und Raabe 222-02 arr
	by Starbe
Winter, Peter	1754-1825	WH 10	18-9
	Der Lahyrinth, Harmoniemusik
	Serenate Harmoniemusik
Wranitzky, Paujl	1756-1808	WH 10	19
	Nosen armonica 6-partl Harmonie
Wranitzky, Wenzel	18th c.	WH 10	19
	Trios 21-
Gleissner, F.	1801	WH 10	18
	arr. Mozart K. 370a for orchestra
Starbe	18th c.	WH 10	18
	arr Weigl,Joseph work for 222-02
Anonymous	France 18th c	WH 10	21
	Ordonance Mil…School for Tpts
Blasius, Matthieu	1758-1829	Wh 10	21
	Messe en harmonie in C
	SAB 1031-121, bass drum
Della Maris, Pierre	1769-1800	WH 10	21
	Der Gefangene 222-02 [arr]
Eler, Andreas	1764-1821	WH 10	21
	3 Quaretti 1011-01
Lefevre.Jean X.	1763-1829	WH 10	21
	Mere commune des hunains
	chorus andband pub Paris 1796
Méhul Etienne	1763-1817	WH 10	21-22
	Le Chan des Victoires
	chorus and band
	Le Chant du Retour, chor, band
	Chant Funebre…Ferrand
	chorus and band
	Overture
	L’Hyme des Vingt Deux
	chorus and band
	Die Beiden Fuchse 9-part
	Harmoniemjsik
	Joseph und seine Bruder, arr
	Harmoniemusik tracing the story
Anonymous	18th c. Germany	WH 10	23
	10 works mostly for 201-02,
	some with 6 or 7 mvts; one a
	Partita n F, for solo clarinet, 8 mvts
Danzi, Franz	1763-1826 Germany	WH 10	24
	Septet in Eb
	“Herr Gott, Dioch loben we” in Eb
	SATB, 2-22, 2 celli, bass, organ
Feldmayr, Georg	1763-1826	WH 10	24
	Parhia in D, 2222-02
	Parthia in F, 2222-03, bass
	Parthia in F, 291-02
	Sernata in D, 1212-13, bass
Hasse, Johann A.	1699-1783 German	WH 10	24
	Crucifixus, Tenor solo
	Contratenor, 21-, bc
	Marcia [listed in a Noseda catalog
	but I could not find it in the Noseda
	collection]
Hiebesch, Johann	1766-1820 German	WH 10	24
	Parhia in F 1212-03, bass
Hoffmeister, Franz A.	1754-1812 German	WH 10	25
	Sestetto, 22-02
Reicha, Joseph	1746-1795 German	WH 10	25
	2 Parfhias in D, 2222-02, bass
Schneider, ?	18th c. ? German	WH 10	25
	Partita in C, 1-02, 2 Eng. Horns
Scholl, Nikolaus	18th c.	WH 10	25
	“Musikalischer Sammler für die
	Harmonie eigerichter” 10 winds
Schön, ?	18th c German	WH 10	25
	Quartet, 12-01
Vanderhagen, Amand	1753-1822	WH 10	25
	Pezzi d’Armonia, 22-02
	[may consist of opera arrangments]
Weideman, Carl F.	d. 1782, German	WH 10	26
	The Old Buffs March, c, 1760
Witt, Friedrich	1771-1837 German	WH 10	26
	Pieces d’Harmonie, 32-121,
	serpent
Anonymous	18th Eng	WH 10	27
	71 marches
Hill, Frederick	18th c Eng	WH 10	28
	Quick sstep for cls, hns, bsns
Hoeberechts, John L.	1760-1820 Eng	WH 10	29
	A Grand Mil Piece, 42-02.serpent
Hummell, Charles	18th c. Eng	WH 10	29
	“Les Delassements Militaires”
	“full military band”
Hyde, James	18th Eng “Trumpet Major”	WH 10	29
	an instruction book for trumpet
	and bugle with marches for 3 tpts
Tutors	18th Eng	WH 10	29-31
	20 Instructions bks for various wind
	instruments, some with marches,
	mnuets, “airs,” etc
Jouve, Joseph	18th c. Eng	WH 10	31
	The Ausrian Retrfeat
Leach, Thomas	1801 Eng	WH 10	32
	one march
Pick Henry	18th c Eng	WH 10	32
	“Harjmonie…various works by
	celebrated composers arr for
	2042-12, serpent or Trombono,
	bugle horn, bass drum
Spencer, John	18th Eng	WH 10	32
	march for the band of he Oxford
	Shire MIlitia
Worgan, James, Jr.	1715-1753 Eng	WH 10	32
	march forf ghe Loyhal Essex Reg.
	of Fencible Infantry c, 1801
Anonymous	18th c. Italy	WH 10	33
	28 instrumental works, 3 for
	voices and winds
Mozart	18th Italy	WH 10	33
	anon arr of a “Marcia” on a theme
	from Marriage of Figaro
Aber, Giovanni	18th c Italy	WH 10	33
	6 Sonate 2002-02
Adler, ?	18th Italy	WH 10	34
	6 Quintetti 21-02
Altafullla, Ubaldo	fl. 1800-1810 Italy	WH 10	34
	Messa, 3 voices and winds
Arici, Marco	1778-1827 Italy	WH 10	34
	Cum Sancto, SATB 1020-121, org
	Concertino, for oboe and 2021-02
Beroni, Ferdinanco	1725-1813 Italy	WH 10	34
	Beatus vir, TTB, 200-02, organ
	Credo TTB, 5 winds
	Kyrie TTB 9 winds,timp
	Kyrie, TTB 17 winds
	Pastorale e Gloria
	SATB 2201-02, organ, viola{?}
Biber, Franz	1760-1824 Italy	WH 10	35
	Gold lacht der Lag, cantata 1797
	SSTB 2221-12
	Heil und dank den Sieger,
	cantata in C, SATB, 2221-12
	Pange Linqua,SATB, 2222-02
	Panga ingqua SATB, 1022-221,
	piccolo, timp
	Tantum Ergo SATB, solo Eng hn,
	2022-22, organ, timpani
	Tantum Ergo 1796 2202-02, st bas
Bisoni,Anonio	fl. C, 1784 Italy	WH 10	35
	Iste confessor, 3 voices, 2101-02
	organ
Boccherini,Lujigi	1743-1805 Italy	WH 10	35
	6 Fuge per due Fagotti
Bonacci, Francesco	19th c. Italy	WH 10	35
	Mottett,voices and winds
Bonari, Guierriero	fl. C. 1820 Italy	WH 10	36
	Messa in C STB, 1020-02, bc
Borghi, Giovanni	1715-1796 Italy	WH 10	36
	Litanie della B.V. in Bb 1794
	TTB, 122-02
	Litanie in Bb, voices and winds
Brunettii, Giovanni	1715-1808 Italy	WH 10	36
	Messa, 4 voices and winds
	Notte serena e placida, 3 voices,
	2000-02, basso
Cocchi, Gioachino	1715-1804 Italy	WH 10	36
	dujet SS, 2000-002
Domenichini, Anonio	fl, c, 1770, Italy	WH 10	36
	2 Notturni, 2000-02, viola{?}, bc
	Sonaa nottujrna in D 201-02
Furlanetto, Bonavent	Bonaventura 1730-1817 Italy	WH 10	36-7
	Cfredo,SSB, 102-12, organ
	Kyrie SSB, 102-12, organ
	Kyrie e Gloria in F TB, winds, org
	Pange linqua in G 1799 SSB,
	202-02
	Panga linqua, 4 voices, winds
	3 Tantum ergo in C,D, A minor
	TTB winds, org
	Tantum ergo 3 voices 100-02, org
	Tantujm ergo inC, TTT, winds, org
Gandini, Antonio	18th Italy	WH 10	37
	Erminia, 2222-02, contrabsn
Gherardi, Gherardo	18th c. Italy	WH 10	37
	Salve regina in Eb 1799 SSATB,
	222-02
Lenzi, Carlo	1735-1805 Italy	WH 10	38
	Ave maris sgella in D, per
	processione 1780 SATB 201-02
	Ave maris sgella in C, per
	processione 1795 SATB 201-02,
	timp, continuo
	Ave maris sgella in F, per
	processione 1791 SATB 201-, org
	Laudate pueri in F SAB 201-02
	Pange linquie in C 1794 SATB
	222-02
	Sanctorum meritis, per la
	processione de S. Fermo in D
	SATB, 202-02
Moneta, Giuseppe	1754-1806 Italy	WH 10	38
	Musica per Banda e Corio…
	Allegorica nella feste 5 July 1791
	band and chorsu
Nappi, Emanjele	1767-1836 Italy	WH 1`0	38
	La Marchia di Gesu Christo al
	Calvario 0020-12, basso
Piazza, Felici	18th Ialy	WH 10	38
	1 Quintets 21-02
Sarti, Giuseppi	1729-1802 Italy	WH 10	39
	Marcia in C, 4 tpts
Storaro, ?	18th Ialy	WH 10	39
	Macia ijn me bem. Organ, 11 winds
Tassoni, Clemente	18th Ialy	WH 10	39
	Macia funebre dei dilettanti di
	Viadana, band {?}
Vignali, Gabriele	fl,c. 1770 Italy	WH 10	39
	Piaghe ador ate TTB wids
Czeyka, Valentin	b. 1769, Poland	WH 10	41
	Ländler 32-22
Diabelli, Anton	1781-1858 Ausria	WH 10	45
	Triumph Einzfg der Verbundeten
	Michte in Paris, Harmoniemjsik
Fahrbach Philip, Jr	1843-1894	WH 10	45
	Walzer, Polka, Mazurka

Gung’l. Joseph	1810-1889 Austria	WH 10	45
	Symphonic Tone Poem, Op. 103
Hummel, Johann N.	1778-1837 Austria	WH 10	45
	Die Eselshautg oder Die Blau Insel
	Harmoniemusik
	Helene et Paris, Harmoniemusik
	Marsch für das Löbl: Bürgl:
	Artillerie Corps in Wien
Joachim Johann	TT 19th c. Austria	WH 10	46
	Deusch 1823, 7-part Harmonie
	7 Deutsche stücke 1826
	2020-12, percussion
	Nr 2 Marcie 0001=0011
	Marcia, winds
Kéler, Béla	1820-1882 Austria	WH 10	46
	Landler, 3 Valses, Polka, Galopo,
	5 Overtures, one marsch
Komzak,Kdarfl	1823-1893 Austria	WH 10	47
	one polka
Krommer, Franz	1759-1831	WH 10	47-50
	Whitwell essay on he history of the
	Krommer Harmonie publications
Krommer, Franz	Allegro Harmonie Op. 69	WH 10	59-51
	Allegfo Op. 79, includes Op, 67, 79,
	and 83
	Allegro modeato [Partita]
	10 Armonie [2 volumes of scores]
	Harmonie, Op.73
	Ottetto, Op. 57
	Nonetto, Op. 71
	Djue Ottetti, Op. 77 [inc 78]
	Harmonie, Op. 78
	Parthia in Dis [parts]
	Partita, Eb 22-02
	Partita, Eb 22-02
	Ottetti 1-3 [Op. 57, 77, 79]
	Serenata in Si bem
	Sestetto per Armonia
	Collection of band pieces
	Märsche für Türkische Musik
	3 Marches Op. 60
	Le Dieci Armonie, Harmoniemusik
Lanner Joseph	1801-1843 Austria	WH 10	51-52
	Drei Marsche des zweiten Wiener
	Bürger Reg. Op. 157
	Komet-Walzer, Op. 87
	Kromungs-Galloppe 1841, band
	Maskenbilder Waltz, band
	Die Osmanen, Valse, Op. 146
	Wälzer per banda
Leonhardt, Andreas	1800-1866 Austria	WH 10	52
	Hanoverian march
Neukomm, Sig.	Sigismund von 1778-1859 Austria	WH 10	52
	3 fanfares for 4 tpts
	a march and galop for brass band
Nosek, Wenzel	TT 18th c Ausria	WH 10	52
	Fantasie for band
Pardlow,Albert	1824-1888 Aust	WH 10	53
	Angusten Polka
	Damen galop
Sawerthal, Josef	1819-1903 Auist	WH 10	53
	An elegy on the death of the
	Emperor Maximilian
Schubert, Franz	1797-1828 Aust	WH 10	53
	6 Minuetti for winds
	[I am told there 12 more unpublshed
Seyfried,Ignaz Ritter	1776-1841 Aust	WH 10	53
	Libea mi domini SATB, 2221-123
	timp
	Saul König in Israel 9 winds
Ssrauss ?	1866-1887 Aust	WH 10`	53
	[pub 1866-1887 in London w/o
	first names]
	Cocorico Polka, fife and drum band
	Ladies’ Polka, fife and drum band
	Quck March in Eb
Strauss, Edward	1835-1916 Aust [for band]	WH 10	54
	Akademische Burger Valse, Op. 68
	Alpenrose Polka Op. 127
	Carnevals Gruss Mazujrka, Op.8
	Deutsche Herzen Valse, Op. 65
	Doctrinen Valses
	Fesche Geiser Walzer Op. 75
	Fusionen Valse Op. 74
	Valse Hochzeitslieder, Op. 290
	Liebeszauber Polka, Op. 84
	Mit Dampf Galop, Op. 70
Strauss, Johann, Jr.	1825-1899 Aust	WH 10	54-57
	for band: 46 Valses, Polkas,etc.
Straaujss,Josef	1827-1870 Aust	WH 10	58-9
	16 Waltzes, Polkas, etc
Suppé, Franz von	1819-1895 Aust	WH 10	59
	Erzherzog Wilhelm-Marsch
	Mannschaft an bord Overture
	Morceaux obligato pour cornet
Wagner, Eduard	19th c. Aust	WH 10	59
	Miliar-Messe fur Austrian Mil mus
Ziehrer, Carl M	1843-1922	WH 10	59
	Deutsche Lieder Walzer, Op. 98