Master Index – Whitwell on Music

PC — Psychological Problems in Conducting (Whitwell Publishing, Austin, 2016)

AM —Aesthetics of Music Series
AM, I — Vol. 1 Aesthetics of Music in Ancient Civilizations, 2nd edn (Whitwell Publishing, Austin, 2011)
AM, II — Vol. 2 Aesthetics of Music in the Middle Ages, 2nd edn (Whitwell Publishing, Austin, 2012)
AM, III — Vol. 3 Aesthetics of Music in the Early Renaissance, 2nd edn (Whitwell Publishing, Austin, 2012)
AM, IV — Vol. 4 Aesthetics of Music in Sixteenth Century Italy, France and Spain, 2nd edn (Whitwell Publishing, Austin, 2012)
AM, V — Vol. 5 Aesthetics of Music in Sixteenth Century Germany, the Low Countries and England, 2nd edn (Whitwell Publishing, Austin, 2013)

WH — History and Literature of the Wind Band and Wind Ensemble Series
WH, I — Vol. 1 The Wind Band before 1500, 2nd edn (Whitwell Publishing, Austin, 2011)
WH, II — Vol. 2 The Renaissance Wind Band and Wind Ensemble, 2nd edn (Whitwell Publishing, Austin, 2011)
WH, III — Vol. 3 The Baroque Wind Band and Wind Ensemble, 2nd edn (Whitwell Publishing, Austin, 2011)
WH, IV — Vol. 4 The Wind Band and Wind Ensemble of the Classical Period, 2nd edn (Whitwell Publishing, Austin, 2012)
WH, V — Vol. 5 The Nineteenth Century Wind Band and Wind Ensembles, 2nd edn (Whitwell Publishing, Austin, 2012)

Books of Essays Series
MR Ancient Views on Music and Religion (Whitwell Publishing, Austin, 2013)
NW Ancient Views on the Natural World (Whitwell Publishing, Austin, 2013)
ME Early Views on Music and Ethics (Whitwell Publishing, Austin, 2013)
WM Ancient Views on What is Music (Whitwell Publishing, Austin, 2013)
EPP Early Thoughts on Performance Practice (Whitwell Publishing, Austin, 2013)

Name	Subject	Book	Page
Aesthetics	Whitwell definition	AM, I	19ff
Aesthetics	Will Durant	AM, I	1
Art Music	Defined	AM, I	52ff
Beethoven	Meyerowitz on form	AM, I	29
Bicameral brain	Right and left brain	AM, I	47ff
Brendel, Alfred	On emotion in performance	AM, I	37
Conducting	Role	AM, I	39ff
Conducting	Score study	AM, I	39ff
Croce, Benedetto	On Michaelangelo	AM, I	5
Croce, Benedetto	On emotion	AM, I	10ff
Davison, Arch.	On educational music	AM, I	27
Durant, Will	On Aesthetics	AM, I	1
Emotion in Music	Benedetto Croce	AM, I	10ff, 46
Emotion in Music	In performance	AM, I	36ff
Koussevitzky	Artistic worth in performance	AM, I	36
Leonardo da Vinci	“The Last Supper”	AM, I	5
Listener of Music	Various quotes	AM, I	42ff
Liszt, Franz	Artistic worth in performance	AM, I	35
Lully, Jean-Baptiste ,	His death	PC	17
Mahler, Gustav	On the important things	PC	15
McLuhan, Marshall	On phonetic writing	AM, I	30
Melos	Wagner	AM, I	32ff
Meyerowitz, Jan	On Beethoven’s form	AM, I	29
Mozart	Health last week	PC	16
Mozart	Wife’s disposal of scores	AM, I	21
Mozart, Constanze	On Mozart’s death	AM, I	21
Schumann, Robert	On bad compositions	AM, I	27
Wagner, Richard	On miliary band conductors	PC	13
Wagner, Richard	On Melos	AM, I	32ff
Wagner, Richard	On emotion in performance	AM, I	36
Wagner, Richad	His famous Credo	AM, I	28
Wagner, Richard	On conductor’s role	AM, I	31, 38
Whitwell, David	Aesthetics in Music defined	AM, I	19ff
Emotion in Perform	Brendel, Alfred	AM, I	37
Emoion in P:erform.	Wagner	AM, I	36
Military Music	Wagner on military conductors	PC	13
Sendrey, Alfred	Best writer on ancient societies	AM, I	61ff
Art Music	Sumeria, 2600 BC	AM, I	62ff
Art Music	Insruments in Daniel 3:5 and 3:15	AM, I	66
Music Education	Persia 600-330 BC	AM, I	68
Music in Society	Persia 600-300 BC	AM, I	68ff
Strabo	Music in ancient Societies	AM, I	69, 76
Kastner, Georges	Trumpet music in Ancient Persia	AM, I	69
Athenacus	Music in ancient Persia	AM, I	69
Sendrey, Alfred	Music of ancient Egypt	AM, I	73ff
Manniche, Lisa	Music in ancient Egypt	AM, I	75ff
Sendrey, Alfred	Ancient Hebrew Music	AM, I	85ff
Music Education	Old Testament	AM, I	87ff
Old Testament	On music	AM, I	85-99
Wagner, Richard	One pop work ruins concert	PC	19
Liszt, Franz	One pop work ruins concert	PC	19
Walter Bruno	On performing bad music	PC	20
Listener of Music	Wagner on playing for public	PC	21
Music Education	On learning from the repertoire	PC	22
Music in Society	Mozart and Haydn	PC	24
Schumann, Robert	On Vienna	PC	25
Hindsley, Mark	On football music	PC	26
Revelli, William D.	On football music	PC	26
Music Education	On poor Training in style	PC	28
Mozart	His rehearsal score for Figaro	PC	30
Conducting	Famous Sufi parable	PC	30
Military Music	On short scores	PC	30, fn. 2
Bicameral brain	On students in rehearsal	PC	33ff
Oakland, Lloyd	Distinguished music educator	PC	39
Conducting	Ormandy on rehearsal theory	PC	39
Emotion in Music	Whose emotions are they?	PC	41
Giulini, Carlo Maria	On the role of the conductor	PC	42
Conducting	Giulini on the role of the conducor	PC	42
Jesus Christ	On importance of dance	PC	45
Dalcroze, Emile	On movement	PC	45
Notation	Gaffurio, d. 1518 on unwriten music	PC	46
Gaffurio, Fr. d. 1518	“Sounds which cannot be written”	PC	46
Frescobaldi, 1615	Freedom in performance	PC	46
Movement	Freedom in performance	PC	47
Bonachelli. 1642	Freedom in performance	PC	47
Movement	Problems with notation	PC	47
Mattheson, d. 1764	Meaning of Italian tempo marks	PC	47
Movement	Meaning of Adagio	PC	47
Beethoven	“Feeling has its own tempo”	PC	48
Mozart, Leopold	On Italian tempo markings	PC	48
Bach, J. S.	Resolves a chord left hanging	PC	51, fn.17
Emotion in Music	Beethoven, an F# for “pain”	PC	59
Listener of Music	Liszt, tells Chopin “play for Art”	PC	61
Liszr, Franz	Letter to Chopin on public	PC	61
Chopin, Frederic	Letter from Liszt on public	PC	61
Athenacus	Birds were origin of Music	AM, I	103
Herodotus	On origins of ancient Greek music	AM, I	103
Triton	Invention of the trumpet	AM, I	103
Trumpet	Myth of its invention	AM, I	103
Greece	Music of ancient Greece	AM, I	103-341
Strabo	Importance of myths	AM. I	104
Modes	Original Greek modes	AM, I	104
Aristoxenus	On “tonos,” student of Aristotle	AM, I	194
Alexander the Great	Reacts to performance	AM, I	104
Eresus, 372-287 BC	Music therapy	AM, I	105
Modes	Phrygian in music therapy	AM, I	105
Aristotle	On music theory	AM, I	106
Athenacus	Magadis, ancient string instrument	AM, I	106
Plutarch	Rhythm in melody, 400 BC	AM, I	106
Athenacus	Rhythm in melody, 800 BC	AM, I	106
Plutarch	Ancient choral festivals	AM, I	107
Plutarch	Early Greek music education	AM, I	107ff
Music Education	Plutarch on early Greek	AM, I	107
Plato	Early Greek modes	AM, I	104
Strabo	Greek music ed. re Character	AM, I	108
Military Music	Early Greek “pyrrhiche” dance	AM, I	108
Socrates	Role of dance in military	AM, I	108
Military Music	Socrates on role of dance	AM, I	108
Alexander the Great	Was musician	AM, I	109
Music and Character	Plutarch on ancient oboist	AM, I	109
Oboe	Ismenias, ancient Greek piper	AM, I	109
Music and Character	Strabo, in Ancient Greece	AM, I	109
Plutarch	Music education and Greek nobles	AM, I	109
Music Education	Among Greek nobles	AM, I	109
Percujssion	In ancient Greece	AM, I	110
Strabo	Percussion in ancient Greece	AM, I	110
Trumpet	“Salpinx” in ancient Greece	AM, I	110
Kastner, Georges	Trumpet music in Ancient Greece	AM, I	111
Military Music	Marching to Aulos music	AM, I	111
Strabo	Aulos contests in ancient Greece	AM, I	111
Contests	Aulos contests in ancient Greece	AM, I`	111
Myths	Invention of the trumpet	AM, I	103
Myths	Lovers of Good Music, 4th c. BC	AM, I	112
Oboe	Jesus chases aulos players out	AM, I	112
Lyric Poets	Greece, 9th c, BC	AM, I	113-122
Archilochus	Lyric poet, 7th c., BC	AM, I	124, 133
Sappho	Lyric poet,`7th c., BC	AM, I	124
Alkman	Lyric poet, 7th c., BC	AM, I	124, 137
Alcacus	Lyric poet, 7th c., BC	AM, I	124
Anacreon of Teos	Lyric poet, 6th c., BC	AM, I`	124
Simonides	Lyric poet, 6th c., BC	AM, I	125ff
Pindar	Lyric poet, 6th c., BC	AM, I	125ff
Bacchylides	Lyric poet,, 6th c., BC	AM, I	125ff
Oboe	Contest, 490 BC	AM, I	126
Choral	Repertoire, ancient Greece	AM,I	126ff
Terpander	Lyric Singing, 7th c., BC	AM, I	128, 138
Phrynis	Nine-string Lyre [Plutarch]	AM, I	129
Music Education	Boys school in ancient Greece	AM, I	129
Clonas	Phrygian aulos player	AM, I	130
Plato	Complains, style by aulos players	AM, I	130
Oboe	Aulos players	AM, i	129ff
Trumpet	Accomp. Lyric singers	AM, I	131
Percussion	Accomp. Lyric singers	AM, I	131
Forms	Early Greek Odes, & others	AM, I	131ff
Dithyramb	Original Greek modes	AM, I	131
Ismenias	Musician, 63 – 24 BC	AM, i	135
Delphi	Festival music	AM, I	135
Plutarch	Music appeased a sedition	AM, I	139
Historians	Anonymous 5th c. BC	AM, 1	141ff
Herodotus	Early historian, 484-425 BC	AM, I	141ff
Thucydides of Athens	Early historian, 470-398 BC	AM, I	141ff
Xenophon of Athens	Early historian, 434-355 BC	AM,	141ff
Socrates	Philosopher, d, 399 BC	AM, I	141ff
Arion	Early singer rescued by dolphin	AM, i	141, fn 1
Delia Festival	Ionians of Delos	AM, I	143
Rhapsodists	Early singers	AM, I	143
Symposium	Early Greek drinking banquet	AM, I	143
Odeum	Early Greek concert hall	AM, i	145
Military Music	Greek armies marching to music	AM, i	146ff
Dance	Early Greek dance music	AM, I	149
Choral	Early Greek training	AM, i	150, 157
Democritus	Fifth Century BC Philosopher	AM, I	153
Archytas	Fifth Century BC Philosopher	AM, I	153
Metopus	Fifth Century BC Philosopher	AM, I	153
Bicamerial brain	Motopus, 5th c. BC	AM, I	153
Theages	Fifth Century BC Philosopher	AM, I	153
Photius	Fifth Century BC Philosopher	AM, I	155
Parmenidas	Fifth Century BC Philosopher	AM, I	155
Gorgias	Fifth Century BC Philosopher	AM, I	155ff
Thales	Philosopher, 640-546 BC	AM, I	156
Xenophanes	Philosopher, 576-480 BC	AM, I	156
Heraclitus	Philosopher, c.513 BC	AM, I	156ff
Hippas	Philosopher, c. 450 BC	AM, I	157
Plato	On Hippas	AM, I	157
Antiphon	Fifth Century BC Speaker	AM, I	157
Pythagoras	Philosopoher, 580-500 BC	AM, I	158-167
Music in Religion	Sumerian Song, 2,500 BC	MR	2
Music in Religion	Ancient references	MR	2ff
Plato	Magnet analogy re audience	MR	3
Eriugena, J. Scotus	On how music reaches audience	MR	3
Aesop Fables	Aesop, 620-560 BC	AM I	169
Aeschylus	Fifth Cent. Dramatist, 525-456 BC	AM, I	169ff
Sophocles	Fifth Cent. Dramatist,495-406 BC	AM, I	169ff
Euripides	Fifth Cent. Dramatist 480-408 BC	AM, I	169ff
Aristophanes	Fifth Cent. Dramarist, 448-380 BC	AM, I	169ff
Dance	Sophocles	AM, I	171
Aristotle	Winds better to accom. Voice	AM, I	172
Kraton of Chalkedon	Fourth centry BC famous oboist	AM, I	172
Oboe	Kraton, 4th c. BC famous player	AM, I	172
Plutarch	Dolphins love music	AM, I	172
Aristoxenus	On Greek modes,	AM, i	173
Aristoxenus	Student of Aristotle	AM, I	173
Choral	Chorus in Greek dramas	AM, I	175ff
Aesthetics	Art music, ancient Greek	AM, I	175ff
Music Education	In Greek dramas	AM, I	180ff
Music in Religion	In ancient Greek festivals	AM, I	181ff
Dance	In ancient Greek mourning	AM, I	184ff
Trumpet	Ancient Greek military	AM, I	185
Panpipe	In Sophocles	AM, I	186
Flute	Rural pipe, Sophocles	AM, I	186ff
Music in Society	Greek dramas	AM, I	186ff
Homer	Iliad,engtertainment music	AM, I	186
Listener of Music	In Greek dramas	AM, I	189ff
Plato	Philosophy of Music, 437-347 BC	AM, I	191-247
Aesthetics	Discussion in Plato	AM, I	198ff, 228
Damon of Athens	Teacher of Socrates	AM, I	220
Catharsis	In listener	AM, I	224, 262
Listener of Music	Catharsis	AM, I	224
Music Education	Plato	AM, I	225-232
Music in Society	Plato	AM, I	232ff
Contests	Plato	AM, I	232ff
Choral	Plato	AM, I	232ff
Aesthetics	Discussion in Plato	AM, I	237ff
Aristotle	Philosophy of Music, 384-322 BC	AM, I	249-271
Percussion	Heard by Aristotle	AM, I	251
Aesthetics	Discussion in Aristotle	AM, I	252-264
Listener of Music	Aristotle	AM, I	257ff
Music Education	Aistotle	AM, I	264-271
Music in Religion	Early Roman	MR	3ff
Sumeria	Religious music 3000 BC	MR	5ff
Babylonia	Religious music 2000 BC	MR	6
Egypt	Merit, god personification of musc	MR	7
Music in Society	Ancient Egypt	MR	6ff
Music in Religion	Plato: Greek style came from Egypt	MR	9
Apollo	Ancient god of Music and Medicine	MR	9
Flute	Panpipe and god Pan	MR	10
Flute	Invented by god Athena	MR	11
Bion	Early Greek poet, re flute	MR	11
Horace	Muse, Calliope played flute	MR	11
Orpheus	Famous legend, here by Ovid	MR	11
Ovid	Legend of Orpheus	MR	11
Music in Religion	Ancient Greece	MR	12ff
Plato	Listeners	MR	14
Contests	Plato	MR	17
Old Testament	On Music	MR	18ff
Greece	Alexanderian Period 323-146 BC	AM, I	273-279
Ptolemy	Greece, king of Egypt	AM, i	273
Athenacus	Decline in Art Music	AM, I	274
Aesthetics	Decline in Alex. Period of Greece	AM, I	274
Pherectrates	Early Greekk playwright	AM, I	274
Aristoxenus	Early Greek Art music decline	AM, I`	274
Plutarch	Early Greek Art music decline	AM,I	275
Sratonicus	Famous harp player, early Greece	AM, I	276
Music Education	Alex. Period, ancient greece	AM, I	277
Music in Society	Alex. Period, ancient greece	AM, I	127ff
Aristoxenus	Alex., b. 379 BC ancient greece	AM, I	281ff
Pyrrho, 360-270 BC	Sceptic School of Philosophy	AM, I	283
Epicurus, 342-270 BC	Epicurean School of Philosophy	AM, I	283ff
Zeno, 333-261 BC	Stoic School of Phlosophy	AM, I	283ff
Bicameral brain	Early Greek philosophers	AM. I	283ff
Theophrastus	Greek philosopher, 372-287 BC	AM, I	284ff
Aesthetics	Early Greek philosophers	AM, I	286ff
Music Education	Early Greek philosophers	AM, I	288ff
Eratosthenes	Early Greek philosophers	AM, I	288
Polyibus	Early Greek historan	AM, I	291ff
Crates of Thebes	Early Greek philosopher, fl. 326 BC	AM, I	292
Music in Society	Early Greek music by laborers	AM, I	292
Diogenes Laertius	Music by laborers	AM, I	292
Theocritus	Alexandrian Era poet, 315-264 BC	AM, I	293ff
Alexandrian Poets	Ancient Greece, 393-301 BC	AM, I	293-301
Hermesianax	Alexandrian poet, early 3rd \ c.,BC	AM, I	293
Bion	Alexrandian poet, fl. 105 BC	AM, I	293ff
Aesthetics	Alexandrian poets	AM, I	296ff
Greece	Roman Period, 146 BC-529 AD	AM, I	303-338
Aesthetics	Roman Period, 146 BC-529 AD	AM, I	303ff
Plotinus	Last Greek phil. 204-270 AD	AM, I	303ff
Epictetus	Greek philosopher, 55-135 AD	AM, I	305
Plutarch	Greek philosopher, 46-120 AD	AM, I	306ff
Bicameral brain	Plutarch, 46-120 AD	AM, I	306ff
Aesthetics	Greece 146 BC – 529 AD	AM, I	309ff
Strabo	On Aesthetics, 63 BC – 14 AD	AM, I	317ff
Choral	Odes Sixth C. BC	AM, I	321ff
Lucian	Satirist, 2nd c. AD	AM, I	322
Music Education	Greece, Roman Period	AM, I	323ff
Aristides Quintilianus	Greek philosopher 4th c. AD	AM, I	326-336
Music in Society	Greek, Roman Period	AM, I	336ff
Etruscan Music	Early Rome	AM, I	343ff
Ovid	On Etruscan aulos players	AM, I	344
Oboe	Ovid on Etruscan aulos players	AM, I	344
Livy	Early historian of Rome	AM, I	3435ff
Servius Tullius	King of Rome, 6th c. BC	AM, I	345
Numa Pompilus	Early Rome, 6th to 8th c. BC	AM, I	347
Roman Music	Republic Period, 240-27 BC	AM, I	351ff
Music and Prophesy	Ancient Roman Music	MR	22-28
Bacchylides	Music for Prophesy	MR	22
Horace, 66-8 BC	Music for Prophesy	MR	22
Apollo	God of music and prophesy	MR	22
Catullus, 84-54 BC	Roman poet	MR	24
Tibullus	Apollo	MR	23
Cicero, 106-43 BC	Roman writer	MR	24
Virgil, 70-19 BC	Roman poet	MR	24
St. Justin Martyr	Second century church father	MR	24
Old Testament	Music and prophesy	MR	24ff
Lope de Vega	Playwright, 1562-1635	MR	26
Paine, Thomas	On Old Testament, 18th c.	MR	27
Emotion in Music	Herbert Spencer, 19th c.	MR	27
Sandford, Loren	Paster on prophesy	MR	28
Music in Religion	Ancient Hebrew Views	MR	29
Old Tesament	Hebrew music	MR	29
Percussion	Miriam, a percussionist, Old Test.	MR	35
Trumpet	Performances in Old Testament	MR	35ff
Trumpet	God played Tpt, Zechariah 9:14	MR	36, fn 36
Julius Caesar	Percussion in the temple	MR	37
Virgil	Religious music in ancient Rome	MR	37
Music in Religion	Virgil, ancient Rome	MR	57
Ovid	Music for Egyptian god Ibis	MR	57
Ibis, Egyptian god	Ovid on religious music	MR	57
Perecussion	Ovid on Egyptian rituals	MR	57
Oboe	Used in theater, ancient Rome	MR	38
Oboe	Livy on aulos in religion in Rome	MR	38
Varro	Gods, 3,000 in ancient Rome	MR	38
Petronius, 7-66 AD	Rome, more gods than people	MR	38
Lucretius	On origin of god Pan	MR	38
Catullus, 84-54 BC	Religious music in honor of Cybele	MR	39
Cybele	Aulos, perc. In religious rite	MR	39
Ceres	Goddess of agriculture, Rome	MR	39
Ovid	Music for Bacchus festival	MR	40
Bacchus, Roman god	Ovid on Music for festival	MR	40
Women	Roman festivals for	MR	40ff
Saturn	Saurnalia festival with percussion	MR	41
Percussion	Saturnalia festival in Rome	MR	41
Berecyntian pipe	A bent horn, fest. of Idaean mother	MR	41
Percussion	Early Rome,fest. of Idaean mother	MR	41ff
Juno	Early Roman festival wih aulos	MR	42
Oboe	Festival in honor of aulos,	MR	42
Trumpet	Festival in honor of trumpets	MR	42
Music in Religion	A volume with 15 original essays	MR	251 pgs
Music in Society	In Ancient Civilizations	AM, i	526 pgs
Rome	Republic Period, 240-27 BC	AM, I	351-513
Varro, Macus	On the usefulness of music	AM, I	351
Cicero, 106-43 BC	On his personal slave	AM, I	351
Nepos, 100-22 BC	Performance not for gentlemen	AM, I	352
Musical slaves	Numerous in ancient Rome	AM, I	352ff
Philadelphus, 3rd BC	Roman Republic leader	AM, I	352
Trumpet	Lucius Flaccus, fl 19 AD, player	AM, I	352
Flaccus, Lucius	Roman consul, trumpet player	AM,I	352
Cicero, 106-43 BC	On musical slaves in Rome	AM, I	352
Chrysogon os	Roman noble opposed to music	AM, I	352
Sallust, 86-34 BC	Rome, performance not for women	AM, I	353
Aesthetics	Rome, Republic Period	AM, I	353ff
Theater	Rome, music as early as 389 BC	AM, I	353
Theater	Rome Republic Period	AM, I	353ff
Terence	Name of slave composer	AM, I	353
Polybius	Music in arena, 2nd c. BC	AM, I	354
Catullus	Ment. Simonides, lyric poet	AM, I	355
Simonides	Lyric poet	AM,,I	355
Women	Peformers in ancient Rome	AM,I	355
Ovid	Heroides should have accompany	AM, i	355
Pliny the Younger	Poems sung with instr. accomp..	AM, I	355
Music in Society	Ancient Rome, singing in banquets	AM, I	355, 368
Music Education	Rome, Republic Period	AM, I	355ff
Music Education	Rome 206 BC study contract	AM, I	356
Cicero, 106-43 BC	On music education	AM, I	356
Cicero, 106-43 BC	On a knight who sung	AM, I	356
Cicero, 106-43 BC	Music education by Spartans	AM, I	357
Spartans	Music educaion	AM, I	357
Music in Society	Rome, Republic Period	AM, I	3576ff
Dionysus	Roman festival description	AM, I	359ff
Women	Roman Festivals	AM, I	360ff
Roman Music	Festivals, Republic Period	AM, I	360ff
Livius	Composer, Rome Repujblic	AM, I	361
Terence	Wedding music in “The Brothers”	AM, I	363
Trumpet	Military use in Rome	AM, I	363
Military Music	Roman, Republic Period	AM, I	363ff
Civic Music	Rome, Republic Period	AM, I	364
Catullus	Poem 64, music for prophesy	AM, I	364
Flute	Cicero on pitchpipes	AM, I	365
Cicero, 106-43 BC	On the pitchpipe	AM, I	365
Quintilian	Use of music in oratory	AM, I	265
Music in Society	Entertainment music, Rome	AM, I	366ff
Livy	Early Roman festivals	AM, I	359
Rome	Republican Period Philosophy	AM, I	369-400
Varro, 116-27	Early Roman philosophy	AM, I	369
Cicero, 106-43 BC	Early Roman philosophy	AM, I	369ff
Lucretius, 99-55 BC	Early Roman philosophy	AM, I	369ff
Aesthetics	Rome Republican Period	AM,I	371-400
Sallust, 86-34 BC	Early Roman philosophy	AM, I	369
Emotion in Music	Early Roman Republican Period	AM, I	375ff
Cicero, 106-43 BC	Emotion in Music	AM, I	375ff
Cicero, 106-43 BC	Listener of Music	AM, I	389ff
Debussy	Listener of Music	AM, I	389, fn 66
Rome	Augustian Period	AM, I	401-422
Horace, 66-8 BC	Roman philosopher	AM, I	401
Aesthetics	Augustian Period	AM, I	402ff
Horace	Purpose of art	AM, I	402
Virgil	Purpose of art	AM, I	402
Ovid	Purpose of art	AM, I	402
Theater	Rome Augustian Period	AM, I	409
Listener of Music	Rome Augustian Period	AM, I	410
Music Education	Rome Augustian Period	AM, I	415ff
Music in Religion	Rome Augustian Period gods	AM, I	416
Military Music	Rome Augustian Period	AM, I	417ff
Music in Society	Rome, early watchman	AM, I	418
Trumpet	Virgil, Roman miliary	AM, I	419
Virgil, 70-19 BC	Rome military natural trumpet	AM, I	419
Propertius	Rome, sound of early brass	AM, I	419
Music in Society	Rome, shepherd, housewife	AM, I	420ff
Tibullus	Rome, music in society	AM, I	419ff
Suetonius	Rome banquet music of Augustus	AM, I	422
Rome	Augustian Period poets	AM, I	423-458
Horace	Rome Augustian poetry	AM, I	423ff
Propertius	Rome Augustian poetry was sung	AM, I	423
Tibullus, 54-18 BC	Rome Augustian poetry	AM, I	423ff
Ovid, 43 BC – 17 AD	Rome Augustian poetry	AM, I	423ff
Apollo	Roman god	AM, I	428ff
Diana	Roman god	AM, I	430
Neptune	Roman god	AM, I	439
Orpheus	Roman god, here Ovid version	AM, I	431ff
Pan	Roman god	AM, I	432ff
Venus	Roman god	AM, I	435
Aesthetics	Roman lyric poets	AM, I	435ff
Propertius	Rome, Cynthia love songs	AM, I	439-446
Music education	Rome Augustian Period	AM, I	447ff
Music in Religion	Rome Augustian cult festivals	AM, I	452ff
Oboe	Virgil “curved pipe”`	AM, I	457
Aesthetics	Rome, Empire period 14-476	AM, I	459-476
Music Education	Rome, Caligula, 12-43 AD	AM, I	459
Apelles,singer	Punished by Caligula	AM, I	459
Nero, Emperor	Rome, singer	AM, I	459ff
Tacitus	Source for Nero as musician	AM, I	460
Organ	Rome, water orogan	AM, I	462
Titus, 79-81 AD	Roman emperor, music education	AM, I	462
Rome, concert hall	Built by Titus, 79-81 AD	AM, I	462
Rome, concert hall	Built by Trajan, 52-117 AD	AM, I	463
Suetonius	Early scholar of Roman emperors	AM, I	462
Hadrian, 76-183 AD	Roman emperor, music education	AM, I	463
Marcus Aurelius	Roman emperor, music education	AM, I	463
Andronius	Lyre Teacher of Marcus Aurelius	AM, I	463
Rome, Caracalla	Lyre specialist, teacher of Aurelius	AM, I	463
Elagbalus, 205-222	Roman emperor, musician	AM, I	463
Oboe	Elagbalus emperor, played aulos	AM, I	463
Flute	Elagbalus, emperor, panpipes	AM, I	463
Flute, Empire Period	Panpipes played in cult services	AM, I	463
Organ	Emperor Elagbalus played	AM, I	463
Organ	Emperor Alexander played	AM, I	463
Oboe	Emperor Alexander played	AM, I	463
Alexander	Roman emperor, music education	AM, I	463
Rome, concert hall	Built by Maximian, 286-305	AM, I	463
Music in Society	Rome, 489-526	AM, I	463
Aeshetics	Rome, Empire period 14-476	AM, I	463ff
Choral	Rome, Empire period 14-476	AM, I`	464ff
Music in Society	Rome, early home concerts	AM, I	465
Pliny the Younger	Rome, early home concerts	AM, I	465
Music in Society	Rome, Empire mass players	AM, I	465
Choral	Rome, 3,000 singers perform	AM, I	465
Dance	Rome, 3,000 dancers perform	AM, I	465
Oboe	Rome, early female player	AM, I	465
Women	Rome, early aulos player	AM, I	465
Horn	Rome, 100 horns perform	AM, I	466
Trumpet	Rome, 100 trumpets perform	AM,I	466
Choral	Rome Empire Period repertoire	AM, I	466
Music in Society	Rome Empire Period banquets	AM, I	466
Persius, 35-62 AD	Home concert satire	AM, I	466
Theater	Rome, music composed for	AM,I	467
Theater	Rome, contests	AM,I	467
Quintilian	Rome theater music	AM, I	467
Contests	Rome, in theater, Empire period	AM, I	467
Courts music	Rome, famous players	AM, I	467
Canus	Rome famous aulos player	AM, I	467
Emotion in Music	Rome, Canus on his purpose	AM, I	467
Oboe	Canus on aulos Technique	AM, I	467
Oboe	Aulos used in hunting	AM, I	467, fn 32
Vitrllius, 69 AD	Concert at banquet	AM, I	470
Music in Society	Seneca the Elder opposed	AM, I	470ff
Music in Society	Rome, 4th century	AM, I	470
Music Education	Rome, Empire Period	AM, I	471
Music in Religion	Rome use of trumpets	AM. I	471
Oboe	Rome, aulos plays for sacrifice	AM, I	4371
Music in Society	Rome, serous banquet music	AM, I	471
Music in Religion	Rome, ceremony for eclipse	AM, I	471
Music in Religion	Rome, Hebrew use	AM, I	472, fn 45
Military Music	Rome, Empire period 14-476	AM, I	472ff
Horn	Use in military, Rome Empire	AM, I	473
Military Music	Augustian Legion, 39 tpts, 36 hns	AM, I	473
Music in Society	Rome, music for loom workers	AM, I	473
Aesthetics	Rome entertainment music	AM, I	474ff
Military Music	Horse ballet, Pliny the Elder	AM, I	475
Trumpet	Mechanical trumpet	AM, I	475
Claudius, 41-54 AD	Mechnical trumpet in sea battle	AM, I	475ff
Courts music	Rome Imperial Philosophers	AM, I	477-498
Emotion in Music	Early Christians, inc St. Basil	MR	45
Music in Religion	Early Christans, not in home	MR	46ff
Music in Religion	Early Christians no love of Art	MR	47
Clement of Alexandria	Anti-Greek music traditions	MR	48ff
Music in Religion	Ancient Egyptian role	MR	48
Music in Religion	Diff. between Old and New books	MR	49
Music in Religion	New Testament references	MR	49ff
Pythagoras	Music of the Spheres	AM, I	477
Pliny the Elder	Music of the Spheres	AM, I	477
Quintilian	Music of the Spheres	AM, I	477
Animals	Pliny the Elder on birds	AM, I	478
Oboe	Ancient source of reeds	AM, I	479
Music in Society	Mythical source of instruments	AM, I	480
Aesthetics	Imperial philosophers	AM, I	481-494
Senses	Marcus Aurelius	AM, I	480
Harp	Quintilian on techniquje	AM, I	480ff
Senses	Pliny the Elder	AM, I	481
Emotions in Music	Pliny the Elder on role of eyes	AM, I	481
Emotions in Music	Rome Imperial philosophers	AM, I	481ff
Music and Oratory	Quintilian	AM, I	482, 486
Emotians in Music	Quintilian on “pathos”	AM, I	484ff
Art and Nature	Marcus Aurelius	AM, I	487
Repertoire	Variety, Imperial philosophers	AM, I	487ff
Listener of Music	Imperial philosophers on criicism	AM, I	488
Listener of Music	Imperial philosophers on audience	AM, I	489-493
Music in Society	Pliny the Elder on entertainment	AM, I	493
Music Education	Imperial philosophers on audience	AM, I	495ff
Rome	Imperial poets	AM, I	499-509
Calpurnius Siculus	Imperial poet, c. 50 AD	AM, I	499
Art and Nature	Seneca, 3 BC – 63 AD	AM, I	500
Apollo	As harpist in Lucian, c. 125 AD	AM, I	599
Harp	Apollo as harpist	AM, I	500
Music and Oratory	Unsuccessful lawyers vs poets	AM, I	501
Aesthetics	Imperial poets	AM, I	503ff
Music in Society	Imperial poets	AM, I	502ff
Music in Religion	Contest of Good and Evil	AM, II	3-85
Music in Society	First three centuries AD	AM, II	3-9
Aesthetics	First three centuries AD	AM, II	11ff, 27ff
Longinus	“On the Sublime,: first century AD	AM, II	11-21
Art and Nature	Longinus, first century	AM, II	21
Galen	Art and Nature	AM, II	22, 26
Art and Nature	Galen	AM, II	22
Senses	Sextus Empiricus	AM, II	22ff
Sextus Empiricus	Physiology of Aesthetis	AM, II	22ff
Aesthetics	Grammer vs Music	AM, II	27
Aesthetics	Evils of Music	AM, II	29-38
Listener of Music	Lullabies	AM, II	37
Wind Music BC	The ancient and Near East	WH, I	9-13
Egypt	Wind music in ancient Egypt	WH, I	10-16
India	Ancient wind music	WH, I	8
Parthiania	Ancient wind music	WH, I	10
Flute	Sumeria, 2600 BC	WH, I	10
Horn	Carchemish relief 1,200 BC	WH, I	10
Horn	Egypt, 1,400 BC 49 horns with gold	WH, I	10
Trumpet	Persia, war hymn	WH, I	10
Persia	Darius III, 129 instrumentalists	WH, I	11
Military Music	Syria, 135-145 BC	WH, I	11
Oboe	Syria,double body aulos	WH, I	11
Canujs of Rhodes	Famous early double-reed player	WH, I	11ff
Oboe	Tames mares of Libya	WH, I	12
Trumpet	Assyria, 1,800 BC	WH, I	12
Trumpet	Ancient China	WH, I	12
Percussion	Ancient China	WH, I	12
Flute	Invention of transverse flute	WH, I	13
Trumpet	Sound described in 451 AD	WH, I	13
Old Testament	Hebrew wind music	WH, I	19-26
Courts music	Old Test. Daniel 3:5 and 3:15`	WH, I	19ff
Trumpet	Old Testament	WH, I	20-22
Percussion	Old Testament	WH, I	22ff
Military music	Oldl Testament	WH, I	23ff
Wind Music	Wind music in ancient Greece	WH. i	29-46
Pythagoras	Bicameral comment	WH, I	29
Aesthetics	Ancient Greece	WH, I	29ff
Trumpet	Ancient Greerce, “salpinx”`	WH, I	30ff
Trumpet	Ancient Greece military	WH, I	30ff
Trumpet	Signals in anciesnt Greecer	WH, I	30ff
Trumpet	Picture, 6th century BC	WH, I	31
Trumpet	Ancient Greece use of false signals	WH, I	32
Trumpet	Use in early Olympics	WH, I	32
Aulos	Greece double pipe	WH, I	33
Aulos	Picture, 4th century BC	WH, I	34
Dance	Ancient Greece	WH, I	35ff
Military Music	Use of Aulos, ancient Greece	WH, I	35ff
Military Music	Affect on horses, ancient Greece	WH, I	37
Music in Society	Ancient Greece	WH, I	38ff
Contests	Ancient Greece; repertoire	WH, I	39ff
Contests	Aristotle disapproves	WH, I	39
Music education	Teachers in ancient Greece	WH, I	40ff
Music in Society	Ancient Greece decay	WH, I	41ff
Aulos	Single pipe, ancient Greece	WH, I	41ff
Flute	Transverse flute missing in Greece	WH, I	43
Percussion	Ancient Greece	WH, I	43ff
Modes	Ancient Greece	WH, I	44ff
Music and Character	Aristotle	WH, I	45
Music in society	Ancient Greece known repertoire	WH, I	46
Wind Music	Wind Music of Etruscans	WH, I	49-52
Etruscans	Roman instruments first appear	WH, I	49ff
Music in Religion	Virgil and horn player	WH, I	50
Horn	In cult religious ceremonies	WH, I	50
Aulos	Etruscan hunting	WH, I	51
Dance	Etruscan dancers popular in Rome	WH, I	52
Wind Music	In ancient Rome	WH, I	55-65
Military Music	Tumpets, horns, ancient Rome	WH, I	56ff
Horn	Picture of Roman Cornu	WH, I	56
Trumpet	Ghost trumpeter, Suetonius	WH, I	57
Music in Religion	Ancient Rome cult ceremonies	WH, I	58ff
Livy, 59 BC – 17 AD	Rome, Dionysus cult ceremony	WH, I	59
Music; in Society	Rome games, banquets	WH, I	62ff
Music in Society	Roman music guilds [collegia]	WH, I	64
Flute	Rome panpipes chafed lips	WH, I	65
Courts music	Rome, early emperors	WH, I	65
Minstrels	Early Jongleur	WH, I	71-87
Minstrels	Skills, 12th century	WH, I	72
Trumpet	Trio, 13th century, Joinville	WH, I	72
Minstrels	Poverty	WH, I	74
Choral	Mouth minstrels [singers]	WH. I	77
Minstrels	Mostly wind players	WH, I	77
Court	Court life, 14th c.	WH, I	77
Minstrels	Minstrel schools	WH, I	78ff
Chaucer	Description of minstrels	WH, I	80ff
Minstrels	Decline of minstrel period	WH, I	83ff
Minsrels	Minstrel guilds, photo	WH, I	84-87
Music in Religion	Medieval Church wind bands	WH, I	91-111
Percussion	Medieval church, cymbals = lips	WH. I	92
Music in Religion	Late Medieval wind bands	WH, I	95ff
Dance	Medieval church not allowed	WH, I	97ff
Music in Religion	Council of Constance,1414-1418	WH. I	101
Music in Religion	Church Dramas	WH, I	107-111
Civic Music	Civic wind bands, late medieval	WH, I	115-154
Civic Music	Tower music, watchmen	WH, I	115
Trumpet	Slide-trumpet introduction 15th c.	WH, I	117
Civic Music	Early wind bands in Italy	WH, I	121-129
Trumpet	In medieval Italian civic music	WH, I	122ff
Trumpet	Treviso civic contract with duties	WH, I	124
Civic Music	Large Italian civic bands 15th c.	WH, I	125
Civic Music	Wind bands in civic festivals	WH. I	126ff
Civic Music	Civic wind bands in weddings	WH, I	128
Music education	Civic bands, academic celebration	WH, I	129
Civic Music	Early Civic bands in England	WH, I	131-135
Civic Music	Early civic bands in Low countries	WH, I	137-141
Concerts	Early Civic bands, Low countries	WH, I	140ff
Civic Music	Early wind bands in France	WH, I	143-147
Civic Music	Early French wind band Guilds	WH, I	145-147
Civic Music	Early Civic bands in Germany	WH, I	149-154
Civic Music	Early German civic pay schedule	WH, I	1`54
Music in Religon	Third c.,Origen, music is important	MR	54
Music in Relilgion	Third c. Lactantius, music is bad	MR	54ff
Jesus	Account of Jesus singing	MR	55
Music in Religion	Early hymn and psalm practice	MR	55ff
Music in Religion	Words more important than music	MR	57ff
St. Augustine	On church music	MR	57ff
Music in Religion	Ancient views on music in Heaven	MR	59-68
Trumpet	Famous early double-reed player	MR	62
Chaucer	House of Fame, Day of Judgment	MR	63ff
Hildegard von Bingen	Music in Heaven	MR	66
Milton, John	Music in Heaven	MR	66
Bunyan, John	Music in Heaven	MR	67
Schubert	Mozart, Sym. 40 “wings of angels”	MR	68
St. Augustine	On Music	MR	69-87
Music in Religion	Roman church in Dark Ages	MR	89-111
Cassiodorus	On Music	MR	90ff,100
Gregory of Tours	On hymn singing	MR	96
Salvian	On the Government of God	MR	92ff
Venerable Bede	Ecclesiastical of England	MR	97
Boethius	On church music	MR	100
Charlemagne	King, 768-814 AD	MR	101-103
Hrotswitha	Paphnurius, 10th c, play	MR	105ff
Hucbald	“De Harmonica Institutione,”895 AD	MR	108
Anonymous	Scholia Enchiriadis, c. 900 AD	MR	109
Odo of Cluny	“Enchiridion Musices,” c. 935 AD	MR	109
Guido of Arezzo	“Micrologus,” c. 1026-1028 AD	MR	109
Guido of Arezzo	“Epistola de Ignoto Cantu,”1030 AD	MR	110
John	“On Music,” c. 1100 AD	MR	110
Court	Wind bands in Medieval courts	WH, I	159-170
Minstrels	Minstrels hired by medieval courts	WH, I	159-162
Tinctoris	Alta, haut = wind band	WH, I	162
Philip the Good	Wind band	WH, I	161
Trumpet	Friedrich III multitude use of	WH, I	166
Court	Dinner music re size of hall	WH, I	165ff
Court	Medieval music for tournamens	WH, I	167ff
Court	Medieval music for the hunt	WH. I	160
Court	Medieval wind in battle	WH, I	170
Dance	Medieval winds for dance	WH, I	173ff
Court	Medieval bands, lost repertoire	WH, I	177ff
Court	Medieval bands in English courts	WH, I	181-204
Court	Mumming in English courts	WH, I	192
Court	Large band appear in 15th c.	WH, I	197ff
Court	Medieval accounts of duties	WH, I	198ff
Court	Medieval England, player names	WH, I	200ff
Court	Bands in Ireland and Scotland	WH, I	203ff
Court	Medieval French Court bands	WH, I	207-216
Court	French bands in crusades	WH, I	207yff
Court	Medieval bands in Spanish courts	WH, I	219-224
Court	Bands of Ferdinand and Isabella	WH, I	223ff
Court	Medieval bands in Italian courts	WH, I	227-241
Court	Medieval bands in Burgundy	WH, I	243-258
Court	Philiip the Good, personal desc.	WH, I	246
Trumpet	In Philip the Good’s great wood cat	WH, I	252
Court	Music in Golden Fleece banquet	WH. I	253ff
Court	Medieval German court bands	WH, I	261-277
Charlemagne	Court wind bands	WH. I	261-262
Trumpet	“Song of Roland,” 1,000 trumpets	WH, I	261
Court	“Triumph of Maximilian I,” plates	WH, I	271-275
Oboe	Notes on the medieval shawm	WH, I	281-282
Horn	Notes on the medieval cornett	WH, I	286-287
Percussion	Notes on medieval percussion	WH, I	287-289
Court	Renaissance court bands	WH, II	3-139
Court	Consorts given in Praetorius	WH, II	5
Dance	Renaissance winds with dance	WH, II	6ff
Court	Durer plates of wind trios	WH, II	7-8
Listener of Music	Famous 1555 desc.of lute player	WH, II	10
Court	Winds with Renaissance armies	WH, II	11ff
Court	Bands in Renaissance England	WH, II	15-59
Court	Bands under Henry VIII	WH, II	15-29
Court	Bands of Cardinal Wolsey	WH, II	22-24
Court	Bands under Elizabeth I	WH, II	36-54
Court	Elizabeth’s Progresses	WH, II	46-54
Theater	Winds in Elizabethian theater	WH, II	5458
Court	Music of Antony Holborne	WH, II	58ff
Court	Bands in Renaissance France	WH. II`	61-85
Court	Bands under Francis I, 1515-1647	WH, II	62ff
Court	Published “Danseries”	WH, II	67ff
Court	Bands under Chas. IX of France	WH, II	73ff
Court	Bands under Henry III of France	WH, II	80ff
Court	Bands under Henry IV of France	WH, II	83ff
Court	Bands in Renaissance Spain	WH, II	87ff
Court	Bands under Charles V	WH, II	89ff
Court	Wind inventory, Mary of Hungary	WH, II	93, fn 27
Court	Wind inventory of Philip II	WH, II	94, fn. 30
Court	Bands in Renaissance Germany	WH, II	97- 115
Trumpet	German instrument makers	WH, II	97
Repertoire	Renaissance bands in Germany	WH, II	97
Court	William V of Bavaria	WH, II	98ff
Court	Wind inventory, Ferdinand II	WH, II	101, fn. 25
Court	Philipps von Hesssen, 16th c.	WH, II	104ff
Court	Instrument inventory Hessian court	WH, II	104, fn. 44
Court	Moritz, Landgraf of Hesse-Cassel	WH, II	105ff
Court	Wind inventory, Moritz of Hesse	WH, II	106. fn. 50
Court	Duke Albert of Prussia	WH, II	107ff
Court	Wind inventory, Albert of Prussia	WH, II	108ff
Repertoire	Part-books of Albert of Prussia	WH, II`	110ff
Court	Christian I of Saxony	WH, II	113ff
Court	Wind inventory, Christian I	WH. II	115, fn. 81
Court	Bands in Renaissance Italy	WH,II	117-139
Court	Papal Renaissance wind bands	WH, II	117-124
Clement VII	Wind bands	WH, II	121ff
Leo X, pope	Wind band	WH, II	119ff
Repertoire	Benvenuto Cellini, diary	WH, II	121
Court	Picture, Venice wind band, 1559	WH, II	126-139
Civic Music	Renaissance wind bands	WH, II	143
Civic Music	Tower musician skills	WH, II	144
Civic Music	English Wait Bands	WH, II	147-163
Civic Music	Bands in Renn. Low Countries	WH, II	165-174
Repertoire	Music by Tielman Susato	WH, II	175-177
Civic Music	Rennaissance bands in France	WH, II	179-183
Repertoire	Renaissance French danseries	WH, II	181ff
Repertoire	Nicolas Du Chemin publications	WH, II	181
Reperoire	Arbeau “Orchesography” 1588	WH, II	181
Civic Music	Renaissance bands in Germany	WH, II	185-195
Civic Music	Renaissance bands in Italy	WH, II	197-201
Civic Music	Instrument inventory, Verona	WH, II	201
Music in Religion	Renaissance church wind bands	WH, II	205-247
Music in Religion	Picures, winds and choir	WH, II	206
Music in Religion	Italian Scuole	WH, II	242
Music in Religion	Girdolamo Dalla Casa, of Venice	WH, II	243ff
Music in Religion	Italian canzoni composers	WH, II	244ff
Music in Religion	Performance practice, Praetorius	WH, II	244
Repertoire	Music of Giovanni Gabrieli	WH, II	246ff
Reperoire	Praetorius, Syntagma Vol. 3	WH, II	251ff
Shawm	Notes on Renaissance shawm	WH, II	259ff
Bassoon	Notes on Renaissance bassoon	WH, II	260ff
Cornett	Notes on Renaissance cornett	WH, II	262ff
Trumpet	Notes, Renaissance development	WH, II	263ff
Music in Society	Poets, first three centuries	AM, II	39ff
Aesthetics	First three centuries AD	AM, II	43-80
Music Education	First three centuries AD	AM, II	58ff
Senses	First three centuries AD	AM, II	65ff
New Testament	Insruments	AM. II	81ff
Music in Society	Fourth, fifth centuries, Fall of Rome	AM, II	87-134
Aesthetics	After the Fall of Rome	AM, II	89-134
Listener of Music	After the Fall of Rome	AM, II	103
Capella, Martinus	Fifth century philosopher	AM, II	104ff
Music in Religion	St. Basil, after the fall of Rome	AM, II	115ff
Music in Religion	St, John Chrysostom, 4th century	AM, II	117ff
Senses	St. Ambrose	AM, II	125ff
Music in Religion	St. Augustine, 354-430 AD	AM, II	135-170
Aesthetics	St. Augustine, 354-430 AD	AM, II	135ff
Senses	St. Augustine, 354-430 AD	AM, II	142-146
Emotion	St. Augustine, 354-430 AD	AM, II	148ff
Music in Religion	St. Augustine, 354-430 AD	AM, II	164ff
St. Augustine	“On Music”	AM, II	166-170
Music in Society	The Dark Ages, 6tth through 8th c.	AM, II	175-212
Bicameral brain	Late Middle Ages	AM, II	183-196
Charlemagne	Frohliche Jagd	AM, II	181, 188ff
Aesthetics	Boethius	AM, II	183, 113ff
Aesthetics	On Beauty, Pseudo-Dionysius	AM, II	186ff
Aesthetics	Cassiodorus	AM, II	187, 219ff
Poets	Dark Ages	AM, II	197–206
Beowulf	English poem, Dark Ages	AM, II	206ff
Music in Religion	Gregory the Great, 6th century	AM, II	209ff
Music in Religion	Venerable Bede	AM, II	211ff
Aesthetics	Isidore of Seville	AM, II	221ff
Aesthetics	Pre-renaissance, 9th – 11th c.	AM, II	229-245
Aesthetics	Aurelian, Musica Disciplina 843 AD	AM, II	248ff
Aesthetics	Hucbald, De Harmonica, 895 AD	AM, II	253
Aesthetics	Anon. Scholia Enchiriadis, 900 AD	AM, II	254
Aestheics	Al-Farabi, Ihsa Al-Ulum, 900 AD	AM, II	254ff
Aesthetics	Al-Farabi, De Ortu Scientiarum	AM, II	2155ff
Aesthetics	Odo of Cluny, Enchiridion, 935 AD	AM, II	256ff
Aeshetics	Guido of Arezzo, Mirologus, 1000	AM, II	257ff
Aeshetics	Giodo of Arezzo, Episola, 1000 AD	AM, II	261
John	“On Music” c. 1100 AD	AM, II	261ff
Music in Society	Late Middle Ages	AM, II	271ff
Aesthetics	Late Middle Ages	AM, II	275ff
Music in Religion	The Crusades	AM, II	281-286
Aesthetics	Late Medieval philosophers	AM, II	287ff
Bacon, Roger	English philosopher, b, 1214	AM, II	291ff
Aesthetics	Grosseteste, philosopher, b. 1178	AM, II	297ff
Aesthetics	John Duns Scotus, philosopher	AM, II	299ff
Animals	Albertus Magnus, b. 1193	AM, II	301ff
Aesthetics	Bartholomew Anglius, 13th c.	AM, II	307
Music in Religion	Dealing with Aristotle	AM, II	311ff
Peter Abelard	Church philosopoher, 1079-1144	AM, II	311ff
Bernard of Clairvaux	St. Bernarfd, 1090-1153	AM, II	311ff
Thomas Acquinas	Church philosopher, 1224-1274	AM, II	312, 333ff
Hildegard von Bingen	Senses	AM, ii	315
Senses	Hildegard von Bingen	AM, II	315ff
Senses	Bonaventure, fl. 13th c.	AM, II	316
Aesthetics	Late medieval Church views	AM, II	318ff
Minestrels	Late medieval jongleurs	AM, II	325ff
Ramon Lull	On the late medieval Jongleur	AM, II	326ff
Aeshetics	John of Salisbury Church phil.	AM, II	313ff
Aesthetics	French Chansons de Geste	AM, II`	355ff
Aesthetics	Troubadours and Trouveres	AM, II	369ff
Aesthetics	Dante, 1265-1321	AM, II	397ff
Aesthetics	Minnesinger songs	AM, II	417ff
Aesthetics	Poetry of the Gollards	AM, II	427ff
Aesthetics	Anon. De Musica Mensurata, 1279	AM, II	434ff
Aesthetics	Garlandia, de Mensurabili Musica	AM, II	435ff
Aesthetics	Grocheo, De Musica, 1300 AD	AM, II	437ff
Band	The Hautboisten tradition	WH, III	3-21
Court	Bands in Baroque France	WH, III	25-55
Music in Religion	Pre-Renaissance Church views	MR	113ff
Music in Religion	Matthew Paris. Historian, 1254	MR	114
Music in Religion	Growth of the Roman Church	MR	115
Aristotle	On early unknown books	MR	115
Peter Abelard	Works to revive Aristotle works	MR	115ff
Music in Religion	Council of Paris, 1212	MR	117
Music in Religion	Council of Bayeux, 13th c.`	MR	117
Ramon Lull	Jongleur	MR	118
Bernard of Clairvaux	Song of Solomon	MR	119ff
Aesthetics	John of Salisbury	MR	120
Music in Religion	The Crusades	MR	123ff
Thomas Acquinas	On Music	MR	131ff
Court	Bands in Germany	WH, III	57-70
Band	Hautboisten bands	WH, III	57-60
Court	Mainz court wind inventory, 1721	WH, III	57, fn. 3
Music in Religion	Wurttemberg, voices and winds	WH, III	60
Court	Duke Christian of Weissenfels	WH, III	60
Court	Emperor Ferdinand III, 1637-1657	WH, III	61
Court	Emperor Leopold I, 1658-1705	WH, III	61
Court	Baroque horse ballet	WH, III	62ff
Court	Maria Theresia, water pageant	WH, III`	63ff
Trumpet	Golden Age of the Trumpet	WH, III	65ff
Trumpet	Baroque trumpet guilds	WH. III	68ff
Court	Bands in Italy	WH, III	71ff
Court	Italian horse ballets	WH, III	73ff
Court	Venice water pageants	WH, III	73ff
Court	Wind bands in Spain, 12 winds	WH, III	75ff
Court	Wind bands in England	WH, III	77-100
Court	James I, with plates	WH, III	77-83
Court	Baroque Masque	WH, III	83-87
Court	Charles II, Restoration	WH, III	92-100
Court	“Turkish Music”	WH, III	103-111
Military Music	Maurice de Saxe, 1696-1750	WH, III	111ff
Military Music	Baroque miliary bands	WH, III	117-155
Military Music	German military bands, with plates	WH, III	117-123
Military Music	Friedrich I, 1688-1723	WH, III	125ff
Military Music	Frederick William I, 1713-1740	WH, III	126-131
Military Music	Military bands in France, with plates	WH, III	133-144
Military Music	Military bands in England	WH, III	145-149
Military Music	Military bands in Italy	WH, III	151ff
Military Music	Bands in Low countries, with plates	WH, III	153ff
Military Music	Bands in Russia, Peter the Great	WH, III	155
Civic Music	Civic Wind Bands	WH, III	159=195
Civic Music	German Stadtpfeifer bands	WH, III	150-174
Civic Music	Band duties and schedule	WH, III	164ff
Concerts	German Tower music concerts	WH, III	165ff
Repertoire	Baroque, Johann Pezel	WH, III	166ff
Repertoire	Baroque Gottfried Reiche	WH, III	167ff
Repertoire	Baroque, Daniel Speer	WH, III	168ff
Civic Music	Stadtpfeifer Guild ordinances	WH, III	172ff
Civic Music	Bands in England, Wait bands	WH, III	175-185
Civic Music	Bands in the Low countries, plates	WH, III	187ff
Concerts	Low countries	WH, III	18i9
Civic Music	Bands in France	WH, III	191ff
Civic Music	Bands in Russia	WH, III	195
Music in Religion	Church bands in Low countries	WH, III`	199
Music in Religion	Church bands in England	WH, III	201
Music in Religion	Church bands in Germany, + plate	WH, III	207-215
Music in Religion	Gottweig winds inventory	WH, III	213
Music in Religion	Bands in France, Louis XIV	WH, III	217
Music in Religion	Venice pageants, canzoni	WH, III	219ff
Music in Religion	Spain and New World	WH, III	221ff
Oboe	Baroque names	WH, III	225ff
Trumpet	Daniel Speer on qualities of player	WH, III	227
Modes	Charpentier on tonal emotions	WH, III	228
Aesthetics	In 14th century Italian Church	MR	139ff
Aesthetics	Petrarch, 1304-1374	MR	139ff
Music in Religion	Fourteenth c., Petrarch, Boccaccio	MR	140ff
Music in Religion	Machaut, Gower, Grocheo, 14th c.	MR	141ff
Music in Religion	Pope John XXII, Chaucer, 14th c.	MR	147ff
Music in Religion	In 15th century Italian Church	MR	153-162
Music in Religion	Conrad von Zabern, Tinctoris	MR	156ff
Music in Religion	In 16th century Italian Church	MR	163-181
Music in Religion	Calvin	MR	163
Music in Religion	Ensembles in Venice	MR	167
Music in Religion	Huguenots, execution of	MR	167
Music in Religion	Improvisation in Italy Churches	MR	168-171
Music in Religion	Agrippa	MR	I
Music in Religion	Dance in service in Spain	MR	171
Dance	In Spanish church	MR	171
Music in Religion	Italian Counter-Reformation	MR	173
Music in Religion	Italian philosophers	MR	175ff
Music in Religion	Objection to polyphony	MR	176, 226
Emotion in Music	Emotions lost in polyphony	MR	176ff
Music in Religion	Purpose questioned	MR	178
Music in Religion	For ceremonial purposes	MR	180ff
Music in Religion	Martin Luther on music	MR	183-194
Music in Religion	Praetorius on perf. Practice	MR	195-216
Praetorius	On performance practice	MR	195-216
Music in Religion	Views on Baroque church music	MR	217-236
Music in Religion	John Bunyan	MR	217
Music in Religion	Opera influence	MR	218ff
Music in Religion	Changes in instrumentation	MR	220ff
Music in Religion	Publication of music begins	MR	221
Music in Religion	Church schools	MR	222ff
Music in Relgion	Influence of wars	MR	224
Music in Religion	Council of Trent influence	MR	227
Music in Religion	Voltaire on church music	MR	228ff
Voltaire	On church music	MR	228ff
Music in Religion	Henry VIII influence	MR	230
Music in Religion	Charles II, Restoration	MR	231
Music in Religion	Puritans	MR	232-236
Music in Religion	John Milton, 1608-1674	MR	233
Natural World	Ancient views on music, 10 essays	NW	3-175
Pythagoras	Pythagoras 580-500 BC on music	NW	3-13
Music of the Spheres	“The Sacred Madness”	NW	15-40
Music Therapy	Early views	NW	41-53
Boccaccio	Giovanni Boccaccio, 1313-1375	AM, III	45-68
Aesthetics	Fourteenth century France	AM, III	69-103
Aesthetics	Guillaume de Machaut, 1300-1377	AM, III	69-103
Aeshetics	Jacques de Liege,treatise, 1313	AM, III	87ff
Aesthetics	Pope John XXII, bull of 1324	AM, III`	90ff,100
Improvisation	John XXII approves in service	AM, III	90
Philippe de Vitry	Treatise, Ars Nova	AM, III	92
Muris, Jean de	Muris, 1290-1350 Treatise	AM, III	92
Deschamps	Eustache Deschamps treatise	AM, III	93ff
Improvisation	In Italian churches	MR	168-171
Aesthetics	Fourteenth century England	AM, III	106-135
William of Ockham	Ockham, 1300-1349 Eng. Phil.	AM, III	106ff
John Gower	Gower, 1330-1408 Eng. Phil.	AM, III	111ff
Minstrels	England, 14th century	AM, III	120ff
Wm Langland	English poet, 14th century	AM, III	121ff
Bands	English kings, 14th century	AM, III	128
Music Education	England, 14th century poem	AM, III	128ff
Chaucer	Geoffrey Chaucer,1340-1400	AM, III	137-159
Aesthetics	Fifteenth century Italy	AM, III	164-189
Aesthetics	Pope Nicholas V, 1447-1455	AM, III	161
Poets	Colonna,Francesco. Italian	AM, III	161
Poets	Poliziano, Angelo, 1454-1494	AM, III	162ff
Aesthetics	Alberti, Leon Battista, b. 1404	AM, III	164ff
Aesthetics	Ficino, Marsilio, philosopher	AM, III	164ff
Aesthetics	Ugolino of Orvieto, philosopher	AM, III	165
Leonardo da Vinci	On Beauty	AM, III	169ff
Aesthetics	Valgulio, Carlo, trans. of Plutarch	AM, III	170
Aesthetics	Gaffurio, Franchino	AM, III	171
Gaffurio, Franchino	“Theorica musice”. Late 15th c.	AM, III	171, 174ff
Cicero	Quoted by Gaffurio	AM, III	171
Emotion in Music	Calmeta, Vincenzio, 15th c. Italy	AM, III	172
Ficino, Marsilio	Founder, Florentine Academy	AM, III	173
Court	Ercole,duke, 1471-1505,	AM, III	179
Court	Galeazzo Maria Sforza, 1466-1476	AM, III	180
Court	Giangaleazzo Sforza, 15th c.	AM, III	180
Leonardo da Vinci	Duties in Milan court	AM, III	180
Beatrice of Milan	Great woman of Renaissance	AM, III	180ff
Isabella d’Este	Mantua, 1474-1539	AM, III	181ff
Court	Federigo da Urbino, 1444-1482	AM, III	182
Court	Lorenzo Magnificent	AM, III	182
Isaac, Heinrich	Composer music for Lorenzo	AM, III	183
Cortesi, Paolo	Fifteenth century writer	AM, III	184
Music education	Fifteenth century Italy	AM, III	185ff
Leonardo da Vinci	Major discussion	AM, III	191-210
Aesthetifcs	Leonardo da Vinci	AM, III	192-210
Senses	Leonardo da Vinci	AM, III	194
Aesthetics	Effect of Music on Man	NW	55ff
Emotion	Galen, doctor, 2nd c. AD	NW	55
Galen. Dr.	Doctor, 2nd c. AD	NW	55
Emotion in Music	Hesiod, poet, 800 BC	NW	56
Emotion in Music	Marianus Capella, 5th c.	NW	57
Emotion in Music	Moschus, Greek poet, 100 BC	NW	57
Emotion in Music	Tibullus, Greek lyric poet, 5-10 BC	NW	57
Emotion in Music	Cyrus, Roman poet, first c. AD	NW	57
Emotion in Music	St. Basil, 329-370	NW`	57
Emotion in Music	Cassiodorus, 480-573	NW	57ff
Cassiodorus	Tame savage hearts	NW	57
St. Basil	Calm the troubled souls	NW	57
Emotion in Music	St. Basil, 329-370	NW	58+
Dante	Music is to soothe	NW	58
Emotion in Music	Hugh of Orleans, Goliard	NW	58
Emotion in Music	Borneil. French troubadour	NW	59
Emotion in Music	Plutarch, 1304-1374	NW	59
Plutarch	Emotions in music	NW	59
Emotion in Music	Boccaccio. Music fails to soothe	NW	59
Boccaccio	Example, Music fails to soothe	NW	59
Emotion in Music	Machaut, early Renaissance	NW	60
Machat	Emotion in Music	NW	60
Emotion in Music	Chaucer	NW	61ff
Chaucer	Emotion in Music	NW	61ff
Emotion in Music	Poliziano, Angelo, 1454-1494	NW	62
Poliziano	Emotion in Music	NW	62
Emotion in Music	Alberti, Leon Battista, b. 1404	NW	62
Alberti	Purpose of church music	NW	62ff
Emotion in Music	Lydgate, John	NW	63
Lydgate, John	Emotion ion music	NW	63
Emotion; in Music	Machiavelli, 1469-1527	NW	65
Machiavelli, Noccolo	Emotion in Music	NW	65
Emotion in Music	Vincesnzo Galilei, 1533-1591	NW	64
Galilei, Vincenzio	On emotions in music	NW	64
Emotion in Music	Girolamo Cardano, 1501-1576	NW	64
Cardano, Girolamo	Emotion in music	NW	64
Emotion in Music	Joachim du Bellay, b 1525	NW	64
Emotion in Music	Jean Bodin, 1530-1590	NW	65
Bodin	On church music	NW	65
Emotion in Music	Cervantes	NW	65
Cervantes	To soothe	NW	65
Emotion in Music	Lope de Vega	NW	65
Lope de Vega	On emotions in music	NW	65
Emotion in Music	Martin Luther	NW	65ff
Luther, Martin	On music	NW	65ff
Emotion in Music	Lodowick Bryskett, 1546-1612	NW	66
Lullaby	Bryskestt, 1546-1612	NW	66
Bryskett	How music soothes	NW	66
Emotion in Music	William Byrd	NW	66
Byrd, William	Music for solice	NW	66
Emotion in Music	Humphrey Gifford	NW	67
Emotion in Music	Philip; Sidney	NW	67ff
Sidney, Philip	Musicl is to soothe	NW	67ff
Emotion in Music	John Lyly, Elizabethan playwright	NW	68
Lyly, John	Lyly, John, Emotions in music	NW	68
Emotion in Music	Shakespeare	NW	68ff
Shakespeare	Music in the plays	NW	68ff
Emotion in Music	Molina, Spanish playhwright	NW	69
Molina	Emotion in Music	NW	69
Emotion in Music	Calderon	NW	69
Calderon	Music to soothe	NW	69
Emotion in Music	Moliere, playwright	NW	70
Moliere	playwright, 1652-1685	NW	70
Emotion in Music	Saint-Evremond, 1610-1703	NW	70
Emotions in Music	Leopold, emperor	NW	70
Emotions in Music	Voltaire	NW	70
Voltaire	Emotions	NW	70
Emotions in Music	Beaumont and Fletcher	NW	71
Otway, Thomas	playwright, 1652-1685	NW	72
Wither, George	Emotions in music	NW	72
Milton	“Paradise Regained”	NW	72
Emotions in Music	Milton	NW	72
Emotions in Music	George Wither, 1588-1667	NW	72
Wither, George	Emotions	NW	72
Ben Jonson	Emotions in Mlusic	NW	72
Emotions in Music	Ben Jonson	NW	72
Ferrabosco	Alphonso Ferrabosco	NW	72
Emotions in Music	Thomas Carew, 1594-1639	NW	72
Carew, Thomas	Emotions	NW	72ff
Browne, Thomas	On emotions in music	NW`	74
Herbert, Georges	Emotions	NW	73
Emotions in Music	Georges Herbert, 1593-1633	NW	73ff
Emotions in Music	Thomas Browne, `1605-1682	NW	74
Browne, Thomas	Emotion	NW	74
Emotions in Music	John Donne, 1573-1831, Puritan	NW	74
Donne, John	Emotions	NW	74
Emotions in Music	Rev. Joseph Hall, 1574-1`656	NW	74
Hall, Joseph, Rev.	Emotions	NW	74ff
Emotions in Music	Gervase Markham (1615)	NW	75
Markham, Gervase	Emotions	NW	75
Emotions in Music	Abraham Cowley, 1618-1667	NW	75
Cowley, Abraham	Emotions	NW	75
Emotions in Music	George Wither	NW	75
Wither, George	Emotions	NW	75
Aesthetics	Fifteenth century France	AM, III	211-236
Aesthetics	Martin le Franc	AM, III	211
Aesthetics	Dufay	AM, III	211, 228
Aesthetics	Binchois	AM, III	211, 228
Charles VI	Court of Love	AM, III	212
Christine de Pizan	Tends to ignore Music	AM, III	212ff
Charles VIII	Brought Renaissance to France	AM, III	213
Phil. de Commynes	Phil. de Commynes	AM, III	215ff
Music Education	Christine de Pizan	AM, III	214ff
Orleans, Charles de	Aesthetics, 1394-1465	AM, III	217ff
Villon, Francois	Aesthetics, 15th century poet	AM, III	218ff
Gerson, Jean de	Chancellor, Univ of Paris	AM, III	218ff
Greban, Arnoul	Mystery plays, poet	AM, III	221
Minstrels	Confrerie de S. Julien Guild	AM, III	221
Music in Religion	Cambrai cathedral singers	AM, III	222ff
Louis IX, 1461	Arrival music, band, voices, organ	AM, III	224
Trumpet	Hunting signals, 15th c. France	AM, III	224
Rene II of Anjou	Dinner music, 1489	AM, III	225
Minsrels	Itinerant musicians 15th c. France	AM, III	225
Loqueville, Richard	Ballade, re itinerant musicians	AM, III	225
Aesthetics	Low countries, Rernaissance	AM, III	227-236
Philip of Burgundy	Duke, 1363-1404	AM, III	227ff
Philip the Good	Duke, Burgundy, 1439-1457	AM, III	228ff
Charles the Bold	Duke, Burgundy, son of Philip	AM, III	229
Civic Music	Renaissance, Low countries	AM, III	229
Civic Music	Omnegang celebrations	AM, III	230
Concerts	Bruges civic band contract	AM, III	230
Concerts	Brabant civic band contract	AM, III	230
Concerts	Bergen-op-Zoom, motets	AM, III	231
Trumpet	Mass trumpet appearances	AM, III	231ff
Philip the Good	Players in big wooden cat	AM, III	233
Repertoire	Basse Danse lost repertoire	AM, III	233
Phililp the Good	Order, Golden Fleece banquet	AM, III	234ff
Tinctoris, Johannes	Music theorist,1435-1511	AM, III	237-251
Movement	Ancient views with music	NW	77-93
Dance	Jean Paul Richter “silent music”	NW	77
Dance	Association with music	NW	77ff
Xenophen	Historian, 434-355 BC, choirs	NW	78
Plato	Movements of choir [Laws, 659d]	NW	78
Bacon, Roger	Dance is visual music	NW	78
Dance	Cardano, 16th c., “6th part of music”	NW	79
Movement	As feeling	NW	79ff
Movement	Greek choirs	NW	81
Music education	Amarna hieroglyph of music school	NW	81
Movement	“Chironomist” early conductor	NW	81
Plato	Movement and music	NW	82ff
Movement	Plato on music and movement	NW	82ff
Movement	In Greek plays	NW	83
Sophocles	Expert in music and dance	NW	83
Dance	Sophocles expert and in music	NW	83
Movement	Johann Mattheson, 1681-1764	NW	84ff
Movement	National differences in singing	NW	85
Movement	Hypocritica, commun. by gesture	NW	86
Movement	Part of music, Paris, 1738	NW	86
Movement	With hands only	NW	86
uji	Communication by hands only	NW	86
Movement	Hand commun. Punished 1730	NW	86, fn. 35
Movement	Gildon on actor gestures	NW	87
Gildon, Charles	Gestures by actors	NW	87ff
Spontini, Gaspare	Wagner quotes impact of eye mvt.	NW	89
Wagner, Richard	Spontini on eye of conductor	NW	89
Movement	In Greek armies	NW	90
Movement	Al-Farabi, c. 900 AD, part of music	NW	90
Movement	Johannes de Grocheo, c. 1300 AD	NW	91
Movement	In music, Pope John XXII	NW	91
Movement	Arbeau, swaying with hymns	NW	91
Dance	Knowledge of ancient dance lost	NW	91
Dance	Arbeau, dancing is mute rhetoric	NW	92
Dance	Agrippa, b. 1486 appears madness	NW	92
Agrippa, Henry	Dance appears as madness 16 c.	NW	92
Dance	Stubbs, 1583, is unclean and filthy	NW	92
Dance	In Voltaire play, “devil’s invention”	NW	92
Voltaire	Dance is “devil;s invention”	NW	92
Dance	Zurich 1519 pujblic dance fobidden	NW	92
Movement	Dalcroze,Eurhythmics. In mus. ed.	NW	93
Dalcrose, Emile	Eurhythmics in music education	NW	93
Music education	Dalcroze, Eurhyhmics	NW	93
Gildon, Charles	Left hand gestures are indecent	NW	88
Movement	History of right hand preference	NW	88
Pythagoras	Early iconography of	NW	Cover
Aesthetics	Germany, 14th and 15th c.	AM, III	253-285
Senses	Nicholas de Cusa, 1401-1464	AM, III	254ff
Boethius	On divine learning	AM, III	255
Nicholas de Cusa	On music	AM, III	253ff
Education	Brant, “Ship of Fools”	AM, III	260ff
Aesthetics	Nicholas de Cusa, 1401-1464	AM, III	253ff
Music in Religion	Conrad von Zabern, 1474	AM, III	272ff
Civic Music	Bands in 15th c. Germany	AM, III	276ff
Court	“Weisskunig” Frederick III, 1450	AM, III	277
Court	“The Triumph of Maximilian I”	AM, III	277ff
Music Education	Taught in university by math prof.	AM, III	279
Trumpet	Mass trumpets appearances	AM, III	281ff
Court	German bands, 15th c.	AM, III	281ff
Court	Council of Constance, 1414-1418	AM, III	282
Aestheics	Spain, 14th and 15th c.	AM, III	287-302
Ruiz. Juan	“The Book of True Love” 1330	AM, III	287ff
Court	Alfonso V, 1416-1458	AM, III	295
Court	Fernando V and Isabella bands	AM, III	295ff
Minstrels	Spain, Fernando, 1491	AM, III	296
Music in Society	Spain, love songs	AM, III	296ff
Music education	Spanish universities	AM, III	299
Aesthetics	England, 15th c.	AM, III	303-322
Bicameral brain	“Reson and sensuallyte”	AM, III	304ff
Civic Music	England, 15th c. bands	AM, III	310ff
Music and Oratory	Ancient views	NW	95-112
Music and Oratory	“Music is oratory in tones”	NW	95
Music and Oratory	Use of pitch pipe	NW	95
Music and Oratory	Creating emotions in listener	NW	98ff
Quintilian	On emotions in oratory	NW	98ff
Cicero, 106-43 BC	Orator, listeners judge	NW	100ff
Debussy	Fame is a gift of the masses	NW	100
Mattheson	On the Art of Gesticulation	NW	103
Critics	Hypocritica, “under criticism”	NW	103
Erasmus	On speaking Latin and Greek	NW	104
Mersenne	“Harmonie univeselle,” 1636	NW	105
Music and Oratory	Truth does not matter, only passion	NW	106
Hobbes, Thomas	Philosopher, 1588-1679	NW	106
Music and Oratory	Hume, 1711-1776 more passion	NW	106
Music and Oratory	La Rochefoucauld, more passion	NW	107
Music and Oratory	Fenlon, more passion	NW	107
Music and Oratory	Importance of the eyes	NW	108ff
Cicero	On the eyes	NW	108
Pliny the Elder	On the eyes	NW	108
Descartes	On the eyes	NW	108
Calderon	On the eyes	NW	109
Herbert, Georges	On the eyes	NW	109
Gildon, Charles	On the eyes	NW	109
Wagner, Richard	On the eyes	NW	110
Petarch	On the face	NW	110
Ronsard, Pierre	On the face	NW	110
Shakespeare	On the face	NW	110
Chesterfield, Earl	On the face	NW	111
Montaigne, Michael	On the hands	NW	111
Gildon, Charles	On the hands	NW	111
Aesthetics	Are musicians born or made?	NW	113-124
Aesthetics	Glarean. “artists born or made?”	NW	115
Nature	Is art learned or a gift of Nature?	NW	117ff
Aesthetics	Born or made? Case of Mozart	NW	123
Aesthetics	Is Music Genetic?	NW	125-137
Aestheics	Recent research on genetics	NW	135ff
Music and geography	The case of England	NW	139ff
Music and geography	French vs Italian artists	NW	141-150
Music education	Importance of study in Italy	NW	150ff
Music and geography	German vs French styles	NW	154ff
Music and geography	Berlioz on Germany	NW	159ff
Aesthetics	Fascination with numbers	NW	164ff
Aesthetics	On the question of the Echo	NW	166
Bicameral brain	Where in body is Reason found?	NW	167ff
Descartes	On the pineal gland	NW	175
Aesthetics	Ethics and Music, 13 essays	ME	1-132
Court	Classic Period bands, overview	WH, IV	1-19
Harmoniemusik	Formed by Joseph II, 1782	WH, IV	4ff
Trumpet	Late tradition	WH, IV	4ff
Court	Horse ballet	WH, IV	5
Jefferson, Thomas	Wants Harmoniemusik	WH, IV	6
Forms	recheo	WH, IV	7ff
Forms	Partita means Symphony	WH, IV	8
Harmoniemusik	Role in court	WH, IV	9ff
Cellini, Benvenuto	Wind band repertoire	WH, IV	12
Harmoniemusik	Operas arranged	WH, IV	12ff
Concerts	Harmoniemusik,	AM, I	10ff, 16ff
Triebensee	Harmoniemusik composer	WH, IV	19
Harmoniemusik	Repertoire in general	WH, IV	19ff
Music and character	Plato	ME	3ff
Court	Bands in 18th c. Austria	WH, IV	21-50
Court	Review of 18th c. courts	WH, IV	21ff
Court	Pachta, Graf of Prague	WH, IV	22ff, 37
Haydn, Josef	Count Morzin court	WH, IV	25ff
Court	Bands in Hungary	WH, IV	27ff
Court	Esterhazy princes, role of players	WH, IV	27ff
Harmoniemusik	Esterhazy court	WH, IV	29ff
Court	Esterhazy, financial plight letter	WH, IV	30ff
Druschestzky,Georg	Hungarian composer at Pressburg	WH, IV	31, 42
Haydn, Josef	“Creation” arr. for Harmoniemusik	WH, IV	32
Batthyany, Cardinal	Sperger, 42 partitas for this court	WH, IV	33
Concert	Harmoniemusik, 1787	WH, IV	34
Court	Bands in 18th c. Vienna	WH, IV	35
Haydn, Josef	Document re horn player search	WH, IV	35ff
Wendt, Johann	Vienna Harmoniemusik composer	WH, IV	37
Mozart	Offered a job as wind composer	WH, IV	38
Harmoniemusik	Liechtenstein court, Vienna	WH, IV	38ff
Triebensee, Josef	Major Harmoniemusik composer	WH, IV	39ff
Triebensee, Josef	First-hand description if him	WH, IV	39
Harmoniemusik	Schwarzenberg court	WH, IV	49ff
Harmoniemusik	Music collection in Vienna, GMF	WH, IV	41
Cartellieri, b. 1772	Composer of very lengthy Partitas	WH, IV	42
Starzer	Harmonie composer, Vienna	WH, IV	43
Mozart	Compositions for Harmoniemusik	WH, IV	44-50
Mozart	Letter re arranging for Harmonie	WH, IV	44
Mozart	Mozart/Gopfert arr. For Harmonie	WH, IV	46
Mozart	Publications, premiere of K. 361	WH, IV	46
Mozart	Catalog of compositions	WH, IV	47ff
Court	Bands in 18th c. Germany	WH, IV	51-62
Court	Maximilian Harmoniemusik	WH, IV	51
Beethoven	Harmoniemusik, Op. 103	WH, IV	51
Beethoven	Move to Vienna, re Haydn	WH, IV	51ff
Harmoniemusik	Don Juan arr performed in public	WH, IV	53
Harmoniemusik	Contemporaruy silhouette of	WH, IV	55
Rosetti, Anton	Harrmoniemusik composer	WH, IV	56ff
Reicha,Joseph	Harmoniemusik composer	WH, IV	56
Witt, Friedrich	Harmoniemusik composer	WH, IV	56
Wineberger, Paul	Harmoniemusik composer	WH, IV	56
Harmoniemusik	Collections; in Germany	WH, IV	57ff
Oboe	Burney review of BesozzI brothers	WH, IV	61
Trumpet	Performance for Fred. The Great	WH, IV	62
Court	Bands in 18th France	WH, IV	63-71
Court	Les Grands Hautbois history	WH, IV	63ff
Court	La Poupliniere, 1693-1762	WH, IV	65ff
France	Francois Gossec, 1734-1829	WH, IV	68ff
Gossec, Francois	Leading wind composer in Paris	WH, IV	68ff
France	Georg Fuchs, 1752-1821	WH, IV	71
Fuchs, Georg	Leading Harmonie arr. In Paris	WH, IV	71
Court	Bands in 18th London; Haydn	WH, IV	73
Russian horn bands	With score repoduction	WH, IV	75ff
Maresch, Johann	Leader of Russian horn band	WH, IV	75ff
Sphor, Ludwig	Praise for Russian horn band	WH, IV	78
Military Music	Bands in 18th c. Germany	WH, IV	85ff
Frederick the Great	Bands, “Turkische musik”	WH, IV	85ff
Military Music	Germany, 18th c. composers	WH, IV	89ff
Music education	Prussian Army Music School	WH, IV	90
Military Music	Ludwig, IX, composer of marches	WH, IV	91
Military Music	Bands in 18th c. Austria	WH, IV	93-98
Military Music	Bands in 18th France	WH, IV	99-101
Kastner, Georges	Scholar of French bands	WH, IV	101
Military Music	Bands in 18th c. Italy	WH, IV	103
Military Music	Bands in 18th c. England`	WH, IV	105ff
Military Music	Royal Regiment of Artillery	WH, IV	105ff
Military Music	English repertoire	WH, IV	113ff
Music and Character	Essay, , 18 pages	ME	3-21
Music and Character	Anclient Greece	MR	3ff
Music andl Character	Plato	ME	4ff
Music and Character	Aristotle on the modes	ME	8ff
Music and Character	Polybius, 200-188 BC	ME	10ff
Music and Character	St. Jerome	ME	12ff
Music and Character	Boethius, 475-524 AD	ME	13ff
Music and Character	Vittorino da Feltre, 1396-1415	ME	14
Music and Character	Jacques de Liege, 1313	ME	15
Music and Character	Vincenzo Galilei	ME	15
Music and character	Martin Luther	ME	16
Music and Character	Roger Ascham, 16th c.	ME	16ff
Music and Character	Johann Mattheson, 1681-1764	ME	17ff
Music and Character	Jan Pieters Sweelinck, 1562-1621	ME	18
Music and Character	Thomas Mace, 1613-1709	ME	18
Music and Character	John Milton, 1608-1674	ME	19
Music and Character	Jonathan Swift, 1667-1745	ME	19
Music and Character	Edward Young, 1683-1765	ME	19
Music and Character	Shinichi Suzuki	ME	21
Plato	On character	ME	4ff
Aristotle	On Character	ME	8ff
Polybius	On Character	ME	10ffg
St. Jerome	On Character	ME	12ff
Boethius	On Character	ME	13ff
Feltre, Jacques	On Character	ME	14
Jacqujes de Liege	On Character	ME	15
Galilei, Vincenzio	On Character	ME	15
Luther, Martin	On Character	ME	16
Ascham, Roger	On Character	ME	16ff
Mattheson, Johann	On Character	ME	17ff
Sweelinck, Jan P.	On Character	ME	18
Mace, Thomas	On Character	ME	18
Milton, John	On Character	ME	19
Swift, Jonathan	On Character	ME	19
Young, Edward	On Character	ME	19
Suzuki, Shinichi	On Character	ME	21
Music and Manners	Essay, 13 pages	ME	23-37
Music and Manners	John Calvin, 1509-1564	ME	23
Music and Manners	Pythagoras,l 6th c. BC	ME	23, 25ff
Music and Manners	Ancient Greece	ME	23ff
Music and Manners	Plato	ME	24
Music and Manners	Homer, “Odyssey,” VIII, 475	ME	24
Music and Manners	Quintilian, 30-96 AD	ME	25
Music and Manners	Clement of Alexandria, c. 150-215	ME	26
Music and Manners	Martinus Capella	ME	26
Music and Manners	Cassiodorus, 480-573	ME	26ff
Music and Manners	Guido of Arezzo, Mirologus, 1000	ME	27
Music and Manners	Bartholomew Anglieuis, 13th c.	ME	27
Music and Manners	Johannes de Grocheo, c. 1300 AD	ME	27
Music and Manners	Marsilio Ficino, 15th c.	ME	28
Music and Manners	Desideratum Erasmus, 1469-1530	ME	28ff
Music and Manners	Richard Hooker, 1553-1600	ME	29
Music and Manners	Michael Montaigne, 1533-1592	ME	29ff
Music and Manners	Charles IX of France	ME	30
Music and Manners	Minturno of Ugento, 16th c.	ME	30
Music and Manners	Juan Vives, 16th c.	ME	30ff
Music and Manners	Henry Agrippa, 16th c.	ME	31
Music and Manners	Martin Luther	ME	31
Music and Manners	Ornithoparchus, Anddfeas, 16th c.	ME	31ff
Modes	Ornithoparchus on influence of	ME	31ff
Music and Manners	Nicolaus Listenius, c. 1500-1550	ME	32
Music and Manners	Roger Ascham, 1515-1568	ME	32ff
Music and Manners	Lodowick Bryskett, 1546-1612	ME	33
Music and Manners	Johann Kuhnau	ME	33
Music and Manners	Marin Mersenne, 1588-1648	ME	34
Music and Manners	Thomas Mace, 1613-1709	ME	34ff
Music and Manners	Francis Bacon, 1561-1626	ME	35
Music and Manners	John Milton, 1608-1674	ME	35
Music and Manners	Joseh Addison, 1712	ME	36
Music and Manners	Richard Wagner	ME	36
Calvin, John	Music and Manners	ME`	23
Pythagoras	Music and Manners	ME	23, 25ff
Plato	Music and Manners	ME	24
Homer	Music and Manners	ME	24
Quintilian	Music and Manners	ME	25
Clement of Alexandria	Music and Manners	ME	26
Capella, Martinus	Music and Manners	ME	26
Cassiodorus	Music and Manners	ME	26ff
Guido of Arezzo	Music and Manners	ME	27
Anglieuis, Barh.	Music and Manners	ME	27
Grocheo, Johannes	Music and Manners	ME	27
Ficino, Marsilio	Music and Manners	ME	28
Erasmus	Music and Manners	ME	28ff
Hooker, Richard	Music and Manners	ME	29
Montaigne, Michael	Music and Manners	ME	29ff
Charles IX of France	Music and Manners	ME	30
Minturno	Music and Manners	ME	30
Vives, Juan	Music and Manners	ME	30ff
Agrippa, Henry	Music and Manners	ME	31
Luther, Martin	Music and Manners	ME	31
Ornithoparchus	Music and Manners	ME	31ff
Listenius,Nichlaus	Music and Manners	ME	32
Ascham, Roger	Music and Manners	ME	32ff
Bryskett, Lodowick	Music and Manners	ME	33
Kuhnau, Johann	Music and Manners	ME	33
Mersenne, Marin	Music and Manners	ME	34
Mace, Thomas	Music and Manners	ME	34ff
Bacon, Francis	Music and Manners	ME	35
Milton, John	Music and Manners	ME	35
Addison, Joseph	Music and Manners	ME	36
Wagner, Richard	Music and Manners	ME	36+
Performance	Character of performer	ME	39-46
Rojas, Fernando	Character of performer	ME	39, 41
Cervantes	Character of performer	ME	39, 44
Plato	Character of performer	ME	40
Srabo	Character of performer	ME	40
St. Basil	Character of performer	ME	40
Galilei, Vincenzio	Character of performer	ME	41ff
Cardano, Girolamo	Character of performer	ME	42ff
Montaigne	Character of performer	ME	43
Agrippa, Henry	Character of performer	ME	44
Milton, John	Character of performer	ME	45
Women	Disrespect of women	ME	47-62
Audience	Ancient artist and public	ME	65-80
Audience	Renaissance artist and public	ME	81-91
Audience	Baroque artist and public	ME	93-101
Audience	Nineteenth c. artist and public	ME	103-116
Herodotus, c. 440 BC	On the audience	ME	65
Audience	Influence of	ME	65-116
Plutarch	On the audience	ME	65
Plato	On the audience	ME	66-70
Aristotle	On the audience	ME	70
Quintilianus	On the audience	ME	71
Cicero	On the audience	ME	71ff
Horace, 66-8 BC	On the audience	ME	74
Pliny the Younger	On the audience	ME	75
Lactantius, 3rd c	On the audience	ME	77
Julian, emperor	On the audience	ME	77ff
Cassidorus	On the audience	ME	78
Venerable Bede	On the audience	ME	78
Bacon, Roger	On the audience	ME	79
Petarch	On the audience	ME	81-84
Guicciardini, 16th c	On the audience	ME	81
Bruno. Giordano	On the audience	ME	84
Tasso, Torquato	On the audience	ME	85
Vida, Marco. 16th c.	On the audience	ME	85
Galilei, Vincenzio	On the audience	ME	85
Zarlino, Gioseffo	On the audience	ME	85ff
Castiglione, Bald.	On the audience	ME	85ff
Montaigne	On the audience	ME	87
Cervantes, Miguel	On the audience	ME	88
Lope de Vega	On the audience	ME	88ff
Erasmus	On the audience	ME	89ff
Glarean, Heinrich	On the audience	ME	91
More, Thomas	On the audience	ME	91
Ivanovich, 17th c.	On the audience	ME	93ff
Addison, Joseph	On the audience	ME	94ff
Cuzzoni, Fraancesca	On the audience	ME	95
Bordoni, Faustina	On the audience	ME	95
Handel	On prima donnas	ME	95
Metastasio, Pietro	On the audience	ME	96
Mattheson, Johann	On the audience	ME	97
La Bruyere, Jean de	On the audience	ME	97
Racine, Jean	On the audience	ME	97
Moliere	On the audience	ME	97ff
Marivaux, Pierre	On the audience	ME	98
Voltaire	On the audience	ME	99ff
Playford, John	On the audience	ME	100ff
Broene, Thomas	On the audience	ME	101
Penn, William	On the audience	ME	101
Shenstone,William	On the audience	ME`	101
Wagner. Richard	On the audience	ME	105ff
Schumann	On the audience	ME	105ff
Mendelssohn	On the audience	ME	105ff
Liszt	On the audience	ME`	108ff
Dorati, Antal	On the audience	ME	113
Walter, Bruno	On the audience	ME	114ff
Ormandy, Eugene	On the audience	ME	116
Critics	Views of early Criticism	ME	117-132
Pope, Alexander	On critics	ME	117, 126ff
Longinus	On critics	ME	117ff
Empiricus, Sextus	On critics	ME	118
Aurelius, Marcus	On critics	ME	119
Alvernhe, Peire,	On critics, 12th c.	ME	119
Morungen, Heinrich	On critics	ME	120
Boccaccio	On critics	ME	120ff
Aretino, Pietro	On critics, 16th c.	ME	121
Cinthio, Giraldi	On critics, 16th c.	ME	121
Erasmus	On critics`	ME	122
Chapelain, Jean	On critics, treatise, 1637	ME	123
Voltaire	On critics	ME	123ff
Shaftesbuiry, Earl	On critics	ME	126
Betterton, Thomas	On critics	ME	127
Dryden, John	On critics	ME	127ff
Haydn, Josef	On London criics	ME	129
Shenstone, William	On critics	ME	128ff
Burney,Charles	Defends Haydn in London	ME	129
Schumann	On critics	ME	129ff
Mendelssohn	On critics	ME	131
Liszt	On critics in America	ME	130
Boccaccio	Prejudice against women	ME	47, 51ff
Plato	Prejudice against women	ME	48ff
Plutach	Prejudice against women	ME	49
New Testament	Prejudice against women	ME	50ff
Albertus	Prejudice against women	ME	51
Gower, John	Prejudice against women	ME	54
Chaucer	Prejudice against women	ME	54
Bruno. Giordano	Prejudice against women	ME	55
Castiglione, Bald.	Prejudice against women	ME	55ff
Aretino, Pietro	Prejudice against women	ME	56ff
Mirandola, pico della	Prejudice against women	ME	57
Montaigne, Michael	Prejudice against women	ME	57ff
Sidney, Philip	Prejudice against women	ME	59
Bryskett, Lodowick	Prejudice against women	ME	60
Lope de Vega	Prejudice against women	ME	61
La Maupin	Early French prima donna	ME	61
Music in Religion	Introduction 18th c.	WH, IV	119-124
Music in Religion	Te Deum account, Vienna 1767	WH, IV	120
Music in Religion	Duties, Melk 1779 contract	WH, IV	121
Trumpet	Melk monastery, 1768	WH, IV	122
Trumpet	Objection to hearing at lunch	WH, IV	123
Civic Music	Survey, Classical Period	WH, IV	129-216
Civic Music	English Wait Bands	WH, IV	129-130
Civic Music	English Wait Bands uniforms	WH, IV	129, fn.5
Civic Music	Bands in Vauxhall Gardens	WH, IV	131, plate
Civic Music	French Revolution introduction	WH, IV	137-138
Civic Music	France, Gossec Te Deum	WH, IV	139-147
Civic Music	Paris, Free School of Music	WH, IV	153-167
Civic Music	Paris, Concerts	WH, IV	160ff
Concerts	Paris,civic bands 1793	WH, IV	160ff
Civic Music	Paris, 18th c. national festivals	WH, IV	168-216
Philosophy of Music	Ancient Voices essay	WM	3-18
Plato	Definition of Music	WM	3
Sextus Empiricus	Music does not exist, 2nd c. AD	WM	3
Marchsetto of Padua	Definition of Music	WM	3ff, 12
Socrates	On the value of music	WM	5
Plato	Music value and education	WM	5ff
Music education	Plato	WM	6
Aristotle	On the value of music	WM	6ff
Boethius	On music education	WM	7
St. Augustine, 4th c	His book, “On Music”	WM	7ff
Music educaion	Boethius	WM	7ff
Cassiodorus	Definition of Music	WM	9ff
Aurelian of Reome	Definition of Music, 843 AD	WM	10
Hrotswitha	Definition of Music, 10th c.	WM	10ff
St. Bernhard.	Definition of Music, 13th c.	WM	11
Bacon, Roger	Definition of Music, 13th c.	WM	11ff
Joh. de Grocheo	Definition of Music	WM	13
Listenius,Nichlaus	Definition of Music, 14th c.	WM	13ff
Mattheson, Johann	Definition of Music, 17th c.	WM	15ff
North, Roger	Definition of Music, 17th c.	WM	16ff
Music in Religion	Roger North definition, 17th c	WM	17
Emotion in Music	Sir Thomas Browne	WM	18
Wagner, Richard	Definition of Music	WM	18
Schumann	Definition of Music	WM	18
Philosophy of Music	Ancient Gods of Music, essaya	WM	19-30
Harp	Ancient festival, 300 harpists	WM	23
Trumpet	OT., Zechariah 9:14, God a player	WM	23
Music in Society	St. Cecilia, modern “god” of music	WM	23ff
Emotion in Music	Dryden, 1687, re indiv. Instruments	WM	23ff
Myths	Ancient Muses and Myths, essay	WM	31-48
Clio	Muse of History	WM	32
Mercury	God of music notation	WM	33
Minerva	God who invented the aulos	WM	33
Calliope	Muse of epic poetry	WM	34
Melpomene	Music of Tragedy [stage play]	WM	35
Jove	Another name,for Jujpiter	WM	35
Apollo	Patron of music and medicine	WM	35ff
Diana	Muse of hunting, sister of Apollo	WM	38
Neptune	God of waters	WM	39
Orpheus	Representative of Song and Lyre	WM	39ff
Pan	Invented the panpipe	WM	42ff
Venus	Goddess of love and beauty	WM	44
Thalia	Muse of Comedy [stage playh]	WM	45
Myths	Early writers on the myths and gods	WM	46ff
Performance	Early writers on Inspiration	WM	49-59
Philosophy of Music	Early writers: is music math?	WM	61-74
Boethius	Is music math?	WM	63
Aurelian of Reome	Is music math?	WM	63
Joh, de Grocheo	Is music math?	WM	64
Jacques de Liege	Five volumes of music as math	WM	65
Tinctoris, Johannes	Music and math	WM	65ff
Music education	Vives, music’s purpose	WM	67
Cochlaeus, Joh.	Music as math	WM	67
Philosophy of Music	Based on ears; Coclico	WM	68
Shakespeare	Music ed is music and mah	WM	69
Newton, Isaac	Music and math	WM	69
Mersenne, Marin	Music and math	WM	69
Kircher, Athanasius	Music and math	WM	70
Mattheson. Johann	Music and math, 18th c. debate	WM	70ff
Mattheson, Johann	I guarantee Bach is not math	WM	74
Philosophy of Music	Is Music theory or performance?	WM	75-90
Aesthetics	Italian Philosophers 16th c.	AM, IV	1-31
Guicciardini,Fran.	Aesthetics, 16th c.	AM, IV	1ff
Machiavelli, Noccolo	Aesthetics	AM, IV	2, 13
Court	Tasso on the courtier	AM, IV	2
Tasso, Torquato	On the courtier	AM, IV	2
Court	Aretino, Pietro on court life	AM, IV	3ff
Intellect	Guicciardini on the mind	AM, IV	5
Guicciardini, Fran	On the mind	AM, IV	5
Machiavelli, Noccolo	On the mind	AM, IV	5
Humanism	Pico della Mirandola, 1470-1533	AM, IV	5
Church	Pico Mirandola on Humanism	AM, IV	5
Intellect	Mirandola, three kinds of thinking	AM, IV	6ff
Mirandola, pico della	On the intellect and Church	AM, IV	6ff
Bruno. Giordano	On the Counter Revolution	AM, IV	8ff
Women	Tasso, anti intellect	AM, IV	10
Machiavelli, Noccolo	On love and fear	AM, IV	11
Intellect	Aretino, Pietro on danger of Love	AM, IV	11ff
Pleasure and Pain	Pico della Mirandola, 1470-1533	AM, IV	12ff
Machiavelli, Noccolo	Value of Art in 16th c. Italy	AM, IV	13
Bruno. Giordano	Anti value of Art	AM, IV	14ff
Vasari, Giorgio	On the value of Art	AM, IV	14
Mirandola. pico della	On Beauty	AM, IV	15ff
Tasso, Torquato	On Beauty	AM, IV	17
Philosophy of Music	Agnolo Segni, 1573	AM, IV	17
Nature	Vasari on imitation	AM, IV	18
Aretino, Pietro	On Nature	AM, IV	18ff
Tasso, Torquato	On Naure	AM, IV	19ff
Purpose of Art	Areino, Pietro	AM, IV	23
Audience	Guicciardini	AM, IV	24
Audience	Bruno	AM, IV	24
Nature	Aretino	AM, IV	18ff
Nature	Tasso	AM, IV	19ff
Bicameral brain	Reason vs Experience, essay	WM	93-102
Bicamerall brain	Voltaire: Left brain is wrong	WM	93
Voltaire	On Bicameral brain	WM	93, 97ff
Plato	On Bicameral brain	WM	95
Plutarch	On Bicameral brain	WM	95
Lucretius, 99-55 BC	On Bicamera brain	WM	95
Bacon, Roger, 13th c.	On Bicameral brain	WM	96
Music in Religion	Necessary to understand scripture	WM	96
Leonardo da Vinci	On Bicameral brain	WM	97, 100
Chaucer	On Bicameral brain	WM	97
Montaigne	On Bicameral brain	WM	97
St. John of the Cross	On Bicameral brain	WM	98
Socrates	On Bicameral brain	WM	98
Aristotle	On Bicameral brain	WM	98, 101
Boccaccio	On Bicameal brain	WM	99
Cardano, Girolamo	On Bicameral brain	WM	99
Descartes	On Bicameral brain	WM	100
Walton, Izaak	On Bicameral brain	WM	100
Lope de Vega	On Bicameral brain	WM	100
Aquinas, Thomas	On Bicameral brain	WM	101
Erasmus	On Bicameal brain	WM	101
Charpentier, 17th c.	On Bicameral bain	WM	101
Emotions	Early voices on, an essay	WM	103-124
Pliny the Younger	On emotions	WM	103
Aristotle	On emotions	WM	103ff
Quintilianus	On emotions	WM	104
Aristides	On emotions	WM	104
Cicero	On emotions	WM	105ff
Quintilian	On emotions	WM	106ff
Longinus, first century	On false emotions	WM	108
Galen, 2nd c.	On emotions, contemp.examples	WM	108
St. Augustine	On emotions, four classes	WM	108ff
Seneca	On emotions	WM	109
Aquinas, Thomas	On emotions, in four parts	WM	109ff
Mauchat	On emotions	WM	111
Gower, John	On emotions, in the face	WM	111
Rojas, Fernando	On emotions, universal	WM	111
Montaigne	On emotions	WM	111ff
St. John of the Cross	On emotions, four basic ones	WM	113
Erasmus	On emotions, blames women	WM	113
Women	Erasmus blames women, emotions	WM	113ff
Shakespeare	On categories in an emotion	WM	114ff
Agrippa, Henry	On emotions	WM	114
Gracian, Baltasar	On emotions, gateway to sin	WM	115
Spinoza	On emotions, gateway to sin	WM	115
Descartes	On emotions	WM	116ff
Hall, Joseph, Rev.	On emotions, anger vs madness	WM	118ff
Shensone, William	On melancholy	WM	119ff, 123
Hume, David, 18th c.	On emotions	WM	120
Bacon, Francis	On emotions	WM	120ff
Hutcheson, Francis	On emotions	WM	121ff
Prior, Matthew	On emotions	WM	123
Swift, Jonathan	On emotions, and geography	WM	124
Talent	Vasari on skill or talent?	AM, IV	22
Vasari, Giorgio	On skill or talent?	AM, IV	22
Music Education	The renaissance Academies	AM, IV	31ff
Emotions in Music	Pontus de Tyard on a soloist	AM, IV	32
Camerata	On emotion	AM, IV	33
Ficino, Marsilio	On the Academie	AM, IV	31ff
Emotions in Music	The Camerata	AM, IV	33
Concert	Cellini and papal performance	AM, IV	33
Concert	Aretino on private concerts	AM, IV	33-36
Music education	Giulio del Bene goal to uplift	AM, IV	36
Music in religion	Council of Trent goals	AM, IV	37ff
Performance	Music while traveling	AM, IV	39
Military Music	Machiavelli, 1469-1527	AM, IV	39
Aesthetics	Entertainment music	AM, IV	40
Aesthetics	Italian theory vs practice 16th c	AM, IV	43-89
Humanism	ltalian 16th c. on emotions	AM, IV	43-89
Galilei, Vincenzio	Criticism of 16th c. Italian music	AM, IV	45ff
Aesthetics	Theorists of 16th Italy	AM, IV	47-59
Giustiniani	Need knowledge and practice	AM, IV	49
Purpose of Art	Italian 16th c. music	AM, IV	52ff
Music and Character	Italian 16th c. music	AM, IV	54ff
Zarlino, Gioseffo	On the purpose of music	AM, IV	52ff
Bardi, Giovanni	Character is essential	AM, IV	55
Theory or practice	Words vs music	AM, IV	56ff
Performance	Style in 16th c. Italian music	AM, IV	59ff
Performance	Bottrigari failure of 16trh c. Ital music	AM, IV	59
Performance	Tuning problems	AM, IV	60ff
Audience	Galilei and Zarlino views	AM, IV	61ff
Music education	Galilei, not for entertainment	AM, IV	63
Aesthetics	Practical Music, Ital 16th c.	AM, IV	65-89
Aestheics	Ital. 16thc. Practical views	AM, IV	67-82
Giustiniani	On good performance ideals	AM, IV	65ff
Singing	Aesthetics in singing	AM, IV	70ff
Aesthetics	In instrumental performance	AM, IV	73ff
Gesualdo	On performance practice	AM, IV	77
Concerts	Bottrigari on large ensembles	AM, IV	78ff
Civic Music	Italian 16th c. music	AM, IV	82ff
Civic Music	Duties of Civic music in Lucca	AM, IV	83
Singing	Italian 16th century	AM, IV	84
Listener of Music	Famoos Francesco da Milano perf	AM, IV	85
Animals	Animals and Music, accounts	WM	125-143
Bicameral brain	Man ruled by Reason or Emotion	WM	145-160
Bicameral brain	Dante: if ruled by Emotion = beast	WM	145
Bicameral brain	Schumann:trust feeling not reason	WM	145
Bicameral brain	Early views of bicameral mind	WM	161-178
Bicameral brain	Voltaire:I trust my heart, not mind	WM	161
Bicameral brain	We all speak well of our hearts	WM	161
Bicameral brain	History of right=hand preference	WM	171-178
Poets	Italian 16th c. poets	AM, IV	91-120
Tasso, Torquato	Italian 16th c. poet	AM, IV	91
Aretino, Pietro	Italian 16th c. poet	AM, IV	92, 94
Mei, Girolamo, 16th c	Italian 16th c. poet	AM, IV	91
Aesthetics	Italian 16th c. poet	AM, IV	92-120
Tasso, Torquato	“Creation of the World”	AM, IV	92ff
Patrizi, Francesco	“Della poesica,” 1529-1597	AM, IV	95
Vida, Marco. 16th c.	“De Arte Poetica,” 1517	AM, IV	96-103
Tasso, Torquato	“Discourses on Heroic Poem”	AM, IV	103-106
Giraldi, Cinthio	“:Discorse Intorno,” 1549	AM, IV	106
Purpose of Art	Tasso	AM, IV	113
Singing	Jacopo Sannazaro, 16th c.desc.	AM, IV	114ff
Listener of Music	Singers, 16th c.	AM, IV	115ff
Choral	Crusaders	AM, IV	117
Trumpet	Crusaders	AM, IV	118ff
Theater	Italian dramatists, 16th c.	AM, IV	121-134
Guarini, Giambattista	Italian dramatist, 16th c.	AM, IV	122ff
Aesthetics	Italian dramatists, 16th c.	AM, IV	124-128
Emotions	Italian dramatists, 16th c.	AM, IV	124ff
Scaliger, Julius	“Poetics,” 1561	AM, IV	128ff
Sebastiano, Antonio	“The Art of Poetry,” 1563	AM, IV	129ff
Castelvetro, Ludovico	“Poetics,” 1570	AM, IV	131
Castiglione, Bald.	“Il Cortigiano,” “The Courtier”	AM, IV	135-157
Aesthetics	In “Il Cortigiano”	AM, IV	135-157
Cardano, Girolama	Negative view of music	AM, IV	159-176
Aesthetics	Cardano, 16th c.,	AM, IV	161-176
Purpose of Art	Cardano, 16th c.,	AM, IV	164-168
Emotion in Music	Cardano, 16th c.	AM, IV	163
Performance	On instruments	AM, IV	169ff
Pleasure and Pain	Cardano, 16th c.	AM, IV	163ff
Singing	Cardano, 16th c.	AM, IV	171-174
Dance	Cardano, 18th c.	AM, IV	174ff
Michelangelo	Views on art, 1475-1564	AM, IV	177-191
Aesthetics	Michelangelo	AM, IV	179-191
Aesthetics	France, 16th c.	AM, IV	195-199
Court	Bands, Francois I, 1515-1547	AM, IV	193ff
Tyard, Pontus	“Solitaire,” 16th c. arts in France	AM, IV	195ff
Music education	French Academies, 16th c.	AM, IV	199ff
Arbeau, Thoinot	“L’Orchesographie,” 1588	AM, IV	206ff
Music in Society	Elaborate French pageants	AM, IV	214
Aesthetics	French poetry, 16th c.	AM, IV	215-228
Bellay, Joachim du	French poetry, 16th c.	AM, IV	215ff
Emotions	French poetry, 16th c.	AM, IV	219ff
Pleasure and Pain	French poetry, 16th c.	AM, IV	220ff
Marguerite Navarre	Tournament description	AM, IV	227
Aesthetics	French prose, 16th c.	AM, IV	229-241
Rabelais	Great French story teller	AM, IV	229ff
Bodin, Jean	On aesthetics	AM, IV	229ff
Pleasure and pain	French prose, 16th c.	AM, IV	233ff
Montaigne, Michael	Great French writer, 1533-1592	AM, IV	243-271
Aesthetics	Montaigne	AM, IV	244ff
Senses	Montaigne	AM, IV	247ff
Education	Montaigne	AM, IV	248-253
Emotion	Montaigne	AM, IV	253-257
Pleasure and Pain	Montaigne	AM, IV	257-260
Talent	Montaigne	AM, IV	262
Purpose of Art	Montaigne	AM, IV	262
Emotion	Ruler of the soul	WM	181ff
Luther, Martin	Music ruler of the human heart	WM	181
Emotion	Longinus, 1s c.	WM	183
Emotion	Aristides	WM	183
Emotion	Quintilian, 30-96 AD	WM	184
Emotion	Aurelian of Reome	WM	184
Boethius	On the power of music	WM	184
Emotion	John of Salisbury, 12th c.	WM	185
Emotion	Chaucer	WM	185
Emotion	Galilei	WM	186, 188
Emotion	Robert Greene, 1560-1592	WM	186
Emotion	Michael de Veona	WM	186
Emotion	Heinrich Glarean, 1647	WM	186
Emotion	Isacoff on Gesualdo	WM	187
Emotion	Montaigne	WM	187
Emotion	Performance, Francesco Milano	WM	187
Humanism	Philosophy of Music	WM	187ff
Emotion	Corelli playing violin	WM	188
Emotion	First opera composers	WM	189
Emotion	Caccini, “Le Nuove Musiche	WM	189
Emotion	Cavalieri,Emilio	WM	189
Emotion	Marco da Gagliano,1608	WM	189
Emotion	Benedetto Marcello, 1711	WM	190
Emotion	Geminiani, violinist	WM	190
Emotion	Angelo Berardi, E is ruler of soul	WM	190
Emotion	Tossi,advice to singers	WM	189
Emotion	Christoph Bernhard, 1627-1692	WM	191
Emotion	Johann Mattheson, 1681-1764	WM	191-196
Emotion	Johann Heinichen, 1683-1720	WM	191
Emotion	Bach on chorale performance	WM	196
Emotion	Bach: harpsichord lacks soul	WM	196
Emotion in Music	Diderot	WM	197
Emotion in Music	Mersenne	WM	197
Singing	Mersenne	WM	198
Emotion in Music	Francois Raguenet	WM	198
Listener of Music	Francois Raguenet	WM	198
Emotion	Charles Batteux, 1713-17680	WM	198, 199
Emotion	David Rivault	WM	199
Emotion	Jean-Bapltiste Du Bois	WM	199
Singing	Sebastien de Brossad, 1703	WM	199
Emotion	Couperin	WM	200
Emotion	Rameau	WM	200
Emotion	Samuel Butler, a form of treason	WM	200
Emotion	Hobbes, emotion is Ethics	WM	201
Emotion in music	Lord Chesterfield	WM	201
Emotion in music	Dryden associates with instrument	WM	201
Emotion in music	Addison humorous descriptions	WM	202ff
Emotion	Berlioz	WM	203
Emotion	Liszt	WM	203
Emotion	Chopin	WM	203
Emotion	Verdi	WM	204
Emotion	Dukas	WM	204
Emotion	Max Reger	WM	204
Emotion	Ravel	WM	204
Emotion	Wagner	WM	204, 206
Emotion	Leo Tolstoy	WM	204
Emotion	Clara Schumann on Brahms	WM	204
Emotion	Arthur Rubinstein	WM	204
Emotion	Tchaikovsky	WM	204
Emotion	Kierkegaard	WM	205
Emotion in music	Stravinsky, not possible	WM	205
Emotion in music	Hindemith, not possible	WM	205
Emotion in music	Herbert von Karajan	WM	205, 206
Emotion in music	Bruno Walter	WM	206
Emotion in music	Charles Gounod	WM	206
Emotion in music	Carlo Maria Giulini	WM	206
Emotion in music	“Doctrine of the Affections”	WM	209-231
Aesthetics	Spain 16th c.	AM, IV	273-291
Humanism	Spanish universities 16th c.	AM, IV	273ff
Education	Vives, Tradentis Disciplinis, 1531	AM, IV	275ff
Sensis	St. John of the Cross	AM, IV	280ff
Pleasure and Pain	Vives	AM, IV	283
Philosophy of Music	Francisco de Salinas, 1513-1590	AM, IV	287ff
Salinas, Fran.l 16th c.	Philosophy of Music	AM, IV	287ff
Music in Relilgion	Pietro Cerone, criticism	AM, IV	288ff
Court	Philip I of Spain, 1594-1596	AM, IV	291
Aesthetics	Spanish 16th prose	AM, IV	293-310
Theater	Music in 16th Spanish plays	AM, IV	293ff
Cervantes, Miguel	Trials of Persilesd and Sigismunda	AM, IV	294ff
Cervantes, Miguel	Don Quijote	AM, IV	295ff
Theater	Cervantes on acting	AM, IV	302ff
Aesthetics	Spanish 16th c. poetry	AM, IV	311-323
Leon,Fray Luis 16th c,	On his poems	AM, IV	311
Camoes, Luis de	“The Lusiads,” poetry, 16th c.	AM, IV	311ff
Cruz, San Juan de la	Spanish 16th c. Reformation poet	AM, IV	312ff
Music Education	Spanish 16th c. universities	AM, IV	316ff
Emotion in Music	Lope de Vega	AM, IV	19
Lope de Vega	Emotion in music	AM, IV	319, 325ff
Aestetics	Spanish drama 16th c.	AM, IV	325-344
Cervantes	On early Spanish theater	AM, IV	325
Philosophy of Music	Music as Truth	WM	233-264
Celibadache	Music is Truth	WM	233
Plato	Music is unique	WM	234ff
Cicero	Musicians must be true to self	WM	2325
Boethius	Only music deals wih morality	WM	236
Vogelweide	Truth in his songs is obvious 12th c	WM	237
Chaucer	On Truth in music	WM	238ff
Calderon	On Truth in music	WM	239
Tosi	Truth is a great power	WM	239
Leibniz, Gottfried	Music makes truth believable	WM	240
Aesthetics	Music is a language	WM	243-264
Luther, Martin	Music is a language	WM	243
Wagner, Richard	Music: language of inner man	WM	243
Voltaire	Music and origin of language	WM	243ff, 251
Bacon, Roger	Music: traces of early man	WM	244
Minstrels	Performed without theory	WM	245
Bicameral brain	Mauchat, 1300-1377	WM	247ff
Bicameral brain	Froissart, 1333-1405	WM	248
Bicameral	Montaigne, 16th c.	WM	249
Bicameral brain	Martin Luther: music is feeling	WM	249
Bicameral brain	Johann Scheibe, 1739	WM	250
Bicameral brain	Georg Muffat, 1695	WM	250
Bicameral brain	Johann Mattheson, 1681-1764	WM	250
Bicameral brain	Jean-Bapltiste Du Bois	WM	252
Bicameral brain	Charles Batteux, 1713-1780	WM	253ff
Bicameral brfain	Charles Avison, 1709-1770	WM	254ff
Bicameral bain	Mace: Music: Heaven’s language	WM	255
Bicameral brain	Shenstone on genetic music	WM	256
Emotion in Music	John Marston, 1575-1634	WM	256
Bicameral brain	Liszt	WM	257
Bicameral brain	Wagner	WM	257
Bicameral brain	Hans Chrisian Anderson	WM	257
Bicameral brain	Lord Chesterfield	WM	257
Bicameral brain	Victor Hugo	WM	257
Philosophy of Music	Robert Schumann	WM	258
Philosophy of Music	Berlioz	WM	258
Philosophy of Music	Paul Dukas	WM	258
Philosophy of Music	Maurice Ravel	WM	258
Philosophy of Music	Frederick Delius	WM	259
Philosophy of Music	Mendelssohon	WM	259
Philosophy of Music	Mussorgsky	WM	259
Philosophy of Music	Edward MacDowell	WM	259
Philosophy of Music	Wagner	WM	259
Philosophy of Music	Bruno Walter	WM	259
Philosophy of Music	Wagner on Beethoven	WM	260
Philosophy of Music	Voltaire summary on language	WM	260
Sudre, Jean-Fran.	Invents a musical language	WM	260ff
Wagner	Origin of “leit-motiv idea	WM	263
Catharsis	“know thyself”	WM	265
Catharsis	Origin in Aristotle	WM	265
Aristotle	Defines Catharsis	WM	265ff
St. Augustine	On catharsis	WM	267
Deschamps	On catharsis, 14th c. French poet	WM	268
Tinctoris, Johannes	On catharsis, 15th c	WM	268
Tasso, Torquato	On catharsis	WM	269
Minturno of Ugento	On catharsis	WM	269
Cardino, Girolamo	On catharsis	WM	270
Cervantes, Miquel	On catharsis	WM	270
Shakespeare	On catharsis	WM	271
Listenius,Nichlaus	On catharsis	WM	271
Bayer, Conrad	On catharsis	WM	272
Bach, J. S.	On catharsis`	WM	272
Pascal. Blaise	On caharsis	WM	273
Saint-Evremond	On catharsis	WM	273
Plato	Concern over entertainment	WM	274
Military Music	Instrument improvements 19th c	WH, V	3-8, 66
Oboe	Incredible 19th c.development	WH, V	5-6
Trumpet	Development of the valve	WH, V	4
Wieprecht, Wilhelm	Head, Prussian bands	WH, V	4, 22ff
Military Music	Military bands, Germany, 19th c.	WH, V	9-39
Military Music	Military band repertoire, 19th c	WH, V	34-36
Military Music	Military bands, Austria, 19th c	WH, V	41-55
Music Education	Austrian military music schools	WH, V	52ff
Military Music	Birth of the 19th c. march	WH, V	54ff
Military Music	Austrian military band plate 1830	WH, V	47
Military Music	French military bands, 19th c.	WH, V	57-75
Military Music	France,l Napoleonic Period	WH, V	57ff
Reicha, Anton	Symphony 1815 with his notes	WH, V	58ff
Military Music	French military band plate 1820	WH, V	61
Sax, Adolphe	Instrument inventor, 1814-1894	WH, V	62-75
Military Music	Military bands, England 19th c.	WH, V	77-84
Military Music	English military band plate 1825	WH, V	79
Military Music	England, first publication of music	WH, V	81ff
Military Music	Russia, Rimsky-Korsakov	WH, V	85ff
Military Music	Military bands in Italy	WH, V	87-93
Military Music	Bands in public concerts	WH, V	97-123
Trumpet	Maelzel’s mechanical player	WH, V	97ff
Concerts	Eduard Hanslick band review	WH, V	100
Harmoniemusik	Public performance	WH, V	100ff
Concerts	Paul Maschek, Battle of Leipzig	WH, V	102ff
Concerts	Band concert reviews	WH, V	103-113
Concerts	World Band Competition 1867	WH, V	114-119
Concerts	Bands used in opera	WH, V	119ff, 123
Civic Music	Civic bands in 19th c. Germany	WH, V	126ff, 134ff
Civic Music	German civic band rules	WH, V	126-131
Civic Music	German civic band repertoire	WH, V	131ff
Civic Music	Bands in Switzerland	WH, V	127ff
Civic Music	Civic bands in France	WH, V	143-154
Civic Music	Bochsa, “Requiem for Louis XVI”	WH, V	143
Civic Music	Berlioz, “Symphony for Band”	WH, V	144ff
Civic Music	France, the arrival of the cornet	WH, V	147ff
Civic Music	France, survey of late 19th c. bands	WH, V	150ff
Reicha, Anton	Contemporary description	WH, V	151, fn. 25
Civic Music	Paris, itinerant wind band	WH, V	153ff
Civic Music	Civic bands in Italy	WH, V	155-159
Civic Music	Alessandro Vessella, 1860-1929	WH, V	158
Civic Music	Vessella, instrumentation charts	WH, V	159
Civic Music	Civic bands in England	WH, V	161-174
Civic Music	England,birth of brass bands	WH, V	162ff
Civic Music	England, Dusin family brass	WH, V	163ff
Court	Austria court bands 19th c.	WH, V	179-183
Harmoniemusik	Vienna, 19th c.	WH, V	179-183
Seyfried, Ignaz von	Five works for Franz I, 1805	WH, V	182
Court	Court bands in Germany	WH, V	185-194
Harmoniemusik	In 19th c. Germany	WH, V	185
Wieprecht,Wilhelm	Mass band concert	WH, V	190
Court	German band repertoire, Wagner	WH, V	193ff
Trumpet	Mass ensembles, 19th c.	WH, V	192
Court	Court bands in Italy	WH, V	195ff
Court	Court bands in France	WH, V	197ff
Court	Court bands in England	WH, V	201-205
Kramer, Christian	Leader of royal wind band	WH, V	202ff
Music in Religion	Wind bands in 19th church services	WH, V	209-219
Aesthetics	In Low Countries 16th c.	AM, V	1–5
Aesthetics	Erasmus, 1469-1536	AM, V	7-55
Luther, Martin	Influence on Erasmus	AM, V	9ff
Education	Erasmus discussion`	AM, V	17ff
Henry VIII	Letter from Erasmus	AM, V	17
Emotions	Erasmus discussion`	AM, V	21ff
Pleasure and Pain	Erasmus discussion`	AM, V	25ff
Purpose of Art	Erasmus on Beauty	AM, V	28ff
Audience	Erasmus on the public	AM, V	33ff
Music and Character	Erasmus in letter to Adrian VI	AM, V	39-42
Performance	Erasmus on practice	AM, V	42-45
Music in Religion	Erasmus anti-polyphony	AM, V	43
Flute	Erasmus on flute	AM, V	43
Trumpet	Erasmus	AM, V	43, 53
Poetry	Erasmus	AM, V	29ff
Singing vs speech	Erasmus	AM, V	44ff, 51
Music education	Erasmus: quality most important	AM, V	48
Music in Religion	Erasmus discussion	AM, V	48ff
Organ	Easmus	AM, V	50
Old Testament	Erasmus,on I Corinthians 14	AM, V	49
Music in Religion	Erasmus favors instruments	AM, V	51
Music in Society	Use of Trumpets	AM, V	53
Jesus	Arrived with singing not trumpets	AM, V	53
Music in Society	Erasmus on Entertainment music	AM, V	54ff
Aesthetics	In 16th c. German countries	AM, V	57-77
Humanism	In 16th c. Germany	AM, V	57
Education	Critical of Universities, 16th c.	AM, V	59ff
Music education	In 16th c. Germany	AM, V	63-66
Dance	Prohibited in 16th c. Switzerland	AM, V	74
Music in Religion	Reformation leaders	AM, V	75ff
Luther, Martin	Oposition to Church	AM, V	79
Education	Martin Luther views	AM, V	84ff
Aesthetics	Martin Luther views on Music	AM, V	87-96
Music in Religion	Martin Luther	AM, V	96ff
Music in Society	Ancient Greek Music	EPP	3-15
Music in Society	Pherecrates, 5th c. BC	EPP	5
Plato	Harmony in ancient Greek music	EPP	5
Aristotle	Implies harmony in old Greek music	EPP	6
Music in Sociery	References to harmony, Greek mus	EPP	6
Music in Society	Rhythm in ancient Greek music	EPP	7
Aristides, d. 468 BC	On rhythm in ancient Greek music	EPP	7
Aesthetics	Aesthestics in ancient Greek music	EPP	10-15
Arixtoxenus	A questionable source of info	EPP	9
Modes	Ancient Greek modes, discussion	EPP	17-29
Performance	Practice in ancient societies	EPP	31-51
Performance	Xenophon: don’t talk during music	EPP	32
Listener of Music	Homer, re emotions c. 800 BC	EPP	32
Music in Society	Origin of ancient Greek music	EPP	33
Pythagoras, 5th c. BC	Ideas attributed to Pythagoras	EPP	34ff
Socrates, 5th c. BC	On ancient music	EPP	35ff
Music in Society	Decline in ancient Greek values	EPP	36ff
Plato	On decline in ancient music	EPP	37ff
Music in Society	Rome:most musicians were slaves	EPP	45ff
Music in Society	Performance in ancient Rome	EPP	47ff
Poets	Lyric poets of ancient Rome	EPP	50ff
Cochlaeus, Joh.	“Tetrachordum Musices,” 1511	AM, V	104ff
Ornithoparchus, And.	“Musice active Mirologus,” 1517	AM, V	106ff
Listenius, Nichlaus	“Musica,” 1517	AM, V	112ff
Glarean, Heinrich	“Dodecachordon,” 1547	AM, V	114ff
Coclico, Adrian	“Compendium Musices,” 1552	AM, V	125ff
Aesthetics	In the 16th c. German countries	AM, V	133-151
Court	First strings in courts, 16th c.	AM, V	133
Trumpet	Trumpets begin to read music, 16th c.	AM, V	139
Civic Music	Germany 16th c.	AM, V	139ff
Music in Society	German makers of insts., 16th c.	AM, V	140
Civic Music	First consorts of wealthy individuals	AM, V	140ff
Conserts	German tower music, 16th c.	AM, V	141
Trumpet	In church, Ferdinand II, 16th c.	AM, V	142
Court	Music for royal weddings, 16th c	AM, V	143FF
Civic Music	Civic band contracts, 16th c.	AM, V	144ff
Trumpet	Music for court dancing, 16th c.	AM, V	147
Trumpet	Repertoire, 16th c. Germany	AM, V	148
Civic Music	Duties in 16th c. Germany	AM, V	149ff
Aesthetics	Praetorius, extensive discussion	AM, V	153-181
Aesthetics	In 16th c. England, manners, etc.	AM, V	183-222
Aesthetics	Puritan influence in England	AM, V	189ff
Education	England, 16th c.	AM, V	201ff
Pleasure and Pain	England 16th c.	AM, V	205ff
Poets	England 16th c.	AM, V	207ff
Theater	England 16th c.	AM, V	209ff
More, Thomas	“Utopia,” 1515	AM, V	213
Bryskett, Lodowick	“A Discoudrse on Civil Life: 16th c,	AM, V	214
Morley, Thomas	“A Plain and Easy Intro…to Music”	AM, V	215
Peacham, Henry	“The Complete Gentleman”	AM, V	217
Music in Religion	England 16th c. court	AM, V	219
Henry VIII	English court music	AM, V	223-227
Edward VI	English court music	AM, V	227
Mary Tudor	English court music	AM, V	228
Elizabeth I	English court music	AM, V	229-236
Philosophy of Music	Medieval church philosophers	EPP	55-70
Philodemus	“On Music” negative views	EPP	56ff
Sextus Empiricus	“Against the Musicians,” 2nd c.	EPP	60ff
Grosseteste, Robert	English, 13th c.	EPP	66
Bacon, Roger.	English 13th c.	EPP	66-70
Dance	OT mentions sister of Moses	EPP	70
Boethius on Music	Discussion, 475-524 AD	EPP	71-78
Cassiodorus	On Music 480-573 AD	EPP	79-
Aurelian of Reome	“Musica Disciplina,” c. 843 AD	EPP	87-91
Hucbald	“De Harmonica Inst.” 895 AD	EPP	92
Anonymous	Scholia Enchiradis,: c. 900 AD	EPP	92
Al-Farabi	“Ihsa Al-ulum” c. 900 AD	EPP	93
Al-Farabi	“De Ortu Scientlarum,” c. 900 AD	EPP	94
Guido of Arezzo	“Micrologus,” c. 1026 AD	EPP	95-98
John	“On Music” c. 1100 AD	EPP	98-102
Minstrels	England, 16th c	AM, V	237ff
Civic Music	England, 16th c. The Waits`	AM, V	240ff
Civic Music	England 16th c. amateur music`	AM, V	245ff
Aesthetics	England 16th c. poets	AM, V	249-286
Spenser, Edmund	England 16th c. poet	AM, V	249
Court	Sir Thomas More	AM, V	254
Bicameral brain	Fulke Grenville, 16th c. England	AM, V	254ff
Senses	Fulke Grenville, 16th c. England	AM, V	255
Education	Sir John Davies questions value	AM, V	250
Emotions	England 15th c. poets: bad	AM, V	257ff
Bicameral brain	English poets Reason vs love	AM, V	258ff
Purpose of Art	English poets, 16th c.	AM, V	269-276
Performance practice	English poets, 16th c.	AM, V	276
Trumpet	With Elizabeth I	AM, V	283ff
Listener of Music	Even in entertaianment music	AM, V	285
Aesthetics	In 16th c. English Fiction	AM, V	287-313
Character	Criticism of the English	AM, V	287ff
Sixtus V, pope	Murdered by king of Spain	AM, V	287, fn. 2
Women	Power of, 16th c. England	AM, V	289ff
Education	Views in 16th English fiction	AM, V	290ff
Bicameral brain	English fiction, 16th c.	AM, V	292ff
Bicameral brain	Greene, pros and cons of Love	AM, V	294ff
Poets	Decline in 16th c. England	AM, V	297
Theater	Thomas Nashe, 16th c. England	AM, V	298ff
Performance practice	In English fiction, 16th c	AM, V	303
Singing	In 16th c. English fiction	AM, V	305ff
Aesthetics	Elizabethan playwrights	AM, V	315ff
Singing	Elizabethan Art Music	AM, V	335ff
Military Music	Marlowe’s Edward the second	AM, V	338
Aesthetics	In Shakespeare	AM, V	341-385
Court	Shakespeare on the courtier	AM, V	342ff
Emotions	Shakespeare	AM, V	346ff
Music educaion	Shakespeare	AM, V	364ff
Trumpet	Repertoire on Shakespeare	AM, V	367ff
Shakespeare	References to music in his plays	AM, V	341-385
Repertoire	Early Reflections	EPP	105-116
Homer	On repertoire	EPP	105
Music and Character	Aristophanes, Abbatini	EPP	106
Socrates	A brief history of Music	EPP	109ff
Aristotle	Questions careeer choices	EPP	112
Emotion in Music	Aristotle, “expressive of meaning”	EPP	112
Repertoire	Need for variety, values, etc.	EPP	113
Choral	Repertoire, 5th c. BC	EPP	114
Philosophy of Music	Acoustics and perception	EPP	117ff
Kircher, Athanasius	On the “secrets of music”	EPP	122
Mersenne, Marin	On the science of music	EPP	122ff
Bacon, Francis	On the science of music	EPP	126ff, 134ff
Newton, Isaac	On the science of music	EPP	130ff
Reicha, Anton	On the acoustics of seating	EPP	133
Berlioz	On outdoor acoustics	EPP	133ff
Mendelssohn	On acousics of St. Peters, Rome	EPP	135
Acoustics	Early views on the Pyramid idea	EPP	137-144
Wiepecht, Wilhelm	Pyramid pinciple in ensembles	EPP	143
Descartes, Rene	On the pyramid principle	EPP	142
Repertoire	Notes on early enssemble mss.	WH, VI	ix-xiv
Anonymous	MS One textless 14th c. work	WH, VI	3
Anonymous, 14th c.	MS two textless works, one a dance	WH, VI	3
Anonymous 14th c.	One textless polyphonic work	WH, VI	4
Hermann of Salzburg	Four 14th c. works for wind ens.	WH, VI	4
Anonymous	MS Six 15th c. polyphonic works	WH, VI	7
Touront, CS, 15th c.	Two ensemble works.	WH, VI	7
Anonymous 15th c.	MS 7 textless ensemble works	WH, VI	7ff
Battagh of Rimini	MS, GB, 15th c.,”Marcha”	WH, VI	8
Anonymous 15th c	MS 5 polyhphonic ensemble works	WH, VI	8ff
Anonymous 15th c.	MS One textless polyphonic work	WH, VI	8
Anonymous15th c.	MS Ten textless ensemble works	WH, VI	8
Obrecht, 15th c.	“Ic draghe de mutse chutse” for ens.	WH, VI	8
Anonymous15th c.	MS 136 textless ensemble works	WH, VI	9ff
Anonymous, 15th c	MS Lochamer Liederbuch	WH, VI	9
Finck, Heinrich, 15th	Three textless works	WH, VI	11
Anonymous15th c.	Textless ens setting of “La Spagna”	WH, VI	10
Isaac, Heinrich,15th c	Three textless ensemble works	WH, VI	11
Maximilian I, 15th c.	Wind ensemble repertoire	WH, VI	11
Anonymous15th c.	MS 660 textess ensemble works	WH, VI	12-16
Marcus, 15th c.	Florentine ensemble rondeau	WH, VI	12
Calabr, Andr., 15th c	One four voice textless work	WH, VI	13
Anonymous 15th c.	MS Four textless works for ens.	WH, VI	17ff
Anonymous 15th c.	MS 10 Spanish textless ens works	WH, VI	18
Petrucci, 1501	Odhecaton, PR 96 instr works	WH, VI	16ff
Philosophy of Music	Early views on Tempo	EPP	145-153
Couperin, 1668-1733	Theory vs performance	EPP	145
Praetorius, 1619	“Syntagma Musicum on Tempo	EPP	145ff
Mattheson, Johann	Movement is a spiritual thing	EPP	150
Metronome	Early views on the value of it	EPP	151
Philosophy of Music	Early views on ensembles	EPP	155-185
Machaut, 1300-1377	List of 14th c.instruments in use	EPP	157
Leonardo da Vinci	As a musician	EPP	158ff
Gerson, Jean de	On the prototype timpani sounds	EPP	160
Performance practice	String players play while singing	EPP	163
Oboe	Arbeau on the sound of the shawm	EPP	164
Consorts	Dog consorts	EPP	1654
Percussion	Early views on percussion	EPP	167-174
Old Testiament	On percussion	EPP	167ff
Cervantes	Describes cymbals	EPP	171
Performance practice	Early views on Memorization	EPP	175ff
Performance practice	On the eye; Sufi parable	EPP	179
Anonymous 16th c.	MS Textless works for ensemble	WH, VI	23
Anonymous 16th c.	MS 12 textless works, one polyphon.	WH, VI	23
Erasmus,1469-1536	Music in religion discussion	AM, V	48ff
Anonymous 1556	Huge MS library, Christian III ens.	WH, VI	24–28
Anonymous1580’s	Large MS coll. ens, incomplete	WH, VI	28-30
Anonymmous16th c.	MS 54 textless ensemble works	WH, VI	31
Anonymous 16th c.	MS 25 textless ens works, Henry VIII	WH, VI	31
Busnois, 16th c.	“Fortuna desperata” for ensemble	WH, VI	31
Ghizeghim, MS, 16th	“alles regretz,” for ensemble	WH, VI	31
Cowper, MS, 16th c.	One three part work for ensemble	WH, VI	31
Tallis, MS, 16th c.	“In Nomines: for 4 part ensemble	WH, VI	31
Anonymous, 16th c.	MS 170 textless ensemble works	WH, VI	32
Holborne, Anthony	65 5-part wind ensemble works	WH, VI	33ff
Coprario, John, 16th	“Verse” for cornett, sackbut, organ	WH, VI	36
Ashton, Hugh, 16th c	“Hornpype,” for ensemble	WH, VI	36
Blancks, Edward, 16th	“Motet” 12-part textless ensemble	WH, VI	36
Ferrabosci, “young”	“Pavana,” 16th c. ensemble	WH, VI	36
Holborne, A.	26 additional ensemble works	WH, VI	36ff
Anonymous, 16th c.	MS 6 works for wind ensemble	WH, VI	37
Anonymous 16th c.	MS 30 ensemble works, early kings	WH, VI	38
Attaingnant, PR 1533	57 works for 4-part wind ensemble	WH, VI	38ff
Gombert PR 1533	3 works for wind enssemble	WH, VI	38ff
Testa, PR 1533	One work for wind ensemble	WH, VI	38
Jannequin, 1533	PR One work for wind ensemble	WH, VI	38
Certon, 1533	PR Two works for wind ensemble	WH, VI	38
Guyon, 1533	PR One work for wind ensemble	WH, VI	38
Manchicourt, P.,	PR Two works for wind ensemble	WH, VI	38ff
Bourguignon	PR One work for wind ensemble	WH, VI	38
Jacotin, 1533	PR three works for wind ensemble	WH, VI	38
Richafort, 1533	PR One work for wind ensemble	WH, VI	38
Lupus, 1533	PR Five works for Franz I, 1805	WH, VI	38ff
Adorne, 133	PR One work for wind ensemble	WH, VI	38
Lemaire, J.,	PR One work for wind ensemble	WH, VI	38
Claudin, 1533	PR Nine works for wind ensemble	WH, VI	39ff
Bridam, 1533	PR One work for wind ensemble	WH, VI	39
Heurteurs, 1533	PR Five works for Franz I, 1805	WH, VI	39
Le Gendre, 1533	PR One work for wind ensemble	WH, VI	39
Passereau, 1533	PR Five works for Franz I, 1805	WH, VI	39ff
Vermont, 1533	PR One work for wind ensemble	WH, VI	39
Attaingnant, 1530	PR 12 works for any ensemble	WH, VI	40
Attaingnant 1530	PR 51 works for any ensemble	WH, VI	40ff
Attaingnant 1547	PR 50 works for any ensemble	WH, VI	42ff
Moderne, c. 1550	PR 51 works for wind ensembles	WH, VI	46
Attaingnant 1559	PR 33 works for any ensemble	WH, VI	46ff
Attaingnant 1550	PR 53 works for any ensemble	WH, VI	47ff
Gervaise 1555	PR 31 dances for any ensemble	WH, VI	50ff
Gervaise1556	PR 32 dances for any ensemble	WH, VI	51FF
Attaingnant 1557	PR 19 dances for any ensemble	WH, VI	52ff
d’Estree 1559	PR 58 wind works, king’s wind band	WH, VI	54
d’Estree 1559	PR 56 wind works, king’s wind band	WH, VI	54
d;Estree1559	PR 44 wind works, king’s wind band	WH, VI	54ff
d’Estree 1564	PR 34 wind works, king’s wind band	WH, VI	55
Le Roy 1582	PR 5 works, one 12 voices, any ens	WH, VI	55
Arbeau 1588	PR One pavan in four parts	WH, VI	56
Cordeilles 1540	PR Three works for Lyon civic band	WH, VI	56
Anonymous c. 1541	MS 24 wind works, Albert of Prussia	WH, VI	57
Anonymous 16th c.	MS 550 textless works for any ens.	WH, VI	57-61
Erbach, Christian	One 5-part textless work	WH, VI	57
Philip of Hesse court	8 textless works	WH, VI	59
Erbach, Christian	A 5-part canzona, 16th c.	WH, VI	61
Bramieri 16th c.	An 8-part canzona	WH, VI	61
Lichtlein 16th c	A 6-part “capriccio de cornetti”	WH, VI	61
Koln, c. 1519	138 PR works for winds, inc Isaac	WH, VI	61
Orologio, 1597	PR 28 Intradas for wind ensemble	WH, VI	61
Anonymous 16th c.	PR Over 600 textless works	WH, VI	62-70
Anonymous c. 1600	PR band music in 6 part books	WH, VI	66
Lindner, 1589	PR “Fanasia Capriccio” in 4 parts	WH, VI	70
Lutkemann 1597 PR	32 civic band works, inc.”Innsbruck”	WH, VI	71
Agricola, PR 1561	Theory book with 54 textless works	WH, VI	76
Augsburg 1540 PR	42 wind works by trumpeter	WH, VI	76
Anonymous	MS 4 Sonate; for Bombardi	WH, VI	76
Cornazzani,	MS Wind work for 4 choirs, c 1552	WH, VI	77
Heugel, Johann	MS Lerman” for winds	WH, VI	77`
Stolzer, Thomas“ MS	“Erzuerne dich dicht” for crumhorns	WH, VI	77
Walther, Johann	MS 26 Fugen for cornetts	WH, VI	78
Anonymous 16th	MS Ten-part Canzon for any inst.	WH, VI	78
Herwich, 16th c.	MS 61 works for any inst.	WH, VI	78
Lechner, Leon	MS “Pavana Lachrymae” in 4 parts	WH, VI	78
Anonymous 16th c.	MS 6 textless works for any insts	WH, VI	79
Anonymous 16th c.	Some MS 300 textless works	WH, VI	80-82
Anonymous MS 1502	Textless works, for Isabella d’Este	WH, VI	80
Buus, 1547	PR Ten textless ricercares	WH, VI	82
Malvezzi, 1577`	PR Ten textless ricercares	WH, VI	82
Merulo 1585	PR Four canzonas	WH, VI	82
Crequition 1585	PR One canzon	WH, VI	82
Guami 1585	PR One canzon by Guami	WH, VI	82
Al Sfoi 1585	PR One canzon by Al Sfoi	WH, VI	82
Cnabni 1585	PR One canzon by Chabril	WH, VI	82
Anonymous 16th c.	PR 33 polyphonic works for any inst.	WH, VI	82
Maschera,1603	PR 21 canzonas from Brescia	WH, VI	82
Banchieri 1596	PR Banchieri, 14 works for wind enc.	WH, VI	82ff
Dalla Casa,Venice,	Il Vero Modo, PR 1584 for winds	WH, VI	83ff
Dalla Casa Venice	Il Vero Modo, PR 1584 part 2, winds	WH, VI	85
Gabrieli, Andrea, 1580, 1590	PR Venice works for winds	WH, VI	85ff
Gabrieli, Gio.1597	PR Venice works for winds	WH, VI	86-88
Gabrieli, Andrea	One aria for winds	WH, VI	85ff
Gabrieli, Giovanni	Complete works listed	WH, VI	86-88
Merulo	Four canzonas by Merulo	WH, VI	82
Crequition	One canzon by Crequition	WH, VI	82
Guami	One canzon by Guami	WH, VI	82
Al Sfoi	One canzon by Al Sfoi	WH, VI	82
Chabril	One canzon by Chabril	WH, VI	82
Isabella d’Este	Textless works for ensemble	WH, VI	80
Stolzer, Thomas	“Erzuerne dich dicht” for crumhorns	WH, VI	77
Walther, Johannes	26 Fugen for cornetts	WH, VI	78
Heugel, Johannes	“Lerman” for winds	WH, VI	77
Herwich	61 works for any inst.	WH, VI	78
Lechner, Leon	“Pavana Lachrymae” in 4 parts	WH, VI	78
Anonymous PR	Many works for any; enssemble	WH, VI	88-104
Bounavita, 16th c	“Musik” for 10 winds, organ	WH, VI	104
Corteccia, 16th c	Three works for wind ensemble	WH, VI	104ff
Dalla Casa, Nic.	Canzoni et madrigali winds, 16th c.	WH, VI	105
Anonymous PR	Many works for any; ensemble	WH, VI	105-118
Susato, Tielman 16th	Antwerp civic wind band repeoire	WH, VI	`121-122
Anonymous PR	Many works for any ensemble	WH, VI	123-126
Performance	Essay on early performers	DEM	3-13
Aristotle	Observations on performance	DEM	9
Cicero	Reference to an aulos recital	DEM	7
Guido of Arezzo	On cadences	DEM	11
Singing	Essay on ancient singers	DEM	15-37
Snging	Aristotle: voice is soul	DEM	15
Aristotle	Voice same as soul	DEM	15
Singing	Nero as singer	DEM	22-26
Singing	Isidore. 600 AD on voice types	DEM	35
Isidore of Seville	On voice types	DEM	35
Aurelian of Reome	The difference: singer & musician	DEM	36
Singing	The difference: singer & musician	DEM	36
Music in Society	On the ancient Rhapsodist	DEM	39-46
Rhapsodist	On the ancient Rhapsodist	DEM	38-46
Women	Descriptions of early performers	DEM	47-57
Conductors	Descrfiptions of early conductors	DEM	59-69
Conductors	In ancienf Egypt	DEM	59-60
Conducdors	Bach as conductor	DEM	65
Conductors	Mattheson: education of conductors	DEM	66ff
Bach, J. S.	Description as conductor	DEM	65
Mozart	As opea conducor	DEM	68
Oboe	Descrition of the ancient aulos	DEM	71-82
Trumpet	Description of the ancient trumpet	DEM	83-90
Trumpet	On the medieval trumpet	DEM	93-98
Minstrel	On the medieval Jongleur	DEM	99-108
Minstrel	On the medieval minstrel	DEM	109-120
Troubadours	On the medievala troubadours	DEM	121-139
French Romances	Music of the medieval romances	DEM	141-145
Minnesinger	Music of the medieval Minnesinger	DEM	147-161
Singing	Music of the medieval Minnesinger	DEM	147-161
Goliards	Music of the medieval Golards	DEM	163-168
Singing	Music of the medieval Golards	DEM	163-168
Music in Society	Baroque Musical scene in Italy	AM, VI	1-27
Music in Society	Baroque Italian Court	AM, VI	1-13
Monteverdi	On working for Italian courts	AM, VI	1ff, 21
Opera	Early Italian Opera	AM, VI	10ff
Metastasio	Early Italian Opera	AM, VI	13
Civic Music	Early Baroque Italian civic music	AM, VI	14-17
Music in Religion	E arly Baroque Italian church music	AM, VI	17-26
Music in Religion	Praetoius on church concerti	AM, VI	17
Music in Religion	Giustiniani on Italian church music	AM, VI	18-19
Improvisation	In Baroque Italian Church music	AM, VI	18, 20
Frescobaldi	On his organ playing	AM, VI	20
Giustiniani	Baroque Italian singer	AM, VI	18ff
Scuole San Rocco	Private Italian performance	AM, VI	22ff
Music education	Venice Ospedali for girls	AM, VI	23ff
Vivaldi	Composing for the Ospedali	AM, VI	25ff
Military Music	Italian Baroque after Paris syle	AM, VI	27
Opera	On the Italian Camerata	AM, VI	29-44
Camerata	Beginning of opera	AM, VI	29-44
Guido of Arezzo	Aesthetics	ME	27
GuFido of Arezzo	Aesthetics	AM, II	261
John of Salisbury	Aesthetics	AM, II	313ff
Jacques de Liege	Aesthetics	AM, II	87ff
Al-Farabi, 900 AD	Aesthetics	AM, II	254ff
Boethius	Aesthetics	AM, II	183, 113ff
Cassiodorus	Aesthetics	AM, II	187, 219ff
Isadore of Seville	Aesthetics	AM, II	221ff
Aurelian	Musica Disciplina 843 AD	AM, II	248ff
Hucbald	“De Harmonica” 895 AD	AM, II	253
Anonymous	Scholia Enchiradis, 900 AD	AM. II	254
Al-Farabi	De Ortu Scientiarum	AM, II	265ff
Odo of Cluny	Enchiridion, 935 AD	AM, II	256ff
Aesthetics	17th century Italian musicians	AM, VI	45-69
Music in Religion	St. Petronio choral practice	AM, VI	45ff
Scarlatti, Alessandro	Anti-winds comment	AM, VI	47
Gasparini, Francesco	Three requirements for a musician	AM. VI	47
Tosi	On the new Baoque singing style	AM, VI	48, 54ff
Purpose of Music	New Baroque style	AM, VI	50, 109ff
Cavalieri, Emilio	On the new operatic style	AM, VI	50
Emotion in Music	New Baroque style	AM, VI	51
Metastasio	On emotion in singers	AM, VI	51
Singers	New Baroque style	AM, VI	51
Geminiani Francesco	Emotion in music	AM. VI	51
Frescobaldi,Girolamo	Emotion is in the music	AM, VI	53
Bonachelli, Giovanni	Tempo is affected by words	AM,.VI	53
Performance practice	New;Baroque style	AM, VI	54
Improvisation	New Baroque style	AM, VI	55, 58ff
Singing	Tosi on manners of singers	AM, VI	56
Emotion in Music	Geminiani, purpose of ornaments	AM, VI	64
Music education	Tosi,on Italian Broque	AM, VI	66
Music in Religion	Comments on new Baroque style	AM, VI	67ff
Music in Society	Views in 17th c. Italian literature	AM, VI	71-87
Aesthetics	In 17th c. Italian literature	AM, VI	76ff
Kircher, Athanasius	Major discussion on music	AM, VI	79-86
Court	Spain 17th c.	AM, VI	89-92
Aesthetics	In 17th c. Spanish literature	AM, VI	93-104
Aesthetics	In 17th c. Spanis Drama	AM, VI	105-120
Calderon, Don Pedro	Aesthetics, 17th c. Spanish drama	AM, VI	105ff
Music of the Spheres	17th c. Spanish drama	AM, VI	109
Molina, Tirso de	Aesthetics in 17th c. Spanish drama	AM, VI	108ff
Aesthetics	In German Baroque	AM, VI	121-149
Court	German Baroque	AM, VI	123135
Horse ballet	German Baroque	AM, VI	128ff
Hautboisten	In German Baroque courts	AM, VI	131ff
Trumjpet	German Baroque trumpset choirs	AM, VI	133ff
Civic Music	German Baroque	AM, VI	135-142
Civic Music	Student applicant resume	AM, VI	137
Civic Music	German tower music duties	AM, VI	137ff
Reiche, Gottfried	German 17th c. civic band leader	AM, VI	139
Speer, Daniel	Musicalisches Kleeblatt, 17th c.	AM,VI	139
Music in Society	German music collegium	AM, VI	140ff
Telemann	German civic music	AM, VI	141ff
Music in Society	Telemann on pseasant music	AM, VI	142
Music in Religion	Baroque German church music	AM, VI	142-146
Military Music	German 17th c., and Turkish bands	AM, VI	146-149
Kreiger, Johann	Rare 17th c. German concert music	AM, VI	149
Aesthetics	Views of 17th c. German musicians	AM, VI	151-160
Heinichen, Johann	Compares old style with new style	AM, VI	153, 164ff
Purpose of Music	German 17th c., “refresh the spirit”	AM, VI	161
Muffat, George	On performance practice	AM, VI	168ff
Improvisation	German 17th c., famous Bach story	AM, VI	169ff
Music education	German 17h c.; Niedt’s student	AM, VI	174ff
Aesthetics	Views of Johann Mattheson	AM, VI	161-219
Purpose of Music	Johann Mattheson, 1681-1764	AM, VI	200ff-211
Improvisation	Johann Mattheson, 1681-1764	AM, VI	212ff
Conducting	Johann Mattheson, 1681-1764	AM, VI	215
Music education	Johann Mattheson, 1681-1764	AM, VI	217ff
Music in Society	Ancient secular societies	MAS	3-16
Music in Society	Early olympics	MAS	4, 17
Flute	Ovid, origin of the panpipe	MAS	10ff
Contests	Longus on a mythical contest	MAS	16
Myth	Origin of the echo	MAS	16
Music in Society	Ancient secular festivals	MAS	17-32
Plato	On major Greek festivals	MAS	18-23
Music in Society	Early Roman festivals	MAS	23ff
Music in Religion	Church opposed to early festivals	MAS	31ff
Concerts	Accounts of ancient concert halls	MAS	33-37
Concerts	Accounts of early concerts	MAS	39-53
Choral	Ancient Greek choruses	MAS	55-67
Plato	On ancient Greek choruses	MAS	62-65
Choral	On ancient Roman choruses	MAS	69-74
Duns Scotus	Aesthetics	AM, II	299ff
Grosseteste	Aesthetics	AM, II	297ff
Dante	Aesthetics	AM, II	397ff
Chansons de Geste	Aeshetics	AM, II	355ff
Troubadours	Aesthetics	AM, II	369ff
Minnesingers	Aesthetics	AM, II	417ff
Gollards	Aesthetics	AM, II	427ff
Grocheo	“De Musica”	AM, II	437ff
John of Salisbury	Aesthetics	AM, II	120
Petrarch, 1304-1374	Aesthetics	AM, ii	139FF
Machaut, 1300-1377	Aesthetics	AM, III	69-103
John XXII, pope		AM, III	90ff,100
Nicholas V, pope	Aesthetics	AM, III	161
Alberti, Leon	Aesthetics	AM, III	164ff
Ficino, Marsilio	Aesthetics	AM, III	164ff
Ugolino of Orvietgo	Aesthetics	AM, III	165
Valgulio, Carlo	Aesthetics	AM, III	170
Gaffuiro, Franchino	Aesthetics	AM, III	171
Martin le Franc	Aesthetics	AM, III	211
Dufay	Aesthetics	AM, III	211, 228
Binchois	Aesthetics	AM, III	211, 228
Nicholas de Cusa	Aesthetics	AM, III	253ff
Glarean	Artists “born or made?”	NW	115
Cardano, Girolama	Aesthetics	AM, IV	161-176
Michelangelo	Aesthetics	AM, IV	179-191
Montaigne	Aesthetics	AM, IV	233ff
Erasmus,1469-1536	Aesthetics	AM, V	7-55
Luther, Martin	Aesthetics	AM, V	87-96
Praetorius, 1618	Aesthetics	AM, V	153-181
Shakespeare	Aesthetics	AM, V	341-385
Plato	Aesthetics	AM, I	237-264
Aristotle	Aesthetics	AM, I	252-264
Leonardo da Vinci	Aesthetics	AM, III	192-210
Pliny the Elder	Animals	AM, I	478
Albertus Magnujs,	Animals	AM, II	301ff
Caligula, emperor	Punishes singer, Apelles	AM, I	459
Germany, post war	Aesthetics	AM, VI	221-232
Bicameral brain	German literatujre	AM, VI	221ff
Schutz, Heinrich	Tribute	AM, VI	222ff
Purpose of Music	17th c. Germany	AM, VI	223ff
Grimmelshausen	Aesthetics	AM, VI	227ff
Leibniz, Gottfried	Aesthetics	AM, VI	233ff
Education	Leibniz, for the soul	AM, VI	243
Art and Nature	Leibniz	AM, VI	246ff
Purpose of Music	Leibniz	AM, V I	248ff
Opera	Leibniz	AM, VI	254ff
Leibniz, Gottfried	Suggestions for a world fair	AM, VI	256
Kepler, Johannes	Music of the Spheres, treatise	AM, VI	259-276
Civic Music	The 17th c. Low Countries	AM, VI	278ff
Music in Religion	The 17th c. Low Countries	AM, VI`	280ff
Military Music	Military Guilds, 17th c. painting	AM, VI	281
Aesthetics	Gottfried Leibniz	AM, VI	233ff
Aesthetics	Spinoza, Benedict	AM, VI	293ff
Spinoza, 1632-1677	Aesthetics	AM, VI	293-
Emotions	Spinoza on moral implications of	AM,VI	292ff
Huygens, Christian	Music of the Spheres	AM, VI	300
Senses	17th c. Huygens	AM, VI	301
Court	Music of the Ancient Courts, essay	MAS	75-86
Old Testiament	Band of Nebuchadnezzar	MAS	75
Court	Egyptian music school, wall art	MAS	76ff
Concert	Blind musician, Homer	MAS	77
Homer	Blind musician, “The Odyssey”	MAS	77ff
Landini, Francesco	Famous blind musician	MAS	79
Trumpet	Old Testament description	MAS	81
Antigonus	Music teacher of Alex. The Great	MAS	82
Ovid	Festival of Juno	MAS	83
Music in Society	Ovid, Festival of Juno	MAS	83
Concert Halls	The Odeum, Plutarch	MAS	83
Caligula, emperor	As listener	MAS	85
Nero, emperor	Sudied lyre wih Terpnos	MAS	86
Titus, emperor	Mastered the harp	MAS	86
Harp	Titus, Roman emperor played it	MAS	86
Theater	Ancient Theater music, essay	MAS	87ff
Theater	St. Augustine on decline in Rome	MAS	102
Theater	Cassiodorus describes	MAS	103
St. Augustine	On the decline of theater in Rome	MAS	102
Cassiodorus	Describes 6th c. theater	MAS	103
Contests	Music contests in Ancient times	MAS	107-120
Music in Society	Banquet music in ancient times	MAS	137-148
Music in Society	Wedding music in ancient times	MAS	149-155
Music in Society	Funeral music in ancient times	MAS	157-160
Military Music	Military music in ancient times	MAS	161-171
Xenophon	How dance and music help soldier	MAS	162
Old Testiament	References to battle music	MAS	165ff
Military Music	Soldiers singing	MAS	166ff
Trumpet	Famous ghost trumpeter	MAS	167
Trumpet	Confusion in battle	MAS	169
Military Music	Medieval military music, essay	MAS	175-182
Military Music	“The Song of Roland”	MAS	177-181
Court	Music of medieval courts, essay	MAS	183-193
Court	Julian 4th c., composed	MAS	184
Organ	Description of 4th c. water organ	MAS	184
Charlemagne	Interest in music	MAS	186ff
Civic Music	Medieval civic music essay	MAS	195ff
Grocheo, Johannes	On early musical forms	MAS	200ff, 209ff
Choral	On the medieval chorus essay	MAS	203ff
Muuic in Religion	St. Basil on two-part singing 4th c.	MAS	205
Charlemagne	In church singing	MAS	207
Music in Religion	Grocheo on church music forms	MAS	209ff
Dance	Cardano, “the sixth part of music”	MAS	210
Cardano	Dance is the 6th part of music	MAS	210
Guicciardini	Audience	AM, IV`	24
Aristotle	Student, Aristoxenus	AM, I	194
Marcus Aurelius	Art and Nature	AM, I	487
Seneca, 3 BC -63 AD	Art and Nature	AM, I	500
Longinus, first century	Art and Nature	AM, II	21
Galen	Art and Nature	AM, II	22
Aristotle	Dark Ages	MR	115
Bruno	Audience	AM. IV	24
Galilei	Audience	AM, IV	61ff
Zarlino	Audience	AM, IV	61ff
Ovid	Bacchus festival	MR	40
Hautboisten	Tradition	WH, III	3-21
Hautboisten	Bands	WH, III	57-60
Sperger	42 partitas for Cardinal Batthyany	WH, IV	33
Harmoniemusik	Beethoven, Op. 103	WH, IV	51ff
Meyerowitz	On form in Beethoven	AM, I	29
St. Bernard	Bernard of Clairvaux, 1090-1153	AM, II	311ff
Montaigne, 16th c	Bicameral brain	WM`	249
Mace, Thomas	Bicameral b rain	WM`	255
Mauchat, Guillaume	Bicamerial brain	WM`	247ff
Froissart	Bicameral brain	WM`	248
Luther, Martin	Bicameral: music is feeling	WM`	249
Scheibe, Johann	Bicmaeral brain	WM`	250
Muffat, Georg	Bicameral brain	WM	250
Mattheson, Johann	Bicameral brain	WM	250
Du Bois, Jean	Bicameral brain	WM	252
Batteuix, Charles	Bicameral brain	WM	253ff
Shenstone	On genetic music	WM	256
Liszt, Franz	Bicameral brain	WM	257
Wagner, Richard	Bicameral brain	WM	257
Anderson, Hans C.	Biocameral brain	WM	257
Chesterfield, Lord	Bicameral brain	WM	257
Hugo, Victor	Bicameral brain	WM	257
Grenville, Fulke	Bicameral brain	AM, V	254ff
Greene	Bicameral brain	AM, V	294ff
Plutarch	Bicameral brain	AM, I	306ff
Avison, Charles	Bicameral brain	WM	254ff
Dante	If ruled by emotion = beast	WM	145
Schumann, Robert	Trjst feeling, not reason	WM	145
Voltaire	Bicameral brain	WM	93, 161
Motopus, 5th c. BC	Bicameral brain	AM, I	153
France	Baroque musical scene in France	AM, VII	1-18
Court	France “Les Grands Hautbois”	AM, VII	1-3ff
Court	“Musettes et Hautbois du Poitou”`	AM, VII	3
Court	“Les Cromornes”	AM, VII	4
Court	“Les Fifres et Tambours”	AM, VII	4
Percussion	“Les Fifres et Tambours”	AM, VII	4
Trumpet	“Les Trompettes”	AM, VII	4ff
Military Music	“Maison Militaire”	AM, VII	4ff
Concert	Lully, Louis XIV	AM, VII	5
Moliere	Author, play, Louis XIV	AM, VII	6tff
Court	Paris, quality music in pageant	AM, VII	8
Lully	Paris, duties as head of music	AM, VII	8ff
La Maupin	Paris opera singer great story	AM, VII	9ff
Civic Music	Paris, Academie Francaise	AM, VII	10ff
Poupliniere	Paris, private concerts	AM, VII	11
Civic Music	By-laws, Strasbourg civic music	AM, VII	11ff
Slave Music	Baroque, ship slave musicians	AM, VII	13
Music in Religion	France, instruments begin to appear	AM, VII	14
Trumpet	France, use in military	AM, VII	15ff
Military Music	France, psychological value of tpt	AM, VII	15ff
Mersenne, Marin	Value of trumpet in military music	AM, VII	15ff
Military Music	First coordinated marching	AM, VII	17
Military Music	Maurfice de Saxe, 1696-1750	AM, VII	17ff
Military Music	France, concerts in the field	AM, VII	18
Concerts	France, military bands	AM, VII	18
Aesthetics	Baroque French musicians	AM, VII	19-35
Philosophy of Music	Baroque French on Taste	AM, VII	22-24
Purpose of Music	Baroque French musicians	AM, VII	24ff
Charpentier, 17th c.	Equates emotion and tonality	AM, VII	24
Rameauj	Emotion and tonality	AM, VII	25
Emotion	Emotion and Time	AM, VII	26ff
Couperin, 1668-1733	Performance vs notation	AM, VII	27
Performance	Baroque, feelings come first	AM, VII	28ff
Listener of Music	Rameau, feelings, not words	AM, VII	29
Rameauj	Listen to: feelings not words	AM, VII	29
Performance practice	French Baroque musicians	AM, VII	30ff
Music education	French Baroque musicians	AM, VII	33ff
Mersenne, Marin	French Baroque philosopher	AM, VII	37ff
Mersenne, Marin	“Harmonie universelle,” 1636	AM, VIII	37ff
Mersenne, Marin	Aesthetics	AM, VII	40–67
Senses	Mersenne, French Baroquje	AM, VII	41-43
Philosophy of Music	Mersenne on Perception of music	AM, VII	46ff
Purpose of Music	Mersenne, French Baroquje	AM, VII	49-68
Notation	Mersenne wants based on feeling	AM, VII	53ff
Emotion in Music	Mersenne:	AM, VII	55ff
Emotion in Music	Relationship to vowels	AM, VII	59
Emotion in Music	Mersenne on notation	AM, VII	60ff
Dance	Mersenne on dance and health	AM, VII	67ff
Performance practice	Mersenne	AM, VII	68-78
Organ	Mersenne comments	AM, VII	76
Condujcing	Mersenne on the beat	AM, VII	77ff
Music education	Merssenne	AM, VII	78ff+
Philosophy of Music	Mersenne on intervals	AM, VII	80ff
Machaut, 1300-1377	Life and works, essay	RM	1-15
Petrarch, 1304-1374	Life and works, essay	RM	17-34
Boccaccio, Giovanni	Life and works, essay	RM	35-48
Chaucer, Geoffrfey	Life and works, essay	RM	49-68
Leonarfdo da Vinci	Life and works, essay	RM	69-79
Castiglione, Bald.	Life and works, essay	RM	81–90
Michelangelo	Life and works, essay	RM	91-97
Cardino, Girolamo	Life and works, essay	RM	99-111
Erasmius	Life and works, essay	RM	113-129
Aesthetics	Baroque French Academies	RM	131-140
Music education	Paris, Free School of Music	WH, IV	82ff
Bochsa	“Requiem for Louis XVI	WH, V	143
Berlioz	“Symphony for Band	WH, V	144ff
Vessella, Alessandro	Band instrumentation charts	WH, V	159
Cellini	Papal performance	AM, IV`	33
Harmoniemusik		AM, I	10ff, 16ff
Bottrigari	On large ensembles	AM, IV	78ff+
Music in Religion	French vs Italian	AM, VII	160-161
Du Bos, 1670-1742	Goal of Art is pleasure	AM, VII	84
Catharsis	Du Bos, 17th c.	AM, VII	84
Art and Nature	Du Bos, 17th c.	AM, VII	84
Aesthetics	French philosophers, 17th c.	AM, VII	83-161
Bicameral brain	French philosophers, 17th c.	AM, VII	86-90
Senses	French philosophers, 17th c.	AM, VII	91-96
Education	French philosophers, 17th c.	AM, VII	96-100
Emotions	French philosophers, 17th c.	AM, VII	101-105
Beauty	French philosophers, 17th c.	AM, VII	196-109
Art and Nature	French philosophers, 17th c.	AM, VII	109-112
Poets	French philosophers, 17th c.	AM, VII	112-118
Beauty in Music	French philosophers, 17th c.	AM, VII	120-122
Taste in Music	French philosophers, 17th c.	AM, VII	122-126
Perception in Music	French philosophers, 17th c.	AM, VII	126-128
Purpose of Music	French philosophers, 17th c.	AM, VII	128-134
Music in Society	French philosophers, 17th c.	AM, VII	134-138
Performance	French vs Italian Music, 17th c.	AM, VII	138-147
Singers	French philosophers, 17th c.	AM, VII	141-144
Improvisation	French philosophers, 17th c.	AM, VII	147-149
Opera	French philosophers, 17th c.	AM, VII	148-159
Music education	French vs Italian	AM, VII	159-160
Descartes, Rene	Views on music	AM, VII	163-182
Aesthetics	Descartes	AM, VII	164-180
Senses	Descartes	AM, VII	166-168
Emotions	Descartes	AM, VII	168-177
Purpose of Music	Descartes	AM, VII	179180
Perception in Music	Descartes	AM, VII	180-182
Theater	Music in French Drama	AM, VII	183-211
Aesthetics	In French drama	AM, VII	193-204
Audience	In French drama	AM, VII	199-200
Purpose of Music	In French drama	AM, VII	205-207
Aesthetics	In French fiction	AM, VII	213-225
Music and character	In French fiction	AM, VII	220
Music in Society	French manners, 17th c.	AM, VII	227-242
Bicameral brain	France, 17th c.	AM, VII	229
Aeshetics	French 17th c. upper class	AM, VII	230-234
Opera	French 17th c. upper class	AM, VII	234-236
Music in Religion	French 17th c. upper class	AM, VII	238-240
Voltaire	As Philosopher	AM, VII	243-281
Bicameral brain	Voltaire	AM, VII	247-250
Senses	Voltaire summary on language	AM, VII	250-252
Aesthetics	Voltaire	AM, VII	254-271
Opera	Voltaire	AM, VII	271-279
Music in Religion	Voltaire on the Te Deum and war	AM, VII	280
Voltaire	As playwright	AM, VII	283-299
Voltaire	As poet	AM, VII	301-316
Bicameral brain	Voltaire	AM, VII	303-304
Aesthetics	Voltaire	AM, VII	305-
Trumpet	Voltaire references	AM, VII	314-316
Voltaire	As writer of fiction	AM, VII	317-325
Bicameral brain	Voltaire	AM, VII	319-320
Aesthetics	Voltaire in his fiction	AM, VII	320-324
Music in Religion	Voltaire questions purpose	AM, VII	324-325
Music in Society	In 14th c., essay	RPM	3-11
Landini, Francesco	Everyone is a composer, 14th c.	RPM	4
John XXII, pope	Attack on the Ars nova	RPM	6ff
Petrarch, 1304-1374	Questions the Ars nova	RPM	9FF
Machaut, 1300-1377	On the Ars nova	RPM	10ff
Chaucer	On the Ars nova and feelings	RPM	11
Hanslick, Euard	Band review	WH, V	100
Maschek, Paul	Battle of Leipzig	WH, V	102ff
Ormandy, Eugene	Rehearsal theoryh	PC	39
Giulini, Cadrlo Maria	Role of conductor	PC	42
Sufi parable	Famous parable	PC	30
Oboe contgests	Aulos contests in ancient Greece	AM, I	111
Plato	Greek music had roots in Egypt	AM, I	232ff
Plato	Regarding character and music	MR	17
Aristotle	Ddisapporoveso of constests	WH, I	39
Ferdinand & Isabella	Bands	WH, I	223ff
Charles I	17th c. English courtg	AM, VIII	4ff
Court	17th c. England, Charles I	AM,VIII	4ff
Trumpet	As passport function	AM, VIII	5
Court	17th c. England, Charles II	AM, VIII	7
Civic Music	17th c. English concerts	AM, VIII	9
Concerts	17th c. English private concerts	AM, VIII	9
Civic Music	17h c. English Wait bands	AM, VIII	12
Minstrels	17th c. England	AM, VIII	15
Music in Religion	17th c. England	AM, VIII	16ff
Military Music	17th c. English requirements	AM, VIII	19ff
Aesthetics	Baroque England	AM, VIII	21-39
Avison, Charles	Aesthetics	AM, VIII	21, 30ff
Butler, Charles	Aesthetics English Baroque	AM, VIII	22ff, 27ff
Flud, Robert	Aesthetics English Baroque	AM, VIII	24ff
Music in Society	John Playford, 1674	AM, VIII	25ff
Playford, John	Introduction to the Skill of Music	AM, VIII	25ff
Purpose of Music	English Baroque	AM, VIII	27ff
Inspiration	Wm Byrd, English Baroque	AM, VIII	28
Byrd, William	On Inspiration	AM, VIII	28
Simson, Christopher	Purpose of Music	AM, VIII	29
Emotions in Music	On “Ethos” English Baroquje	AM, VIII	32ff
Emotions in Music	John Playford, 1674	AM, VIII	33
Performance Practice	English Baroque	AM, VIII	34ff
Music Education	Handel as a teacher	AM, VIII	36
Handel	As a teacher	AM, VIII	36
Music in Religion	Puritan influence	AM, VIII	37ff
Aesthetics	Roger North, England	AM, VIII	41ff
Music in Society	Roger North, England	AM, VIII	45ff
Purpose of Music	Roger North, England	AM, VIII	46ff
Performance Practice	Roger North	AM, VIII	50ff
Singing	Roger North	AM, VIII	51ff
Improvisaion	Rogero North	AM, VIII	53ff
Music Education	Roger North	AM, VIII	54ff
Aesthetics	Jacobean philosophy	AM, VIII	57-75
Burton, Robert	On Melancholy and the “humors”	AM, VIII	57ff
Harvey, Wm	On Anatomy, 1578-1657	AM, VIII	59ff
Education	Joseph Hall, English Baroque	AM, VIII	63
Emotions	Rev. Joseph Hall, 1574-1`656	AM, VIII	65ff
Hall, Joseph, Rev.	English Baroque	AM, VIII	65ff
Purpose of Music	Puritans, English Baroque	AM, VIII	69ff
Music in Religion	John Bunyan, English Baroque	AM, VIII	74ff
Aesthetics	Francis Bacon, 1561-1626	AM, VIII	77-91
Bacon, Francis	English Baroque	AM, VIII	77-91
Emotions	Francis Bacon, 1561-1626	AM, VIII	80ff
Beauty	Francis Bacon, 1561-1626	AM, VIII	82
Art and Nature	Francis Bacon, 1561-1626	AM, VIII	82ff
Purpose of Music	Francis Bacon, 1561-1626	AM, VIII	89
Performance pracice	Francis Bacon, 1561-1626	AM, VIII	90ff
Aesthetics	Jacobean Poetry	AM, VIII	93-127
Bicameral brain	Eng. Baroque, reason vs emotion	AM, VIII	97-101
Purpose of Music	English Baroque	AM, VIII	108-116
Music in Religion	English Baroque	AM, VIII	123-127
Milton, John b. 1608	Aesthetics	AM, VIII	129ff
Bicameral brain	Milton: Reason must rule	AM, VIII	129ff
Music of the Spheres	Milton:	AM, VIII	141ff
Pythagoras, 5th c. BC	Discused by Milton	AM, VIII	141ff
Purpose of Music	Milton	AM, VIII	143ff
Music education	Milton	AM, VIII	146ff
Music in Religion	Milton	AM, VIII	147-153
Aesthetics	Jacobean Theatre	AM, VIII	155-208
Dekker, Thomas	Jacobean Thseatre	AM, VIII	155ff
Middleton, Thomas	Jacobean Theatre	AM, VIII	155ff
Heyhwood, Thomas	Jacobean Theatre	AM, VIII	156ff
Jonson, Ben	Jacobean Theatre	AM, VIII	156ff
Webster John	Jacobean Theatre	AM, VIII	157ff
Marston, John	Jacobean Theatre	AM, VIII	157ff
Ford, John	Jacobean Theatre	AM, VIII	158ff
Beaumont, Fletcher	Jacobean Theatre	AM, VIII	159ff
Bands	English Wait bands	AM, VIII	159ff
Music in Society	Jacobean Theatre	AM, VIII	165-173
Pujrpose of Musidc	Jacobean Theatre	AM, VIII	173ff
Chapman, George	Jacobean Theatre	AM, VIII	162ff
Tourneur, Cyril	Jacobean Theatre	AM, VIII	173ff
Performance	Music forms in English plays	AM, VIII	183
Trumpet	Description in English plays	AM, VIII	184ff
Performance	Instrumental use in English plays	AM, VIII	184ff
Percussion	Use in English plays	AM, VIII	186ff
Serenades	In English plays	AM, VIII	193ff
Music education	In English plays	AM, VIII	197yff
Music in religion	In English plays	AM, VIII	198ff
Aesthetics	Jacobean Theatre	AM, VIII	209-222
Bicameral brain	Reason vs emotions	AM, VIII	209ff
Aesthetics	In Jacobean prose	AM, VIII	209ff
Purpose of Music	Jacobean prose	AM, VIII	217ff
Music in religion	Jacobean prose	AM, VIII	218ff
Aesthetics	Restoration Philosophers	AM, VIII	223-301
Hobbes, Thomas	Aesthetics, 1588-1679	AM, VIII	223-231
Bicameral brain	Hobbes	AM, VIII	224-225
Senses	Hobbes	AM, VIII	226
Perception in Music	Hobbes	AM, VIII	230
Locke, John	Aesthetics, 1632-1704	AM, VIII	231-237
Bicameral brain	Locke	AM, VIII	231-233
Education	Locke	AM, VIII	233
Newton, Isaac	Aesthetics, 1642-1727	AM, VIII	237-241
Education	Newton	AM, VIII	237ff
Penn, William	Aesthetics, 1633-1718	AM, VIII	241-245
Education	Penn	AM, VIII	242ff
Hume, David	Aesthetics, 1711-1776	AM, VIII	235-258
Beauty	Hume	AM, VIII	251
Universality	Hume	AM, VIII	252
Taste in Music	Hume	AM, VIII	253-255
Berkeley, George	Aesthetics, 1685-1753	AM, VIII	258-262
Bicameral brain	Berkeley	AM, VIII	258-260
Temple, William	Aesthetics, 1628-1699	AM, VIII	264-267
Rymer Thomas	Aesthetics, 1641-1713	AM, VIII	267-269
Wotton, William	Aesthetics, 1666-1727	AM, VIII	269-274
Bicameral brain	Wotton	AM, VIII	270
Gildon, Charles	Aesthetics, 1665-17124	AM, VIII	274-279
Opera	Gildon	AM, VIII	277-279
Cooper, Anthony	Earl of Shaftbury, 1671-1713	AM, VIII	279-289
Bicameral brain	Shaftbury	AM, VIII	279ff
Shaftbury, Earl	Aesthetics	AM, VIII	279-289
Harris, James	Aesthetics, 1709-1780	AM, VIII	300FF
Theatre	England Restoration Theatre	AM, VIII	303-320
Congreve,William	Aesthetics of music	AM, VIII	308
Purpose of music	English drama	AM, VIII	309ff
Performance practice	English drama	AM, VIII	310ff
Aesthetics	English drama	AM, VIII	314-316
Music in religion	English drama	AM, VIII	317-318
Dryden, John	Aesthetics, 1631-1700	AM, VIII	321-345
Education	Dryden anti-professors	AM, VIII	322
Emotions	Dryden	AM, VIII	322
Purpose of Musidc	Dryden	AM, VIII	333-336
Opera	Dryden	AM, VIII	336-340
Poets	English Restoration poetry	AM, VIII	347-375
Aesthetics	England Restoration poetry	AM, VIII	350ff
Music in Society	English Restoration poetry	AM, VIII	351-354
St. Cecilia	English Restoration poetry	AM, VIII	354-358
Purpose of Musidc	English Restoration poetry	AM, VIII	359-362
Music in religion	English Restoration poetry	AM, VIII	368-370
Military Music	English Restoration poetry	AM, VIII	370-372
Aesthetics	English Restoration Non-Fiction	AM, VIII	377-389
Education	English Restoration Non-Fiction	AM, VIII	378ff
Audience	English Restoration Non-Fiction	AM, VIII	383ff
Music education	English Restoration Non-Fiction	AM, VIII	386-388
Music in religion	English Restoration Non-Fiction	AM, VIII	388
Handel	Premiere of “The Messiah”	AM, VIII	388
Aesthetics	English Restoration Fiction	AM, VIII	391-405
Purpose of Music	English Restoration Fiction	AM, VIII	393-395
Opera	English Restoration Fiction	AM, VIII	401-404
Music in religion	English Restoration Fiction	AM, VIII	404ff
Trumpet	As ambassador	AM, VIII	405
Aesthetics	English Restoration Manners	AM, VIII	407-429
Bicameral brain	English Restoration Manners	AM, VIII	407ff
Taste	English Restoration Manners	AM, VIII	412-414
Beauty	English Restoration Manners	AM, VIII	414ff
Perception in Music	English Restoration Manners	AM, VIII	417-419
Purpose of music	English Restoration Manners	AM, VIII	41
Opera	English Restoration Manners	AM, VIII	423-426
Pepys, Samuel	Aesthetics,1633-1703	AM, VIII	431-444
Opera	Pepys	AM, VIII	436ff
Civic Music	Pepys	AM, VIII	438ff
Music in religion	Pepys	AM, VIII	440-442
Military Music	Pepys	AM, VIII	443ff
Aesthetics	English Restoration Journals	AM, VIII	445-466
Perception of music	English Restoration Journals	AM, VIII	446-448
Emotions in music	English Restoration Journals	AM, VIII	448-451
Opera	English Restoration Journals	AM, VIII	453-462
Music education	English Restoration Journals	AM, VIII	463
Music in religion	English Restoration Journals	AM, VIII	463-465
“Well-Rounded Man”	References in literature	RPM	13-22
Courtiers	References in English literature	RPM	15-20
Women	In praise of women, Eng. Literature	RPM	23-29
Music in society	15th century values	RPM	33-43
Tinctoris, Johannes	Aesthetics, 1435-1511	RPM	45-56
Music in sociey	16th c. values, Church opposed	RPM	57-72
Polyphony	Era ends in 16th century	RPM	73-81
Humanism	On the spread of Italian Humanism	RPM	83-94
Humanism	Erasmus on Humanism	RPM	95-104
Erasmus,1469-1536	On Humanism	RPM	95-104
Education	Role of 16th c. universities	RPM	105-114
Cochlaeus, Joh.	“Tetrachordum Musices,” 1511	RPM	115-117
Ornithoparchus, And.	“Musice active micrologus,” 1517	RPM	117-121
Listenius, Nicholaus	“Musica,” 1537	RPM	121-122
Glarean, Heinrich	“Dodecachordon,” `1547	RPM	122-129
Coclico, Adrian	“Compendium Musices,” 1552	RPM	129-134
Aesthetics	16th comments on music	RPM	137-148
Performance practice	16th century comments	RPM	149-162
Improvisation	16th century comments	RPM	163-169
Philip the Good	Personal description	WH, I	2346
Maxmilian I	Plates	WH, I	271-275
Durer	Plates of wind trios	WH, I	7-8
Henry VIII	Bands under	WH, II	15-29
Wolsey, Cardinal	Bands of	WH, II	22-24
Elizabeth I	Bands under	WH, II	36-54
Elizabeth I	Progresses	WH, II	46-54
Holborne, Antony	Band music of	WH, II	58ff
Francis I, of France	Bands under, 1515-1547	WH, II	62ff
Charles IX of France	Bands under	WH, II	73ff
Henry III of France	Bands under	WH, II	80ff
Henry IV of France	Bands under	WH, II	83ff
Charles V	Bands under	WH, II	89ff
Mary of Hungary	Wind instrument inventory	WH, II	93, fn. 27
Philip II	Wind instrument inventory	WH, II	94, fn. 30
William V of Bavaria	Wind activity	WH, II	98ff
Ferdinand II	Wind instrument inventory	WH, II	101, fn. 25
Philipps von Hessen	16th c. activity	WH, II	104ff
Moritz, Landgraf	Hesse-Cassel winds	WH, II	105ff
Albert, duke, Prussia	Wind activity	WH, II	107ff
Christian of Saxony	Wind activity	WH, II	113ff
Christian , duke	Weissenfels	WH, III	60
Ferdinand III	Emperor, 1637-1657	WH, III	61
Leopold, emperor	Winds, 1658-1705	WH, III	61
Maria Theresia	Water pageant	WH, III	63ff
James I	Plates	WH, III	77-83
Chales II	Restoration	WH, III	92-100
Ercole,duke	Wind activity 1471-`1505	AM, III	179
Galeazzo Maria	Sforza, 1466-1476	AM, III	180
Giangaleazzo	Sforza, 15th c.	AM, III	180
Federigo da Urbino	Wind activity, 1444-1482	AM, III	183
Lorenzo Magnificent	Florence	AM, III	182
Frederick III	“Weisskunig,” 1450	AM, III	277
Maximilian I, Triumph	Plates	AM, III	277ff
Alfonso V	Wind activity 1416-1458	AM, III	295
Fernando V of Spain	Bands	AM, III	295ff
Isabella of Spain	Bands	AM, III	395ff
Pachta, Graf	Prague	WH, IV	22ff, 37
Esterhazy princes	Role of players	WH, IV	27ff
Esterhazy princes	Financial plight letter	WH, IV	30ff
Harmoniemusik	Maximilian	WH, IV	51
Grands Hautbois	History	WH, IV	63ff
Poupliniere	Private activity 1693-1762	WH, IV	65ff
Tasso	On the courtier	AM, IV	2
Aretino, Pietro	On court life	AM, IV	3ff
Francis I, of France	Grands Hautbois, 1515-1547	AM, IV	193ff
Philip I of Spain	Wind activity 1594-1598	AM, IV	291
More, Sir Thomas	Wind activity	AM, V	254
Shakespeare	On the courtier	AM, V	342ff
Michaelangelo	Comments on	AM, I	5
Socrates	On his geacher, Damon of Athens	AM, I	220
Sophocles	On dance	AM, I	171
Richter, Jean Paul	Dance is silent music	NW	77
Cardano, 16th c.	Dance is 6th part of music	NW	79
Arbeau	Dance is mute rfhestoric	NW	92
Sophocles	On dance	NW	83
Agrippa, b. 1486	Dance appears as madness	NW	82
Stubbs, 1583	Dance is unclean and filthy	NW	92
Voltaire	Dance	NW	92
Cardano, 18th c.	Dance	AM, IV	174ff
Brant	On education, ship of fools	AM, III	260ff
Montaigne	Education	AM, IV	248-253
Vives,	Education	AM, IV	275ff
Erasmus,1469-1536	Education, discussion	AM, V	17ff
Luther, Martin	Education viewis	AM, V	84ff
Davies, Sir John	Education, 16th c. fiction	AM, V	250
Wagner, Richard	Emotion in performance	AM, I	36
St. Augustine	On emotion	AM, II	148ff
Quintlilian	On :Padthos	AM, I	484ff
Galen, doctor	On emotion	NW	55
Montaigne	On emotion	AM, IV	253-257
Longinus, 1st c.	On emotion	WM	183
Aristides	On emotion	WM	183
Quintilian,30-96 AD	On emotion	WM	184
Aurelian of Reome	On emotion	wm	184
John of Salisbury	On emotion	WM	185
Chaucerr	On emotion	WM	185
Galilei	On emotion	WM	186FF
Greene, Robert	On emotion	WM	186
Michael de Veona	On emotion	WM	186
Glarean, Heinrich	On emotion	WM
Isacoff	On Gesualdo	WM	187
Gesualdo	Reference by Isacoff	WM	187
Montaigne	On emotion	WM	187
Francesco Milano	Famous performance	WM	187
Corelli	Playhing violin	WM	188
Caccini	On emotion	WM	189
Cavalieri, Emilo	On emotion	WM	189
Marco da Gagliano	On emotion	WM	189
Marcello, Benedetto	On emotion	WM	190
Berardi, Angelo	Emotion is the ruler of the soul	WM	190
Geminiani	On emotion	WM	190
Tossi	On emotion	WM	189
Bernhard, Christoph	On emotion	WM	181
Mattheson, Johann	On emotion	WM	191ff
Heinichen, JOhann	On emotion	WM	191
Bach	On emotion in chorale performance	WM	196
Bach	Harpsichord lacks soul	WM	196
Batteux, Charles	On emotion	WM	198ff
Rivaujlt, David	On emotion	WM	199
Du Bois, Jean	On emotion	WM	199
Couperin	On emotion	WM	299
Rameau	On emotion	WM	200
Butler, Samuel	On emotion, a form of treason	WM	200
Hobbes, Thomas	Emotion is Ethics	WM	201
Berlioz	On emotion	WM	201
Liszt, Franz	On emotion	WM	203
Chopin	On emotion	WM	203
Verdi	On emotion	WH	204
Dukas	On emotion	WH	294
Reger, Max	On emotion	WH	204
Ravel	On emotion	WH	204
Wagner, Richard	On emotion	WH`	204, 206
Tolstoy, Leo	On emotion	WH	204
Schumann, Clara	On emotion in Brahms	WH	204
Rubinstein, Arthur	On emotion	WH	204
Tchaikovsky	On emotion	WH	204
Kierkegaard	On emotion	WM	205
Stravinsky	On emotion not possible	WM	205
Spencer, Herbert	On emotion	MR	27
Lydgate	On emotion	NW	63
Saint-Evrfemond	On emotion	NW	70
Browne,Sir Thomas	On emotion	WM	18
Dryden, John	On emotion in individual insts.	WM	23ff
Cardano	On emotion	AM, IV	163
Diderot	On emotion	WM	197
Mersenne	On emotion	WM	197
Raguenet, Francois	On emotion	WM	198
Chesterfield, Lord	On emotion	WM	201
Dryden, John	On emotion in insstrumens	WM	201
Addison	On emotion	WM	202ff
Karajan, Herfbert	On emotion	WH	205ff
Walter, Bruno	On emotion	WH	206
Gounod, Charles	On emotion	WH	206
Giulini, Carlo Maria	On emotion	WH	206
Lope de Vega	On emotion	AM, IV	19
Marston, John	On emotion	WM	256
Aristotle	On emotion	EPP	112
Hindemih	On emotion, not possible	WH	205
Croce, Benedetto	On emotion	AM, I	10ff, 46
Beethoven	On emotion	PC	59
Canujs	On emotion	AM, I	467
St. Basil	On emotion	MR	45
Calmeta, Vincenzio	On emotion	AM, III	172
Hesiod	On emotion	NW	56
Capella, Marianus	On emotion	NW	57
Moschus, 100 BC	Greek poet on emotion	NW	57
Tibullus, Greek poet	On emotion in music	NW	57
Cyrus, Roman poet	On emotion in music	NW	57
St. Basil	On emotion in music	NW	57
Cassiodous	On emotion in music	NW	57ff
Dante, 1265-1321	On emotion in music	NW	58ff
Hugh of Orleans	On emotion in music	NW	58
Borneil, troubadour	On emotion in music	NW	59
Plutarch, 1304-1374	On emotion in music	NW	59
Boccaccio, Giovanni	On emotion in music	NW	59
Machaut, 1300-1377	On emotion in music	NW	60
Chaucer	On emotion in music	NW	61
Poliziano, Angelo	On emotion in music	NW	62
Albergti, Leon,b.1404	On emotion in music	NW	62
Galilei,Vincesnzo	On emotion in music	NW	64
Cardano, Girolamo	On emotion in music	NW	64
Bellay, Joachim du	On emotion in music	NW	64
Bodin, Jean	On emotion in music	NW	65
Cervantes	On emotion in music	NW	65
Lope de Vega	On emotion in music	NW	65
Luther, Martin	On emotion in music	NW	65ff
Bryskett, Lodowick	On emotion in music	NW	65
Byrd, William	On emotion in music	NW	66
Gifford, Humphrey	On emotion in music	NW	67
Sidney, Philip	On emotion in music	NW	67ff
Lyly, John	On emotion in music	NW	68
Shakespeare	On emotion in music	NW	68ff
Molina	On emotion in music	NW	69
Calderon, Don Pedro	On emotion in music	NW	69
Moliere	On emotion in music	NW	70
Brendel, Alfred	Emot. in performance	AM, I	37
Machiavelli	Emotion in music	NW	65
Erasmus	Discussion on emotions	AM, V	21ff
Shakespeare	Emotions	AM, V	346ff
Pliny the Elder	On the role of the eyes	AM, I	481
Voltaire	On emotions in music	NW	70
Beaumont, Fletcher	On emotions in music	NW	71
Jonson, Ben	On emotions in music	NW	72
Milton	On emotions in music	NW	72
Carew, Thomas	On emotions in music	NW	72
Herbert, Georges	On emotions in music	NW	73ff
Donne, John	On emotions in music	NW	74
Hall, Rev. Joseph	On emotions in music	NW	74
Markham, Gervase	On emotions in music	NW	75
Cowley, Abraham	On emotions in music	NW	75
Wither, George	On emotions in music	NW	75
Pontus de Tyard	On a soloist	AM, IV	32
Ferrabosco, Alph.	On emotions in music	NW	72
Sophocles	On the rural pipe	AM, I	186ff
Pan god of panpipe	Flute	MR	10
Athena, god	Invented the flute	MR	11
Cicero	On pitchpipes	AM, I	365
Elagbalus, emperor	On panpipes	AM, I	463
Erasmus	On flute	AM, V	43
Gossic, Francois	French composer, 1734-1829	WH, IV	68ff
Fuchs, Georg	Fr dance, 1752-1821	WH, IV	71
Quintgilian	On technique	AM, I	480ff
Apollo, god, harpist	Harpist	AM, I	500
Harp	Apollo, god as harpist	AM, I	500
Erasmus	Letter to Henry VIII	AM, V	17
Mirandola, pico della	On Humanism	AM, IV	5
Ovid	On Egyptian god Ibis	MR	57
John XXII, pope	Approves instruments in service	AM, III	90
Guicciardini	On the mind	AM, IV	5
Mirandola, pico della	Three kinds of thinking	AM, IV	6ff
Aretino, Pietro	On the danger of Love	AM, IV	11ff
Francesco da Milano	Famous 1555 lute performance	AM, IV	85
Raguenet, Francois	On the listener	WM	198
Homer, 800 BC	On emotions in music	EPP	32
Liszt, Franz	Tells Chopin “play for Art”	PC	61
Aristotle	On the listener	AM, I	257ff
Wagner, Richard	On playing for the public	PC	21
Pan, god of panpipe	Origin of the god Pan	MR	38
Bryskestt	On the lullaby	NW	66
Erasmus	Influenced by Martin Luther	AM, V	9ff
Bach	Not a mathematician	WM	74
Wagner, Richard	On Melos	AM, I	32ff
Socrates	On role of dance in military	AM, I	111
Pliny the Elder	On the horse ballet	AM, I	475
Saxe, Maurice de	On military music	WH, III	111ff
Friedrich I	On military music	WH, III	125ff
Frederick William I	On miliary music	WH, III	126-131
Peter the Great	Military bands in Russia	WH, III	155
Ludwig IX	Composer of marches	WH, IV	91
Machiavelli	On military music	AM, IV	39
Rimsky-Korfsakov	Russian military music	WH, V“	85ff
Marlowe	Mil. music in Edward the Second	AM, V	338
Fernando	Minstrels in Spain	AM, III	296
Charpentier	On emotions and tonality	WH, III	228
Ornithoparchus, And.	On the influjence of modes	ME	31ff
Chironomist	Early name for conductor	NW	81
Plato	On music and movement	NW	82ff
Matthneson, Joh.	On movement	NW	84ff
Gildon, Charles	ON the actor’s gestures	NW	87
Al-Farabi	On movement and music	NW	90
Grocheo, Johannes	On movement	NW	91
John XXII, pope	On movement	NW	91
Arbeau	Swaying while singing hymns	NW	91
Dalcroze	Eurhythmics	NE	93
Albertl of Prussia	24 wind works of	WH, VI	57
Christian III	Large librfaryh of wind works	WH, VI	24-28
Henry VIII	25 textless ens works	WH, VI	31
Plutarch	On ancient oboist, re character	AM, I	109
Strabo	Mus. and character, ancient Greece	AM, I	109
Aristotle	Music and Characer	WH, I	45
Plato	Music and Character	ME	3ff
Aristotle	On the character of the modes	ME	8ff
Polybius	Music and Characer, 299-188 BC	MR	10ff
St. Jerome	Music and Character	ME	12ff
Boethius	Music and Character	ME	13ff
Feltre, Vittorino	Music and Character	ME	14
Liege, Jacques	Music and Character	ME	15
Galilei,Vincesnzo	Music and Character	ME	15
Luther, Martin	Music and Character	ME	16
Ascham, Roger	Music and Character	ME	16ff
Mattheson, Johann	Music and Character	ME	17ff
Sweelinck, Jan P.	Music and Character	ME	18
Mace, Thomas	Music and Character	ME	18
Milton, John b. 1608	Music and Character	ME	19
Swift, Jonathan	Music and Character	ME	19
Young, Edward	Music and Character	ME	19
Suzuki, Shinichi	Music and Character	ME	21
Erasmus	Music and Character	AM, V	39-42
Aristophanes	Music and Character	EPP`	106
Berlioz	On Germany	NW	159ff
Calvin, John	Music and Manners	ME	23
Pythagoras, 5th c. BC	Music and Manners	ME	23, 25ff
Plato	Music and Manners	ME	24
Homer, 800 BC	Music and Manners, “Odyssey”`	ME	24
Quintilian,30-96 AD	Music and Manners	ME	25
.Clement, Alexandria	Music and Manners	ME	26
Capella, Marianus	Music and Manners	ME	26
Cassiodorus	Music and Manners`	ME	26ff
Guido of Arezzo	Music and Manners	ME	27
Angliejuis, Barth.	Music and Manners	ME	27
Grocheo, Johannes	Music and Manners	ME	27
Ficino, Marfsilio	Music and Manners	ME	28
Erasmus	Music and Manners	ME	28ff
Hooker, Richard	Music and Manners	ME	29
Montaigne, Michael	Music and Manners	ME	29ff
Minturno of Ugento	Music and Manners	ME	30
Vives, Juan	Music and Manners	ME	30ff
Agrippa, Henry	Music and Manners	ME	31
Listenius, Nicholaus	Music and Manners	ME`	32
Ascham, Roger	Music and Manners	ME	32ff
Bryskett, Lodowick	Music and Manners	ME	33
Kuhnau, Johann	Music and Manners	ME	33
Mersenne, Marin	Music and Manners	ME	34
Bacon, Franacis	Music and Manners	ME	35
Milton, John b. 1608	Music and Manners	ME	35
Addison, Joseph	Music and Manners	ME	36
Wagner, Richard	Music and Manners	ME	36
Charless IX of France	Music and Manners	ME	30
Luther, Martin	Music and Manners	ME	31
Ornithoparchjus	Music and Manners	ME	31ff
Quintilian,30-96 AD	Music and Oratory	AM, I	482, 486
Hume, David	Music and Oratory	NW	106
La Rochefoucauld	Music and Oratory	NW	107
Fenlon	Music and Oratory	NW	107
Boethius	Music education	WM	7ff
Shakespeare	Music education	AM, V	364ff
Plutarch	Music education	AM, I	107
Plato	Music education	AM, I	225-232
Arisstotle	Music education	AM, I	264-271
Caligjula, emperor	Music education	AM, I	459
Pizan, Christine de	Music education	AM, III	214ff
Dalcroze	Music education	NW	93
Plato	Music education	WM	6
Vives	Music education	WM	67
Giulio del Bene	Music education	AM, IV	36
Galilei	Music education	AM, IV	63
Erasmus	Music education	AM, V	48
Plato	Music in Religion	MR	9
Virgil	Music in Religion	MR	57
Virgil	Music in Religion	WH, I	50
Council, Constance	Music in Religion	WH, I	101
Dalla Casa	Music in Religion	WH, II	243ff
Praetorius, 1619	Music in Religion	WH, II	244
St. Basil	Music in Religion	AM, II	115ff
St. John Chrysostom	Music in Religion	AM, II	117ff
St. Augustine	Music in Religion	AM, II	135-170
Gregory the Great	Music in Religion	AM, II	209ff
Aristotle	Music in Religion	AM, II	311ff
Paris, Matthew	Music in Religion	MR	114
Council of Paris	Music in Religion	MR	117
Council of Bayeux	Music in Religion	MR	117
Crusades	Music in Religion	MR	123ff
Louis XIV	Music in Religion	WH, III	217
Petrarch, 1304-1374	Music in Religion	MR	140ff
Boccaccio	Music in Religion`	MR	140ff
Machaut, 1300-1377	Music in Religion	MR	141ff
Gower	Music in Religion	MR	141ff
Grocheo, Johannes	Music in Religion	MR	141ff
John XXII, pope	Music in Religion	MR	147ff
Chaucer	Music in Religion	MR	147ff
Zabern	Music in Religion	MR	156ff
Tinctoris	Music in Religion	MR	156ff
Calvin, John	Music in Religion	MR	163
Huguenots	Music in Religion	MR	167
Agrippa	Music in Religion	MR	171
Dance	Music in Religion	MR	171
Luther, Martin	Music in Religion	MR	183-194
Praetorius	Music in Religion	MR	195-216
Bunyan	Music in Religion	MR	217
Council of Trent	Music in Religion	MR	227
Voltaire	Music in Religion	MR	228ff
Henry VIII	Music in Religion	MR	230
Chales II	Music in Religion	MR	231
Milton, John b. 1608	Music in Religion	MR	233
Zabern	Music in Religion	AM, III	272ff
North, Roger	Music in Religion	wm	17
Council of Tgrent	Music in Religion	AM, IV	37ff
Erasmus	Music in Religion	AM, V	43, 51
Luther, Martin	Music in Religion	AM, V	219
Origen	Music in Religion	MR	54
Lactantius	Music in Religion	MR	54ff
Cerone, Pietro	Music in Religion	AM, IV	288ff
Mozart	Music in Society	PC	24
Hayhdn	Music in Society	PC	24
Plato	Music in Society	AM, I	232ff
Pliny the Elder	Music in Society	AM, I	493
Seneca the Elder	Music in Society	AM, I	470ff
St. Ceclia	Music in Society	WM	23ff
Erasmus	Music in Society	AM, V	54ff
Pherecrates	Music in Society	EPP	5
Mace, Thomas	Music and Mannes	ME	34ff
Vasari	Nature	AM, IV	18
Aretino, Pietro	Nature	AM, IV	18ff
Tasso	Natujre	AM, IV	19ff
Gruffurio	Notation	PC	46
Ismenias	Ancient oboe player	AM, I	109
Jesus	Chases aulos players out	AM, I	112
Karton	Early player	AM, I	172
Ovid	Onl Etruscan aulos playhers	AM, I	344
Livy	Aulos	MR	38
Vigil	“Curved pipe”	AM, I	457
Elagbalus, emperor	Aulos player	AM, I	463
Alexander, emperor	Aulos player	AM, I	463
Cannnnus	Aulos technique	AM, I	467
Burney,Charles	Review of Besozzi brohers	WH, IV	61
Besozzi brothers	Oboe players	WN, IV	61
Arbeau	Sound of shawm	EPP	164
Erasmus	On I Corintghians 14	AM, V	49
Elagbalus, emperor	Played water organ	AM, I	463
Alexander, emperor	Played water organ	AM, I	463
Erasmjus	Ogan	AM, V	50
Ovid	Orpheus legend	MR	11
Sophocles	On panpipes	AM, I	186
Aristotle	Percussion	AM, I	251
Miriam	Old testament percussionist	MR	35
Ovid	On percssion	MR	57
Bottrigari	Performance practice	AM, IV	59
Erasmus	Performance practice	AM, V	42-45
Xenophan	Don’t talk during music	EPP	32
Memorization	Early views	EPP	175ff
Sufi parable	Famous parable	EPP	179
Darius III	Persia music	WH, I	11
Coclico, Adrian	Philosophy of Music	WM	68
Segni, Agnolo	Philosophy of Music	AM, IV	17
Salinas, Fran.16th c.	Philosophy of Music	AM, IV	287ff
Schumann, Robert	Philosophy of Music	WM	258
Berlioz	Philosophy of Music	WM	258
Dukas, Paul	Philosophy of Music	WM	258
Ravel	Philosophy of Music	WM	258
Delius	Philosophy of Music	WM	259
Mendelssohn	Philosophy of Music	WM	259
Mussorgsky	Philosophy of Music	WM	259
MacDowell	Philosophy of Music	WM	259
Wagner, Richard	Philosophy of Music	WM	259
Walter, Bruno	Philosophy of Music	WM	259
Beethoven	Wagner on Beethoven	WM	260
Voltaire	Attempts to create language	WM	260
Plutarch	On nine-string lyre	AM, I	129
Bicameral brain	Plato	WM	95
Mirdandola, Pico	Pleasure and Pain	AM, IV	12ff
Cordano	Pleasure and Pain	AM, IV	163ff
Montaigne	Pleasure and Pain	AM, IV	257-260
Vives	Pleasure and Pain	AM, IV	283
Erasmus	Pleasure and Pain	AM, V	25ff
Music of the Spheres	Pliny the Elder	AM, I	477
Animals	Dolphins love music	AM, I	172
Bicameral brain	Plutarch	WM	95
Erasmus	Poetry	AM, V	29ff
Colonna, Francesco	Poets	AM, III	161
Poliziano, Angelo	Poets	AM, III	162ff
Isaac	Original work for winds	WH, VI	61
Merulo	Four wind canzonas	WH, VI	82
Crequition	Canzona for winds	WH, VI	82
Guami	Canzona for winds	WH, VI	82
Al Sfoi	Canzona for winds	WH, VI	82
Chabril	Canzona for winds	WH, VI	82
Banchieri	14 works for wind ens.	WH, VI	82ff
Dalla Casa	Il Vero Modo	WH, VI	83ff
Gabrieli, Andrea	Works for winds	WH, VI	85ff
Gabrieli, Giovanni	Works for winds	WH, VI	86-88
Areino, Pietro	Purpose of Art	AM, IV	23
Cardano	Purpose of Art	AM, IV	164-166
Scepic school	Pyrro	AM, I	283
Music of the Spheres	Pythagoras	AM, I	477
Bicameral brain	Pythagoraas	WH, I	29
Music of the Spheres	Quinilian	AM, I	477
Arbeauj	“Orchesogrfaphyh”	WH, II	181
Praetorius	Syntagma Mujsicum, Vol. 3	WH, II	251ff
Albertl of Prussia	Part-books	WH, II	110ff
Cellini, Benvenuto	Diary	WH, II	121
Susato, Tielman 16t c	Music for winds	WH, II	175-177
Chemin, Nicolas du	Publisher	WH, II	181
Gabrieli, Giovanni	Music for winds	WH, II	246ff
Pezel, Johann	Music for winds	WH, III	166ff
Reihe, Godttfried	Music for winds	WH, III	167ff
Speer, Daniel	Music for winds	WH, III	168ff
Bicameral brain	Roger Bacon	WM	96
Catharsis	Saint-Evremond	WM	273
Mozart	Scbubert comment on Sym. 40	MR	68
Concert Halls	Early Roman ones	AM, I	463
Aurelius, Marcus	Senses	AM, I	480
Pliny the Elder	Senses	AM, I	481
Sextus Empiricul	Senses	AM, II	22ff
St. Ambrose	Senses	AM, II	125ff
St. Augustine	Senses	AM, II	142-146
Bonaventure	Senses	AM, II	316
Leonardo da Vinci	Senses	AM, III	194
Cusa, Nicholas de	Senses	AM, III	254ff
Montaigne	Senses	AM, IV	247ff
Fulke Grenville	Senses	AM, V	255
Hildegard von Bingen	Senses	AM, II	315ff
St. John of the Cross	Senses	AM, IV	280ff
Catharsis	Shakespeare	WM	271
Sannazaro, Jacopo	Singing	AM, IV	114ff
Cardano	Singing	AM, IV	171-174
Mersenne	Singing	WM	198
Brossad, Sebastien	Singin`	WM	199
Erasmus	Singing vs speech	AM, V	44ff, 51
Bicameral brain	Socrates	WM	98
Catharsis	St. Augustine	WM	267
Music and character	St. Basil	ME	40
Music and character	St. Jerome	ME	12ff
Bicameral brain	St. John of the Cross	WM	98
Vasari	Skill or talent?	AM, IV	22
Mantaigne	Talent	AM, IV	262
Catharsis	Tasso	WM	269
Cerevanes	On acting	AM, IV	302ff
Nashe, Thomas	Theatre	AM, V	298ff
Catharsis	Tinctoris	WM	268
Virgil	Trumpet in Roman military	AM, I	419
Flaccus, Lucius	Trumpet	AM, I	352
Suetonius	Ghost trumpeter	WH, I	57
Joinville	Trumpet trio	WH, I	72
Friedrich III	Multitude use of trumpets	WH, I	166
Speer, Daniel	On qualities of trumpet player	WH, III	227
Frederick the Great	Trumpet use	WH, IV	62
Maelzel	Mechanical trumpet player	WH, V	97ff
Erasmus	Trumpet	AM, V	43, 53
Ferdinand II	Trumpets in church	AM, V	142
Shakespeare	Trumpet repertoire	AM, V	367ff
Concert	Vitrllius in banquet	AM, I	470
Bicameral brain	Voltaire	WM	93, 97ff
Bicameral brain	Izaak Walton	WM	100
Tasso	Anti-intellet re women	AM, IV	10
Erasmus	Blames women re emotions	WM	113ff
Stoic School	Of Philosophy	AM, I	283ff
Purpose of Music	Zarlino	AM, IV	52ff
Audience	Zarlino	ME	85ff
Italian Baroque	Defining the period, an essay	ISB	9-21
Cazzati, Mauritio	S. Petronio reforms	ISB	10ff
Humanism	Italian Baroque after Paris syle	ISB	12
Tosi	On the recitative	ISB	14
Geminiani	On opportunities in London	ISB	15
Coujrt	Tosi warns about court service	ISB	15
Emotions in music	New emphasis in Italian 17th c.	ISB	16ff
Emotions	Attempts to notate feelings	ISB	18ff
Opera	Thoughts on the beginning, an esay	ISB	23-36
Camerata	The beginning of opera	ISB	24ff
Monteverdi	On the new melodic style	ISB	27
Venice	Entertainments in 17th c. Venice	ISB	30ff
Opera	Testimonials of first operas	ISB	32ff
Handel	As opera conductor in London	ISB	34
Performance practice	Italian views in Baroque, an essay	ISB	37-53
Monteverdi	On opera rehearsals	ISB	37ff
Improvisation	In early opera	ISB	41-49
Marcello, Benedetto	Satire on opera	ISB	47
Ornaments	In early opera	ISB	49ff
Kircher, 1601-1680	Athanasius Kircher, a survey	ISB	55-65
Court	Court music, Ital. Baroque, essay	ISB	67-78
Court	Lavish banquet with music	ISB	68ff
Monteverdi	Describes a court wind band	ISB	71
Court	Papal wind bands, Baroque	ISB	72ff
Christina of Sweden	Remarkable Baroque noble lady	ISB	74ff
Descartes, Rene	Employed by Christina, Sweden	ISB	75
Civic music	In Italian Baroque	ISB	79-84
Military Music	In Italian Baroque	ISB	84-85
Music in Religion	Italian Baroque church music	ISB	87-103
Urban VIII, pope	Loved music	ISB	87
Maugars, Anddre	Describes performance in Rome	ISB	88ff
Music in Religion	Style Concerns in Rome	ISB	93ff
Music in Religion	Canzona publications in Venice	ISB	96
Music education	Scuole San Focco, 17h c.	ISB	97
Music education	Ospedali, girls schools	ISB	98ff
Musicl in Society	Spanish Baroque, an essay	ISB	105-122
Senses	Grecian, Spanish Baroque	ISB	107
Music in Society	Music references in Spanish plays	ISB	108ff
Calderon	Music references in plays	ISB	110ff
Music in Society	Music, Spanish Baroque kings	ISB	114ff
Mexico City	Spanish music in New World	ISB	118
Music in Society	On the German Baroque, an essay	EGB	9-36
Music in Sociey	Impact of the Thirty Years War	EGB	9-13
Schutz, Heinrich	Description of German 17th c.	EGB	10ff
Philosophy of Music	Muffat describes Geman style	EGB	14ff
Philosophy of Music	Heinichen describes German style	EGB	15ff
Philosophy of Music	The galant style arrives	EGB	19ff
Philosophy of Music	Taste arrives in Germany	EGB	20ff
Music in Society	The “fiddler” appears	EGB	22ff
Leibniz, Gottfried	Survey of Leibniz’s writing on music	EGB`	27-36
Mattheson, Johann	On the Nature of Music	EGB	37-50
Emotion in Music	German Baroque overview	EGB	51-61
Emotion in Music	Mattheson on Emotion in music	EGB	63-75
Performance practice	German Baroque overview	EGB	77-84
Performance practice	Praetoius on performance practice	EGB	85-112
Performance practice	Mattheson on performance practice	EGB	113-127
Philosophy of Music	Mattheson on composition	EGB	129-138
Court	Music in Gemany 17th c., overview	EGB	139-151
Horse ballet	Descriptions in German courts	EGB	146ff
Court	Views of the German musicians	EGB	148ff
Hautboisten	In German Baroque courts	EGB	153-161
Trumpet	Golden Age of the court Trumpet	EGB	163-168
Civic Music	Music in German 17th c., overview	EGB	169-183
Civic Music	German Stadtpfeifer exam	EGB	171ff
Civic Music	German Tower music	EGB	173ff
Pezel, Johann	Wind composer	EGB	175
Reiche, Gottgfried	Wind composer	EGB	175ff
Speer, Daniel	Wind composer	EGB	177
Civic Music	Rules for a civic guild	EGB	178ff
Civic Music	Collegium musicum, inc. Bach	EGB	180ff
Civic Music	Description of Peasant music	EGB	183
Music in Religion	Music in Germany, 17th c. overview	EGB	185-195
Military Music	Music in Germany, 17th c. overview	EGB	197-207
Military Music	German trumpet signals	EGB	198ff
Military Music	German military shawm bands	EGB	201ff
Military Music	Music under Friedrich I	EGB	202ff
Military Music	Music under Frederick Wilh. I	EGB	204ff
Music education	For German military musicians	EGB	205
Hautboisten	In German military	EGB	206ff
Court	Influence of Turkish Music	EGB	209
Philosopohy of music	French Baroque, an overview essay	EFB	9-25
Rameau, Jean Phil.	An important original thinker	EFB	9-13
Taste	On the changing scene in France	EFB	13ff
Purpose of music	French Baroque	EFB	15-22
Charpentier, Marc-A.	On the emotional quality of tonality	EFB	15
Couperin	Notation differs from performance	EFB	16
Rameau	Questions the “rules” of music	FEB	16ff
Brossard, 17th c	On Time and the recitative	FEB	19
Emotions in music	Exampes of emotional performance	FEB	20ff
Bicameral brain	Rameauj, in performance	FEB	21ff
Performance practice	Couperin advice to players	FEB	23
Improvisation	French views in Baroque	FEB	24ff
Mersenne, Marin	On the Nature of Music, an overview`FEB`	FEB	27-51
Singing	Mersenne on song and singing	FEB	33ff
Purpose of music	Mersenne, a long discussion	FEB`	39ff
Voltaire	On Music, an overview	FEB	53-66
Louis XIV	Voltaire on his aesthetic views	FEB	59
Mersenne, Marin	On performance practice	FEB	67-83
Philosophy of music	French Baroque views	FEB	85-113
Philosophy of Music	Andre, on goals for composition	FEB	87
Beauty	Andre discusses Beauty in music	FEB	87ff
Taste	French Baroque views	FEB	90ff
Bicameral brain	Feeling vs rules, French 17th c.	FEB	91ff
Music in Society	How climate affects music	FEB	97
Emotion in music	French 17th c. discussion	FEB	98-106
Music education	Fenelon on it’s importance	FEB	106ff
Improvisation	Maugars on artistic improvisation	FEB	110
Ornamentation	French Baroque discussion	FEB	111
Emotions in music	French vs Italian musicians	FEB	115-128
Descrtes, Rene	Views on music	FEB	129-142
Court	Court music in French Baroque	FEB	143-157
Music in Society	Music in 17th c. French drama	FEB	159-174
Moliere	Drama reflects life	FEB	159ff
Voltaire	Music in plays by Voltaire	FEB	172ff
Opera	French vs Italian philosopy	FEB	175-
Opera	Voltaire on national styles	FEB	189
Music in Society	Music in 17th c. French fiction	FEB	203-211
Voltaire	Music in Voltaire’s fiction	FEB	211-216
Music in Society	Music in 17th c. French non-fiction	FEB	217-230
Military music	In 17th c. France	FEB	231-240
Trumpet	On 17th c. French trumpet signals	FEB	231-235
Percussion	In 17th c. French military	FEB	236ff
Court	Music in Jacobearn Soc.overview	MJE	11-17
Court	James I with king of Denmark	MJE	11-13
Court	English music for traveling	MJE	14ff
Court	Court music under Charles I	MJE	15-17
Court	Music in the English Masque	MJE	19-26
Dance	Dancing to cornets	MJE	25ff
Bacon, Francis	Masque as pre-Opera, 1561-1626	MJE	26
Music in Religion	Jacobean chudrch music	MJE	27-37
Milton, John b. 1608	Instruments in Church music	MJE	32-37
Music in Society	Music in Jacobean literature	MJE	39, 87-91
Music in Society	Music in Jacobean theatre	MJE	53-80
Poets	Music in Jacobean poetry	MJE	81-86
Music in Society	Music in lower Jacobean plays	MJE	93-106
Military Music	Music in Jacobean military	MJE	107-116
Strings	Strings appear with the fiddler	MJE	93ff
Purpose of music	To soothe	MJE	90ff
Percussion	Role in Jacobean military	MJE	107ff
Trumpet	Personality in Jacobean military	MJE	111
Trumpet	As ambassador	MJE	115FF
Music in Society	Views of Jacobean musicians	MJE	119-147
Pupose of Music	In Jacobean society	MJE	124ff, 152ff
Music and character	Jacobean views	MJE	131ff
Performance	Performance practice, Jacobean	MJE	135-147
Emotions	Jacobean philosophers	MJE	149ff
North, Roger, b. 1653	On Music	MJE	159-170
Bicameral brain	Commengs by Roger North	MJE	159ff
Purpose of music	Views by Roger North, 1653-1734	MJE	165ff
Bacon, Francis	On Music	MJE	171-181
Bacon, Francis	Subject for discussing Music	MJE	176
Perception of music	Frances Bacon	MJE	176ff
Purpose of Music	Francis Bacon, 1561-1626	MJE	180ff
Milton, John b. 1608	On Music	MJE	183-196
Perception of music	Milton	MJE	188ff
Music of the Spheres	Milton	MJE	189ff
Purpose of Music	Milton	MJE	192ff
Bicameral brain	Milton	MJE	194ff
Court	England Restoration	MRE	11-18
Music in Religion	England Puritan movement	MRE	19-45
Music in Religion	England, opera influence	MRE	38ff
Music in Religion	Odes to St. Ceclia, England	MRE	42ff
Theatre	England, Restoration theatre	MRE	47-58
Purpose of music	Restoration theatre	MRE	49ff
Aesthetics	Restoration theatre	MRE	47ff, 55ff
Poets	Music in Restoration poetry	MRE	59-77
Purpose of music	In Restoration poetry	MRE	63ff
Philosophy of music	In Restoration prose	MRE	79-98
Purpose of mujsic	In Restoration prose	MRE	82ff, 87ff
Aesthetics	In Restoration prose	MRE	91ff
Philosophy of music	Restoration philosophers	MRE	101-130
Hobbes, Thomas	English philosopher, 1588-1679	MRE	102ff
Locke, John	English philosopher, 1632-1704	MRE	104ff
Pennm William	English philosopher, 1633-1718	MRE`	107ff
Hume, David	English philosopher, 1711-1776	MRE	108ff
Berkeley, George	English philosopher, 1685-1753	MRE	110ff
Temple, Willliam	English philosopher, 1628-1699	MRE	111ff
Wolton, William	English philosopher, 1666-1727	MRE	112ff
Cooper, Anthony	Earl of Shaftesbury 1671-1713	MRE	117ff
Hucheson, Francis	English philosopher, 1694-1746t	MRE	120ff
Harris,James	English philosopher, 1709-1780	MRE	122ff
Newton, Isaac	On music	MRE	125-130
Dryden,l John	English philosopher, 1631-1700	MRE	131-138
Opera	John Dryden on opera, 17th c.	MRE	139-163
Aesthetics	English journals	MRE	165ff, 220ff
Civic music	English Baroque	MRE	181-194
Civic mujsic	English Baroque Wait Bands	MRE	188-193
Music in Society	English Manners in Baroque	MRE	195-206
Purpose of music	English Baroque, upper class	MRE	202ff
Pepys, Samuel	Pepys, 1633-1703, on Music	MRE	207-217
Purpose of music	English journals	MRE	220ff
Emotions in Music	English journals	MRE	224ff
Serenades	English Restoration	MRE	228ff
Concerts	Eng. Restoration, private concerts	MRE	229
Education	Philosophic Foundations of Ed.	PFE	1-131
Education	Why the Church closed the schools	PFE	1-7
Education	Early Renaissance Views on Ed.	PFE	9-23
Leonardo da Vinci	On education	PFE	17ff
Brant, Sesbastian	“The Ship; of Fools,” 1494	PFE	18-23
Education	Counter-revolution in Italy	PFE	25-34
Tasso, Torquato	On the education of the courtier	PFE	28ff
Vida,Marco Girolamo	Description of a great teacher 1527	PFE	30ff
Montaigne	On education	PFE	38-45
Education	Montaigne on education	PFE	38-45
Education	Juan Vives, 1492-1540	PFE	47-58
Education	Erasmus on Education	PFE	61-72
Erasmus	On educaion, 1469-1536	PFE	61-72
Education	16th century Germany, post war	PFE	75-85
Luther, Martin	On education, 1483-1546	PFE	81-84
Education	16th century England	PFE	87-97
Shakespeare	A comment on education	PFE	97
Education	Baroque France	PFE	99–107
Education	Fenelon on the education of girls	PFE	102ff, 105
Education	Jacobean philosophers on Ed.	PFE	109-118
Music education	Music education before Plato	FME	1-18
Plato	On the eternal laws of mujsic	FME	2
Music education	Plato on the eternal laws of music	FME	2
Music education	On ancient Greek music ed.	FME	3ff
Music education	In Old Testament	FME	4ff
Old Testament	References to music education	FME	4ff
Music education	Fundamenals in ancient Greece	FME	5
Music and character	Plutarch on ancient Greek;mus. Ed	FME	5ff
Aesthetics	Music should be for meditation	FME	8ff
Music education	Ancient Greek on quality	FME	11ff
Mjusic education	Ancient importance of teachers	FME	14ff
Music education	On Pythagoras	FME	16ff
Pythagoras	On music education	FME	15ff
Plato	On music education	FME	22-40
Music education	Plato writings on music education	FME	22-40
Music education	Plato on the purpose of mus. Ed.	FME	28ff
Music education	Plato on the Pedagagy of mus. Ed.	FME	39ff
Aristotle	On music education	FME	49-67
Music educaion	Greek views after Adristotle	FME	69-85
Music and character	Polybius, 203-120 BC	FME	71ff
Music education	Aristides, 3rd c. AD discussion	FME	76ff
Aristides, 3rd c. AD	On music education	FME	76-85
Music and character	Aristides, 3rd c. AD discussion	FME	80ff
Music and emotions	Aristides, 3rd c. AD discussion	FME	81ff
Music education	Music education in ancient Rome	FME	87-99
Music education	Rome, declinel begins	FME	95ff
Nero,emperor	Nero as performer	FME	95ff
Music and religion	The Church reinvents music ed.	FME	101-119
Philosophy of music	Philodemus, 110-35 BC, anti-music	FME	102ff
Philosophy of music	Sextus Empiricus,,2nd c., anti-music	FME	107ff
Boethius, 6th c.	On music education	FME	115ff
Music education	Music education in the Dark Ages	FME	121-139
Charlemagne	On education of church singers	FME	126ff
Music education	Daily schedule of a church school	FME	129
Music and religion	Hrotswitha, 10th c. nun defines music	FME	130ff
Music and religion	Aurelian: musician vs singer	FME	134ff
Music education	Music ed. in Pre-Renaissance	FME	141-163
Guido of Arezzo	11th c., on notation	FME	143ff
Music in Society	Birth of modern universities	FME	150ff
Bacon, Roger, 13th c.	On music educaion	FME	156-161
Aquinas, Thomas	On education, 13th c.	FME	161ff
Music education	Music education, 14th c.	FME	165-172
Chaucer	On feeling in music	FME	168
Music education	Famous 14h c. poem on Mus. Ed.	FME	169
Music education	Music education in 15th c.	FME	175-190
Tinctoris, 1435-1511	On music education	FME	175-177
Ficino, Marsilio	Founds Florentine ‘academy	FME	179ff
Leonardo da Vinci	On 15th c. music education	FME	181-185
Pizan, Chistine	On music educaion	FME	185ff
Cortese, Paolo	On household music	FME	186ff
Gaffurio, Franchino	On the ethics of music	FME	187
Zabern, Conrad	Education of church singers	FME	188ff
Music education	Music education in 16th c. Italy	FME	193-206
Galilei, Vincenzo	Rensews Greek ideals, 16th c.	FME	193ff
Zarlino, Gioseffo	Reason must rule	FME	195ff
Castiglione, Bald.	“The Courtier”	FME	201ff
Cellini, Benvenuto	“Autobiography”	FME	203ff
Music education	Music education in 16th c France	FME	209-216
Charles IX of France	Baif’s Academy, 1570	FME	210ff
Calvin, John	Puritan aesthetics	FME	213ff
Montaigne, Michel	On music education	FME	215ff
Music education	Music educaion in 16th c. Germany	FME	219-242
Agrippa, Henry	On math and mujsic	FME	219ff
Melanchthon, Philipp	On music education	FME	221ff
Pretorius, Michael	Symtagma Musicum, Book 3	FME	222-224
Cochlaeus, Joh.	“Tetachordum Musices” 1511	FME	227ff
Ornithooparchus, A.	“Musice active mirologes,” 1517	FME	228-231
Listenius, Nicholaus	“Musica,” 1537	FME	232ff
Glarean Heinrich	“Dodecachordon,” 1547	FME	233-235
Coclico, Adrian	“Compendium Musices,” 1552`	FME	236-242
Luther, Martin	On music education	FME	245-251
Music Education	Martin Luther	FME	245-25
Music education	Music education in 16th c. England	FME	253-262
Ascham, Roger	Music education in 16th c England	FME	254ff
Greville. Fulke	Music education questioned	FME	257ff
Shakespeare	Music education	FME	261ff
Music education	Music education in Baroque Italy	FME	265-275
Ospedali	Italian schoooso for orphan girls	FME	267-271
Vivaldi	As Ospedali teacher	FME	268ff
Tosi, P. F.	Famous singing treatise	FME	272ff
Music education	German philosophers on music	FME	277-290
Mattheson, Johannn	German music philosophy	FME	277ff, 299ff
Heinichen, Johann	German music philosophy	FME	279ff
Music education	Music ed. in Baroque Germany	FME	293-301
Schutz, Heinrich	Music; ed. In Baroque Germany	FME	294ff
Niedt, Friedrich	Profile of a tough music teacher	FME	295ff
Trumpet	Personal requirements for court	FME	298
Hautboisten	Arrval in Germany	FME	299
Music education	First German military music school	FME	299
Music education	French philosophers on music	FME	303-314
Rameau, Jean Phil.	French philosopher on music	FME	304ff
Couperin, f’rancoise	French philosopher on music	FME	303ff
Andre, Yves Marie	French philosopher on music	FME	308ff
La Vieville, Cerf de	French philosopher on music	FME	310ff
Music education	Music ed. in Baroque France	FME	317-328
St.-Lambert, Michel	Music education treatise	FME	317ff
Moliee	On household music	FME	321-324
Mersenne Marin	“Harmonie universelle,” 1636	FME	325ff
Music; education	In Jacobean England	FME	331-345
North, Roger	Jacobean Mus. ed. 1653-1734	FME	331-334
Handel	Questions following the “rules”	FME	335
Butler,Charles	On the value of music, 1636	FME	338
Playford, John	On the value of music, 1674	FME	339
Mace, Thomas	On the moral value of music, 17th c.	FME	340
Wither, George	Repertoire affects manners, 17th c.	FME	341
Milton, John b. 1608	Music and character	FME	341ff
Music and character`	John Milton, 17th c.	FME	341
Improvisation	Jacobean England	FME	342ff
Music in Society	The state of church singers, 17th c.	FME	343
Listener of music	John Bunyan, English Baroque	FME	344
Music education	In Restoration England	FME	347-358
Defoe, Daniel	On the ideal school of music	FME	350ff
Pepys, Samuel	On the value of rules of composition	FME	355ff
Schumann, Robert	On music education	FME	361-366
Music education	Observations by Robert Schumann	FME	361-366
Music education	Observations by; Frederic Chopin	FME	369-371
Chopin, Frederic	On music education	FME	369-371
Mendelssohn, Felix	On music education	FME	373-378
Music education	Observations by Mendelssohn	FME	373-378
Music education	Observations by Franz Liszt	FME	381-384
Liszt, Franz	On music education	FME	381-384
Berlioz, Hector	On music education	FME	387-392
Music education	Observaions by Berlioz	FME	387-392
Music education	Observations by Wagner	FME	395-398
Wagner, Richard	On music education	FME	395-398
Whitwell, David	Music education of the future	MEF	1-150
Music education	On the Roots of Music Education	MEF	1-12
Music education	On the Perception of Music	MEF	15-28
Music education	Purpose and Meaning in mus. Ed.	MEF	31-43
Music education	Mus. Ed. Mus be experiential	MEF	47-61
Music education	Mus. Ed. Must be for all children	MEF	63-71
Music education	Mus. Ed must educate the Real child	MEF	73-107
Music education	New purposes for music ed.	MEF	109-146
Repertoire	Selecting aesthetic reperoire	EOP	3-33
Aesthetics	Applied aesthetic problems	EOP	35-51
Repertoire	What shall we do with marches?	EOP	35-39
Performance	Princioples of seating plans	EOP	45-47
Holst Eb Suite	Issues;: Holst Eb Suite	EOP	55-60
Holst F Suitte	Issues: Holst Suite in F	EOP	63-65
Hindemith, Paul	Hindemith: Symphony for Band	EOP	67-71
Milhaud	Milhaud:: Suite Francaise	EOP	73-77
Wagner, Richard	Wagner: Trauermusik	EOP	79-83
Wagner, Richard	Wagner: Huldigungsmarsch	EOP	85ff
Wagner, Richard	Wagner: Elsa’s Procession	EOP	87
Wagner, Richard	Wagner: Fanfare for 4 trumpets	EOP	88
Wagner, Richard	Wagner: Ring excerpts arranged	EOP	89-91
Wagner, Richard	Wagner: Gruss Frederick August.	EOP	91-93
Wagner, Richard	Wagner: Festgesang	EOP	94-95
Beethoven	Beethoven: Siegessinfonie	EOP	97-99
Reicha, Anton	Reicha: Symphony for Band	EOP	108-109
Berlioz	Berlioz: Symphony for Band	EOP	111-117
Flippa	Filippa:Marcia funebre…Rossini	EOP	123
Haovey	Halevy: Marche, remains Napoleon	EOP	124
Ponchielli	Ponchielli, on Death of Garibaldi	EOP	124ff
Wieporecht	Wieprecht: Trauermarsch	EOP	125
Wieprecht	Wieprecht: Marsch on Beethoven	EOP	125
Ponchielli	Ponchielli, Carnevale di Venezia	EOP	127
Ochs	Ochs: Var. on a German folksong	EOP	127ff
Mejo	Mejo: Var. on Gaudeamus igitur	EOP	128ff
Whitwell, David	Whitwell, Sym. “Vienneses Legacy”	EOP	129-131
Whitwell, David	Whitwell: Sinfonia da Requiem	EOP	131-136
Whitwell, David	Whitwell: Mediations on Hamlet	EOP	136ff
Whitwell, David	Whitwell: Syhmphony of Songs	EOP	137ff
Whitwell, David	Whitwell: Sinfonia Idtalia	EOP	139ff
Performance	Principles of early music perf.	EOP	143-157
Performance	Classical Period Idioms	EOP	159-190
Mozart	Mozart: Gran Partita, K. 361	EOP	193-198
Mozart	Mozart: Gran Partita, K. 361	PMM	51-64
Mozart	Mozart: Partita, K. 388 [2024]	PMM	65-81
Mozart	Mozart: Partita, K. 388	EOP	198-213
Band	Essays on the Modern Wind Band	EMW	1-172
Band	On the Roots of the modern band	EMW	3-8
Composers	Views of famous composers	EMW	8-14
Band	On the state of the profession [1977]	EMW	15-19
Repertoire	Forgotten Band Repertoire [2010]	EMW	19-23
Band	Our Fatal Error in Commissioning	EMW	23-26
Repertoire	Forgotten Wind Music [1966]	EMW	27-37
Band	Band: an Historical View [1967]	EMW	37-40
Nelhybel, Vaclav	Nelhybel, Vaclav, my memoies	EMW	40-45
Husa, Karl	Husa, Karl, my memories	EMW	45-50
Erickson, Frank	Erickson, Frank, my memories	EMW	50-52
Krenek, Ernst	Krenek, Ernst, my memories	EMW	52-56
Music education	Commercial Driven Ed. [1975]	EMW	59-61
Music education	Neilson, James, on Ethics [1974]	EMW	61-64
Music education	Neilson, J. Changing scene [1974]	EMW	64-67
Music education	Neilson, J., Ethics in Perf. [1974]	EMW	68
Band	The CBDNA in the future [1975]	EMW	75-81
Band	On the Future of WASBE [1999]	EMW	81-85
Band	On IGEB [2012]	EMW	85ff
Band	On the ABA [1993]	EMW	86-89
Music education	The Forgotten Man in the Dept.	EMW	94-
Performance	On the Present Tense in Music	EMW	100-103
Conductors	On the Value of Conducting clinics	EMW	103-105
Hindsley, Mark	Hindsley, Mark, my memories	EMW	106-108
Sawhill, Clarence	Sawhill, Clarence,my memories	EMW	108-111
Bernstein, Leonard	Bernstein, Leonard, my memoies	EMW	111-112
Solti, Gerog	Solti, Georg, my memories	EMW	112-113
Stokowski, Leopold	Stokowski, Leopold, my memory	EMW	114
Giulini, Carlo Maria	Giulini, Carlo Maria, my memory	EMW	114-115
Karajan, Herbert	Karajan, Herbert von, memory	EMW	115
Maazel, Lorin	Maazel, Lorin, my memories	EMW	116-117
Barenboim, Daniel	Barenboim, Daniel, my memory	EMW	117
Boulez, Pierre	Boulez, Pierre, ny memory	EMW	118
Reiner, Fritz	Reiner, Fritz, my memory	EMW	118
Szell, George	Szell, George, my memory	EMW	119
Walter, Bruno	Walter, Bruno, my memory	EMW	119ff
Barbirolli, Sir John	Barbirolli, Sir John, my memory	EMW	120
Hovhaness, Alan	Hovhaness, Alan, my memory	EMW	120
Stravinsky, Igor	Stravinsky, Igor, my memory	EMW	11ff
Villa-Lobos, Heiter	Villa-Lobos, Heitor, my memory	EMW	122ff
Koechlin, Charles	Koechlin, Charles, my memory	EMW	123ff
Orff, Carl	Orff, Carl, my memory	EMW	124
Music education	On my universisty life [2004]	EMW	125-129
Contests	On School Music Competition	EMW	131=140
Contests	A New Proposal for competition	EMW	140-142
Music education	A Letter to HS conductors [1991]	EMW	142-144
Music education	On “Honor” bands	EMW	145-154
Fennell, Frederick	Frederick Fennell as I knew him	EMW	158-172
Performance	On the performance of Mozart	PMM	19-81
Mozart	Did Mozart indicate staccato?	PMM	19-27
Mozart	What did Mozart mean by Adagio?	PMM	29-33
Mozart	Mozart never wrote “ritard”	PMM	35-39
Improvisation	Improvisation in Mozart	PMM	41-48
Mozart	On the Gran Partita, K. 361	PMM	51-64
Mozart	On the Partita in C minor, K. 388	PMM	65-81
Whitwell, David	Photos of Whitwell as conductor	PMM	82-85
Performance	Basics issues of interpretation	PMM	89-183
Performance	On Time and Music	PMM	89-98
Performance	How does a composer stop Time?	PMM	99-105
Performance	How do we find the right Tempo?	PMM	107-118
Performance	What do “p” and “f” signify?	PMM	119-126
Performance	How do we bring dead notes alive?	PMM	127-140
Bicameral brain	The role of our bicameral brain	PMM	141-153
Emotion in Music	Emotion in Music	PMM	155-179
Aesthetics	Aesthetics	PMM	171-173
Music education	Music ed — the need to rethink.	PMM	177-183
Composers	Chopin, a Self-Portrait	CHO	3-96
Critics	Critics, Chopin on Criticism	CHO	57
Italy	Italy, Chopin on Italy	CHO	59
London	London, Chopin on London	CHO	59-60
Paris	Paris, Chopin on Paris	CHO	61-63
Scotland	Scotland, Chopin on Scotland	CHO	63
Vienna	Vienna, Chopin on Vienna	CHO	63-65
Warsaw	Warsaw, Chopin on Warsaw	CHO	65
Bach	Bach, Chopin on J. S. Bach	CHO	65
Beethoven	Beethoven, Chopin on Beethoven	CHO	66
Czerny	Czerny, Chopin on Czerny	CHO	66
Dalacroix	Dalacroix, Chopin on Dalacroix	CHO	67
Gossec	Gossec, Chopn on Gossec	CHO	67
Handel	Handel, Chopin on Handel	CHO	67
Hujgo, Victor	Hugo, Victor, Chopin on Hugo	CHO	68
Hummel	Hummel, Chopin on Hummel	CHO	68
Lesueur	Lesueur, Chopin on Lesueur	CHO	68
Lind, Jenny	Lind, Jenny, Chopin on Jenny Lind	CHO	68ff
Liszt, Franz	Liszt, Chopin on Liszt	CHO	69
Mendelssohn	Mendelssohn, Chopin on Mendel.	CHO	69
Meyerbeer	Meyerbeer, Chopin on Meyerbeer	CHO	70
Reicha, Anton	Reicha, Anton, Chopin on Reicha	CHO	70
Chopin	Sand, George, Chopin on Sand	CHO	79ff
Schubert	Schubert, Chopin on Schubert	CHO	71
Schumann, Clara	Schumann, Clara, Chopin on	CHO	71
Spohr	Spohr, Chopin on Spohr	CHO	71
Weber	Weber, Chopin on Weber	CHO	72
Chopin	Liszt: personal thoughts on Chopin	CHO	87-93
Chopin	Sand, Geo., thoughts on Chopin	CHO	94-96
Chopin	Chopin, Liszt’s descripion of	CHO	87-96
Chopin	Chopin, George Sand on	CHO	94-96
Liszt, Franz	Liszt, on a recital by Chopin	CHO	97-98
Chopin	Chopin, a recital heard by Liszt	CHO	97-98
Sousa	Sousa, Oral History Project	SOU	1-84
Sudre	Sudre, Universal Musical Language	SUD	1-71
Sousa	Sousa, Yoder on the decline of	SOU	81-84
Sousa	Sousa, Wm D. Revelli recalls	SOU	28-39
Longy Club	Longy Club, Boston wind ensemble	LON	1-222
Long Club	Longy Club, Repertoire	LON	209-210
Composers	Schumann, A Self-Portrait	SCH	3-141
Italy	Italy, Schumann on	SCH	61
France	France, Schumann on	SCH	61
Germany	Germany, Schumann on	SCH	62
Bohemia	Bohemia, Schumann on	SCH	62
Vienna	Vienna, Schumann on	SCH	62-65
Bach	Bach, J. S., Schumann on	SCH	65=67
Beethoven	Beethoven, Schumann on	SCH	67-68
Berlioz	Berlioz, Schumann on	SCH	68-70
Brahms	Brahms, Schumann on	SCH	70-71
Cherujbini	Cherubini, Schumann on	SCH	71
Chopin	Chopin, Schumann on	SCH	71-74
Czerny	Czerny, Schumann on	SCH	74-75
Dreyschack	Dreyschack, Schumann on	SCH	75
Handel	Handel, Schumann on	SCH	75
Lachner	Lachner, Schumann on	SCH	75-76
Liszt, Franz	Liszt, Schumann on	SCH	76-79
Mendelssohn	Mendelssohn, Schiumann on	SCH	79-82
Meyerbeer	Meyerbeer, Schumann on	SCH	83-84
Mozart	Mozart, Schumann on	SCH	84-85
Rossini	Rossini, Schumann on	SCH	85
Schubert	Schubert, Schumann on	SCH	85-87
Thalberg	Thalberg, Schumann on	SCH	88
Wagner, Richard	Wagner, Schumann onsch	SCH	88-89
Weber	Weber, Schumann on	SCH	89-90
Schumann	Schumann, “Maxims for the Young”	SCH	53-60
Sudre	Berlioz endorses Universal Lang.	SUD	32ff
Schumann	On his own personality	SCH	93–102
Schumann	On his health and attitude	SCH	103-112
Schumann	On his outlook on life	SCH	113-122
Schumann	Descibes his wifek, Clara	SCH	135-`40
Schumann	On his outlook on Music	SCH	5-16
Schumann	On his cdfreative process	SCH	21-28
Schumann	On his own comdpositions`	SCH	29-36
Composers	Mendelssohn, a self-protdrait	MEN	3-166
Mendelssohn	On his outlook on music	MEN	3-12
Mendelssohn	On his creative process	MEN	15-24
Mendelssohn	On his own compositions	MEN	29-48
Singing	Mendelssohn on Singing	MEN	53-56
Vienna	Mendelssohn on Vienna	MEN	61
London	Mendelssohn on London	MEN	62
Paris	Mendelssohn on Paris	MEN	63ff
Germany	Mendelssohn on Germany	MEN	65-70
Italy	Mendelssohn on Italy	MEN	71-75
Switzerland	Mendelssohn on Switzerland	MEN	76
Audience	Mendelssohnb on the audience	MEN	77ff
Critics	Mendelssohn on criticism	MEN	79ff
Bach	Mendelssohn on Bach	MEN	82
Beethoven	Mendelssohn on Beethoven	MEN	83
Berlioz	Mendelssohn on Berlioz	MEN	84
Cherubini	Mendelssohn on Cherubini	MEN	85
Chopin	Mendelssohn on Chopin	MEN	86ff
Czerny	Mendelssohn on Czerny	MEN	88
Donizetti	Mendelssohn on Donizetti	MEN	88
Gade	Mendelssohn on Gade	MEN	89
Goethe	Mendelssohn on Goethe	MEN	90
Joachim	Mendelssoohn on Joachim	MEN	91
Kalkbrenner	Mendelssohn on Kalkbrenner	MEN	91
Liszt, Franz	Mendelssohn on Liszt	MEN	92
Mendelssohn, Fanny	On his sister, Fanny	MEN	93
Meyerbeer	Mendelssohn on Meyherbeer	MEN	93
Moscheles	Mendelssohn on Moscheles	MEN	94
Mozart	;Mendelssohn on Mozart	MEN	94
Neukomm	Mendelssohn on Neujkomm	MEN	95
Paganini	Mendelssohn on Paganini	MEN	96
Rossini	Mendelssohn on Rossini	MEN	96
Schubert	Mendelssohn on Schubert	MEN	97
Schumann, Clara	Mendelssohn on Clara Schumann	MEN	97
Schumann, Robert	Mendelssohn on Schumann	MEN	97
Spohr	Mendelssohn on Spohr	MEN	98
Spontini	Mendelssohn on Spontini	MEN	98
Thalberg	Mendelssohn on Thalberg	MEN	99
Victoria, Queen	Mendelssohn on Queen Victoria	MEN	99
Wagner	Mendelsson on Wagner	MEN	100
Mendelssohn	On his character traits	MEN	105-114
Mendelssohn	On his mental health	MEN	115-124
Mendelssohn	On his experience as a performer	MEN	1254-136
Mendelssohn	On his outlook on life	MEN	137-154
Mendelssohn	On his daily and professional life	MEN	155-166
Composers	Liszt, a Self-P:ortrait	LIS	3-287
Liszt, Franz	On his personality and character	LIS	3-20
Liszt, Franz	On his life as a pianist	LIS	21-31
Liszt, Franz	On his life as a conductor	LIS	32-38
Liszt, Franz	On his life as a teacher	LIS	39-42
Liszt, Franz	On his outlook on life	LIS	43–84
Liszt, Franz	On his physical and mental health	LIS	101-111
Liszt, Franz	On aesthetics	LIS	115-120
Aesthetics	Franz Liszt on aesthetics	LIS	115-120
Liszt, Franz	On piano performancer	LIS	154-164
Liszt, Franz	On criticism and the public	LIS	165-172
London	Franz Lisztl on London	LIS	173
Germany	Franz Liszt on Germany	LIS	174ff
Hungary	Franz Liszt on Hungary	LIS	176-181
Italy	Franz Leszt on Italy	LIS	182
Paris	Franz Liszt on Pais	LIS	183
Poland	Franz Liszt on Poland	LIS	184
Vienna	Franz Liszt on Vienna	LIS	184ff
Bach	Franz Liszt on Bach	LIS	187
Balakireff	Franz Liszt on Balakifreff	LIS	187
Beethoven	Franz Liszt on Beethoven	LIS	188ff
Berlioz	Franz Liszt on Berlioz	LIS	190-194
Brahms	Franz Liszt on Brahms	LIS	195
Bulow	Franz Liszt on Bujlow	LIS	195
Chopin	Franz Liszt on Chopin	LIS	195-198
Czerny	Franz Liszt on Czerny	LIS	202
Franck	Franz Liszt on Czerny	LIS	203
Glinka	Franz Liszt on Glinka	LIS	204
Goethe	Franz Liszt on Goethe	LIS	205
Gounod	Franz Liszt on Gounod	LIS	205
Grieg	Franz Liszt on Grieg	LIS	206
Handel	Franz Liszt on Handel	LIS`	206
Hayhdn	Franz Liszt on Haydn	LIS	207
Heine	Franz Liszt on Heine	LIS	207
Hiller	Franz Liszt on Hiller	LIS	208
Hummel	Franz Liszt on Hummel	LIS	208
Joachum	Franz Liszt on Joachim	LIS	209
Liszt, Cosima	Franz Liszt on Cosima Liszt	LIS	209
Ludwig II	Franz Liszt on Ludwig II	LIS	211
Mendelssohn	Franz Liszt on Mendelssohn	LIS	211
Meyerbeer	Franz Liszt on Meyerbeer	LIS	211
Michelangelo	Franz Liszt on Michelangelo	LIS	212
Mozart	Franz Liszt on Mozart	LIS	13
Nietzsche	Franz Liszt on Nietzsche	LIS	14
Paganini	Fanz Liszt on Paganini	LIS	215
Rimsky-Korsakof	Franz Liszt on Rimsky Kodrsakkof	LIS	215
Rossini	Franz Liszt on Rossini	LIS	215
Rubinsstein	Franz Liszt on Rubinstein	LIS	216
Saint-Saens	Franz Liszt on Saint-Saens	LIS	217
Sand, George	Franz Liszt on George Sand	LIS	218
Schuberet	Ffanz Liszt on Schubertg	LIS	220
Schumann, Robert	Ffanz Liszt on Robert Schumann	LIS	221
Schumann, Clara	Franz Liszt on Clara Schumann	LIS	221
Smetana	Franz Liszt on Smetana	LIS	225
Spohr	Franz Liszt on Spohr	LIS	225
Tausig	Fanz Liszt on Tausig	LIS	226
Tolstoy	Franz Liszt on Tolstoy	LIS	227
Wagner	Franz Liszt on Wagner	LIS	227-238
Weber	Franz Liszt on Weber	LIS	239
Liszt	On his creative process	LIS	245-254
Liszt	On his own compositions	LIS	255
Liszt	On the acceptance of his music	LIS	269-287
Wagner, Richard	On bands	WAG	3-137
Band	Wagner on bands	WAG	3-137
Conducting	Wagner on conducting	WAG	3-68
Emotion in music	Wagner, Music: speech of Passion	WAG	3
Emotion in music	Understanding vs feeling	WAG	4ff
Schopenhauer	Understanding; from emotion.	WAG	5ff
Celebadache	Understanding; from emotion.	WAG	7
Philosophy of music	Understanding; from emotion.	WAG	8ff, 14ff
Music in society	Wagner: music and government`	WAG	10-12
Castiglione, Bald.	Music awakens moral virtues	WAG	13ff
Music education	Wagner: music ed, not commerce	WAG	13, 35
Music education	Wagner: goal is character building	WAG	15ff
Music education	Wagner: basis is performance	WAG	16ff
Music education	Wagner, what is unique in Mozart?	WAG	18ff
Concerts	Wagner on programming	WAG	20ff
Music education	Wagner on the philosoophy of ed.	WAG	22ff
Music education	Wagner on teaching feeling	WAG	24ff
Music education	Wagner: don’t teach the grammar	WAG	24ff
Performance	Wagner, perform for art not money	WAG	29ff
Rossini	Wagner criical of Rossini’s values	WAG	31
Meyerbeer	Wagner: his music is empty of art	WAG	32
Paris	Wagner critical of values	WAG	33ff
Wagner	Wagner’s famous Credo	WAG	34
Aesthetics	Wagner, aesthetics in performance	WAG	36ff
Performance	Wagner, aesthetics in performance	WAG	36ff
Perfomance	Wagner, artist vs virtuoso	WAG	38ff
Performance	Wagner, entertainment is not goal	WAG	39ff
Repertoire	Wagner, ethics in repertoire	WAG	40-50
Repertoire	My experience in Montana	WAG	47ff
Conducting	Wagner on the art of conducting	WAG	51ff
Spontini	On the description of the baton	WAG	53ff
Conducting	Wagner: what, not how. The Melos	WAG	56ff
Melos	Wagner’s focus on the melos	WAG	57ff
Weingartner	His definition of Melos	WAG	58
Philosophy of music	Wagner: melody is the basis	WAG	58ff
Melody	Great quotes on Melody	WAG	58ff
Tempo	Wagner on significance of	WAG	61-63
Conducting	Wagner on conducting gestures	WAG	64ff
Performance	Wagner on rehearsal problems	WAG	66-68
Flute	Wagner on the flute	WAG	74ff
Oboe	Wagner on the oboe	WAG	75-77
Clarinet	Wagner on the clarinet	WAG	77
Bassoon	Wagner on the bassoon	WAG	77
Trumpet	;Wagner on the trumpet	WAG	82ff
Horn	Wagner on the horn	WAG	86ff
Trombone	Wagner on the trombone	WAG	88
Tuba	Wagner on the tuba	WAG	89
Brahms	Engaged as a copyist for the Ring	WAG	89
Percussion	Wagner on percussion	WAG	89ff
Band	Wagner on bands and their music	WAG	93-103
Berlioz	Wagner’s praise for his Band Sym.	WAG	98
Wagner	“Der tag erschein” for TTBB, brass	WAG	107-108
Wagner	Trauermusik for band	WAG	109-122
Wagner	Wagner’s speech, Weber ceremony	WAG	110-114
Wagner	“Gruss” for TTBB and band	WAG	123-126
Wagner	“Huldigungmarsch for band	WAG	127-132
Wagner	“Elsa’s Procession,” for band	WAG	133-134
Wagner	Fanfares for 4 trumpets, timpani	WAG	135
Wagner	“Kaisermarsch”	WAG	136
Wagner	Huning chorus, voices, 12 horns	WAG	137
Wagner	Auherized Arrangements	WAG	138-140
Band	Berlioz on Bands	BER	3-305
Berlioz	Berlioz on Bands	BER	3-305
Flute	Berlioz on flute and flute players	BER	3-7
Oboe	Berlioz on oboe and oboe players	BER	8-15
Band	Berlioz on the pifferi folk band	BER	14-15
Clarinet	Berlioz on the clarinet and playhers	BER	19-21
Sax, Adolphe	Berlioz in Sax’s work on clarinet	BER	18
Bassoon	Berlioz on the bassoon	BER	23
Saxophone	Berlioz’s famous introduction	BER	25-28
Trumpet	Berlioz on the trumpet	BER	29-38
Arban, Jean-Bapiste	Berlioz on the famous Arban	BER	32ff
Sudre, Jean-Francois	Berlioz re Sudre’s invention	BER	34-36
Trombone	Berlioz on the grombone	BER	43-48
Sax, Adolphe	Berlioz on Sax’s work on trombone	BER	45
Tuba	Berlioz on the tuba & ophicleide	BER	49-52
Percussion	Berlioz on timpani and percussion	BER	53-60
Berlioz	On wind instrument manufacture	BER	65-70
Berlioz	On Adolphe Sax	BER	71-83
Sax, Adolphe	Berlioz on Sax and his work	BER	71-83
Band	Berlioz on bands in general	BER	87-83
Reiche, Anton	Berlioz on the famous quintets	BER	91ff, 156
Military Music	Berlioz on military bands	BER	96-97
Military Music	Berlioz on French military bands	BER	99-116
Band	Berlioz on French band societies	BER	99=101
Military music	Berlioz on French military bands	BER	101-116
Opera	Berliozl on bands used in opera	BER	123-135
Acoustics	Berlioz on acoustics	BER	139-143
Acoustics	Berlioz on bands outdoors	BER	142-143
Intonation	Berlioz on intonation	BER	145-150
Flute	Berlioz compositions for flute	BER	155-158
Berlioz	“Messe solennelle”	BER	159ff
Berlioz	Parody on Symphonie Fantastique	BER	163ff
Berlioz	“Meditation religieuse”	BER	165
Berlioz	“Le Dernier Jour du monde”	BER	167
Berlioz	“Lel Regour de l’armee d’Italie”	BER	169ff
Berlioz	“Chant heroique”	BER	171ff
Berlioz	“Le Jeune Patre breton”	BER	173
Berlioz	“Fete musicale funebre”	BER	175ff
Berlioz	“Aubade”	BER	177
Berlioz	Symphony for Band	BER	179–220
Berlioz	“Chasse a la grosse bege”	BER	222
Berlioz	“Chant sacre”	BER	223ff
Berlioz	Essay on Composition	BER	229-235
Berlioz	Essay on Orchestration	BER	237-247
Beethoven	Berlioz on Beethoven	BER	24o9ff
Reicha, Anton	Berlioz on Reicha	BER	251ff
Rossini	Berlioz on Rossini	BER	253
Bellini	Berlioz on Bellini	BER	253ff
Spontini	Berloz on Spontini	BER	254
Conducting	Berlioz as a conductor	BER	259-
Berlioz	Essay on conducting	BER	271-277
Berlioz	Essay on music education	BER	281
France	Berlioz on music in France	BER	291-297
Germany	Berlioz on music in Germany	BER	299-303
Italy	Berlioz on music in Italy	BER	305
Whitwell, David	The Art of Musical Conducting	WAC	3-280
Darwin, Charles	How old is Music?	WAC	3
Wagner	On the beginning of Music	WAC	4
Emotion in Music	Du Bos, spoken words = no emot.	WAC`	5
Emotion in Music	Voltaire, speech began with emot.	WAC	5
Emotion in Music	Speech is a form of Music.	WAC	6
Emotion in Music	Tomatis, music is food for brain	WAC	7
Emotion in Music	Jenny, every body organ has pitrch	WAC	7ff
Emotion in Music	Erasmus, music is innate	WAC	9, 11ff
Philosophy of music	Rameau, search for the genetic	WAC	10
Purpose of music	The paramount purpose of music	WAC	17-31
Humanism	Beginsl in 15th century	WAC	21
Leonardo da Vinci	Tears come from heart, not brain	WAC	21
Luther, Martin	Music is mistress of feelings	WAC	21
Performance	Francsesco da Milano 1555 perf.	WAC	22
Performance	Baroque, beginning of emotion	WAC	23ff
Philosophy of music	Quotes on emotion and music	WAC	27ff
Music education	Whitwell reviews past record	WAC	33-51
Movement	Movement expresses feeling	WAC	55-75
Choral	On movements of Greek choirs	WAC	56
Movement	Cardano, dance is part of music	WAC	57
Movement	Mattheson discussion	WAC	58ff
Movement	Cicero in orators and musicans	WAC	62ff
Conductors	On early history of conducting	WAC	77-101
Audience	Early concert halls	WAC	81
Civic music	Lucca on conductor’s duties	WAC	84
Conductors	Bach as conductor	WAC	85
Conductors	Mattheson on conductor training	WAC	87ff
Conductors	Contract 1806 for conductor	WAC	90
Conductors	Spontini on requirements of baton	WAC	92
Conductors	Berlioz as conductor	WAC	93-101
Conductors	Whitwell on purpose of score study	WAC	105-190
Performance	On the purpose of rehearsal	WAC	195-
Conductors	Which version of the score?	WAC	196ff
Conductors	Mahler as conductor	WAC	201
Conductors	On the performer in rehearsal	WAC	203ff
Conductors	Bruno Walter on conducting	WAC	204ff
Walter, Bruno	Bruno Walter on conducting	WAC	204ff
Conductors	Solti on conducting	WAC	205
Solti, Georg	Solti on conducting	WAC	205
Toscanini, Arturo	On conducting	WAC	205
Conductors	Technique of conducting	WAC	209-221
Conductors	On talent	WAC	209ff
Conductors	On Wagner as conductor	WAC	211
Conductors	Solti on rehearsal purpose	WAC	212, 225ff
Conductors	Must express feelings	WAC	213-221
Conductors	Mahler as conductor	WAC	220ff
Conductors	On standard conducting technique	WAC	223ff
Conductors	The conductor in concert	WAC	237
Audience	Comments on the listeners	WAC	246ff
Listeners of Music	Comments on the listeners	WAC	246ff
Aesthetics	Whitwell defines Art Music	WAC	252ff
Repertoire	Plato on the moral values of Music	WAC	268
Wagner	Wagner’s Credo	WAC	277
Conductors	On programming	WAC	259ff
Wagner	As conductor	WAC	211
Stokowski, Leopold	On conducting technique	WAC	226
Music in Society	Wind Music before Christian Era	CHB	3-24
Music in Society	Wind Music in Ancient Egypt	CHB	5ff
Music in Sociey	Winds in Old Testament	CHB`	6ff
Music in Society	Winds in ancient Greece	CHB	10ff
Music in Society	Winds of the Etruscans	CHB	17ff
Music in Society	Winds in the Roman Empire	CHB	20ff
Minstrel	The Medieval Jongleur	CHB	27ff
Minstrel	Medievala ministrels	CHB	29ff
Music in Religion	Wind bands in the early Church	CHB	33ff
Civic music	Early civic wind bands	CHB	39-
Court mujsic	Early court wind bands	CHB	49-
Court music	Maximilian I, 1459-1510	CHB	67ff
Court music	Renaissance bands	CHB	75-104
Civic music	Renaissance bands	CHB	107-125
Music in Religion	Renaissance bands in Church	CHB	127=
Music in Religion	Henry VIII	CHB	132
Music in Religion	Elizabeth I	CHB	132
Praetorius	“Syntagima Musicum”	CHB	136-144
Music in Religion	Venice, Dallaa Casa, 1543-1601	CHB	141ff
Hautboisten	Begins under Francois I, 16th c.	CHB	149-157
Court bands	In the Baroque	CHB	159-175
Music in Society	The Diverftissements	CHB	164ff
Trumpet	Baroque trumpest choirs	CHB	168ff
Handel	Fireworks Music	CHB	175
Military Music	Baroque military bands	CHB	177-184
Trumpet	Use of signals	CHB	181ff
Civic music	Baroque Civic bands	CHB`	187
Civic music	Baroque tower music	CHB	188-195
Music in Religion	Baroque church bands	CHB	197-202
Court bands	Classical Period	CHB	207-234
Harmoniemusik	Classical Period	CHB	207-222
Russian horn band	18th century	CHB	223ff
Military Music	Classical Period	CHB	227-234
Civic bands	Classical Period	CHB	237-243
Civic bands	French Revolution	CHB`	245-263
Gossec	Engraving with band scores	CHB	244
Military Music	19th c. military bands	CHB	267-297
Wieprecht	Prussian military leader	CHB	269ff
Military Music	Military bands in public concerts	CHB	290ff
Concerts	19th Military bands in concert	CHB	290ff
Opera	Bands in opera	CHB	296ff
Civic bands	19th c.civic bands	CHB	301-312
Berlioz	Symphony for band	CHB	305ff
Civic bands	France, Orpheon society	CHB	307
Civic bands	Brass bands	CHB	307, 311ff
Court bands	19th c.court bands	CHB	315-328
Music in Religion	19th c bands in church	CHB	325-327
Scores	Engravings of early band scores	CHB	333ff
Music Education	Whitwell, American; Music Ed.	AME	10-310
Music Education	Whitwell, a personal reflection	AME	10-15
Philosophy of Music	What is Music? A history	AME	19-40
Philosophy of Music	The Physiology of Music	AME	41-42
Philosophy of music	On early Music Therapy	AME	43-50
Philosopohy of music	Is Music genetic?	AME	51-59
Movement	On Movement and Music	AME	60-68
Bicameral brain	Reason vs Feelings	AME	69-92
Emotion in Music	The importance of the experiential	AME	93-100
Emotion in music	The Baroque, emotion over rules	AME	101-113
Philosopohy of music	Music as a language	AME	114-124
Philosophy of music	Music as a Language of Truth	AME	125-135
Philosopohy of music	What was early music like?	AMF	137-141
Music education	What was early music ed. Like?	AME	142-145
Plato	On music education	AME	146-153
Music education	Plato discusses	AME	146-153
Aristotle	Aristotle on music ed.	AME	154-167
Music education	Aristotle and followers discuss	AME	154-167
Music education	Music education in ancient Rome	AME	168-170
Music education	Quintilian on music education	AME	171-172
Music education	On early notation	AME	173-181
Music education	Theory vs Practice	AME	183-200
Music education	Whitwell, Reformation of mus ed	AME	203-310
Music education	On the excellence of the teacher	AME	205-210
Music education	Learning must be by performance	AME	211-218
Music education	The grammar of music is not music	AME	219-222
Music education	Repertoire musst be high quality	AME	223-228
Music education	Catharsis is the purpose	AME	229-243
Music education	A concert is not a “show”	AME	244-251
Music education	On music contests	AME	252-265
Music education	Whitwell, non-conceptual benefits	AME	-267
Music education	Only right hemisphere ed in school	AME	268
Music education	Only present tense ed in school	AME	269-270
Music education	Association with great minds	AME	271-274
Music education	Discovery of student’s emotions	AME	275-280
Music education	Experience beauty as a form of truth	AME	281-282
Music education	Experience a higher spirituality	AME	283-287
Music education	Experience pinciples of morality	AME	288-292
Music education	Development of character	AME	293-302
Music education	Development of Manners	AME	303-310
French Revol. Music	Origins and band tradition	MFR	21-36
French Revol. Music	Ceremony for Mirabeau	MFR	40ff
French Revol. Music	Ceremony for Voltaire	MFR	43-47
French Revol. Music	Final days of the Monadrchy	MFR	51-62
French Revol. Music	Gossec Te Deum	MFR	48ff
French Revol. Music	The Politicalization of Music	MFR	40ff
French Revol. Music	The Free School of Musicmfr	MFR	53ff
Music education	The free School of Music, Fr. Revol	MFR	53ff
Music education	Estab, of the Paris Conservatory	MFR	105ff
French Revol. Music	Later ceremonies with band	MFR	53-116
French Revol. Music	First Concert	MFR	78ff
French Revol. Music	In honor of J. J. Rousseau	MFR	101ff
French Revol. Music	Festival of Liberty and the Arts	MFR	116
French Revol. Music	Anton Reicha Sym. For band	MFR	259ff
Reicha, Anton	Symphony for band	MFR	259ff
French Revol. Music	Bochsa Requiem for Louis XVI	MFR	263ff
Bochsa, Nich. Chas.	Requiem for Louis XVI	MFR	263ff
French Revol. Music	Berlioz Symphony for Band	MFR	269ff
Berlioz	Symphony for band	MFR	269ff
Anonymous	Marche religieuse	MFR	122
Anonymous	Four Marche	MFR	123-124
Adrien	Hymne a la Victoire	MFR	125
Berton, Henri	Marche militaire	MFR	126
Berton, Henri	Hymne pour la fete de Agriculture	MFR	127
Blasius	Ouverure	MFR	128ff
Cambini, Giuseppe	Le pas de chaarsge	MFR	130
Cambini, Giuseppe	Hymn to the Supreme Being, W. 15	MFR	131
Cambini, Giuseppe	Hymn to the Sujpreme Being, W. 16	MFR	131
Cambini, Giuseppe	Ode to the Victoiy, W. 17	MFR	132
Cambini, Giuseppe	Hymn to Victory, W. 18	MFR	132
Cambini, Giuseppe	Ode on Two Young Heroes	MFR	133
Cambini, Giuseppe	Hymn to Virtue	MFR	133
Cambini, Giuseppe	Hymn to Liberty, W 21	MFR	134
Cambini, Giuseppe	Hymn to Equality	MFR	134
Cambini, Giuseppe	Hymn to the Supreme Being, W. 23	MFR	135
Cambini, Giuseppe	Ode on the Victories	MFR	135
Catel, Charles-Simon	Overture, W. 25	MFR	137
Catel, Charles-Simon	Ouverture, W. 26	MFR	138
Catel, Charles-Simon	Symphonie	MFR	139
Catel, Charles-Simon	Symphonie militaire	MFR	140
Catel, Charles-Simon	Marche militaire, W. 29	MFR	141
Catel, Charles-Simon	Pas de manoeuvre	MFR	141
Catel, Charles-Simon	Four Marche Mil., W. 31-34	MFR	142-143
Catel, Charles-Simon	Ode Patriotique	MFR	144
Catel, Charles-Simon	Ode sur le Vengeur	MFR	145
Catel, Charles-Simon	Hymne a l’Etre supreme	MFR	146
Catel, Charles-Simon	Humne a la bataille de Fleurus	MFR	147
Catel, Charles-Simon	La bataille des Fleures	MFR	148
Catel, Charles-Simon	Hymn to Liberty	MFR	149
Catel, Charles-Simon	Ode on the Situation of Republic	MFRF	150
Catel, Charles-Simon	Hymn for August 10	MFR	151
Catel, Charles-Simon	Hymn for Festival of Victory	MFR	152
Catel, Charles-Simon	Hymn for Sovereignity of People	MFR	153
Cherubini, Luigi	Hymn to he Pantheon	MFR	155
Cherubini, Luigi	Hymn o Fraternity	MFR	156
Cherubini, Luigi	Hymn for August 10, w. 47	MFR	157
Cherubini, Luigi	Hymn for Augujst 10, W. 48	MFR	1`58
Cherubini, Luigi	Funeral Hymn for General Hoche	MFR	159
Cherubini, Luigi	Le Salpetre republicain, W. 50	MFR	160
Cherubini, Luigi	Le Salpetre republicain, W. 51	MFR	161
Cherubini, Luigi	Le Salpetre republicain, W.52	MFR	162
Cherubini, Luigi	Fete de al Reconnaissance	MFR	163
Devienne, Francois	Ouverture	MFR	166
Devienne, Francois	Hymn to the Eternal	MFR	166
Devienne, Francois	Le Chant du retour	MFR	167
Duvernoy, Frederic	Pas de manoeuvre	MFR	168
Eler, Andre-Frederic	Overture	MFR	169
Eler, Andre-Frederic	Ode on Situation of the Republic	MFR	170
Fuchs, Georg	Airs du Camp	MFR	174ff
Gebauer, Francois	Pas de manoeuvre, W. 66	MFR	176
Gebauer, Francois	Pas de manoeuvre, W. 67	MFR	177
Gebauer,Michel-J.	Pas de manoeuvre, W. 68	MFR	178
Gebauer, Michel-J	Pas de manoeuvre, W.69	MFR	179
Gossec, Francois-J.	Symphonie militaire	MFR	181
Gossec, Francois-J.	Symphonie in C	MFR	182
Gossec, Francois-J.	Concertante	MFR	183
Gossec, Francois-J.	Marche lugubre	MFR	184
Gossec, Francois-J.	Marche religieuser	MFR	185
Gossec, Francois-J.	Marche funebre	MFR	186
Gossec, Francois-J.	Marche victorieuse	MFR	186
Gossec, Francois-J.	Marche, W. 77	MFR	187
Gossec, Francois-J.	Marche, jW. 78	MFR	187
Gossec, Francois-J.	Te Deum	MFR	188ff
Gossec, Francois-J.	Dominne Sallvum	MFR	189
Gossec, Francois-J.	Hymn fo July 14	MFR	190
Gossec, Francois-J.	Hymn sur la translation Voltaire	MFR	191
Gossec, Francois-J.	Patriotic Chorus	MFR	192
Gossec, Francois-J.	Hymn to Liberty, W. 84	MFR	193
Gossec, Francois-J.	National Round	MFR	194
Gossec, Francois-J.	Funeral Hymn	MFR	195
Gossec, Francois-J.	Le Triomphes de la loi	MFR	196
Gossec, Francois-J.	Hymn to Liberty. W. 88	MFR	197
Gossec, Francois-J.	Hymn to Liberty, W. 89	MFR	198
Gossec, Francois-J.	Hymn to Nature	MFR	199
Gossec, Francois-J.	“Quel peuple…”	MFR	200
Gossec, Francois-J.	Air des Marseillais	MFR	201
Gossec, Francois-J.	Hymn to the Supreme Being, W. 94	MFR	202
Gossec, Francois-J.	Hymn to the Suprfeme Being, W. 95	MFR	203
Gossec, Francois-J.	Hymn to the Supreme Being, W. 96	MFR	204
Gossec, Francois-J.	Hymn to Jean-Jacques Roujssesau	MFR	205
Gossec, Francois-J.	Chant funebre sur al mort Ferraud	MFR	206
Gossec, Francois-J.	Hymn to Humanity	MFR	207
Gossec, Francois-J.	Shades of the Girondins	MFR	208
Gossec, Francois-J.	Hymn to Victory, W. 18	MFR	209
Gossec, Francois-J.	Hymn for Celebration of Victory	MFR	210
Jadin, Hyacinthe	Ouverture	MFR	211
Jadin, Hyacinthe	Hymn for January 22	MFR	212
Jadin, Hyacinthe	Hymn to Agrficulture	MFR	213
Jadin, Louis-E.	Symphony	MFR	214
Jadin, Louis-E.	Ouverture	MFR	215
Jadin, Louis-E.	Marsche	MFR	216
Jadin, Louis-E.	Pas de manoeuvre	MFR	216
Jadin, Louis-E.	Hymn of the Freed Slaves	MFR	217
Jadin, Louis-E.	Hymn for J-J Rousseau	MFR	218
Kreutzer, Rodolphe	Ouverture, “Journee de Marathon	MFR	219
Langle, Honore	Hymn to the Eternal	MFR	220
Lefevre, Xavier	Ouverture	MFR	221
Lefevre, Xavier	Collection of 12 marches	MFR	222-223
Lefevre, Xavier	Marche militaire	MFR	224
Lefevre, Xavier	Pas de manoeuvre	MFR	225
Lefevre, Xavier	Hyhmn to Agriculture	MFR	226
Lesueur, Jean F.	Hymn, Triumphs of Fr. Republic, 1	MFR	227
Lesueur, Jean F.	Hymn, Triumphs of Fr. Republic, 2	MFR	228
Lesueur, Jean F.	Patrioic Scene	MFR	229
Lesueur, Jean F.	Hymn for July 27	MFR	230
Lesueur, Jean F.	Hymn for a Temple of Liberty	MFR	230
Lesueur, Jean F.	Chant dithryambique	MFR	231
Lesueur, Jean F.	Hymn for Festival of Agriculture	MFR	231
Lesueur, Jean F.	Hymn fo Old Age	MFR	232
Martini il Tedesco	Hymn to the Republic	MFR	233
Martini il Tedesco	Triumphal Hymn for Sept 22	MFR	234
Mehul, Etienne	Ouverture	MFR	235
Mehul, Etienne	Le Chant du depart	MFR	236
Mehul, Etienne	Le Chant des victoires	MFR	237
Mehul, Etienne	Funeral Hymn for Feraud	MFR	238
Mehul, Etienne	Hymn for July 27	MFR	239
Mehul, Etienne	Hymn of he Twenty-Two	MFR	240
Mehul, Etienne	Le Chant du retour	MFR	241
Mehul, Etienne	Hymn for Festival of Marriage	MFR	241
Ozi, Etienne	Pas de manoeuvre, W. 150	MFR	242
Ozi, Etienne	Pas de manoeuvre, W. 151	MFR	243
Piccinni, Nicolo	Hymn for Festival of Marriage	MFR	244
Pleyel, Ignaz	Hymn to Liberty	MFR	246
Riegel, Henri	Hymn to Liberty	MFR	248
Rouget de Lisle	Roland a Roncevaux	MFR	249
Solere, Etienne	Ouverture	MFR	251
Solere, Etienne	Pas de manoeuvre	MFR	252
Anonymous	9 Baroque works, some w/ SATB	WH, 7	1
Bertal, Antonio 17th c	11 Baroque Sonate,13 to 18 parts	WH, 7	1
Biber, Heinrich 17th	Sonatas, 6 and 8 tpts, perc.	WH, 7	2
Caldara, Antonio 17th	Aria, Alto solo, tpts, timpani	WH, 7	2
Biber, Heinrich 17th	Intrada, 6 tpts, 3 tb, timpani	WH, 7	2
Ebner, Wolfgang 17th	Missa, SATB, brass, organ	WH, 7	2
Ferdinand III, emperor	Hymn Nativitate SATB, winds	WH, 7	2
Hoffer, Andrea 17th	Dixit, 8 part chorus, brass	WH, 7	2
Leopold I,emperor	Beatus, SATB, brass	WH, 7	3
Kalick, early 18th c.	Sinfonie for winds	WH, 7	3
Kolbetz, M, .	Trio, cl, hn, bsn, 3 mvts, Baroque	WH, 7	3
Kolsdirfu, Matej 17th	“Congratullation Intrada, brass	WH, 7	3
Linek, J. I.	12 Kronungsintraden, brass 1743	WH, 7	3
Otto, Valerius 17th	Intrada, brass	WH, 7	3
Poglietti, Alessandro	Sonata, fl, bsn, cornetto, org, Bar.	WH, 7	4
Reutter, Georg, 17th	Wind quintet	WH, 7	4
Schmelzer, Johann	Music for horse ballet 17th c.	WH, 7	4
Schmeltzer, Johann	Two Sontas for wind ensemble	WH, 7	4
Vantura, Ceslav	Twelfth Night Intrada, brass, Bar.	WH, 7	4
Wagenseil, Georg	Nine works for wind, 1715-1777	WH, 7	5
Zelenka, Jan Dismas	Six Reiterfanfaren, brass,timp	WH, 7	5
Royal Wind Music	James I, Italian, Flemish motets	WH, 7	13
Royal Wind Music	Musica bellicosa, 68 marches	WH, 7	13
Royal Wind Music	3-part ;Simphonies and airs	WH, 7	13
Royal Wind Music	Foreign marches, inc Lully, Paisible`	WH, 7	14
Royal Wind Music	The Queen Mary Farewell, obs, bsn	WH, 7	14
Anonymous	12 Mace e Minue, early 18th	WH, 7	14
Adson, John, d. 1640	31 Courtly ayres, 5 and 6 pt wind ens	WH, 7	14
Blow, John	Glorious Day, voices, winds 1691	WH, 7	14
Cooke, Henry, 17th	Anthem, 1661,chorus, band	WH, 7	15
Clarke, Jeremiah 17th	Suite, winds	WH, 7	15
Ferrabosco, Alph, Jr.	Overture, Maske of Beauty, band	WH, 7	15
Galliard, Johann, Bar`	Untitled work, 24 bsns, 4 st bass	WH, 7	15
Handel, Georg	Fireworks Music, orig. 11 winds	WH, 7	16
Handel, Georg	8 marches, small wind ens	WH, 7	16ff
Handel, Georg	2 minuets, 2 arias, overture	WH, 7	16ff
Lanier,l Nicholas 17th	Almand and sarabande for cornetts	WH, 7	18
Locke, Matthew 17th	Kings 6 part wind ensemble coll.	WH, 7	18
Parsons, Robert	Untitled work for 6 trumpets, early 17	WH, 7	18
Pepusch, Johann	PR 6 works, oboes, bsn	WH, 7	18
Purcell, Henry 17th	Music for Queen Mary, 1694, coll.	WH, 7	18
Purcell Henry	Gloious morn, SATB, obs, bsns	WH, 7	19
Purcell, Henry	Echo, obs, bsns	WH, 7`	19
Purcell, Henry 17th	Fanatasia, 17th c. 3 flutes	WH, 7	19
Turberville, George	Hunting signals notated	WH, 7`	19
court	James I wind band	WH, 7	13
court	“for his Majesty’s Sagbutts.”1661	WH, 7	18
court	Philidor coll., French kings	WH, 7	81ff
Philidor Collection	Very large col. of Bar. Band music	WH, 7	81ff
Anonymous	Four marches, French Bar.	WH, 7	83ff
Boismortier, Joseph	Six concerti for 5 flutes	WH, 7	84
Boismortier, Joseph	Works for fl, ob, tpt, 2 hns	WH, 7	84
Caroubel, Francis	Works for crumhorn quintet	WH, 7	84
Charpentier, Marc-A	Ens works featuring trumpet	WH, 7	85
Couperin, Louis	Two Fantaisie for oboe band	WH, 7	86
Dreux, Jacques	77 Fanfares for oboe band	WH, 7	86
Freillon-Poncein	Works for small wind ensembles	WH, 7	87
Gilles, Jean 17th c.	14 Grand Motets, voices, 6 winds	WH, 7`	87
Hotteterre, Martin	March for 4-part oboe band	WH, 7	87
Le Jeune, Henry 17th	Phantasie, for 5-part cornetts	WH, 7	87
Lalande, Michel 17th	Pieces for oboe band; tpts, timp	WH, 7	88
Lully, Jean-B. 17th	Large coll. For oboe band	WH, 7	88-91
Moliere	Air for 4-part oboe band	WH, 7	91
Naudot, Jacques	PR 1733 pieces for oboe band	WH, 7	91
Philidor l’aine	Ten works for oboe band	WH, 7	91ff, 156
Philidor le Cadet	Three pieces for oboe band	WH, 7	92
Philidor, Jacques	Marche et Airs for military band	WH, 7	92
Roziers	Air de L’Assemblee, Hautbosten	WH, 7	93
Ruck	Mache 3-part oboe band, military	WH, 7	93
Anonymous	53 works, entire band library	WH, 7	97-107+
Anonymous	25 multi-mvt wind band works	WH, 7	108-110
Ahle, Johann 17th c.	Magnificat 1657 SATB brass	WH, 7	110
Ahle, Johann 17th c.	Furchtet euch, chorus, e4 bsns	WH, 7	110
Altenburg, Michel 17th	Church music, some w/ brass	WH, 7	111
Arnold, Johann	Court music 5-part Hautboisten	WH, 7	111
Arnold, Johann	Sonata 4 tpts, lost	WH, 7	111
Battiferi, Luigi 17th	Two Ricesrcari 5, 6-part cornetts	WH, 7	111
Blockwitz, Johann	60 Arien, solo winds	WH, 7	111
Briegel, Wolfgang	Works for brass ens, 1626-1712	WH, 7	112
Burckart, J. V.	Works for 4-part Ha\utboisten	WH, 7	112
Butten, Jacob	Aria, voice, 2 ob, bsn, cembalo	WH, 7	112
Buxtehude, D. 17th c.	Works for voices and winds	WH, 7	112ff
Cesare, Gio. 17th c	Works, small brass ens, one, 6-pt	WH, 7	113
Chelleri, F.,b. 1668	Two early Parthie 7 winds, bc`	WH, 7	114
Colerus, Valentin	PR movements for winds, inc.	WH, 7	114
Cousser, Johann 17th	Work for TT and winds	WH, 7	114
Cruger, Johannes	Church, 4 voices, 2 cornetts 17th c`	WH, 7	114
Drobisch, Johann	Cantata, SATB 5 winds, org.	WH, 7	114
Druckenmuller, Geo	Sonatas for winds, lost	WH, 7	114
Edelmann, Moritz	;PR work for 6 brass, 1679	WH, 7	115
Fauch, Johann	Concerto, 24 winds, 3 timp	WH, 7	115
Fauch, Johann	Concerto 2 ob, oboe d’Amore, b c	WH, 7	115
Fauch, Johann	Works for 2 ob, 2 bsns	WH, 7	115
Fick, Peter, d. 1743	Two works for Hautboissten	WH, 7	116
Finger, Gottfried	Sonatas for woodwinds	WH, 7	116
Fischer, Johann 17th	Music for Hautboisten	WH, 7	116
Fischer, Johann III	Ouvertuire for Hautboisten	WH, 7	116
Foerster, Christoph	Concerto for Hauboisten	WH, 7	116
Forchheim, Johann,	Lobe den Herrn, SATB winds, 17th	WH, 7	117
Frank, Melchoir	Hallelua, Voices and winds	WH, 7	117
Gallo	Six Parade Sinfonien,winds	WH, 7	117
Ganzland, Christian	Document on the rights of Trumpet	WH,, 7	117
Trumpet, 17th c.	Document on the rights of Trumpet	WH, 7	117
Gerstenbutel, Joach.	Lobet den Herrn, voices, winds 17th	WH, 7	117
Grafe Postrath 17th	March, 2 cl, bsn, tpt	WH, 7	117
Graun, Johann	Four works for Hautboisten	WH, 7	117ff
Graun, Karl H.	Marches for small Hautboisten	WH, 7	118
Graupner, Christoph	Major works for Hautboisten	WH, 7	118
Guzinger, Johann	Aria, Sop., 4 flutes, bc	WH, 7	118
Hammerschmidt, A.	Church works, voices, brass	WH, 7	119ff
Hammerschmidt, A.	Coll. Single works for winds	WH, 7	119ff
Harwig, c. 1762	Quartet, 2 fl, bsn, cembalo	WH, 7	120
Hasse, Johann	Cncerto, ob, bsn, cembalo, cl [!],	WH, 7	120
Hasse, Johann	Two vocal works, winds, org.	WH, 7	120
Hasse, Nikolous	13 Polish dances, 2 tpt, bc	WH, 7	120
Hasse, Nikolous	Auffzug, 2 tb, 2 timp? See MGG	WH, 7	120
Hassler, H. L.	Intrada for brass	WH, 7	120
Heinrfich, Prinz	Marsch 2 ob, 2 tpt, bc	WH, 7	121
Hendel	Quartet 2 ob, bsn, bc	WH, 7	121
Hentgzschel, J.	Canzon, 8 tbs, bc	WH, 7	121
Hertel, J. W.	Works for Hautboisten	WH, 7	121
Hintze, Jacob	Coll, Tower music, voices, winds,	WH, 7	121
Hoffmann	PR Partite 2 ob, 2 hns, bc	WH, 7	122
Horn, Johann	PR Summer church works, + winds	WH, 7	122
Jelich, Vinzenz	PR 4 Ricercari cornetts and tbs	WH, 7	122
Junghauer & Benda	PR Ch work singers, brass, org.	WH, 7	122
Keiper, Johann	PR ch work with 2 fl, 3 tbs, timp, bc`	WH, 7	122
Keller, Gottfried	PR Sonates for woodwinds	WH, 7	123
Kindermann,Johann	PR 12 works for bsn, brass	WH, 7	123
Knoep, Luder	Sonatas for winds, lost	WH, 7	124
Krause	PR Quartet 2 ob, bsn, bc	WH, 7	124
Kremberg, Jacob	PR works for 3 flutes	WH, 7	124
Krieger, Johann	PR works for miliary band	WH, 7	124
Lemle, Sebastian	works for voices, cornetts	WH, 7	125
Linike, Hohann	Mororium for muted fl, ob, tpt, vln	WH, 7	125
Lockelvitz, P.	works for Sop, Hautboisten	WH, 7	125
Mattheson, Johann	Works for Hautboisten	WH, 7	125
Molter, Johann	Large coll, mostly Hautboisten	WH, 7	125-127
Moritz, Landgrave	Large coll, some of brass	WH, 7	127
Muller, Johann	PR 1 Sonatas for Hautboisten	WH, 7	127
Niedt, Friedrich	6 Suites, 3 ob, bsn	WH, 7	127
Peter, Christoph	Three Chuch arias, voices, brass	WH, 7	127
Pez, Johann	Sinfonia, 3 flutes	WH, 7	128
Pez, Johann	3 works for Hautboisten	WH, 7	128
Pezel, Johann	PR many works for bsn, brass	WH, 7	128ff
Pfeiffer, Giovanni	Sonata for Hautboisten	WH, 7	129
Pohle, David`	Sonata for brass	WH, 7	129
Praetorius, Michael	PR two works for crumhorns	WH, 7	130
Prentzel	Sonata for bsn, tpt	WH, 7	130
Prowo, Pierre	1e works for Hautboisten	WH, 7	130ff
Rathgeber, Johann	14 Vocal works with brass	WH, 7	131
Reiche, Gottgfried	65 works for tower music, 41 lost	WH, 7	132
Reuschel, Johann	PR ch works, voices,cornetts, bsn	WH, 7	132
Riedel, Georg	“Cujpido” voice winds, timp	WH, 7	132
Roellig, Jun.`	5 suites for Hautboisten	WH, 7	132
Sartorius, Christian	PR Ch works with brass	WH, 7	132ff
Scheidt. Samuell	PR Canzona for cordnetts	WH, 7	133
Schein, Johann	PR Padouana for 4c crumhorns	WH, 7	133
Schelle, Johann	Untitled work for brass	WH, 7	133
Schulz, ?	Sonata for Haujtboisten	WH, 7	133
Schutz, Heinrich	Church works for voices and winds	WH, 7	134ff
Schwenckenbecher	PR Wedding dance, Hautboisten	WH, 7	135
Schwemmer, Heinrich	Two choral works with winds	WH, 7	135
Segario, Francisco	Pavan, winds and viola da gamba	WH, 7	135
Selich, Daniel	PR Psalm 85 voices and winds	WH, 7	136
Siebenhaar, Mal.	PR 3 works voices, tpts, winds lost	WH, 7	136
Speer, Daniel	PR Tower and field works	WH, 7	136ff
Spiegler,Matthias	PR Works for cornetts and bsn	WH, 7	137
Stadlmayhr, Johann	PR Three masses with winds	WH, 7	137
Storl, Johann	PR 6 sonatas, 3 bsns, cornett	WH, 7	138
Storl, Johann	March, 1711 for Hautboisten	WH, 7	138
Strunck, Nickolaus	Les Aires for recorders	WH, 7	138
Strungk, Delphin	Secular, voices and winds	WH, 7	138
Sul, ?	Sonata fodr 3 flutes	WH, 7	138
Telemann, Georg	Cantata, SATB, fl, ob, organ	WH, 7	138
Telemann, Georg	Numerous works for wind ens.	WH, 7	138-140
Thsesselins, Johann	Tower music, 10 suites	WH, 7	140
Tobias, Michael	Church work voices, winds	WH, 7	140
Treu, Daniel	Paritas for winds, lost	WH, 7	140
Trost, Johann	Parthia, 6 bsns [in 3 sizes!], 2 hns	WH, 7	140
Ulbrecht, F. J.	Music for Hautboisten	WH, 7	140
Ulich, Johann	Missa,l voices and winds	WH, 7	141
Venturini, Francesco	3 Overtures for Hautboisten	WH, 7	141
Vierdanck, Johann	PR many works for winds	WH, 7	141
Volckel, Samuel	Jagerlied [no text] for winds	WH, 7	142
Werner, Christoph	12 voices, winds and bc	WH, 7	142
Wieland, Philipp	Ouverture Suite, winds	WH, 7	142
Witt, C. F.	Overftures, Sonatas, Hatboisten	WH, 7	142
Anonymous	Sonata fl, 2tpt, 2 hns, organ	WH, 7	185
Anonymous	PR Church work voices, brass	WH, 7	185
Albergati, Conte	Sonata 5 winds and tpt	WH, 7	185
Albinoni, Tomaso	Two Conceri for Hautboistgen	WH, 7	185
Bartolomeo, P. F.	PR Canzoni, courants, 5 parts	WH, 7	186
Bernardi, Stefano II	PR Sonate for 3 winds	WH, 7	186
Bertoli, Antonio	PR solo sonatas fof bsn	WH, 7	186
Bigaglia, Diogenio	PR Pange lingua, 3 bsns, organ	WH, 7	186
Cardcani, Giosoffo	Quintetto 2 fl, bsn, 2 hns	WH, 7	186
Castello, Dario	PR works for voice and winds	WH, 7	186
Cavalieri, Bonaven.	PR military music, 1639, lost?	WH, 7	187
Cavalli, Pier Franc.	Chiamata alla caccia, 5 part	WH, 7	187+
Cazzati, Maurizio	PR Sonatas for tpts	WH, 7	187
Chinelli, Giovanni	Messe, chorus and tb	WH, 7	187
Corradini, Nicolo	PR volume of 12 canzoni	WH, 7	187
Crotti, Archangelo	Sonata Sancta Marias w. brass	WH, 7	188
Donati, Ignazio	PR six voices with brass ens.	WH, 7	188
Fantini, Girolamo	PR military piesce	WH, 7	188
Ferro, Antonio	PR Sonatas with winds acc.	WH, 7	188
Grandi, Alessandro	Alto voice with trombone	WH, 7	188
Franzoni, Amante	PR a Concerto with winds, inc. 4 tb	WH, 7	!88
Jommelli,l Nicolo	Military March for Hautboisten	WH, 7	189
Magini, Francesco	Sonate for winds	WH, 7	189
Marini, Biagio	Many works for voices and winds	WH, 7	189ff
Marini, Biagio	Trios, quartets,cornetts, tbs	WH, 7	190
Neri, Massimiliano	Sonata Ottava, cornetts, bsn, tbs	WH, 7	190
Pattarina, Maria	Canzone, 3 cornetts	WH, 7	190
Peri, Jacopo	Zinfonia in Euridice with 3 flutes	WH, 7	190
Picchi, Giovanni	Canzoni for cornetts, tbs	WH, 7	191
Polidori, Ordtesnic	Messe 1639, chorus, winds	WH, 7
Puliti, Gabiello	PR, Canzoni ,cornetti	WH, 7	191
Riccio, Giovanni	PR Third book,of canzoni	WH, 7	191
Riccio, Giovanni	PR N. 66, flute with tremolo, bsn	WH, 7	191
Riccio, Giovanni	Canon nr 54 in ecco a 4	WH, 7	191
Sammadrtini, Gio.	Concerto for wind ensembles	WH, 7	192
Scarlatti, Dom.	Pastorale, Capriccio large wind ens	WH, 7	192
Torri, :Pietro	Contate, voice and oboe, bsn	WH, 7	192
Urbannus, Greg.	Symphonia, 2 cornetts, tb	WH, 7	192
Usper, Fancescco	PR Messa, 2 voices, 4 tbs	Wh, 7	192
Vilhaver, Urban	Missa, 12 voices, winds	WH, 7	192
Vivaldi, Antoniol	Concerti for wind ensembles	WH, 7	192ff
Hacquart, Carolus	Operette, 5 voices, fls, tpts, bc	WH, 7	213
Marcque, Jean	Works for winds	WH, 7	213
Scherer, Gottlieb	Sonatas for 3 flutes	WH, 7	213
Van Eyk, Jan	PR Der flujiten lusst-hof	WH, 7	213
Anonymous	Chorale,” Herr Gott dich,” brass, org	WH, 7	217
Jarzebski, Adam	Tamburetta, tpt, 2 tb, org	WH, 7	217
Soler, Francisco	3 Masses, voices and winds	WH, 7	219
Alesssandri, Felice	“Il vecchio” opera 1781	WH, 8	3
	Arr. Unknown, for Harmoniemusik
Auber Daniel	“La Bergere Chatelaine” oper.1820	WH, 8	3
	PR arr. Unknown, for Harmonie
Anfossi, Pasquale	“Isabella e Rodrigo” ballet 1780	WH, 8	3
	arr. Schacht for Harmoniemusik
Schacht, Theodor	Arr. Anfossi “Isabella e Rodrigo	WH, 8	3
	ballet for Harmoniemusik
Aspelmayr, Franz	“Ballo” ballet arr. Harmoniemusiik	WH, 8	3
	Arranger unknown
Auber Daniel	“Emma” opera 1821, Over/parts	WH, 8	3ff
	PR unknown arranger
Auber Daniel	“La Neige,” opera 1823, Ov/parts	WH, 8	4
	PR arr. Widder
Auber Daniel	“La Macon,” opera 1825, overture	WH, 8	4
	PR arr. Widder
Auber Daniel	“Muette de Portici,” opera, 1828	WH, 8	4
	MS arr, Sedlak, 11 movements
Auber Daniel	“Le Philtre,: opera 1831, overture	WH, 8	5
	PR arr.unknown
Auber Daniel	“Le Serment,” opera 1832, overture	WH, 8	5
	PR arr.Berr
Auber Daniel	“Duc d’Olonne,” opera, 1842	WH, 8	5
	Arr. Sedlak, 3 movements
Auber Daniel	“Der Klausner” opera?, 1829	WH, 8	5
	Arr. Unknown, t movements
Beethoven	“Egmont Music,” Op. 84, overture	WH, 8	5
	Arr. Starke
Beethoven	“Fidelio,” opera 1805	WH, 8	6
	PR arr. Sedlak, 11 movements
Beethoven	“Quintet,” op. 16 for piano	WH, 8	6
	Arr. Triebensee for 8 winds
Beethoven	“Septet,” op. 20	WH, 8	6
	Arr. Crusell for 11 winds
Beethoven	“Septet,” op. 20	WH, 8	6
	PR arr Dduschestzky for 8 winds
Beethoven	“Septet,” op. 20	WH, 8	6
	Arr. Czerny 1805 for 6 winds
Beethoven	“Septetto,” op. 20	WH, 8	6
	Arr. Unknown, for 9 winds
Beethoven	“Septetto,” OP.20	WH, 8	7
	Arranger uniknown 1833
Beethoven	“Septet,” op. 20	WH, 8	7
	Arranger unknown, c. 1810
Beethoven	“Sesetto”	WH, 8	6
	Arranger unknown for 6 winds
Beethoven	“Sonata pathetique,”	WH, 8	7
	PR arranger unknown for 9 winds
Beethoven	“Sonate Pathestique,”	WH, 8	7
	Arranger unknown for 8 winds
Beethoven	“Sonate pathetique,”	WH, 8	7
	PR arranger uninown for 9 winds
Beethoven	First Symphony	WH, 8	7
	Arr. Hutschenrieyter, Sr., 9 winds
Beethoven	Seventh Symphony	WH, 8	7
	PR Paris, arr. Unknown, for 9 winds
Beethoven	Seventh Symphony	WH, 8	7
	PR Vienna, arr. Unknown, 9 winds
Beethoven	Eighth Symphony	WH, 8	7
	PR Paris, arr. Unknown, for 9 winds
Beethoven	Eighth Symphony	WH, 8	8
	PR Vienna, arr. Unknown, 9 winds
Beethoven	Trauer Marsch, orig. unknown	WH, 8	8
	Arranger unknown, 8 winds
Beethoven	Harmonie for 9 or 12 winds	WH, 8	8
	PR Paris, Gambaro
Beethoven	“Wellingtons Sieg …”	WH, 8	8
	PR, Vienna,Haslinger, 9 winds
Bellini, Vincenzo`	“Bianca e Gernando,” opera 1826	WH, 8	8
	Arranged by Carulli for 11 winds
Bellini, Vincenzo	“La Staniera,” opera 1829	WH, 8	8
	Arr. Sedlak 11 mvts for 8 winds
Bellini, Vincenzo	“I Capuleti e I Montecchi, op. 1830	WH, 8	8
	Arr. Sedlak, 6 mvts for 8 winds
Bellini, Vincenzo	“Cavatina,” from “I Capuleti”	WH, 8	8
	Arranger unknown for 8 winds
Bellini, Vincenzo	“Duetto,” from “I Capuleti”	WH, 8	8
	Arranger unknown, for 8 winds
Bellini, Vincenzo	“La Sonnambula,” opera 1831	WH, 8	9
	Arr Sedlak `1837 for 9 winds
Bellini, Vincenzo	“Norma,” opera 1831	WH, 8	9
	Arr. Sedlak for 8 winds
Bellini, Vincenzo	“Beatrice di Tenda,” opera 1833	WH, 8	9
	Arr. Sedlak for 8 winds
Bellini, Vincenzo	“I Puritani,” opera, 1835	WH, 8
	Arr. Sedlak, 3 long mvts, 8 winds
Bellini, Vincenzo	“I Puritani,” opera, 1835	WH, 8	9
	Arr. Sedlak, “Part I” 13 mvts 9 winds
Bellini, Vincenzo	PR “Cavatina,” from “I Puritani,:”	WH, 8	9
	Arr. Sedlak, 10 winds
Berton, Henri	“PR Montano,” opera 1799	WH, 8	9
	Arr. Fuchs, 8 winds, 7 mvts
Berton, Henri	PR “Le grand Deuil,” opera 1801	WH, 8	9
	Arr. Vanderhagen, overture, 8 winds
Berton, Henri	PR “Le grand Deuil,” opera 1801	WH, 8	10
	Arr. Vanderhagen, arias, 8 winds
Berton, Henri	PR “Le grand Deuil,” opera 1801	WH, 8	10
	Arr. Unknown, Over., 8 to 11 winds
Berton, Henri	PR “Le grand Deuil,” opera 1801	WH, 8	10
	Arr. Unknown, arias, 8 to 11 winds
Bergon, Henri	“Aline, Reine” opera, 1803	WH, 8	10
	Arr unknown, 14 movements
Bergon, Henri	“Aline, Reine” Allegro, opera, 1803	WH, 8	10
	Arr Triebensee, 8 winds
Bergon, Henri	“Aline, Reine”, opera, 1803	WH, 8	10
	Arr unknown, 8 winds
Bergon, Henri	“Aline, Reine” opera, 1803	WH, 8	10
	Arr unknown, 6 winds
Bergon, Henri	PR “Aline, Reine,” opera, 1803, Over.	WH, 8	10
	Arr unknown, 7 winds
Bergon, Henri	PR “Aline, Reine,” opera, 1803	WH, 8	10
	Arr unknown, 7 winds
Bergon, Henri	PR “Feodor,” opera, overture	WH, 8	10
	Arr. unknown, 9 winds
Bergon, Henri	PR “Feodor,” opera, overture	WH, 8	11
	Arr. unknown, 8 winds
Bianchi, Francesco	PR “La Villlanella,” opera, 1783	WH, 8	11
	Arr. Fuchs, 8 winds,
Bianchi, Francesco	PR “La Villlanella,” opera, 1783	WH, 8	11
	Arr. M. J. Gebauer, 8 winds
Bianchi, Francesco	“La Villlanella,” opera, 1783	WH, 8	11
	Arr. Unknown,, 8 winds,
Bierey, Gottlob	“Das Blumenmadchen”	WH, 8	11
	Arr. unknown, 8 winds
Bocchoroni, ?	“Hamlet”	WH, 8	11
	Arr. Ruzni, 8 winds
Boieldieu, Francois	“Ma Tanie Aurore,” opera, 1803	WH, 8	11
	Arr. Koslowsky, for 8 winds
Boieldieu, Francois	“Jean de Paris, opera, 1812	WH, 8	12
	Arr. Triebensee, Act I, 10 mvts
Boieldieu, Francois	“Jean de Paris, opera, 1812	WH, 8	12
	Arr. Triebensee, Act I, 7 mvts
Boieldieu, Francois	“Jean de Paris, opera, 1812	WH, 8	12
	Arr. Sedlak, 8 winds
Boieldieu, Francois	“Jean de Paris, opera, 1812	WH, 8	12
	Arr. unknown 10 mvts
Boieldieu, Francois	PR “Jean de Paris, opera, 1812	WH, 8	12
	Arr. unknown 10 mvts
Boieldieu, Francois	“Jean de Paris, opera, 1812	WH, 8	12
	Arr. Triebensee, Act I, 10 mvts
Bresciani, Pietro	“Arbore di Diana,” ballet	WH, 8	12
	Arr. Nickolaus Scholl, 10 winds
Bresciani, Pietro	“Arbore di Diana,” as a Partita	WH, 8	13
	Arr. Unknown 5 winds
Bruni, Antonio	PR “La Recontre voyage,” opera	WH, 8	13
	Arr. Fuchs for 8 winds
Bruni, Antonio	PR, “La Recontre” opera overture	WH, 8	13
	Arr. Fuchs, Harmoniemusik
Bruni, Antonio	PR “Toberne,” opera, 1795	WH, 8	13
	Arr. M. J. Gebauer, 8 winds
Bruni, Antonio	PR “Spinette et Marini	WH, 8	13
	Arr. Fuchs, 9 winds
Galenberg, ?	PR “Hamlet,” overture	WH, 8	13
	Arr. Gambaro, Harmoniemusik
Capua, Marcello	PR “Furberia et Pontiglio”	WH, 8	13
	Arr. Unknown 8 winds
Carafa, Michele	“Gabriellal di Vegy,” opera, 1816	WH, 8	14
	Arr. Unknown, 10 mvts, 8 winds
Carafa, Michele	“Gabriellal di Vegy,” overure	WH, 8	14
	Arr. Unknown, 10 winds
Carafa, Michele	PR ‘Le Solitaire,” opera, 1822	WH, 8	14
	Arr. Unknown, Harmoniemusik
Catel, Charles-Simon	“Semiramis,” opera, 1802	WH, 8	14
	Arr. Unknown, 8 winds
Catel, Charles-Simon	“Semiramus,”	WH, 8	14
	Arr. Unknown 8 winds
Catel, Charles-Simon	“Semiramus, arias	WH, 8	14
	Arr. Unknown, Harmoniemusik
Catel, Charles-Simon	PR “l’Office enlevev,”	WH, 8	14
	Arr. Unknown, Harmoniemusik
Catel, Charles-Simon	PR “Wallace,” opera, 1817, over.	WH, 8	14
	Arr. unknown, 8 winds
Catel, Charles-Simon	PR “Wallace,” opera, 1817, arias	WH, 8	15
	Arr. unknown, 8 winds
Catel, Charles-Simon	PR “Zirphile et Fleur,”	WH, 8	15
	Arr. Schaffner, Harmoniemusik
Catrufo, Giujseppe	PR “Felicie,” opera, 1815, overture	WH, 8	15
	Arr unknown, Harmoniemujsik
Catrufo, Giujseppe	PR “Felicie,” opera, 1815, arias	WH, 8	15
	Arr. Unknown, Harmoniemusik
Champein, Stanislas	PR “Melomanie,” opera 1781	WH, 8	15
	Arr. Unknown, 8 to 12 part Harmon.
Champein, Stanislas	PR “Melomanie,” opera arias	WH, 8	15
	Arr.unknown, 6 part Harmoniemusik
Champein, Stanislas	“Nouvelle Suite”	WH, 8	15
	Arr. Gebauer, 9 part Harmonie
Cherubini, Luigi	“Lodoiska,” opera, 1791, overture	WH, 8	16
	Arr. Unknown, 6 winds
Cherubini, Luigi	“Lodoiska,” opera, 1791, overture	WH, 8	16
	Arr. Unknown, 9 winds
Cherubini, Luigi	“Lodoiska,” opera, 1791,	WH, 8	16
	Arr. Havel, 9 mvts, 6 winds
Cherubini, Luigi	“Lodoiska,” opera, 1791	WH, 8	16
	Arr. Unknown, 6 winds, 11 mvts
Cherubini, Luigi	“Lodoiska,” opera, 1791, overture	WH, 8	16
	Arr. Unknown, 6 winds, Harmonie
Cherubini, Luigi	“Elise ode Bernhardsberg,” 2 acts	WH, 8	16
	Arr. Triebensee, Harmoniemusik
Cherubini, Luigi	“Medea,” opera, 1797	WH, 8	16
	Arr. Sedlak, 6 winds
Cherubini, Luigi	“L’ Hotellerie Portugaise,” op., 1798	WH, 8	16
	Arr. Unnown, for 8 winds
Cherubini, Luigi	PR “L’Hotellerie,” overture	WH, 8	16
	Arr. Unknown, 12 part Harmonie
Cherubini, Luigi	“La Prisonniere,” opera, 1799	WH, 8	17
	Arr, Wendt?, 8 winds
Cherubini, Luigi	“Die Gefangene,”
	Arr. Triebensee, 9 mvts, Harmonie	WH, 8	17
Cherubini, Luigi	PR “La Prisonniere,”
	Arr. unknown, 12 part Harmonie
Cherubini, Luigi	“Les deux Journees,” opera, 1800	WH, 8	17
	Arr. Unknown, 8 winds
Cherubini, Luigi	PR “2 Journees”	WH, 8	17
	Arr. Javault, Harmoniemusik
Cherubini, Luigi	PR ‘Pieces des 2 Journees	WH,8	17
	Arr Gopfert, 8 winds, serpent
Cherubini, Luigi	“Anacreon”	WH, 8	17
	Arr. Unknown, 8 winds
Cherubini, Luigi	“Grossen Tanz Aria von Anacreon	WH, 8	17
	Arr. Triebensee, 8 winds
Cherubini, Luigi	“Faniska,” opera, 1806	WH, 8	18
	Arr. Unknown, 8 winds
Cherubini, Luigi	“Faniska,” opera, 1806	WH, 8	18
	Arr, Sedlak, 8 winds
Cherubini, Luigi	“Faniska,” opera, 1806	WH, 8	18
	Arr. Unknown, Harmoniemusik
Cherubini, Luigi	“Faniska,” opera, 1806	WH, 8	18
	Arr. Unknown, 10 mvts, 6 winds
Cherubini, Luigi	PR “La Punition,” overture	WH, 8	18
	Arr unknown, 11 part Harmonie
Cherubini, Luigi	“Konig Saul”	WH, 8	18
	Arr. Unknown, 5 mvts, 6 winds
Cimarosa, Domenico	PR “Giannina e Bern.,” opera, 1781	WH,8	18
	Arr. Fuchs, 8 winds
Cimarosa, Domenico	PR “L’Impressario,” opera, 1786	WH, 8	18
	Arr Fuchs, 8 winds
Cimarosa, Domenico	PR “L’Impressario,” opera, 1786	WH, 8	19
	Arr Fuchs, 6 winds
Cimarosa, Domenico	“L’Impressario,” overture	WH, 8	19
	Arr unknown 6 winds
Cimarosa, Domenico	“Il Matrimonio Segreto,” opera 1792	WH, 8	19
	Arr. Wendt?, 11 mvts, 8 winds
Cimarosa, Domenico	“Il Matrimonio Segreto,” opera 1792	WH, 8	19
	Arr. Wendt?, 11 mvts, 8 winds
Cimarosa, Domenico	“Il Matrimonio Segreto,” opera 1792	WH, 8	19
	Arr. Wendt?, 11 mvts, 8 winds
Cimarosa, Domenico	“Il Matrimonio Segreto” opera 1792	WH, 8	19
	Arr. Wendt?, 11 mvts, 6 winds
Cimarosa, Domenico	“Il Matrimonio Segreto,” opera 1792	WH, 8	19
	Arr. Wendt?, 11 mvts, 6 winds
Cimarosa, Domenico	“Il Matrimonio Segreto,” opera 1792	WH, 8	19
	Arr. Wendt?, 13 mvts, 6 winds
Cimarosa, Domenico	“Il Matrimonio Segreto,” opera 1792	WH, 8	19
	Arr. Unknown, Harmoniemusik
Cimarosa, Domenico	“Il Matrimonio Segreto,” opera 1792	WH, 8	19
	Arr. Unknown, 8 winds
Cimarosa, Domenico	“Il Matrimonio Segreto,” 1792	WH, 8	19
	Arr. Unknown, 6 winds
Cimarosa, Domenico	PR Il Matrimonio Segreto” opera	WH, 8	19
	Arr. Unknown, 24 mvts, 11 winds
Cimarosa, Domenico	PR Il Matrimonio Segreto,” 1792	WH, 8	20
	Arr. Fuchs, 8 winds
Cimarosa, Domenico	PR “Il Matrimonio Segreto” 1792	WH, 8	20
	Arr. 6 and 8 winds
Cimarosa, Domenico	PR “Il Matrimonio Segreto,” 1792	WH, 8	20
	Arr. Unknown, Harmoniemusik
Cimarosa, Domenico	“Gli Odrazi” opera, 1796	WH, 8	20ff
	Arr. Unknown, 8 winds
Cimarosa, Domenico	“Amor tende Sagace,” opera?	WH, 8	21
	Arr unknown, Harmoniemusik
Cimarosa, Domenico	“Matrimotio per Raggiro,” opera?	WH, 8	21
	Arr. Unknown, Harmoniemusik
Cimarosa, Domenico	“I Nemisi generosi,” opera	WH, 8	21
	Arr. unknown, Harmoniemusik
Cimarosa, Domenico	PR “I Zingari in Fiera,” opera	WH, 8	21
	Arr. Unknown, Harmoniemusik
Cimarosa, Domenico	PR “I Zingari in Fiera,” opera	WH, 8	21
	Arr. Fuchs, Harmoniemusik
Cimarosa, Domenico	PR “Bohemiens enfoire”	WH, 8	22
	Arr Fuchs, Harmoniemusik
Cimarosa, DomenicoPR Sujite, unidentified	PR Sujite, unidentified	WH 8	22
	Arr. Fuchs, Harmoniemusisk
Cimarosa Domenico`PR “3e Suite,” unidentified		WH, 8	22
	Arr. Vanderhagen, 6 winds
Clerico, Francesco	“Der Tod des Hercules,” ballet	WH,8	22
	Arr. Triebernsee? 8 winds
Clerico, Francesco	“Cleopatras Tod,” ballet	WH,8	22
	Arr. Unknown, 13 mvts, 8 winds
Dalayrae, Nicolas	“Nina,” opera, 1786	WH, 8	22
	Arr. Ehrenfried, 6 winds, st. bass
Dalayrae, Nicolas	“Nina,” opera, 1786	WH, 8	22
	Arr. Beecke, 10 winds, st. bass
Dalayrae, Nicolas	“Nina,” opera, 1786	WH, 8	23
	Arr. Unknown, 8 winds
Dalayrae, Nicolas	“Suite d’Azemia”opera, 1786	WH, 8	23
	Arr. Fuchs, Haroniemusik
Dalayrae, Nicolas	PR “Suite d’Azemia”opera, 1786	WH, 8	23
	Arr. Fuchs, 6 or 9 winds
Dalayrae, Nicolas	PR Overture “d’Azemia”opera	WH, 8	23
	Arr. Ujnknwon, 7 or 9 winds
Dalayrae, Nicolas	“Suite d’Azemia”opera, 1786	WH, 8	23
	Arr. Unknown, 9 winds
Dalayrae, Nicolas	“Les deux Savoyarden” opera	WH, 8	23
	Arr unknown, 8 winds
Dalayrae, Nicolas	“Les deux Savoyarden” opera	WH, 8	23
	Arr Sedlak, 6 winds
Dalayrae, Nicolas	PR “Camille, ou Le souterrain”	WH, 8	23
	Arr Sedlak, 6 winds
Dalayrae, Nicolas	PR “Gulnare,” opera, 1798	WH, 8	23
	Arr Fuchs, Harmoniemusik
Dalayrae, Nicolas	PR “Gulnare,” overture	WH, 8	24
	Arr Fuchs, Harmoniemusik
Dalayrae, Nicolas	PR “Maison a vendre	WH, 8	24
	Arr Fr. Blasius, Harmoniemusik
Dalayrae, Nicolas	PR “jeune Prude,” opera, 1804	WH, 8	24
	Arr Vanderhagen, Harmoniemusik
Dalayrae, Nicolas	PR “jeune Prude” overture	WH, 8	24
	Arr Vanderhagen, 8 or 10 winds
Dalayrae, Nicolas	“Gulistan”	WH, 8	24
	Arr unknown, 8 winds
Dalayrae, Nicolas	“Gulistan”	WH, 8	24
	Arr unknown, 12 mvts 8 winds
Dalayrae, Nicolas	PR “Gulistan”	WH, 8	24
	Arr unknown
Dalayrae, Nicolas	PR Gulistan” overture	WH, 8	24
	Arr unknown, 8 winds
Dalayrae, Nicolas	“Michelange”	WH, 8	24
	Arr. Vanderhagen, 9 winds, serpent
Dalayrae, Nicolas	PR “la Tour de Neustadt,” opera	WH, 8	25
	Arr unknown, Harmoniemusik
Dalayrae, Nicolas	PR “la Tour de Neustadt,” overture	WH, 8	25
	Arr. M. J. Gebauer, Harmoniemusik
Dalayrae, Nicolas	PR “Poete et Musicien”	WH, 8	25
	Arr. unknown Harmoniemusik
Dalayrae, Nicolas	PR “Poete et Musicien,” overture	WH, 8	25
	Arr. unknown, Harmoniemusik
Dalayrae, Nicolas	PR “Poete et Musicien,” march	WH, 8	25
	Arr. Unknown, 10 winds, piano
Dalayrae, Nicolas	“Poete et Musicien,” overture	WH, 8	25
	Arr. Sedlak, 10 winds
Dalayrae, Nicolas	PR Poete et Musicien, overture	WH, 8	25
	Arr. Unknown, Harmoniemusk
Dalayrae, Nicolas	“Die Nacht im Walde,” opera?	WH, 8	25
	Arr.Schmitt,13 winds, st bass
Dalayrae, Nicolas	“Corsaire” opera?	WH, 8	25
	Arr. M. J. Gebaujer, 8 winds, serpent
Dalayrae, Nicolas	“Sargines” opera?	WH, 8	26
	Arr. M. J. Gebauer, 8 winds
Dalayrae, Nicolas	“Boude de Cheveux,” opera	WH, 8	26
	Arr. Unknown, Harmoniemusik
Dalayrae, Nicolas	“Boude de Cheveuz,” overture	WH, 8	26
	Arr. Unknown, Harmoniemusik
Dalayrae, Nicolas	“Heure de Marriage,” opera, 1804	WH, 8	26
	Arr. Unknown, Harmoniemusik
Dalayrae, Nicolas	“Heure de Mariage,” overture	WH, 8	26
	Arr. Unknown, Harmoniemusik
Dalayrae, Nicolas	PR “Jean et Genevieve,” opera	WH, 8	26
	Arr. Unknown, Harmoniemusik
Dalayrae, Nicolas	PR “Picaros et Diego,” opera	WH, 8	26
	Arr. Unknown, Harmoniemusik
Dalayrae, Nicolas	PR “Picaros et Diego,” overtujre	WH, 8	26
	Arr. Unknown, Harmoniemusik
Dalayrae, Nicolas	Suite [unidentified]	WH, 8	26
	Arr. Gabaujer, 9 part Harmonie
Danzi, Franz	“Chorus aus Freudenfest”	WH, 8	27
	Arr. Sartorius, 7 winds
Daroudeau, ?	PR “Ouverture du Rosier”	WH, 8	27
	Arr. Unknown, Harmoniemusik
Delaborde, ?	PR “Ouverture de Cinquanine,”	WH, 8	27
	Arr. Fuchs, 12 winds
Della Maria, Pierre	PR “de l’Opera comique”	WH, 8	27
	Arr unknown, Harmoniemusik
Della Maria, Pierre	PR “de l’Opera comique,” overture	WH, 8	27
	Arr unknown, Harmoniemusik
Della Maria, Pierre	PR “de l’Opera comique”	WH, 8	27
	Arr Nicolas Jorg, 6 winds
Della Maria, Pierre	PR “Le Prsisonnier,” opera, 1798,” overture	WH, 8	27
	Arr unknown, Harmoniemusik
Della Maria, Pierre	PR “Le Prsisonnier,” overture	WH, 8	27
	Arr unknown, Harmoniemusik
Della Maria, Pierre	PR “L’Oncle Valet,” opera, 1798,”	WH, 8	28
	Arr unknown, Harmoniemusik
Della Maria, Pierre	PR “L’Oncle Valet,” Prsisonnier,”	WH, 8	28
	Arr unknown, Harmoniemusik
Della Maria, Pierre	PR “vieux Chateau” opera?	WH, 8	28
	Arr unknown, Harmoniemusik
Della Maria, Pierre	PR “vieux Chateau” overture	WH, 8	28
	Arr Gebauer, Harmoniemusik
Della Maria, Pierre	PR “vieux Chateau” opera?	WH, 8	28
	Arr Gebaujer, Harmoniemusik
Dezede, Nicolas	“Blaise et Babet,” opera 1783	WH, 8	28
	Arr. Unknown, 8 winds
Dezede, Nicolas	“Blaise et Babet,” overture	WH, 8	28
	Arr. Unknown, 8 or 12 winds
Dezede, Nicolas	“La fete Cinquantaine,” opera, 1796	WH, 8	28
	Arr. Unknown, Harmoniemujsik
Dezede, Nicolas	“La fete Cinquantaine,” overtujre	WH, 8	29
	Arr. Unknown, Harmoniemujsik
Deshayes, Prosper	PR “Le faux serment,” suite	WH, 8	29
	Arr. Ozi, 6 winds
Deshayes, Prosper	PR “Zelia,” opera, 1791, overture	WH, 8	29
	Arr. Unknown, Harmoniemusik
Devienne, Francois	PR “Les visitandines,” opera 1792	WH, 8	29
	Arr. Stumpf, 6 winds
Devienne, Francois	PR “Les visitandines,” overture	WH, 8	29
	Arr Fuchs, 6 or 8 winds
Devienne, Francois	PR “Les visitandines,” overture	WH, 8	29
	Arr unknown, 6 or 7 winds
Devienne, Francois	PR “Les visitandines,” arias	WH, 8	29
	Arr Fuchs, 6 or 8 winds
Devienne, Francois	PR “Valet de 2 Maitres,” arias	WH, 8	29
	Arr. Unknown, Haroniemusik
Devienne, Francois	PR “Valet de 2 Maitres,” overture	WH, 8	30
	Arr. Unknown, Haroniemusik
Diabelli, Antonio	Tamborin solo, “Mad. Neuman”	WH, 8	30
	Arr. Triebensee, 8 winds
Dittersdorf, Karl	“Aberglauben,” opoera, 1786	WH, 8	30
	Arr. Unknown, 8 winds
Dittersdorf, Karl	“Doctor und Apotheker,” op., 1786	WH, 8	30
	Arr. Unknown, 6 winds
Dittersdorf, Karl	“Doctor und Apotheker,” op., 1786	WH, 8	30
	Arr. Unknown, 8 winds
Dittersdorf, Karl	“Doctor und Apotheker,” 6 mvts	WH, 8	30
	Arr. Wendt 6 winds, 2 Eng hns`
Dittersdorf, Karl	“Doctor und Apotheker,” in 2 parts	WH, 8	30
	Arr. Unknown, Harmoniemusik
Dittersdorf, Karl	“Doctor und Apotheker, 9 mvts	WH, 8	30
	Arr. Wendt [9th mvt is by Mozart]
Dittersdorf, Karl	“Hironimus Knicker,” opera, 1789	WH, 8	30
	Arr. Unknown, Harmoniemusik
Dittersdorf, Karl	“Hironimus Knicker,” opera, 1789	WH, 8	31
	Arr. 8 winds
Dobihal, Josef	“Farso,” Clar. ment by Beethoven	WH, 8	31
	Arr. Unknown 9 winds, 12 mvts
Donizetti, Gaetano	“Anna Bolena,” opea, 1830	WH, 8	31
	Arr, unknown 8 winds
Donizetti, Gaetano	“L’Elisir d’Amore”	WH, 8	31
	Arr. Sedlak, 8 winds, MS by Perschl
Donizetti, Gaetano	“Torquato Tasso,” opera, 1832	WH, 8`	31
	Arr. Sedlak, MS Perschl, 6 mvts
Donizetti, Gaetano	“Cavaina ausTorquao Tasso”	WH, 8	31
	Arr. Unknown, 8 winds
Donizetti, Gaetano	“Marino Faliero,” opera, 1835	WH, 8	31
	Arr. Sedlak,MS Perschl, 3 mvts
Donizetti, Gaetano	“Lucia di Lammermoor,” op., 1835	WH, 8	31
	Arr. Sedlak?, 2 mvts, 10 winds
Duport, Jean Louis	“Der blode Ritter,” ballet	WH, 8	32
	Arr. Triebensee, 8 winds, 5 mvts
Duport, Jean Louis	“Der blode Ritter,” ballet	WH, 8	32
	Arr. Ujnknown, 10 mvts, 6 winds
Duport, Jean Louis	“Der blode Ritter,” ballet	WH, 8	32
	Arr. Unknown, 9 winds
Duport, Jean Louis	“Figaro,” ballet	WH, 8	32
	Arr. Triebensee, 8 winds, 6 mvts
Duport, Jean Louis	“Zephir,ballet	WH, 8	32
	Arr. Triebensee, 8 winds, 12 mvts
Duport, Jean Louis	“Zephir,ballet	WH, 8	32
	Arr. unknown, 6 winds, 10 mvts
Duport, Jean Louis	“Zephir,ballet	WH, 8	32
	Arr. unknown, 8 winds,
Duport, Jean Louis	PR “Zephir,ballet	WH, 8	32
	Arr. Unknon 6 winds,
Duttilieu, Pierre	“Die Macht des Geschlechts”, ballet	WH, 8	32
	Arr. Wendt, 6 winds, 2 Eng. Hns
Duttilieu, Pierre	“Die Macht des Geschlechts”, ballet	WH, 8	33
	Arr. Unknown, ment. 1799, 8 winds
Duttilieu, Pierre	“Die Macht des Geschlechts”, ballet	WH, 8	33
	Arr. Unknown, ment. 1799, 6 winds
Erns, Franz	PR arias from opera “Tarrare,”	wh,8	33
	Arr. Unknown, 6 winds
Federici, Francesco	Andante from “Zaira,” opera 1803	WH, 8	33
	arr. Triebensee, 8 winds
Ferrari, Giacomo	PR “La Villenella,” opera arias	WH, 8	33
	Arr unknown, 6 and 8 winds
Ferrari, Giacomo	PR “La Villenella,” opera overture	WH, 8	33
	Arr unknown, 8 and 10 winds
Fioravanto, Valentino	PR “Le Cantarici villane,” op. 1799	WH, 8	33
	Arr. Unknown, 10 winds
Fioravanto, Valentino	PR “Le Cantarici villane,” op. 1799	WH, 8	34
	Arr. Unknown, 8 winds
Fioravanto, Valentino	PR “Le Cantarici villane,” op. 1799	WH, 8	34
	Arr. Unknown, 6 winds
Fiorillo, Ignazio	“Il Venditore d’aceto”	WH, 8	34
	Arr. Unknown 8 winds
Fiorillo, Ignazio	“Vincent,” opera arias	WH, 8	34
	Arr. Triebensee, 8 winds
Foignet, Charles`	PR :Overture de Mont Alphea”	WH, 8	34
	Arr Fuchs, 9 winds
Gallenberg, Robert	“Alfred der Grosse,” ballet, 1820	WH, 8	34
	Arr. Sedlak [his 24th work] 8 winds
Gallenberg, Robert	“Marsch aus Alfred”	WH, 8	35
	Arr. Unknown 8 winds
Gallenberg, Robert	“Jeanne d’Arc,” ballet, 1821	WH, 8	35
	Arr. Unknown 10 winds
Gallenberg, Robert	“Octavio Pinelli,” ballet, 1830	WH, 8	35
	Arr. Sedlak, 10 winds
Gaveaux, Pierre	PR “L’Amurr fidial,” opera, 1792	WH, 8	35
	Arr. Devienne, 8 winds
Gaveaux, Pierre	PR “L’Amurr fidial,” opera, 1792	WH, 8	35
	Arr. Unknown, Harmoniemusik
Gaveaux, Pierre	PR “Le petit Matelot,” opera 1796	WH, 8	35
	Arr. unknown, 8 winds
Gaveaux, Pierre	PR :”Le diable en vacances,” 1805	WH, 8	35
	Arr. unknown, Harmoniemusik
Gaveaux, Pierre	PR :”Le diable en vacances,” 1805	WH, 8	35
	Arr. unknown, Harmoniemusik
Gaveaux, Pierre	PR :”Le diable en vacances,” 1805	WH, 8	35
	Arr. unknown, Haroniemusik
Gaveaux, Pierre	PR :”Le diable Auteur,” opera?,	WH, 8	35
	Arr. unknown, Haroniemusik
Gaveaux, Pierre	PR “Le traite nul,” opera, 1797	WH, 8	36
	Arr. unknown, Haroniemusik
Gaveaux, Pierre	PR “Sophie et Moncars,” 1797	WH, 8	36
	Arr. unknown, Haroniemusik
Gaveaux, Pierre	PR “Monsieur Deschalumeaux”	WH, 8	36
	Arr. unknown, Haroniemusik
Gaveaux, Pierre	PR “Monsieur Deschalumeaux”	WH, 8	36
	Arr. unknown, Haroniemusik
Gerl, Franz Xaver	“Der dumme Gartner,” opera, 1789	WH, 8	36
	Arr unknown Harmoniemusik
Gianella, Louis	“Acis et Galathee,” ballet, 1805	WH, 8	36
	Arr. Triebensee, winds
Gianella, Louis	“Acis et Galathee,” ballet, 1805	WH, 8	36
	Arr. Unknown, Harmoniemusik
Gluck, Christoph	“Les pelerins de Mecque,” opera	WH, 8	37
	Arr. Uniknown, 8 winds
Gluck, Christoph	“Les pelerins de Mecque,” opera	WH, 8	37
	Arr. Uniknown, 7 or 8 winds
Gluck, Christoph	“Les pelerins de Mecque,” opera	WH, 8	37
	Arr. Uniknown, 9 winds
Gluck, Christoph	“Les pelerins de Mecque,” opera	WH, 8	37
	Arr. Uniknown, 6 winds
Gluck, Christoph	“Les pelerins de Mecque,” opera	WH, 8	37
	Arr. Uniknown, 6, winds, 2 Eng hns
Gluck, Christoph	“Les pelerins de Mecque,” opera	WH, 8	37
	Arr. Uniknown, 6 winds, 2 Eng. hns
Gluck, Christoph	“Les pelerins de Mecque,” opera	WH, 8	37
	Arr. Wendt, 8 winds
Gluck, Christoph	“aria aus d’Alceste,” opera, 1767	WH, 8	38
	Arr. Unknown, 6 winds, 2 Eng. Hns
Gluck, Christoph	PR “Iphigenie en Aulide,” opera,	WH, 8	38
	Arr. Unknown, overfure, Harmonie
Gluck, Christoph	“Iphigenie en Taujdride,” opera,	WH, 8	38
	Arr. Triebensee, Harmoniemusik
Gluck, Christoph	“Iphigenie en Aulide,” opera,	WH, 8	38
	Arr. Unknown, overfure, Harmonie
Gluck, Christoph	“Iphigenie en Aulide,” opera,	WH, 8	38
	Arr. Unknown, overfure, Harmonie
Gluck, Christoph	PR “Iphigenie en Aulide,” opera,	WH, 8	38
	Arr. Unknown, overfure, Harmonie
Gluck, Christoph	“das kline Wasser,”	WH, 8	38
	Arr. Unknown, 6y winds, 2 Eng. Hn
Gluck, Christoph	“Mochomet,” opera ?	WH, 8	38
	Arr. Unknown, 6 winds, 2 Eng. Hns
Gluck, Christoph	“Gesang,” original unidentied	WH, 8	38
	Arr, unknown, 9 winds
Gossec, Francois-J.	PR “Le triomphe de rfepublique,”	WH, 8	39
	Arr. Fuchs, 9 winds
Gretry, Andre	“Silvain,” opera, 1770	WH, 8	39
	Arr.Roser, 6 winds
Gretry, Andre	“Zemie et Azor,” opera, 1771	WH, 8	39
	Arr.unknown, 8 winds
Gretry, Andre	“Zemie et Azor,” opera, 1771	WH, 8	39
	Arr.unknown, 6 mvts, 6 winds
Gretry, Andre	“Zemie et Azor,” Trio	WH, 8	39
	Arr.unknown, 6 winds
Gretry, Andre	“Zemie et Azor,” Trezett	WH, 8	39
	Arr.Triebensee, 8 winds
Gretry, Andre	“Zemie et Azor,” opera,	WH, 8	39
	Arr.unknown, 8 winds
Gretry, Andre	PR “La Caravane du Caire,” Opera	WH, 8	39
	Arr. Unknown, 6 winds
Gretry, Andre	PR “La Caravane du Caire,” over.	WH, 8	40
	Arr. Unknown, 8 or 12 winds
Gretry, Andre	“Richard Coear-de-Lion,” op. 1784	WH, 8	40
	Arr. M. Habert, 8 mvts, 8 winds
Gretry, Andre	“Richard Coear-de-Lion,” op. 1784	WH, 8	40
	Arr. Ehrenfdried, 6 winds, st. bass
Gretry, Andre	PR “Richard Coear-de-Lion,”	WH, 8	40
	Arr. Unknown, 6 winds
Gretry, Andre	PR “Panurge…Lanternes,” opera	WH, 8	40
	Arr. Vanderhagen, 5 winds
Gretry, Andre	PR “Panurge…Lanternes,” opera	WH, 8	40
	Arr. Unknown 8 or 12 winds
Gretry, Andre	“Raoul Barbe Bleue,” Opera 1789	WH, 8	40
	Arr. Unknown, 6 winds
Gretry, Andre	“Raoul Barbe Bleue,” Opera 1789	WH, 8	40
	Arr. Anton Fischer, 8 winds
Gretry, Andre	“Raoul Barbe Bleue,” Opera 1789	WH, 8	40
	Arr. Unknown, 14 mvts, 6 winds
Gretry, Andre	“Raoul Barbe Bleue,” Opera 1789	WH, 8	41
	Arr. Unknown, 6 winds
Gretry, Andre	Twelve opea arias” unidentified	WH,8	41
	Arr. Unknown, 6 winds
Gretry, Andre	PR “Le rival confident,” op.. 1788	WH, 8	41
	Arr. Unknown, 6 winds
Guglielmi, Pietro	PR “La Pasorella nobile,” opera,	WH, 8	41
	Arr. Unknown 6 winds
Guglielmi, Pietro	“La Pasorella nobile,” opera, 1788	WH, 8	41
	Arr. Unknown 8 winds
Guglielmi, Pietro	“La Pasorella nobile,” opera,	WH, 8	41
	Arr. Wendt,6 winds, 2 Eng. Hn
Guglielmi, Pietro	“La Pasorella nobile,” opera,	WH, 8	41
	Arr. Unknown 8 winds
Guglielmi, Pietro	“La Pasorella nobile,” opera,	WH, 8	41
	Arr. Unknown ;Harmoniemusik
Guglielmi, Pietro	“La Pasorella nobile,” opera,	WH, 8	41
	Arr. Unknown 8 winds
Guglielmi, Pietro	“La bella Pescatrice,” opera 1789	wh, 8	42
	Arr. Unknown, 8 winds
Guglielmi, Pietro	“La bella Pescatrice,” opera 1789	wh, 8	42
	Arr. Wendt, 6 winds, 2 Eng. Hns
Guglielmi, Pietro	“La bella Pescatrice,” opera 1789	wh, 8	42
	Arr. Unknown, Harmoniemusik
Guglielmi, Pietro	“La bella Pescatrice,” opera 1789	wh, 8	42
	Arr. Unknown, 8 winds
Guglielmi, Pietro	“La bella Pescatrice,” opera 1789	wh, 8	42
	Arr. Unknown, 8 winds
Guglielmi, Pietro	“La bella Pescatrice,” opera 1789	wh, 8	42
	Arr. Unknown, 6 winds
Guglielmi, Pietro	“Ouverture,” unidentified	WH, 8	42
	Arr, unknown, 6 winds
Gyrowetz, Adalbert	“Agnes Sorel, opera 1806	WH, 8	42
	Arr. Unknown, 8 winds
Gyrowetz, Adalbert	“Agnes Sorel, opera 1806	WH, 8	42
	Arr.Sedlak, 13 mvts, 6 winds
Gyrowetz, Adalbert	“Agnes Sorel, opera 1806	WH, 8	43
	Arr. Unknown, Harmoniemusik
Gyrowetz, Adalbert	“Agnes Sorel, opera 1806	WH, 8	43
	Arr. Unknown, 8 winds
Gyrowetz, Adalbert	“Agnes Sorel, opera 1806	WH, 8	43
	Arr. Triebensee, 3 mvts, 8 winds
Gyrowetz, Adalbert	PR “Der Augenarzt,”opera, 1811	WH, 8	43
	Arr. Sedlak, Harmoniemusik
Gyrowetz, Adalbert	“Agnes Sorel, opera 1806	WH, 8	43
	Arr. Unknown, 6 mvts, 6 winds
Gyrowetz, Adalbert	“Agnes Sorel, opera 1806	WH, 8	43
	Arr. Starke, 8 winds
Gyrowetz, Adalbert	Fedeica ed Addolfo, 1812	WH, 8	43
	Arr. Triebensee, 21 mvts, 8 winds
Gyrowetz, Adalbert	“Hochzeit der Thesis, ballelt, 1816	WH, 8	43
	Arr. Sedlak, 8 winds
Gyrowetz, Adalbert	“Hochzei der Thesis	WH, 8	43
	Arr. Unknown, 6 mvts, 8 winds
Gyrowetz, Adalbert	“Die des Herzoge,” ballet, 1808	WH, 8	44
	Arr. Sedlak, 8 winds
Gyrowetz, Adalbert	“Die des Herzoge,” ballet, 1808	WH, 8	44
	Arr. Starke, 6 mvts, 9 winds
Gyrowetz, Adalbert	“Mariam,” original unidentified	WH, 8	44
	Arr. Unknown, 8 winds
Gyrowetz, Adalbert	“Die Zwey Tanten,” orig. unknown	WH, 8	44
	Arr. Unknown, 4 mvts, 9 winds
Gyrowetz, Adalbert	“Die biden Eremiten,” 1816	WH, 8	44
	Arr. Unknown, 8 winds
Gyrowetz, Adalbert	[Unidentified opera]	WH, 8	44
	Arr. Unknown, 8 winds
Handel, Georg	“Saul”	WH, 8	44
	Arr. Unknown, 6 or 7 winds
Haydn, Joseph	“Gott erhalte der Kaiser”	WH, 8	44
	Arr. Unknown, SATB, 8 winds
Haydn, Joseph	“Gott erhalte der Kaiser”	WH, 8	44
	Arr. Unknown, SATB, 8 winds
Haydn, Joseph	“The Creation,” Oratorio	WH, 8	44
	Arr. Unknown , 8 winds
Haydn, Joseph	“Die Schoffumg”	WH, 8	45
	Arr. Unknown, 6 winds
Haydn, Joseph	” Die Schoffung”	WH, 8	45
	Arr. Unknown, 8 winds
Haydn, Joseph	PR “The Creation” 10 mvts	WH, 8	45
	Arr. Unknown, 13 winds, serpent
Haydn, Joseph	” Die Schoffung” Complete!	WH, 8	45
	Arr. Druschetzky,, 8 winds
Haydn, Joseph	“The Seasons” Complete!”	WH, 8	45
	Arr. Druschetzky, 9 winds
Haydn, Joseph	“The Seasons”	WH, 8	45
	Arr. Unknown, 8 winds
Haydn, Joseph	PR “Symphony” [I, 51]	WH, 8	45
	Arr. M.J. Gebauer, 10 winds, serp.
Haydn, Joseph	“The Seasons” [I, 55]	WH, 8	45
	Arr. Unknown, 8 winds
Haydn, Joseph	“The Seasons” [I, 70]	WH, 8	45
	Arr. Unknown, 8 winds
Haydn, Joseph	“The Seasons” [I, 73]]	WH, 8	46
	Arr. Unknown, 8 winds
Haydn, Joseph	PR “The Seasons” 2 mvts	WH, 8	46
	Arr. M.J. Gebaujer, 6 and 8 winds
Haydn, Joseph	“The Seasons” [I, 75]	WH, 8	46
	Arr. Unknown, 8 winds
Haydn, Joseph	PR “The Seasons” [I, 85] “La Reine”	WH, 8	46
	Arr. Chas Bochsa, 10 winds, serp.
Haydn, Joseph	“PR The Seasons” [I, 91]	WH, 8	46
	Arr. Bochsa, 10 winds, serpent
Haydn, Joseph	PR “The Seasons” [I, 102]	WH, 8	46
	Arr. Bochsa,, 10 winds, serpent
Haydn, Joseph	“Symphony,” “Oxford”	WH, 8	46
	Arr. Triebensee, 8 winds
Haydn, Joseph	“Andante mit Paukenschlug””	WH, 8	46
	Arr. ;Unknown, 8 winds
Haydn, Joseph	Three mvts, unidentified sym.	WH, 8	46
	Arr. Triebensee, 8 winds
Haydn, Joseph	“Presto”	WH, 8	46
	Arr. Triebensee, 8 winds
Haydn, Joseph	“Sinfonie”	WH, 8	47
	Arr. F. R. Gebaujer, Hamoniemusik
Haydn, Joseph	“Sinfonie in Eb”	WH, 8	47
	Arr. Unknown, 10 winds
Haydn, Joseph	PR “Works of Haydn”	WH, 8	47
	Arr. Vanderhagen 8 winds
Haydn, Joseph	“Works of Haydn”	WH, 8	47
	Arr. Gambaro, Harmoniemusik
Haydn, Michael	“Sinfonia par Hayden”	WH, 8	47
	Arr. Unknown, 8 winds`
Herold, Louis	PR “La Clochette,” opera, 1817	WH, 8	47
	Arr. Unknown, Harmoniemusik
Herold, Louis	“Zampa” opera, 1831	WH, 8	47
	Arr. Sedlak?, 15 mvts, 8 winds
Herold, Louis	PR “Le Pre aux Clercs,” opr., 1832	WH, 8	47
	Arr. Unknown, Harmoniemusik
Herold, Louis	PR “Le dernier jour,” incid.mu, 1828	WH, 8	47
	Arr. Berr, Harmoniemusik
Herold, Louis	“Zweikammmpf”, original unknown	WH, 8	48
	Arr. Sedlak?, 3 mvts 8 winds
Himmel, Friedrich	“Fanchon,” opera, 1804	WH, 8	48
	Arr. J. C. Dujring, 10 winds
Himmel, Friedrich	“Fanchon,” opera, 1804	WH, 8	48
	Arr. Unknown, 8 winds
Himmel, Friedrich	“Fanchon,” opera, 1804	WH, 8	48
	Arr. Triebensee?, 10 mvts, 8 winds
Himmel, Friedrich	“Fanchon,” opera, 1804	WH, 8	48
	Arr. Triebensee, 8 winds
Himmel, Friedrich	“Fanchon,” opera, 1804	WH, 8	48
	Arr. Unknown, 8 or 10 winds
Himmel, Friedrich	“Fanchon,” opera, overture	WH, 8	48
	Arr. Unknown, 8 or 12 winds
Hoffmeister, Franz	“Der Konigssohn, opera 1795	WH, 8	48
	Arr. Satorus, 7 winds
Hoffmeister, Franz	“Donaus Weibschen,” orig/ ?	WH, 8	48
	Arr. Unknown, 6 winds
Hummel, Johann	“Die Esalshaut,” opera 1814	WH, 8	49
	Arr. Starke?, 7 mvts, 11 winds
Hummel, Johann	PR “Die Esalshaut,” opera 1814	WH, 8	49
	Arr. Sedlak, 8, winds
Hummel, Johann	“Helena und Paris,” ballet	WH, 8	49
	Arr. Triebensee, one mvt, 8 winds
Isouard, Niccolo	“Michel-Ange,” opera, 1802	WH, 8	49
	Arr. Sedlak, overture, 10 winds
Isouard, Niccolo	PR “Michel-Ange,” opera, 1802	WH, 8	49
	Arr. Unknown, 8 winds
Isouard, Niccolo	PR “Michel Ange,” overture	WH, 8	49
	Arr. Unknown, 9 winds
Isouard, Niccolo	PR “Michel-Ange,” opera, overtujre	WH, 8	49
	Arr. Vanderhagen, 12 winds
Isouard, Niccolo	PR “Michel-Ange,” opera, 1802	WH, 8	49
	Arr. Unknownk 8 winds
Isouard, Niccolo	“Michel-Ange,” opera, 1802	WH, 8	49
	Arr. Unknown, 10 winds
Isouard, Niccolo	PR “Les Confinences,” opera, 1803	WH, 8	50
	Arr. Vanderhagen, 10 winds
Isouard, Niccolo	PR “Le Medecin Turc,” opera, 1803	WH, 8	50
	Arr. Unknown, over, 11 winds, serp
Isouard, Niccolo	PR “Michel-Ange,” opera, 1803	WH, 8	50
	Arr. Unknown, 9 winds
Isouard, Niccolo	“Michel-Ange,” opera, 1803	WH, 8	50
	Arr. Unknown, Harmoniemusik
Isouard, Niccolo	PR “Intrigue des Fenetres,opr.1805	WH, 8	50
	Arr. Unknown, Harmoniemusik
Isouard, Niccolo	PR “Intrigue des Fenetres,overtujre	WH, 8	50
	Arr. Unknown, Harmoniemusik
Isouard, Niccolo	PR “Un Jour a Paris,” opera, 1808	WH, 8	50
	Arr. Unknown, Harmoniemusik
Isouard, Niccolo	“Cendrillon,” opera, 1810	WH, 8	50
	Arr. Unknown, 13 mvts, 11 winds
Isouard, Niccolo	“Aschenbrodel” [“Cendrillon”]	WH, 8	50
	Arr. Triebensee, 17 mvts, 8 winds
Isouard, Niccolo	PR “Aschenbrodel” [‘”Cendrillon”]	WH, 8	51
	Arr. Unknown, 4 mvts, 6 winds
Isouard, Niccolo	PR “Aschenbrodel” [“Cendrillon”]	WH, 8	51
	Arr. Unknown, 8 winds
Isouard, Niccolo	PR “Aschenbrodel” [“Cendrillon”]	WH, 8	51
	Arr. Ujnknown, 13 mvts, 9 winds
Isouard, Niccolo	PR “Cendrillon,” opera, 1810	WH, 8	51
	Arr. Unknown, 6 winds
Isouard, Niccolo	PR “Cendrillon,” opera, 1810	WH, 8	51
	Arr. Unknown, 6 winds
Isouard, Niccolo	PR “Cendrillon,” opera, 1810	WH, 8	51
	Arr. Unknown, Harmoniemusik
Isouard, Niccolo	“Cendrillon,” opera, overture	WH, 8	51
	Arr. Unknown, Harmoniemusik
Isouard, Niccolo	“Cendrillon,” opera, 1810	WH, 8	51
	Arr. Unknown, Harmoniemusik
Isouard, Niccolo	PR “Le Billet Loterie,” opera, 1811	WH, 8	51
	Arr. Unknown, Harmoniemusik
Isouard, Niccolo	PR “Le Billet Loterie,” overture	WH, 8	51
	Arr. Unknown, Harmoniemusik
Isouard, Niccolo	PR “Le Magicien” opera, 1811	WH, 8	52
	Arr. Unknown, Harmoniemusik
Isouard, Niccolo	PR “Le Magicien” opera, 1811	WH, 8	52
	Arr. Unknown, Harmoniemusik
Isouard, Niccolo	PR “Lully et Quinault,” opera 1812	WH, 8	52
	Arr. Unknown, Harmoniemusik
Isouard, Niccolo	PR “Lully et Quinault,” opera 1812	WH, 8	52
	Arr. Unknown, overtujre, Harmoniemusik
Isouard, Niccolo	PR “Le Prince de Catane,” op.,1813	WH, 8	52
	Arr. Unknown, Harmoniemusik
Isouard, Niccolo	“Joconde,” opera, 1814	WH, 8	52
	Arr. Sedlak, 12 mvts, 8 winds
Isouard, Niccolo	PR “Joconde,” opera, 1814	WH, 8	52
	Arr. Unknown, Harmoniemusik
Isouard, Niccolo	PR “Joconde,” overture	WH, 8	52
	Arr. Unknown, Harmoniemusik
Isouard, Niccolo	PR “Jeannot et Colin” opera, 1814	WH, 8	52
	Arr. Unknown, Harmoniemusik
Isouard, Niccolo	PR “Jeannot et Colin,” overture	WH, 8	53
	Arr. Unknown, Harmoniemusik
Isouard, Niccolo	PR “Aladin,” opera, 1822	WH, 8	53
	Arr. Unknown, Harmoniemusik
Isouard, Niccolo	PR “Aladin,” overture	WH, 8	53
	Arr. Unknown, Harmoniemusik
Isouard, Niccolo	PR “L’impromptu,” opera, 1`797	WH, 8	53
	Arr. Unknown, 8 and 12 winds
Isouard, Niccolo	PR “Leonce” opera, 1805	WH, 8	53
	Arr. Unknown, Harmoniemusik
Isouard, Niccolo	PR “Keonce,” overture	WH, 8	53
	Arr. Unknown, Harmoniemusik
Isouard, Niccolo	“Josepf und der Kleinin Diebliu,” ?	WH, 8	53
	Arr. Sedlak, 24 mvts, 8 winds
Kanne, ?	“Orpheus,” opera	WH, 8	53
	Arr. Triebensee, one mvt, 8 winds
Kauer, Ferdinand	“Das Donauweihchen,” op., 1798	WH, 8	54
	Arr. Schmitt?, 10 winds, serpent
Kauer, Ferdinand	“Das Donauweihchen,” op., 1798	WH, 8	54
	Arr. Satorus, 7 winds
Kinsky, Josef, Prince	“Das landliche Fest,” opera	WH, 8	54
	Arr. Triebensee,8 winds
Kinsky, Josef, Prince	“Das landliche Fest,” opera	WH, 8	54
	Arr. Unknown, 10 winds
Kozeluch, Leopold	“La Ritrovala Figlia,” ballet?	WH, 8	54
	Arr. Wendt, 8 winds
Kozeluch, Leopold	“La Ritrovala Figlia,” ballet?	WH, 8	54
	Arr.Satorus 7 winds
Kozeluch, Leopold	“La Ritrovala Figlia,” ballet?	WH, 8	54
	Arr. unknown, 8 winds
Kozeluch, Leopold	“Die weider…Tocher,” ballet?	WH, 8	54
	Arr. Unknown 6 winds
Kozeluch, Leopold	“Die weider…Tocher,” ballet	WH, 8	55
	Arr.Krommer, Harmoniemusik
Kozeluch, Leopold	“Die weider…Tocher,” ballet	WH, 8	55
	Arr. Wendt?, 17 mvts 6 winds, 2 EH
Kozeluch, Leopold	“Die weider…Tocher,” ballet	WH, 8	55
	Arr. Unknown, Harmoniemusik
Kreutzer, Rodolphe	“Paul et Virginia,” opera, 1791	WH, 8	55
	Arr. Unkknown, Harmoniemusik
Kreutzer, Rodolphe	“PR Paul et Virginia,” opera, 1791	WH, 8	55
	Arr. Fuchs,overture 6 or 8 winds,
Kreutzer, Rodolphe	“Lodoiska” opera, 1791	WH, 8	55
	Arr. Richter, Harmoniemusik
Kreutzer, Rodolphe	“Antonius und Cleopatra,” ballet	WH, 8	55
	Arr. Triebensee, 8 winds
Kreutzer, Rodolphe	PR “Antonius und Cleopatra,” ballet	WH, 8	55
	Arr.unknown, Harmoniemusik
Krommer, Franz	“Symphony,” 4 mvts	WH, 8	56
	Arr. Triebensee, 10 winds
Kunzen, Friedrich	“Das Fest der Winzer,” opera	WH, 8	56
	Arr. Simoni, 22 mvts, 4 winds, bc
Kurzinger, P:aul	“Robert und Caliste,” ballet	WH, 8	56
	Arr. Sussmayr,one mvt, 6 winds
Leidersdorf, Franz	“Fest Overture” 1837 [for nobles]	WH, 8	56
	Arr. Oscar Kolbe, 8 winds
Lemoyne, Jean	PR “Overure,” orig. unidentified	WH, 8	56
	Arr. Unknown, 6 winds
Lemoyne, Jean	PR “Les Pretendus,” opera 1789	WH, 8	56
	Arr. Unknown, 6 or 8 winds
Lemoyne, Jean	PR “Les Pretendus,” overtujre	WH, 8	56
	Arr. Unknown, 6 winds
Lemoyne, Jean	PR “Les Pretendus,” overture	WH, 8	57
	Arr. Unknown, 6 or 8 winds
Lesueur, Jean F.	PR “La Caverne,” opera 1793	WH, 8	57
	Arr. Fuchs, 9 winds
Lesueur, Jean F.	PR “La Caverne,” opera 1793	WH, 8	57
	Arr. Unknown 6 winds
Lesueur, Jean F.	PR “La Caverne,” opera 1793	WH, 8	57
	Arr. Unknown 6 or 8 winds
Lesueur, Jean F.	PR “Ossian ou les Bardes,” 1804	WH, 8	57
	Arr. Unknown, 6 winds
Lesueur, Jean F.	PR “Ossian ou les Bardes,” 1804	WH, 8	57
	Arr. Unknown, 6 winds
Lesueur, Jean F.	PR “Ossian ou les Bardes,” 1804	WH, 8	57
	Arr. Unknown, 8 winds
Lesueur, Jean F.	PR “Ossian ou les Bardes,” 1804	WH, 8	57
	Arr. Unknown, 6 winds, overture
Lesueur, Jean F.	PR “Ossian ou les Bardes,” 1804	WH, 8	57
	Arr. Unknown, 7 winds, serpent
Lesueur, Jean F.	PR “Ossian ou les Bardes,” 1804	WH, 8	57
	Arr. Unknown, 8 winds
Lesueur, Jean F.	PR “Ossian ou les Bardes,” 1804	WH, 8	58
	Arr. Fuchs 6 winds
Lesueur, Jean F.	March from “Ossian ou les Bardes	WH, 8	58
	Arr. Triebensee, 8 winds
Lesueur, Jean F.	PR “Paul et Virginia	WH, 8	58
	Arr. Fucha, 10 winds
Lesueur, Jean F.	PR “Paul et Virginia	WH, 8	58
	Arr. Vandehagen, 6 winds
Lindpainter, Peter	PR “Joko,” ballet	WH, 8	58
	Arr. C. H. Meyer, Hamoniemusik
Liverati, Giovanni	“David oder Goliaths Tod, or, 1811	WH, 8	58
	Arr. Sedlak, 8 winds
Liverati, Giovanni	“David oder Goliaths Tod, or, 1811	WH, 8	58
	Arr. Sedlak, 6 winds, 7 mvts
Liverati, Giovanni	PR “David” oratorio	WH, 8	58
	Arr. unknown, 9 winds
Lortzing, Gustav	“Czaar und Zimmermann,” opera	WH, 8	59
	Arr. Wallentin, 9 winds, 1837
Malherbe, Paine	“PR “Three Marchses La Haye,	WH,,8`	59
	Arr. Unknown, 6 winds
Marcello di Capua	PR “Furberia et Pontiglio,Overture.	WH, 8	59
	Arr. Unknown, Harmoniemusik
Prinzessin Marie .	“Landler,” [of Esterhazy]	WH, 8	59
	Arr. Triesbenseek 8 winds
Mardschner, Heinrich	PR “Der Templer und Juden, opera	WH, 8	59
	Arr. Barth, Harmoniemusik 1829
Martin y Soler,Vinc.	“Una Cosa rare,” opera, 1786	WH, 8	59
	Arr. Unknown, 8 winds
Martin y Soler,Vinc.	“Una Cosa rare,” opera, 1786	WH, 8	59
	Arr. Unknown, 8 winds
Martin y Soler,Vinc.	“Una Cosa rare,” opera, 1786	WH, 8	60
	Arr. Unknown, Harmoniemujsik
Martin y Soler,Vinc.	“Una Cosa rare,” opera, overture	WH, 8	60
	Arr. Unknown, 8 winds
Martin y Soler,Vinc.	“Una Cosa rare,” opera, 1786	WH, 8	60
	Arr. Sartorus 7 winds
Martin y Soler,Vinc.	“Una Cosa rare,” opera, 16 mvts	WH, 8	60
	Arr. Wendt, 6 winds, 2 Eng. Hns
Martin y Soler,Vinc.	“Una Cosa rare,” opera, 1786	WH, 8	60
	Arr. Unknown, Harmoniemusik
Martin y Soler,Vinc.	“Una Cosa rare,” opera, 1786	WH, 8	60
	Arr. Unknown, 8 winds, adv. 1799
Martin y Soler,Vinc.	PR “Una Cosa rare,” opera, 1786	WH, 8	60
	Arr. Unknown, Harmoniemusik
Martin y Soler,Vinc.	“L’Arbore di Diana, opera, 1787	WH, 8	60
	Arr. Unknown, Harmoniemusik
Martin y Soler,Vinc.	“L’Arbore di Diana, opera, 1787	WH, 8	60
	Arr. Wendt, Harmoniemusik
Martin y Soler,Vinc.	“L’Arbore di Diana, opera, 1787	WH, 8	61
	Arr. Unknown, Harmoniemusik
Martin y Soler,Vinc.	“L’Arbore di Diana, opera, 1787	WH, 8	61
	Arr. Salieri?, 6 winds
Martin y Soler,Vinc.	“L’Arbore di Diana, 24 mvts	WH, 8	61
	Arr.Wendt, 6 winds, 2 Eng. Hns
Martin y Soler,Vinc.	“L’Arbore di Diana, opera, 1787	WH, 8	61
	Arr. Sartorus,10 winds
Martin y Soler,Vinc.	“L’Arbore di Diana, opera, 1787	WH, 8	61
	Arr. Unknown, 8 winds, adv. 1799
Martin y Soler,Vinc.	“Capriccioza Coretta” opera 1791	WH, 8	61
	Arr. Stumpf,6 winds
Martin y Soler,Vinc.	PR “Capriccioza Coretta” opera	WH, 8	61
	Arr. Unknown, Harmoniemujsik
Martin y Soler,Vinc.	“Andramaca,, opera, 1780	WH, 8	62
	Arr. Sartorus,10 winds
Martin y Soler,Vinc.	“Die geberserte Eigensinnige”	WH, 8	62
	Arr. Sartorus, 7 winds
Martini Jean Paul	PR “Henri IV,” opera, 1774	WH, 8	62
	Arr. Unknown, 8 or 12 winds
Maurer, Louis	“Alznu,” ballet, 2 mvts	WH, 8	62
	Arr. Triebensee, 8 winds
Mayr, Johann Simon	“Lodoiska,” opera, 1796	WH, 8	62
	Arr. Unknown, 8 winds
Mayr, Johann Simon	“Lodoiska,” opera, 1796	WH, 8	62
	Arr. Unknown, 8 winds
Mayr, Johann Simon	“Lodoiska,” opera, 1796	WH, 8	62
	Arr. Unknown, 8 winds
Mayr, Johann Simon	“Lodoiska,” opera, 1796	WH, 8	62
	Arr. Unknown, 8 winds
Mayr, Johann Simon	“Ginevra di Scozic,” opera, 1801	WH, 8	63
	Arr. Unknown, 8 winds
Mayr, Johann Simon	“Ginevra di Scozic,” opera, 1801	WH, 8	63
	Arr. Unknown, 6 winds
Mayr, Johann Simon	“Ginevra di Scozic,” opera, 1801	WH, 8	63
	Arr.J. Buchal, 5 winds
Mayr, Johann Simon	“Ginevra di Scozic,” opera, 1801	WH, 8	63
	Arr. Unknown, Harmoniemusik
Mayr, Johann Simon	“Alonso e Cora,”opera, 1803	WH, 8	63
	Arr.unknown, 8 winds
Mayr, Johann Simon	“Alonso e Cora,”opera, 1803	WH, 8	63
	Arr. Sedlak, 8 mvts, 6 winds
Mayr, Johann Simon	“Adelaria e Aleramo,” opera, 1806	WH, 8	63
	Arr. Unknown 8 winds
Mayr, Johann Simon	Adelaria e Aleramo, opera, 1806	WH, 8	63
	Arr. unknown, 14 mvts, 9 winds
Mayr, Johann Simon	“Adelaria e Aleramo,” opera, 1906	WH, 8	63
	Arr. Triebensee 8 winds
Mayr, Johann Simon	Adelaria e Aleramo, opera, 1806	WH, 8	64
	Arr. Triesbensee, 8 winds
Mayr, Johann Simon	“Ercole,” opera?	WH, 8	64
	Arr. unknown 8 winds
Mayr, Johann Simon	“Scene aus Solitari,” opera?	WH, 8	64
	Arr.Leo. Ratti, 6 winds, serpent
Mehul, Etienne Nic.	PR “Euphrosine,” opea, 1790	WH, 8	64
	Arr. Fuchs, 6 winds
Mehul, Etienne Nic.	“Cora,” opera, 1791	WH, 8	64
	Arr. Unknown, 8 mvts, 10 winds
Mehul, Etienne Nic.	“Le jeune Henry,”,” opera, 1797	WH, 8	64
	Arr. Unknown 8 winds, overtude
Mehul, Etienne Nic.	PR “Le jeune Henry,” overture	WH, 8	64
	Arr. Unknown 11 winds, serpent
Mehul, Etienne Nic.	PR “Le jeune Henry,” overture	WH, 8	64
	Arr. Unknown Harmoniemusik
Mehul, Etienne Nic.	“Adrien,” opera, 1799	WH, 8	64
	Arr. Unknown 8 winds, overtude
Mehul, Etienne Nic.	PR “Ariodant,” opera, 1799	WH, 8	65
	Arr. Fuchs, 8 winds
Mehul, Etienne Nic.	PR “Ariodant,” opera, 1799	WH, 8	65
	Arr. Unknown, Harmoniemusik
Mehul, Etienne Nic.	PR “L’Irato,” opera, 1801	WH, 8	65
	Arr. Ozi, 6 winds
Mehul, Etienne Nic.	“Une Folie,” opera, 1802	WH, 8	65
	Arr. Sedlak, 6 winds
Mehul, Etienne Nic.	PR “Une Folie” opera, 1802	WH, 8	65
	Arr. Uniknown, Harmoniemusik
Mehul, Etienne Nic.	PR “Une Folie” opera, 1802	WH, 8	65
	Arr. Uniknown, 9 winds overture
Mehul, Etienne Nic.	“Der Schatzgruber,” opera, 1802	WH, 8	65
	Arr. Unknown, 8 winds
Mehul, Etienne Nic.	“Der Schatzgruber,” opera, 1802	WH, 8	65
	Arr. Triebensee, 9 winds
Mehul, Etienne Nic.	PR “Tensor suppose,” overture	WH, 8	65
	Arr. Uniknown, Harmoniemusik
Mehul, Etienne Nic.	“Helene,” opera, 1803	WH, 8	66
	Arr. Unknown, 7 mvts, 8 winds
Mehul, Etienne Nic.	PR “Helene,” overture	WH, 8	66
	Arr. Uniknown, Harmoniemusik
Mehul, Etienne Nic.	PR “Hellene, overture	WH, 8	66
	Arr. Uniknown, 10 winds
Mehul, Etienne Nic.	PR “Les deux Aveugles”, op. 1806	WH, 8	66
	Arr. Uniknown, Harmoniemusik
Mehul, Etienne Nic.	PR “Les deux Aveugles”, op. 1806	WH, 8	66
	Arr. Uniknown, Harmoniemusik
Mehul, Etienne Nic.	“Joseph,” opera, 1807	WH, 8	66
	Arr. Sedlak, 9 winds
Mehul, Etienne Nic.	“Joseph,” opera, 1807	WH, 8	66
	Arr. Unknown, 8 winds
Mehul, Etienne Nic.	“Joseph,” opera, 1807	WH, 8	66
	Arr. J. Weigl, 11 winds
Mehul, Etienne Nic.	PR “Joseph,” opera, 1807	WH, 8	66
	Arr. Unknown, Harmoniemusik
Mehul, Etienne Nic.	PR “Joseph,” overture	WH, 8	67
	Arr. Unknown, Harmoniemusik
Mehul, Etienne Nic.	PR “La Journee,” opera, 1816	WH, 8	67
	Arr. Unknown, Harmoniemusik
Mehul, Etienne Nic.	PR “La Jornee,” overture	WH, 8	67
	Arr. Unknown, Harmoniemusik
Mehul, Etienne Nic.	PR “La Journee,,” Rondeau	WH, 8	67
	Arr. Unknown, 7 brass
Mehul, Etienne Nic.	PR “La Journee,,” Rondeau	WH, 8	67
	Arr. Gambaro, Harmoniemusik
Mehul, Etienne Nic.	PR “Bion,” Unknown, overture	WH, 8	67
	Arr. Unknown, 10 and 14 winds
Mehul, Etienne Nic.	PR “Stratonice,,” Orig. unknown	WH, 8	67
	Arr. Unknown, 6 and 8 part winds
Mehul, Etienne Nic.	PR “Stratonice,” ” overture	WH, 8	67
	Arr. Unknown, 7 and 9 part winds
Mehul, Etienne Nic.	PR “Der Bauer,” opera?	WH, 8	67
	Arr. Unknown, 9 mvts, 8 winds
Mehul, Etienne Nic.	PR “Der Bauer,” ” overture	WH, 8	68
	Arr. Triebensee, 8 winds
Mehul, Etienne Nic.	“Der Temperamente,” opera?	WH, 8	68
	Arr. Triebensee, one mvt, 8 winds
Mehul, Etienne Nic.	“Beiden Fuchse,” orig. unidentified	WH, 8	68
	Arr. Unknown , 8 winds
Mendeelssohn, Felix	PR “Sommernachtdstraum”	WH, 8	68
	Arr. C. B. Meyer, Harmoniemusik
Mercadante, Saverio	“Elisa e Claudio,” opera, 1821	WH, 8	68
	Arr. Sedlak, 11 winds
Mercadante, Saverio	“Elisa e Claudio,” opera, 1821	WH, 8	68
	Arr. Starke 11 winds
Mercadante, Saverio	“Elisa e Claudio,” opera, 1821	WH, 8	68
	Arr. unknown, 11 winds
Mercadante, Saverio	“Il Posto Abbandonato, opera	WH, 8	68
	Arr. Unknown, 10 winds
Mercadante, Saverio	“Il posto Abbandonato,” duet	WH, 8	68
	Arr. Unknown, 11 winds
Mercadante, Saverio	“Anacreonte in Samo,” opera?	WH, 8	69
	Arr. Sedlak? One long mvt 11 winds
Mercadante, Saverio	“Donna Caritea,” opera?	WH, 8	69
	Arr. Unknown, 11 winds
Meyer, ?	“Theresa et Claudio,”	wh, 8	69
	Arr. Richter, 8 winds
Meyerbeer, Giacomo	PR “Marguerie d’Anjou,opera 1820	WH, 8	69
	Arr. Berr 9 winds
Meyerbeer, Giacomo	“Il Crociato in Egitio,” opera, 1824	WH, 8	69
	Arr. Unknown, 6 mvts 11 winds
Meyerbeer, Giacomo	PR “Rober-le-Diable,” opera, 1831	WH, 8	69
	Arr. Neithardt, 4 mvts, Harmoniemus
Meyerbeer, Giacomo	Walzer aus Robert-le-Diable	WH, 8	69
	Arr. Unknown 11 mvts 11 winds
Meyerbeer, Giacomo	“Les Huguenots,” opera, 1836	WH, 8	69
	Arr. Sedlak? 6 mvts, 8 winds
Meyerbeer, Giacomo	“Les Huguenots,” opera, 1836	WH, 8	69
	Arr. Unknown,14 winds
Moniuszko, Stanislaw	PR “Hulka,” opera 1854	WH, 8	70
	Arr. Unknown, 6 winds
Monsigny, Pierre	[amusement suite for military band]	WH, 8	70
	Arr. Vanderhagen, 6 winds
Morlacchi, Francesco	`”Tebaldo e Isolina,” opera, 1822	WH, 8	70
	Arr. unknown, 11 winds, overture
Moser, ?	`”Die Berg-Schotten,” quadrille	WH, 8	70
	Arr. Triebensee, 8 winds
Moser, ?	“Contradanse”	WH, 8	70
	Arr. Triebensee 8 winds
Mozart, Wolfgang	“Idomeneo,” opera, 1781	WH, 8	70
	Arr. Unknown, 8 winds
Mozart, Wolfgang	“Die Entfuhrung…” opera, 1782	WH, 8	71
	Arr. Wendt, 8 winds
Mozart, Wolfgang	“Die Entfuhrung…” opera, 1782	WH, 8	71
	Arr. Wendt? , 6 winds, 2 Eng. Hns
Mozart, Wolfgang	“Die Entfuhrung…” opera, 1782	WH, 8	71
	Arr. unknown, 8 winds
Mozart, Wolfgang	“Die Entfuhrung…” opera, 1782	WH, 8	71
	Arr. unknown, 8 winds
Mozart, Wolfgang	“Die Entfuhrung…” opera, 1782	WH, 8	71
	Arr. Mozart? Letter to father
Mozart, Wolfgang	“Die Entfuhrung…” opera, 1782	WH, 8	71
	Arr. Unknown 7 winds
Mozart, Wolfgang	“Die Entfuhrung…” opera, 1782	WH, 8	71
	Arr.unknown, 8 winds, adv. 1799
Mozart, Wolfgang	“Der Schauspiedirektor,” opera,1786…” opera, 1782	WH, 8	71
	Arr. Unknown 7 winds
Mozart, Wolfgang	“Le Nozze di Figaro,” opera, 1786	WH, 8	71
	Arr.unknown, Haroniemusik
Mozart, Wolfgang	“Le Nozze di Figaro,” opera, 1786	WH, 8	72
	Arr.Wendt, 6; winds, 2 Eng. Hns
Mozart, Wolfgang	“Le Nozze di Figaro,” opera, 1786	WH, 8	72
	Arr.unknown, 6 winds, basset horn
Mozart, Wolfgang	“Le Nozze di Figaro,” opera, 1786	WH, 8	72
	Arr.Rosiniack, Haroniemusik
Mozart, Wolfgang	“Le Nozze di Figaro,” opera, 1786	WH, 8	71
	Arr.Wendt, 8 winds
Mozart, Wolfgang	“Le Nozze di Figaro,” opera, 1786	WH, 8	72
	Arr.Nowotny, 11; winds, 2 Eng. Hns
Mozart, Wolfgang	“Le Nozze di Figaro,” opera, 1786	WH, 8	72
	Arr.Wendt, ;Harmoniemusik
Mozart, Wolfgang	“Le Nozze di Figaro,” opera, 1786	WH, 8	72
	Arr.Sarorus, 7 winds
Mozart, Wolfgang	PR “Le Nozze di Figaro,” opera	WH, 8	72
	Arr. Kajetan Vogel, 6 and 8 winds
Mozart, Wolfgang	PR “Le Nozze di Figaro,” opera	WH, 8	73
	Arr.Vanderhagen,8 winds
Mozart, Wolfgang	PR “Le Nozze di Figaro,” opera,	WH, 8	73
	Arr.Hammerl, 9 winds, serpent
Mozart, Wolfgang	PR “Le Nozze di Figaro,” overture	WH, 8	73
	Arr.unknown, 8 and 11 winds,
Mozart, Wolfgang	“Le Nozze di Figaro,” Marsch	WH, 8	73
	Arr.unknown, 6 winds
Mozart, Wolfgang	PR “Le Nozze di Figaro,” Rundtanz	WH, 8	73
	Arr.Purebl,,8 winds
Mozart, Wolfgang	“Le Nozze di Figaro,” opera,	WH, 8	73
	Arr. Nowotny,9 winds, one mvt.
Mozart, Wolfgang	PR “Le Nozze di Figaro,” overture	WH, 8	73
	Arr.unknown, 8 winds,
Mozart, Wolfgang	“Le Nozze di Figaro,”	WH, 8	73
	Arr.Wendt, 8 winds
Mozart, Wolfgang	“Don Giovanni,” opera, 1787	WH, 8	73
	Arr.Wendt, 8 winds
Mozart, Wolfgang	“Don Giovanni,” opera, 1787	WH, 8	74
	Arr.Triebensee, Harmoniemusik
Mozart, Wolfgang	“Don Giovanni,” opera, 1787	WH, 8	74
	Arr.unknown, 6 winds,
Mozart, Wolfgang	“Don Juan,” opera, 1787	WH, 8	74
	Arr.unknown, 6 winds,
Mozart, Wolfgang	“Don Juan,” opera, 1787	WH, 8	74
	Arr.unknown, 10 winds, one mvt
Mozart, Wolfgang	“Don Juan,” opera, 1787	WH, 8	74
	Arr.Nowatny, 10 winds,
Mozart, Wolfgang	“Don Juan,” opera, 1787	WH, 8	74
	Arr.Triebensee, 8 winds, 13 mvts,
Mozart, Wolfgang	“Don Juan,” opera, 1787	WH, 8	74
	Arr.Osswald,11 winds, one mvt
Mozart, Wolfgang	“Don Juan,” opera, 1787	WH, 8	74
	Arr.unknown, 10 winds, one mvt
Mozart, Wolfgang	“Don Juan,” opera, 1787	WH, 8	74
	Arr.Osswald,11 winds, one mvt
Mozart, Wolfgang	“Don Juan,” opera, 1787	WH, 8	74
	Arr.unknown, 10 winds, one mvt
Mozart, Wolfgang	“Don Juan,” opera, 1787	WH, 8	74
	Arr.Osswald,11 winds, one mvt
Mozart, Wolfgang	“Don Juan,” opera, 1787	WH, 8	74
	Arr.unknown, 10 winds, one mvt
Mozart, Wolfgang	“Don Juan,” opera, 1787	WH, 8	74
	Arr.unknown 8 winds
Mozart, Wolfgang	“Don Juan,” opera, 1787	WH, 8	74
	Arr.unknown, 6 winds, 15 mvts
Mozart, Wolfgang	“Don Giovanni” opera, 1787	WH, 8	75
	Arr.Wendt,6 winds, 2 Eng. Hns
Mozart, Wolfgang	“Don Juan,” opera, 1787	WH, 8	75
	Arr.unknown, 10 winds, overture
Mozart, Wolfgang	“Don Giovanni,” opera, 1787	WH, 8	75
	Arr.Rosiniack, Harmoniemusik
Mozart, Wolfgang	“Don Juan,” opera, 1787	WH, 8	75
	Arr.unknown, 6 winds, 15 mvts
Mozart, Wolfgang	“Don Giovanni,” opera, 1787	WH, 8	75
	Arr.Stumpf 10 winds, basse
Mozart, Wolfgang	“Don Giovanni” opera, 1787	WH, 8	75
	Arr.Triebensee, 8 winds, 15
Mozart, Wolfgang	“Don Giovanni” opera, 13 mvts	WH, 8	75
	Arr.Schacht, 6 winds, 2 violas? Bc
Mozart, Wolfgang	“Don Giovanni,” opera, 1787	WH, 8	75
	Arr.Ehrenfried,8 winds
Mozart, Wolfgang	PR “Don Giovanni,” opera, 1787	WH, 8	75
	Arr.Fuchs, 8 winds
Mozart, Wolfgang	PR “Don Juan,” overture	WH, 8	75
	Arr.Vanderhagen, 10 winds
Mozart, Wolfgang	PR “Don Juan,” opera, 1787	WH, 8	76
	Arr unknown, 8 winds
Mozart, Wolfgang	“Cosi fan Tutti, opera, 1790	WH, 8	76
	Arr. Unknown, Harmoie adv, 1799
Mozart, Wolfgang	“Cosi fan Tutti, opera, 1790	WH, 8	76
	Arr. Vojacek, 10 winds, one mvt
Mozart, Wolfgang	“Cosi fan Tutti, 18 mvts	WH, 8	76
	Arr. Wendt, 6 wind 2 Eng. .hns
Mozart, Wolfgang	“Cosi fan Tutti, opera, 1790	WH, 8	76
	Arr. Unknown 8 winds
Mozart, Wolfgang	“Cosi fan Tutti, opera, 1790	WH, 8	76
	Arr. Legrand, 8 windst
Mozart, Wolfgang	“Cosi fan Tutti, opera, 1790	WH, 8	76
	Arr. Wendt, Harmoniemusik
Mozart, Wolfgang	“Cosi fan Tutti, overture	WH, 8	76
	Arr. Stumpf, 10 winds
Mozart, Wolfgang	“Cosi fan Tutti, opera, 1790	WH, 8	76
	Arr. Unknown 8 winds
Mozart, Wolfgang	“Cosi fan Tutti, opera, 1790	WH, 8	76
	Arr. Unknown, 8 winds
Mozart, Wolfgang	“Cosi fan Tutti, opera, 1790	WH, 8	77
	Arr. Unknown, 9 winds
Mozart, Wolfgang	“Cosi fan Tutti, opera, 1790	WH, 8	77
	Arr. Unknown, 7 winds
Mozart, Wolfgang	PR “Cosi fan Tutti, 12 mvts	WH, 8	77
	Arr. Stumpf/Gebauer 8 winds
Mozart, Wolfgang	PR “Cosi fan Tutti, opera, 1790	WH, 8	77
	Arr. J. Gebauer, 8 winds
Mozart, Wolfgang	“La Clemenza di Tito,” opera, 1791	WH, 8	77
	Arr. Unknown, Harmonie. Marcia
Mozart, Wolfgang	“La Clemenza di Tito,” opera, 1791	WH, 8	77
	Arr. Fuchs, 8 winds
Mozart, Wolfgang	“La Clemenza di Tito,” opera, 1791	WH, 8	77
	Seyfried, SATB, 8 winds, one mvt
Mozart, Wolfgang	“La Clemenza di Tito,” opera, 1791	WH, 8	77
	Arr. Triebensee? 8 winds
Mozart, Wolfgang	“La Clemenza di Tito,” opera, 1791	WH, 8	77
	Arr. Unknown, 6 winds, 3 arias
Mozart, Wolfgang	“La Clemenza di Tito,” opera, 1791	WH, 8	77
	Arr. unknown, 8 winds
Mozart, Wolfgang	“La Clemenza di Tito,” opera, 1791	WH, 8	78
	Arr. unknown, 8 winds
Mozart, Wolfgang	“La Clemenza di Tito,” opera, 1791	WH, 8	78
	Arr. unknown, 9 winds, 9 movements
Mozart, Wolfgang	“La Clemenza di Tito,” opera, 1791	WH, 8	78
	Arr. unknown, 6 winds
Mozart, Wolfgang	“La Clemenza di Tito,” opera, 1791	WH, 8	78
	Arr. Krechtler, 8 winds
Mozart, Wolfgang	“La Clemenza di Tito,” opera, 1791	WH, 8	78
	Arr. Sartorus 7 winds
Mozart, Wolfgang	“La Clemenza di Tito,” opera, 1791	WH, 8	78
	Arr. Schmitt, 16 winds, timpani
Mozart, Wolfgang	“La Clemenza di Tito,” opera, 1791	WH, 8	78
	Arr. Stumpf, 8 winds
Mozart, Wolfgang	“La Clemenza di Tito,” opera, 1791	WH, 8	78
	Arr. unknown, 12 part Harmonie
Mozart, Wolfgang	“La Clemenza di Tito,” opera, 1791	WH, 8	78
	Arr. Unknown, 8 winds
Mozart, Wolfgang	PR La Clemenza di Tito,” opera	WH, 8	78
	Arr, Triebensee, 9 winds
Mozart, Wolfgang	PR La Clemenza di Tito,” opera	WH, 8	79
	Arr. Fuchs, 6 winds
Mozart, Wolfgang	PR La Clemenza di Tito,” opera	WH, 8	79
	Arr. Fuchs, 6 winds
Mozart, Wolfgang	PR La Clemenza di Tito,” opera	WH, 8	79
	Arr. Stumpf, 9 winds, st. bass
Mozart, Wolfgang	PR La Clemenza di Tito,” opera	WH, 8	79
	Att. Hammerl, 9 winds, serpent
Mozart, Wolfgang	PR La Clemenza di Tito,” opera	WH, 8	79
	Arr. Fuchs, 8 winds
Mozart, Wolfgang	PR La Clemenza di Tito,” opera	WH, 8	79
	Arr. Unknown, 10 winds, overture
Mozart, Wolfgang	PR La Clemenza di Tito,” opera	WH, 8	79
	Arr. Unknown, 8 winds, overture
Mozart, Wolfgang	PR La Clemenza di Tito,” opera	WH, 8	79
	Arr. Unknown, 8 winds, overture
Mozart, Wolfgang	“Die Zauberflote, opera, 1791	WH, 8	79
	Arr. Unknown 8 winds, adv. 1799
Mozart, Wolfgang	“Die Zauberflote, opera, 1791	WH, 8	79
	Arr. Unknown 8 winds
Mozart, Wolfgang	“Die Zauberflote, opera, 1791	WH, 8	80
	Arr. Stumpt, Harmoniemusik
Mozart, Wolfgang	“Die Zauberflote, opera, 1791	WH, 8	80
	Arr. Unknown, 6 winds, overture
Mozart, Wolfgang	“Die Zauberflote, opera, 1791	WH, 8	80
	Arr. Oswald, 9 winds, 7 mvts
Mozart, Wolfgang	“Die Zauberflote, opera, 1791	WH, 8	80
	Arr. Unknown, 6 mvts, Harmonie.
Mozart, Wolfgang	“Die Zauberflote, opera, 1791	WH, 8	80
	Arr. Unknown, 8 winds 8 mvts
Mozart, Wolfgang	“Die Zauberflote, opera, 1791	WH, 8	80
	Arr. Wendt, 6 winds, 2 Eng. Hns
Mozart, Wolfgang	“Die Zauberflote, opera, 1791	WH, 8	80
	Arr. Uniknown, 8 winds
Mozart, Wolfgang	“Die Zauberflote, opera, 1791	WH, 8	80
	Arr. Haydenreich, 8 wind, adv. 1792
Mozart, Wolfgang	“Die Zauberflote, opera, 1791	WH, 8	80
	Arr. Hieibesch, 9 winds, st. bass
Mozart, Wolfgang	“Die Zauberflote, opera, 11 mvts	WH, 8	81
	Arr. Feldmayher, 11 vts
Mozart, Wolfgang	“Die Zauberflote, opera, 1791	WH, 8	81
	Arr.Sartorus, 7 winds
Mozart, Wolfgang	“Die Zauberflote, opera, 1791	WH, 8	81
	Arr. Rosiniack, 8 winds
Mozart, Wolfgang	“Die Zauberflote, opera, 1791	WH, 8	81
	Arr. Unknown, 5 winds
Mozart, Wolfgang	“La Flute enchantee”	WH, 8	81
	Arr. Unknown 8 winds
Mozart, Wolfgang	“Die Zauberflote, opera, 1791	WH, 8	81
	Arr. Unknown, 6 winds
Mozart, Wolfgang	“Die Zauberflote, opera, 1791	WH, 8	81
	Arr. Unknown, “Terzetto” 8 winds
Mozart, Wolfgang	“Die Zauberflote, opera, 1791	WH, 8	81
	Arr. Gopofert, Harmoniemusik
Mozart, Wolfgang	PR “Die Zauberflote,”	WH, 8	81
	Arr. Stumpf, 6 winds
Mozart, Wolfgang	PR “Die Zauberflote, opera, 1791	WH, 8	82
	Arr. Stumpf, 8 winds
Mozart, Wolfgang	PR “Lla Flute enchantee,” 12 arias	WH, 8	82
	Arr. unknown, 8 winds
Mozart, Wolfgang	PR “Airs des Mysteres d’Isis”	WH, 8	82
	Arr. Unknown, 8 winds
Mozart, Wolfgang	PR “Mozartscher Opern”`	WH, 8	82
	Arr. Fleischmann, 8 winds
Mozart, Wolfgang	PR “Six pieces d’harmonie,” Nr. 1	WH, 8	82
	Arr. Gopfert, 9 winds, serpent
Mozart, Wolfgang	PR “Six pieces d’harmonie,” Nr.2	WH, 8	82
	Arr. Gopfert, 9 winds, serpent
Mozart, Wolfgang	PR “Six pieces d’harmonie	WH, 8	82
	Arr. Gopfert 9 winds, serpent
Mozart, Wolfgang	PR “Pieces d’harmonie”	WH, 8	82
	Arr. Gopfert, 8 winds
Mozart, Wolfgang	PR “VI Marches pour harmonie	WH, 8	83
	Arr. Gopfert, harmoniemusik
Mozart, Wolfgang	PR “Trois Pieces d’Harmonie	WH, 8	83
	Arr. Unknown, 8 winds
Mozart, Wolfgang	PR “Harmonie [Nr 1]”	WH, 8	83
	Att. Gopfert, 10 winds
Mozart, Wolfgang	PR “P:ieces d’Harmonie”	WH, 8	83
	Arr. Gopfet, 9 winds
Mozart, Wolfgang	PR “Harmoniemusik” [3 Quartets]	WH, 8	83
	Arr. Unknown, Harmoniemusik
Mozart, Wolfgang	PR “Grande Serenade…Mozart	WH, 8	83
	Arr. Stumpf, 56 winds [not K. 361]
Mozart, Wolfgang	“12 nouvelles suites d’harmonie”	WH, 8	83
	Arr. J. Gebauer, 8 winds
Mozart, Wolfgang	“Quintet” [K. 386c/497	WH, 8	93
	Arr.Rajhrad, 6 winds
Mozart, Wolfgang	“Quintet”	WH, 8	83
	Arr. Haydenreich, 8 winds
Mozart, Wolfgang	“Quintet,” op. 16 for piano	WH, 8	84
	Arr. Unknown 6 winds
Mozart, Wolfgang	Sonate” [K.300/331]	WH, 8	84
	Arr. Unknown Harmoniemusik
Mozart, Wolfgang	“Sinfonie en harmonie” [K. 297300	WH, 8	84
	Arr. Gopfert, harmoniemusik
Mozart, Wolfgang	“Syhmphony” [K. 425, Andante]	WH, 8	84
	Arrl Triebensee 8 winds
Mozart, Wolfgang	“Symphony”	WH, 8	84
	Arr. Unknown, 8 winds
Mozart, Wolfgang	“Symphony” [K. 543 Adagio, Alleg	WH, 8	84
	Arr.Triebensee, 8 winds,
Muller, Wenzel	“Sonnenfest der Braminen,” opera	WH, 8	84
	Arr. Triebensee, 8 winds